As the first book to introduce and analyze cultural studies in contemporary China, this volume is an important resource for Western scholars wishing to understand the rise and development of cultural studies in China. Organized according to subject, it includes extensive material examining the relationships between culture and politics, as well as culture and institutions in contemporary China. Further, it discusses the development of cultural debates.

"Antique', 'vintage', 'previously owned', 'gently used', 'cast-off' n the world of second hand encompasses as many attitudes as there are names for it. The popular perception is that second- hand shops are largely full of junk, yet the rise of vintage fashion and the increasing desire for consumer individuality show that second hand shopping is also very much about style. Drawing on six years of original research, Second-Hand Cultures explores what happens when the often contradictory motivations behind style and survival strategies are brought together. What does second hand buying and selling tell us about the state of contemporary consumption? How do items that begin life as new get recycled and reclaimed? How do second hand goods challenge the future of retail consumption and what do the unique shopping environments in which they are found tell us about the social relations of exchange?Answering these questions and many more, this book fills a major gap in consumption studies. Gregson and Crewe argue that second hand cultures are critical to any understanding of how consumption is actually practised. Following the life stories of goods as they travel into and through second hand sites, the authors look at the work of traders as well as consumers' investments in second hand merchandise n including gifting and collecting as well as rituals of personalization and possession. Through its revealing investigation into the practices and customs that make up these unconventional retail worlds, this much-needed study carefully unpacks the persuasive allure of the 'previously owned'.

In the years since World War II, commercial television has become the most powerful force in American culture. It is also the quintessential example of postmodernist culture. This book studies how "The Twilight Zone, The Prisoner, Twin Peaks," and "The X-Files" display many of the central characteristics that critics and theorists have associated with postmodernism, including fragmentation of narratives and characters, multiplicity in style and genre, and the collapse of traditional categorical boundaries of all kinds. The author labels these series strange TV since they challenge the conventions of television programming, thus producing a form of cognitive estrangement that potentially encourages audiences to question received ideas.

Despite their challenges to the conventions of commercial television, however, these series pose no real threat to the capitalist order. In fact, the very characteristics that identify these series as postmodern are also central characteristics of capitalism itself, especially in its late consumerist phase. An examination of these series within the context of postmodernism thus confirms Fredric Jameson's thesis that postmodernism is a reflection of the cultural logic of late capitalism. At the same time, these series do point toward the potential of television as a genuinely innovative medium that promises to produce genuinely new forms of cultural expression in the future.

This proceedings volume explores the socio-economic dimension of the heritage sector from a broad, interdisciplinary perspective. Featuring contributions from the 2016 ALECTOR International Conference held in Istanbul, Turkey, this book presents current theoretical and empirical research related to such topics as: R&D and ICT in tourism; heritage products and services; climate change; finance and tourism; cultural communication; anthropological cultural heritage; and heritage management. Collectively, the papers presented in this book provides methodologies, strategies and applications to measure the socio-economic dimension of the heritage sector and also good practices in the heritage sector that drive regional, cultural and economic development and sustainability. The EU Neighbourhood Info Centre (ENPI) Cross-Border Cooperation (CBC) Black Sea project "Collaborative Networks of Multilevel Actors to Advance Quality Standards for Heritage Tourism at Cross Border Level", or ALECTOR, focuses on different types of heritage assets as a means to invest in human capital and tourism innovation in order to achieve socio-economic development and cooperation with social partners in the Black Sea region. Featuring collaborations from Greece, Romania, Bulgaria, Moldova Ukraine, Georgia and Turkey, the project proposes a cognitive and educational framework for using a region's assets, which would guide final beneficiaries (regions, communities, SMEs) to identify, signify, valorize and manage their natural and cultural resources, in order to use heritage potential as a vehicle for tourism. Presenting case studies of successful initiatives, the enclosed papers are divided into two parts: * Part I: Economics of Heritage features innovative research results on the heritage and tourism topics from countries such as Bulgaria, Croatia, Russia, and Romania * Part II: Best Practices features best practices, experiences, and promotion plans for cultural heritage through tourism from countries such as Bulgaria, Republic of Moldova, Turkey, Russia, and Romania

This richly illustrated volume explores the eroticization of death in the literature, art, and music of the nineteenth century, and in the popular culture of our time.

Death was the natural enemy of love in the arts of the West until the late eighteenth century, when the two mated in artistic fancy to celebrate death as a font of sensual bliss. Through the nineteenth century, voluptuous visions of death pervaded high culture. Keats fell half in love with easeful death, and, as Heine told it, Life only warms in death's cold arms. For Whitman, death was the word of the sweetest song. Flaubert tempted his Saint Anthony with Lust and Death fused into a single figure. Zola saw love and death intermixed in the somber pit of the human soul. At mid- century, painters and poets alike competed in depicting Ophelia drowning in ecstasy. At the century's end the figure of the femme fatale haunted the cultural elite. After 1914, the entire morbid complex sank into popular culture.

What was the source of this eroticization of death in the arts? To answer this question, Rudolph Binion explores a rich variety of prose and poetry, painting and sculpture, and lyrical and instrumental music, interlacing love and death. He compares modern and premodern treatments of key subjects such as Salome and Mary Magdalene, supporting his text with an array of arresting illustrations. In conclusion, he traces this fantasy of carnal love beyond death to the Christian message of spiritual love beyond death, which modern, post- Christian culture has both discarded and salvaged.

In "Love Beyond Death: The Anatomy of a Myth in the Arts," Rudolph Binion investigates the various art forms where the conjunction of love and death is found and provides an explanation for this bizarre match. Supporting his text with some of the most sinister, alluring, and provocative images from the nineteenth century, Binion provides the reader with a dizzying account of the development of this artistic obsession, and of its passage into the popular culture of the twentieth century.

The matsutake mushroom continues to be a highly sought delicacy, especially in Chinese, Japanese, and Korean cuisine. Matsutake Worlds explores this mushroom through the lens of multi-species encounters centered around the matsutake's notorious elusiveness. The mushroom's success, the contributors of this volume argue, cannot be accounted for by any one cultural, social, political, or economic process. Rather, the matsutake mushroom has flourished as the result of a number of different processes and dynamics, culminating in the culinary institution we know today.

Every human society has a lineup of base, wicked, unethical characters-real and fictional-that are regarded as villainous. This book explores how western societies have used those they label villains to delineate insiders from outsiders; political, social, economic, and cultural behaviors deemed a threat to the order, harmony, and well-being of society itself; and normal as opposed to abnormal psychological behavior. Part One addresses how nature and those identified as ""barbarians"" were villainized as sinister ""others"" bent on destroying humanity and western civilization. Part Two considers how certain villainous types-tyrants, traitors, and tramps (aka ""femme fatales"")-challenged and reinforced western thinking with regard to legitimate governance, loyalty to one's people, and proper male/female roles and relationships. Part Three looks at how sociopathic gangsters and grifters and psychopathic murderers have served as models of evil and/or unprincipled behavior, and, in so doing, highlighted what we regard as moral and rightful conduct. In tandem with these villainous types, this study also considers two distinct though related phenomena, the dramatic shrinking of what is now considered villainous in the West, and the proliferation of all manner of odd and over-the-top villains in western pop culture and mass media.

The technical problems confronting different societies and periods, and the measures taken to solve them, form the concern of this annual collection of essays. It deals with the history of technical discovery and change, and explores the relationship of technology to other aspects of life - social, cultural and economic. The book shows how technological development has shaped, and been shaped by, the society in which it occurred.

The serial killer has become an obsession ever since Jack the Ripper became a media sensation, embedding a new and horrifying type of murderer into our cultural consciousness - one who kills darkly and in the dark. All popular media - print, radio, television, and so on - have become absorbed by this new figure. This book traces its diffusion through all media and discusses what this reveals about modern society. Using the Dexter saga of novels and television programs as its basis, the book argues that a "Dexter Syndrome" has emerged whereby we no longer see a difference between real and fictional serial killers. The psychological and social reasons for this are explored by tracing pop culture texts themselves (movies, novels, etc.). Above all else, Dexter's concept of a "moral code" forms a thematic thread that allows the author to argue that our contemporary moral nihilism has produced the demand for horror and horrific characters like serial killers, who have replaced medieval demons and monsters.

Using the 1893 and the 1993 World's Parliament of Religions as a focus for probing intercultural religious communication, this study describes more than a century's preoccupation with a provocative phenomenon called universal religion. It presents 12 enduringly significant speakers whose rhetorical effectiveness, combined with their concepts of universal religion, forge an intercultural synthesis combining Eastern religions and Western thought. This volume will interest scholars and students of both religion and rhetoric as well as the general public. It provides a deeper appreciation of such well-known communicators as Emerson and Thoreau, as well as an introduction to the significant contributions of thinkers such as Roy, Sen, Besant, Vivekananda, Tagore, Radhakrishnan, Gandhi, Jenkins Lloyd Jones, John Haynes Holmes, and Preston Bradley. The 1893 Parliament of The World's Religions and the 1993 World's Parliament of Religions are described by contemporary historians as watersheds in human history and turning points in humanity's spiritual progress. These parliaments are the two occasions when the world's religious leaders have gathered, and the events symbolize a growing preoccupation with an emerging universal religion evolving through interreligious communication. The 1893 Parliament is recognized for commencing interreligious dialogue and encouraging comparative religion; the 1993 Parliament is remembered for networking the worldwide religious and spiritual communities. This volume describes a little-known but highly important minority movement in which a comparatively few communicators in India and the United States have progessively synthesized Eastern religion and Western thought. The work examines these speakers and their speeches by placing this distinctive rhetorical discourse within their historical times and cultural contexts; specifying the concepts about universal religion proposed by each speaker; and indicating their contributions to an emerging and evolving religion that is universal.

The yearning to remember who we are is not easily detected in the qualitative dimensions of focus groups and ethnographic research methods; nor is it easily measured in standard quantified scientific inquiry. It is deeply rooted, obscured by layer upon layer of human efforts to survive the impact of historical amnesia induced by the dominant policies and practices of advanced capitalism and postmodern culture. Darder's introduction sets the tone by describing the formation of Warriors for Gringostroika and The New Mestizas. In the words of Anzaldua, those who cross over, pass over . . . the confines of the normal.' Critical essays follow by Mexicanas, poets, activists, and educators of all colors and persuasions. The collection coming out of the good work of the Southern California University system relates to all locales and spectrums of the human condition and will no doubt inspire excellent creativity of knowing and remembering among all who chance to read any part thereof.

This book presents a reconfiguration of the concepts of community in Latin countries as well as the community quality of life and well-being of different groups: children, young people, older adults, migrants. The traditional concept of community has changed together with the way people participate in community spaces. Community nowadays is more than a geographic concentration; it is related to social support, inter-subjectivity, participation, consensus, common beliefs, joint effort aiming at a major objective, and intense and extensive relationships. This volume presents unique experiences about culture, social development, health, water, armed conflicts, the digital media, and sports within communities, written by authors from Latin countries. This volume is a valuable resource for researchers, students, and policy makers in quality of life studies.

"A lively and interesting overview of guns in American life; past, present, and future...Guns in America: A Reader will serve most promisingly as a long-awaited introduction to a complex and controversial issue."
--"Left History"

Firearms have long been at the core of our national narratives. From the Puritans' embrace of guns to beat back the "devilish Indian" to our guilty delight in the extralegal exploits of Dirty Harry, Americans have relied on the gun to right wrongs, both real and imagined.

The extent to which guns have been woven into our nation's mythology suggests that the current debate is only partly about guns themselves and equally about conflicting cultural values and competing national identities. Belying the gun debate are a host of related issues: contesting conceptions of community, the proper relationship between the individual and the state, and the locus of responsibility for maintaining order.

Guns in America documents and analyzes the history of firearms in America, exploring various aspects of gun manufacture, ownership, and useaand more importantly, the cultural and political implications which this history reveals.

Eschewing single-minded partisanship and emphasizing nuance and compromise, Jan E. Dizard and Robert Merrill Muth have assembled a diverse array of writings from all points on the ideological spectrum. The documents span the whole of American history, from Puritan sermons to contemporary NRA documents. The result is an indispensable panorama of the never-ending controversies over gun control, crime, hunting, and militias.

Writing against the prevailing narrativization of suicide in terms of why it happened, Whitehead turns instead to the questions of when, how, and where, calling attention to suicide's materiality as well as its materialization. By turns provocative and deeply affecting, this book brings suicide into conversation with the critical medical humanities, extending beyond individual pathology and the medical institution to think about subjective and social perspectives, and to open up the various sites, scenes and interactions with which suicide is associated. Suicide is related forward from the point of death, rather than taking a retrospective view. Combining critical and textual analysis with personal reflection based on her own experience of her sister's suicide, Whitehead examines the days, months, and years following a death by suicide. This pivoting of attention to what happens in the wake of suicide brings to light the often-surprising ways in which suicide is woven into the everyday places that we inhabit, and in which it is related to all of us, albeit with varying degrees of proximity and kinship.

"Cultural Theory: An Introduction" is a concise, accessible introduction to a complex field. Philip Smith provides a balanced, wide-ranging overview of contemporary cultural theory, covering the major thinkers and key concepts that have appeared and developed over the last century. Assuming no specialist knowledge on the part of the reader, Smith deals with some of the most sophisticated issues in contemporary social thought. Coverage includes fields such as symbolic interactionism, structuralism, and psychoanalysis, and leading thinkers like Foucault, Bourdieu, Habermas, and Giddens. The book has an abundance of special features for students, with summaries, biographical notes, suggestions for further reading, and extensive cross-referencing. For any student or scholar with an interest in the theoretical study of culture and society, this book is an ideal guide.

"The claim 'I'm straight' is the psychosexual analogue of 'The check is in the mail': if you need to say it, your credit or creditability is already in doubt." So begins Paul Morrison's dazzling polemic, which takes as its point of departure Foucault's famous remark that sex is "the explanation for everything."

Combining psychoanalytic, literary, and queer theory, The Explanation for Everything seeks to account for the explanatory power attributed to homosexuality, and its relationship to compulsory heterosexuality. In the process, Morrison presents a scathing indictment of psychoanalysis and its impact on the study of sexuality. In bold but graceful leaps, Morrison applies his critique to a diversity of examples: subjectivity in Oscar Wilde, the cultural construction and reception of AIDS, the work of Robert Mapplethorpe, the practice of bodybuilding, and the contemporary reception of the sexual politics of fascism.

Analytical, witty and astute, The Explanation for Everything will challenge and amuse, establishing Paul Morrison as one of our most exciting cultural critics.

The book offers a detailed introduction to contemporary Chinese culture industry development. It starts with an analysis of the historical aspects and the contextual background rooted in the Reform & Opening-up policy. The second part discusses the development from the perspective of reality and introduces the different production modes for the country's most influential culture industries, since these are a unique feature of culture industry development in China. Lastly, the book clearly shows the strengths and weaknesses of culture industry development in China by comparing it with that of other countries against the backdrop of globalization.

From the first European contact with Tahiti in 1767, the myth of the South Sea maiden has endured through many incarnations. Although the maiden frequently provided an idealized antidote to Western women's self-assertion, the South Pacific also afforded a space where boundaries between the sexes could be relaxed and transgressed. From James Cook and Captain Bligh to James Michener and Margaret Mead, the Island girl has occupied a special place in the erotic imagination of the West. In a sweeping study that embraces history, literature, visual arts, anthropology and film, this study gives fresh insight into the myths and reality of a Western icon.

While women from far off lands have always been presented as exotic and alluring, the South Sea maiden has come to symbolize feminine sexuality, as an integral part of the adventure, sensuality, and romance of the South Pacific. Everyone from early explorers to 19th century writers and artists to latter day anthropologists, film makers, and tourism promoters have extolled their virtues and their bodies. Sturma looks behind the popular clich DEGREESD'es to reveal how the myth-making process reflected not only Western desires, but the cut and thrust of changing sexual politics. The result is an intriguing look at both South Sea image-makers and the women whom they found so seductive.

Describes the political structure of some of the Native American tribes of North America, as well as their social conditions and their relationship to the U.S. government.

This book explores how culture functions and intersects with religious groups, particularly Christians. It explores the way electronic communications, especially film and television, shape our world of meaning. Using the theories of British thinker Raymond Williams as his framework, Warren focuses on the actual process by which versions of reality are produced, the production of signification. He also draws on the ideas of Paulo Freire pointing out that cultural agency happens when individuals decide to exercise some judgment and control over the kinds of cultural material they will accept or resist.

If culture is a signifying system, says Warren, then religion is too. Contrasting values from the wider culture create dilemmas for those trying to follow a religious life. Choices either mirror the wider culture or reflect a culture of resistance. Warren seeks to help the reader develop the skills of cultural analysis by paying attention to the images that support culture, examining the life structures that support culture, and paying attention to how any particular aspect of culture is produced. Beyond all this, however, the author calls for a stance of resistance to all that violates human dignity and unity--all the aspects of culture that persons with high religious ideals cannot accept.

Students and other interested readers finally have a solid resource that describes the breadth of the evolving modern Australian society. "Culture and Customs of Australia" is the first general introduction to the rugged continent, written by an Australian novelist with particular insight. Clancy focuses on the Anglo-Irish and more recent immigrants, but the Aboriginal context is also presented.

Americans' generally superficial familiarity with the Australian continent stems mostly from recent films. Particular images stand out: the Outback, sheep shearing, surfing, the Sydney Opera House, Aborigines, and the Walkabout. Yet Europeans arrived in the late 18th century, followed by convict transports from England that started the colonization. Today, Australia remains a land of immigrants, and its ethnically diverse population has increased dramatically since World War II. Students and other interested readers finally have a solid resource that describes the breadth of the evolving modern Australian society. "Culture and Customs of Australia" is the first general introduction to the rugged continent, written by an Australian novelist with particular insight. Clancy focuses on the Anglo-Irish and more recent immigrants, but the Aboriginal context is also presented.

Readers will learn about the Australian identity, with its male mythology of the Bush. The mateship is the core element of a myth of independent, self-sufficient, freedom-loving citizens in a harsh land. This myth is set against multiculturalism and feminism. Other highlights include discussion of the weak hold that Christianity has over the population; the drastic urbanization of the last century and the suburban dream; adventure and the beach culture, with tourism; the importance of sports; the changing roles of men; the evolving cuisine, from the national barbeque to European and Asian influences; strong and long literary, artistic, and performing arts traditions; film industry talent; and the power of media in a sparsely populated country.

In the first half of the nineteenth century most leading French Romantic authors wrote travel books. French Romantic Travel Writing is the first study exclusively devoted to surveying the travelogues they produced and the reasons for, and significance of, this trend. Whilst 'the journey' was one of Romanticism's central images, suggesting as it did a dynamic, expanding, and evermore complex world in which artists' lives were increasingly experienced as wanderings and endless quests, the fashion for Romantic travel books was more marked in France than in Germany or England. Chateaubriand, Stael, Stendhal, Nodier, Hugo, Lamartine, Nerval, Gautier, Sand, Custine, Quinet, Merimee, Dumas, and Tristan all wrote one or more travelogues, including at least four masterpieces-Hugo's Le Rhin (1842), Nerval's Voyage en Orient (1851), and Stendhal's two Rome, Naples et Florence (1817 and 1826). The book explores the reasons for this difference from England and Germany. These include French foreign and cultural policies, as well as the particular needs of Parisian publishers. It puts forward the case for the collective achievement of these Romantic travel books, compared to those of most later writers in nineteenth-century France. A distinctive feature of the survey is its belief in the value of concentrating on the text of these books as published by their authors, as opposed to manuscript and peripheral material.

Hybrid Heritage on Screen provides a long overdue thorough analysis of the 1980s 'Raj Revival'. It examines imperial nostalgia and troubled ethnic, gender and class relations during the Thatcher Era as represented in cinema and television.

Japan remains one of the most intriguing yet least understood nations. In a much needed, balanced and comprehensive analysis, among other remarkable revelations, this book presents for the first time a vital key to understanding the organisation of Japan's society and the behaviour of its people. The Japanese are not driven by a universal morality based on Good and Evil, but by broad aesthetic concepts based on Pure and Impure. What they include as 'impure' will surprise many readers.