In the years since World War II, commercial television has become the most powerful force in American culture. It is also the quintessential example of postmodernist culture. This book studies how "The Twilight Zone, The Prisoner, Twin Peaks," and "The X-Files" display many of the central characteristics that critics and theorists have associated with postmodernism, including fragmentation of narratives and characters, multiplicity in style and genre, and the collapse of traditional categorical boundaries of all kinds. The author labels these series strange TV since they challenge the conventions of television programming, thus producing a form of cognitive estrangement that potentially encourages audiences to question received ideas.

Despite their challenges to the conventions of commercial television, however, these series pose no real threat to the capitalist order. In fact, the very characteristics that identify these series as postmodern are also central characteristics of capitalism itself, especially in its late consumerist phase. An examination of these series within the context of postmodernism thus confirms Fredric Jameson's thesis that postmodernism is a reflection of the cultural logic of late capitalism. At the same time, these series do point toward the potential of television as a genuinely innovative medium that promises to produce genuinely new forms of cultural expression in the future.

This richly illustrated volume explores the eroticization of death in the literature, art, and music of the nineteenth century, and in the popular culture of our time.

Death was the natural enemy of love in the arts of the West until the late eighteenth century, when the two mated in artistic fancy to celebrate death as a font of sensual bliss. Through the nineteenth century, voluptuous visions of death pervaded high culture. Keats fell half in love with easeful death, and, as Heine told it, Life only warms in death's cold arms. For Whitman, death was the word of the sweetest song. Flaubert tempted his Saint Anthony with Lust and Death fused into a single figure. Zola saw love and death intermixed in the somber pit of the human soul. At mid- century, painters and poets alike competed in depicting Ophelia drowning in ecstasy. At the century's end the figure of the femme fatale haunted the cultural elite. After 1914, the entire morbid complex sank into popular culture.

What was the source of this eroticization of death in the arts? To answer this question, Rudolph Binion explores a rich variety of prose and poetry, painting and sculpture, and lyrical and instrumental music, interlacing love and death. He compares modern and premodern treatments of key subjects such as Salome and Mary Magdalene, supporting his text with an array of arresting illustrations. In conclusion, he traces this fantasy of carnal love beyond death to the Christian message of spiritual love beyond death, which modern, post- Christian culture has both discarded and salvaged.

In "Love Beyond Death: The Anatomy of a Myth in the Arts," Rudolph Binion investigates the various art forms where the conjunction of love and death is found and provides an explanation for this bizarre match. Supporting his text with some of the most sinister, alluring, and provocative images from the nineteenth century, Binion provides the reader with a dizzying account of the development of this artistic obsession, and of its passage into the popular culture of the twentieth century.

The matsutake mushroom continues to be a highly sought delicacy, especially in Chinese, Japanese, and Korean cuisine. Matsutake Worlds explores this mushroom through the lens of multi-species encounters centered around the matsutake's notorious elusiveness. The mushroom's success, the contributors of this volume argue, cannot be accounted for by any one cultural, social, political, or economic process. Rather, the matsutake mushroom has flourished as the result of a number of different processes and dynamics, culminating in the culinary institution we know today.

Every human society has a lineup of base, wicked, unethical characters-real and fictional-that are regarded as villainous. This book explores how western societies have used those they label villains to delineate insiders from outsiders; political, social, economic, and cultural behaviors deemed a threat to the order, harmony, and well-being of society itself; and normal as opposed to abnormal psychological behavior. Part One addresses how nature and those identified as ""barbarians"" were villainized as sinister ""others"" bent on destroying humanity and western civilization. Part Two considers how certain villainous types-tyrants, traitors, and tramps (aka ""femme fatales"")-challenged and reinforced western thinking with regard to legitimate governance, loyalty to one's people, and proper male/female roles and relationships. Part Three looks at how sociopathic gangsters and grifters and psychopathic murderers have served as models of evil and/or unprincipled behavior, and, in so doing, highlighted what we regard as moral and rightful conduct. In tandem with these villainous types, this study also considers two distinct though related phenomena, the dramatic shrinking of what is now considered villainous in the West, and the proliferation of all manner of odd and over-the-top villains in western pop culture and mass media.

The serial killer has become an obsession ever since Jack the Ripper became a media sensation, embedding a new and horrifying type of murderer into our cultural consciousness - one who kills darkly and in the dark. All popular media - print, radio, television, and so on - have become absorbed by this new figure. This book traces its diffusion through all media and discusses what this reveals about modern society. Using the Dexter saga of novels and television programs as its basis, the book argues that a "Dexter Syndrome" has emerged whereby we no longer see a difference between real and fictional serial killers. The psychological and social reasons for this are explored by tracing pop culture texts themselves (movies, novels, etc.). Above all else, Dexter's concept of a "moral code" forms a thematic thread that allows the author to argue that our contemporary moral nihilism has produced the demand for horror and horrific characters like serial killers, who have replaced medieval demons and monsters.

The technical problems confronting different societies and periods, and the measures taken to solve them, form the concern of this annual collection of essays. It deals with the history of technical discovery and change, and explores the relationship of technology to other aspects of life - social, cultural and economic. The book shows how technological development has shaped, and been shaped by, the society in which it occurred.

As the first book to introduce and analyze cultural studies in contemporary China, this volume is an important resource for Western scholars wishing to understand the rise and development of cultural studies in China. Organized according to subject, it includes extensive material examining the relationships between culture and politics, as well as culture and institutions in contemporary China. Further, it discusses the development of cultural debates.

"A lively and interesting overview of guns in American life; past, present, and future...Guns in America: A Reader will serve most promisingly as a long-awaited introduction to a complex and controversial issue."
--"Left History"

Firearms have long been at the core of our national narratives. From the Puritans' embrace of guns to beat back the "devilish Indian" to our guilty delight in the extralegal exploits of Dirty Harry, Americans have relied on the gun to right wrongs, both real and imagined.

The extent to which guns have been woven into our nation's mythology suggests that the current debate is only partly about guns themselves and equally about conflicting cultural values and competing national identities. Belying the gun debate are a host of related issues: contesting conceptions of community, the proper relationship between the individual and the state, and the locus of responsibility for maintaining order.

Guns in America documents and analyzes the history of firearms in America, exploring various aspects of gun manufacture, ownership, and useaand more importantly, the cultural and political implications which this history reveals.

Eschewing single-minded partisanship and emphasizing nuance and compromise, Jan E. Dizard and Robert Merrill Muth have assembled a diverse array of writings from all points on the ideological spectrum. The documents span the whole of American history, from Puritan sermons to contemporary NRA documents. The result is an indispensable panorama of the never-ending controversies over gun control, crime, hunting, and militias.

Our genetic markers have come to be regarded as portals to the past. Analysis of these markers is increasingly used to tell the story of human migration; to investigate and judge issues of social membership and kinship; to rewrite history and collective memory; to right past wrongs and to arbitrate legal claims and human rights controversies; and to open new thinking about health and well-being. At the same time, in many societies genetic evidence is being called upon to perform a kind of racially charged cultural work: to repair the racial past and to transform scholarly and popular opinion about the "nature" of identity in the present. Genetics and the Unsettled Past considers the alignment of genetic science with commercial genealogy, with legal and forensic developments, and with pharmaceutical innovation to examine how these trends lend renewed authority to biological understandings of race and history. This unique collection brings together scholars from a wide range of disciplines-biology, history, cultural studies, law, medicine, anthropology, ethnic studies, sociology-to explore the emerging and often contested connections among race, DNA, and history. Written for a general audience, the book's essays touch upon a variety of topics, including the rise and implications of DNA in genealogy, law, and other fields; the cultural and political uses and misuses of genetic information; the way in which DNA testing is reshaping understandings of group identity for French Canadians, Native Americans, South Africans, and many others within and across cultural and national boundaries; and the sweeping implications of genetics for society today.

A collection of essays that explore the effects of modernization on Jewish self-understanding. Over the last three centurles, the Jewish experience has been profoundly affected by modernity, which Meyer defines as not only technological advance, cultural innovation, and reliance upon human reason but also as the adaptation of Jews to a modern framework within non-Jewish economies, societies, and cultures. Judaism within Modernity begins with an exploration of Jewish historiography and the problems of periodization in modern Jewish history. In these beginning essays we see the range of Meyer's thinking about what constitutes modernization and how to determine its beginning. He discusses the role of history in defining identity among Jews and suggests that finding an adequate paradigm of continuity is essential to the historian's task. The essays in the second section focus on the Jews of Germany. Here Meyer writes about the influence of German Jews on Jews in the United States, comparing the historical experience of the two communities. These essays also address the intersection of religion, scholarship, and history with politics in nineteenth- and twentiety-century Germany. A third section deals with the European Reform movement, which brought a liberal Judaism to the majority of German Jews. Here Meyer likewise presents a fresh perspective on the way the Reform movement was viewed by those outside of it, especially by non-Jews. The essays in the final section explore Judaism in the United States. In particular, they show how reform Judaism and Zionism were able to recondle their initial differences. Judaism within Modernity is an impressive collection of essays written by a renowned Jewish historian and will be a standard volume for students and scholars of the modern Jewish experience.

This book explores how culture functions and intersects with religious groups, particularly Christians. It explores the way electronic communications, especially film and television, shape our world of meaning. Using the theories of British thinker Raymond Williams as his framework, Warren focuses on the actual process by which versions of reality are produced, the production of signification. He also draws on the ideas of Paulo Freire pointing out that cultural agency happens when individuals decide to exercise some judgment and control over the kinds of cultural material they will accept or resist.

If culture is a signifying system, says Warren, then religion is too. Contrasting values from the wider culture create dilemmas for those trying to follow a religious life. Choices either mirror the wider culture or reflect a culture of resistance. Warren seeks to help the reader develop the skills of cultural analysis by paying attention to the images that support culture, examining the life structures that support culture, and paying attention to how any particular aspect of culture is produced. Beyond all this, however, the author calls for a stance of resistance to all that violates human dignity and unity--all the aspects of culture that persons with high religious ideals cannot accept.

The yearning to remember who we are is not easily detected in the qualitative dimensions of focus groups and ethnographic research methods; nor is it easily measured in standard quantified scientific inquiry. It is deeply rooted, obscured by layer upon layer of human efforts to survive the impact of historical amnesia induced by the dominant policies and practices of advanced capitalism and postmodern culture. Darder's introduction sets the tone by describing the formation of Warriors for Gringostroika and The New Mestizas. In the words of Anzaldua, those who cross over, pass over . . . the confines of the normal.' Critical essays follow by Mexicanas, poets, activists, and educators of all colors and persuasions. The collection coming out of the good work of the Southern California University system relates to all locales and spectrums of the human condition and will no doubt inspire excellent creativity of knowing and remembering among all who chance to read any part thereof.

"The claim 'I'm straight' is the psychosexual analogue of 'The check is in the mail': if you need to say it, your credit or creditability is already in doubt." So begins Paul Morrison's dazzling polemic, which takes as its point of departure Foucault's famous remark that sex is "the explanation for everything."

Combining psychoanalytic, literary, and queer theory, The Explanation for Everything seeks to account for the explanatory power attributed to homosexuality, and its relationship to compulsory heterosexuality. In the process, Morrison presents a scathing indictment of psychoanalysis and its impact on the study of sexuality. In bold but graceful leaps, Morrison applies his critique to a diversity of examples: subjectivity in Oscar Wilde, the cultural construction and reception of AIDS, the work of Robert Mapplethorpe, the practice of bodybuilding, and the contemporary reception of the sexual politics of fascism.

Analytical, witty and astute, The Explanation for Everything will challenge and amuse, establishing Paul Morrison as one of our most exciting cultural critics.

From the first European contact with Tahiti in 1767, the myth of the South Sea maiden has endured through many incarnations. Although the maiden frequently provided an idealized antidote to Western women's self-assertion, the South Pacific also afforded a space where boundaries between the sexes could be relaxed and transgressed. From James Cook and Captain Bligh to James Michener and Margaret Mead, the Island girl has occupied a special place in the erotic imagination of the West. In a sweeping study that embraces history, literature, visual arts, anthropology and film, this study gives fresh insight into the myths and reality of a Western icon.

While women from far off lands have always been presented as exotic and alluring, the South Sea maiden has come to symbolize feminine sexuality, as an integral part of the adventure, sensuality, and romance of the South Pacific. Everyone from early explorers to 19th century writers and artists to latter day anthropologists, film makers, and tourism promoters have extolled their virtues and their bodies. Sturma looks behind the popular clich DEGREESD'es to reveal how the myth-making process reflected not only Western desires, but the cut and thrust of changing sexual politics. The result is an intriguing look at both South Sea image-makers and the women whom they found so seductive.

Describes the political structure of some of the Native American tribes of North America, as well as their social conditions and their relationship to the U.S. government.

This book examines the new ways of working and their impact on employees' well-being and performance. It concentrates on job demands and flexible work emanating from current economic and organizational change, and assesses impact on workers' health and performance. The development of issues such as globalization, rapid technological advances, new management practices, organizational changes and new job skills are addressed. This book gives an overview and discusses the potential negative and positive effects of such new job demands and new forms of work.

Students and other interested readers finally have a solid resource that describes the breadth of the evolving modern Australian society. "Culture and Customs of Australia" is the first general introduction to the rugged continent, written by an Australian novelist with particular insight. Clancy focuses on the Anglo-Irish and more recent immigrants, but the Aboriginal context is also presented.

Americans' generally superficial familiarity with the Australian continent stems mostly from recent films. Particular images stand out: the Outback, sheep shearing, surfing, the Sydney Opera House, Aborigines, and the Walkabout. Yet Europeans arrived in the late 18th century, followed by convict transports from England that started the colonization. Today, Australia remains a land of immigrants, and its ethnically diverse population has increased dramatically since World War II. Students and other interested readers finally have a solid resource that describes the breadth of the evolving modern Australian society. "Culture and Customs of Australia" is the first general introduction to the rugged continent, written by an Australian novelist with particular insight. Clancy focuses on the Anglo-Irish and more recent immigrants, but the Aboriginal context is also presented.

Readers will learn about the Australian identity, with its male mythology of the Bush. The mateship is the core element of a myth of independent, self-sufficient, freedom-loving citizens in a harsh land. This myth is set against multiculturalism and feminism. Other highlights include discussion of the weak hold that Christianity has over the population; the drastic urbanization of the last century and the suburban dream; adventure and the beach culture, with tourism; the importance of sports; the changing roles of men; the evolving cuisine, from the national barbeque to European and Asian influences; strong and long literary, artistic, and performing arts traditions; film industry talent; and the power of media in a sparsely populated country.

"Cultural Theory: An Introduction" is a concise, accessible introduction to a complex field. Philip Smith provides a balanced, wide-ranging overview of contemporary cultural theory, covering the major thinkers and key concepts that have appeared and developed over the last century. Assuming no specialist knowledge on the part of the reader, Smith deals with some of the most sophisticated issues in contemporary social thought. Coverage includes fields such as symbolic interactionism, structuralism, and psychoanalysis, and leading thinkers like Foucault, Bourdieu, Habermas, and Giddens. The book has an abundance of special features for students, with summaries, biographical notes, suggestions for further reading, and extensive cross-referencing. For any student or scholar with an interest in the theoretical study of culture and society, this book is an ideal guide.

In the first half of the nineteenth century most leading French Romantic authors wrote travel books. French Romantic Travel Writing is the first study exclusively devoted to surveying the travelogues they produced and the reasons for, and significance of, this trend. Whilst 'the journey' was one of Romanticism's central images, suggesting as it did a dynamic, expanding, and evermore complex world in which artists' lives were increasingly experienced as wanderings and endless quests, the fashion for Romantic travel books was more marked in France than in Germany or England. Chateaubriand, Stael, Stendhal, Nodier, Hugo, Lamartine, Nerval, Gautier, Sand, Custine, Quinet, Merimee, Dumas, and Tristan all wrote one or more travelogues, including at least four masterpieces-Hugo's Le Rhin (1842), Nerval's Voyage en Orient (1851), and Stendhal's two Rome, Naples et Florence (1817 and 1826). The book explores the reasons for this difference from England and Germany. These include French foreign and cultural policies, as well as the particular needs of Parisian publishers. It puts forward the case for the collective achievement of these Romantic travel books, compared to those of most later writers in nineteenth-century France. A distinctive feature of the survey is its belief in the value of concentrating on the text of these books as published by their authors, as opposed to manuscript and peripheral material.

Japan remains one of the most intriguing yet least understood nations. In a much needed, balanced and comprehensive analysis, among other remarkable revelations, this book presents for the first time a vital key to understanding the organisation of Japan's society and the behaviour of its people. The Japanese are not driven by a universal morality based on Good and Evil, but by broad aesthetic concepts based on Pure and Impure. What they include as 'impure' will surprise many readers.

The 16th-century conquest of Mexico and its effects are best understood as cultural manifestations of animal behavior patterns which humans share with other primates. While Nahuas and Spaniards can be distinguished on the basis of learned cultural differences, such differences only exaggerated particular expressions of the universal behavioral patterns they shared. Brutality and benevolence were used in the same way by both to establish hierarchy and cultural bonding. After the conquest, a new Mexican synthesis could be constructed because of these commonalities. Alves explores the formation of that synthesis by examining such aspects of material culture as food, clothing, and shelter-especially as they manifest such universal primate tendencies as hierarchy, reciprocity, benevolence, brutality, xenophobia, curiosity, and territoriality. Alves proposes that humans are historically best understood by using current advances in the fields of primatology and ethology. This groundbreaking book will be of great interest to Latin Americanists, historians, and anthropologists.

Hybrid Heritage on Screen provides a long overdue thorough analysis of the 1980s 'Raj Revival'. It examines imperial nostalgia and troubled ethnic, gender and class relations during the Thatcher Era as represented in cinema and television.

Using depth psychology to develop a globally rooted psychoanalytic perspective, Jerry Kroth explores the psychological underpinnings of events, conflicts, and changes that may have deeper symbolic meanings than we generally suppose. Through his strategy of treating real occurrences as dreams arising from the collective unconscious, Kroth is able to derive clues to the significance of present happenings and identify incidents that have accurately predicted subsequent events.

Beginning with a dream interpretation approach to the Jim Jones phenomenon, Kroth discusses the power of the trickster archetype in American society. In another chapter, he connects the panic following Orson Welles's 1938 radio broadcast of H.G. Wells's "War of the WorldS" to a collective dream anticipating the cataclysm of World War II, which was to unfold only eleven months later. In the remaining chapters Kroth sifts through some of the omens and oracles that confront us today, finding many of the same foreboding conclusions. His examination of the Gorbachev revolution from the standpoint of Russian national character and psychohistory yields future scenarios less optimistic than have usually been anticipated. Other topics addressed are the collective dreams and portents encoded in the mass media, the Cambodian disaster as an aspect of the American shadow, and Israel's David-and-Goliath duel with the Palestinians. This incisive work is aimed at alerting us to the fact that consciously perceived events contain vital symbolic information on the psychological state of the union and suggest a number of unsettling future scenarios. Appropriate for general readers as well as classes and studies in clinical psychology, social psychology, cultural anthropology, political science, and related fields.