The Romantic pianist-the solo pianist who plays nineteenth-century piano music-has become an attractive figure in the popular imagination, considering the innumerable artworks, literature, and films representing this performer's seductive allure. Dreams of Love pursues a wide-ranging interdisciplinary approach to understanding the "romantic" pianist as a cultural icon, focusing on the role of technology in producing and perpetuating this mythology over the past two centuries. Sound recording and cinema have shaped the pianist's music and image since the early twentieth century, but these contemporary media technologies build upon practices established during the early nineteenth century: the influence of the piano keyboard on early telegraphs and typewriters, the invention of the solo recital alongside developments in photography, and the ways that piano design and the placement of the instrument on stage structure our viewing-listening perspectives. The concept of technology can be broadened to include the performance of gender and sexuality as further ways of making the pianist into an attractive cultural figure. The book's three sections deal with the touch, sights, and sounds of the Romantic pianist's playing as mediated through various forms of technology. Analyzing these persistent Liebestraume and exploring how they function can reveal their meaning for performers, audiences, and music lovers of the past and present too.

The demise of the monarchy and the bodily absence of a King caused a representational crisis in the early republic, forcing the American people to reconstruct the social symbolic order in a new and unfamiliar way. Social historians have routinely understood the Revolution and the early republic as projects dedicated to and productive of reason, with "the people" as an orderly and sensible collective at odds with the volatile and unthinking crowd. American Enchantment rejects this traditionally held vision of a rational public sphere, arguing that early Americans dealt with the post-monarchical crisis by engaging in "civil mysticism," not systematic discussion and debate. By evaluating a wide range of social and political rituals and literary and cultural discourses, Sizemore shows how "enchantment" becomes a vital mode of enacting the people after the demise of traditional monarchical forms. In works by Charles Brockden Brown, Washington Irving, Catharine Sedgwick, and Nathaniel Hawthorne-as well as in Delaware oral histories, accounts of George Washington's inauguration, and Methodist conversion narratives-enchantment is an experience uniquely capable of producing new forms of popular power and social affiliation. Recognizing the role of enchantment in constituting the people overturns some of the most common-sense assumptions in the post-revolutionary world: above all, that the people are not simply a flesh-and-blood substance, but also a mystical force.

Visions of England is a provocative and original exploration of Englishness, in particular English class, in contemporary cinema. Class has been a central part, whether consciously or not, of much of English social analysis and artistic production for over a century. But as a way of interpreting society, class has found itself sidelined in a postmodern world. Visions of England presents a detailed analysis of the changing landscape of English class and culture. Visions of England explores a wide range of film production - from gangster thrillers like Lock, Stock Two Smoking Barrels to the period cinema of Elizabeth, from cult classics like Performance and Trainspotting to the mainstream romantic comedy of Notting Hill and Bridget Jones, from the social realist drama of Billy Elliot and The Full Monty to the multicultural comedy of Bend it like Beckham, and the experimentalism of films such as London Orbital and Robinson in Space. An extraordinarily wide-ranging and incisive study, Visions of England rewrites the relationship of film and Englishness.

Deciding what to eat and how to eat it are two of the most basic acts of everyday life. Yet every choice also implies a value judgement: 'good' foods versus 'bad', 'proper' and 'improper' ways of eating, and 'healthy' and 'unhealthy' bodies. These food decisions are influenced by a range of social, political and economic bioauthorities, and mediated through the individual 'eating body'. This book is unique in the cultural politics of food in its exploration of a range of such bioauthorities and in its examination of the interplay between them and the individual eating body. No matter whether they are accepted or resisted, our eating practices and preferences are shaped by, and shape, these agencies. Abbots places the body, materiality and the non-human at the heart of her analysis, interrogating not only how the individual's embodied eating practices incorporate and reject the bioauthorities of food, but also how such authorities are created by the individual act of eating. Drawing on ethnographic case studies from across the globe, The Agency of Eating provides an important analysis of the power dynamics at play in the contemporary food system and the ways in which agency is expressed and bounded. This book will be of great benefit to any with an interest in food studies, anthropology, sociology and human geography.

The literature of the Irish Revival of the 1890s should be seen as a hinge between the nineteenth- and twentieth-centuries. Its authors appropriated the 'primitive' through the lenses of comparative anthropology, mythology and colonial travel-writing and actively strove to re-establish contact with primitive modes through 'the study of mythology, anthropology and psychoanalysis'. They were engaged in was a complex and volitional primitivism, which became 'modernist' as it utilized the findings of social science. The works of W. B. Yeats, J. M. Synge and Lady Gregory are all analysed as the product of such influences. But Garrigan Mattar also suggests that Celticism itself underwent a sea-change during the nineteenth century, recreating itself in academic circles as an anti-primitivist science - 'Celtology'. It was only to be a matter of time before Yeats and Synge, who read widely in the works of Celtology, would look to this new science to find alternatives to the primitivism of the Twilight.

Myths such as Narcissus' reflection, Pandora's box, and Plato's cave have been used to frame modern technological dangers; often to describe people absorbed in their own digital reflections. Such speculation either purports that technology has a magical power or else that technology merely represents human nature unchanged from the myth's inception. But those accounts ignore the paradoxical understandings of the power relationships allegorized, where people are manipulated by higher forces beyond their comprehension. Working from the assumption that capitalism rather than God is the highest power, this book examines mythic anticipations of the screen and digital technology from European literature, poetry, folklore and philosophy. Digital technology and social media are approached not as reflections of human nature but capitalist ideology's power to enchant. To this end, Capitalism and the Enchanted Screen also surveys a diverse variety of films, digital media and contemporary artworks to understand and critique how myths are reimagined today.

No one in America has done more observing of more people than Dr. Frank I. Luntz. From Bill O'Reilly to Bill Maher, America's leading pundits, prognosticators, and CEOs turn to Luntz to explain the present and to predict the future. With all the upheavals of recent events, the plans and priorities of the American people have undergone a seismic shift. Businesses everywhere are trying to market products and services during this turbulent time, but only one man really understands the needs and desires of the New America. From restaurant booths to voting booths, Luntz has watched and assessed our private habits, our public interests, and our hopes and fears. What are the five things Americans want the most? What do they really want in their daily lives? In their jobs? From their government? For their families? And how does understanding what Americans want allow businesses to thrive? Luntz disassembles the preconceived notions we have about one another and lays all the pieces of the American condition out in front of us, openly and honestly, then puts the pieces back together in a way that reflects the society in which we live. What Americans Really Want...Really is a real, if sometimes scary, discussion of Americans' secret hopes, fears, wants, and needs. The research in this book represents a decade of face-to-face interviews with twenty-five thousand people and telephone polls with one million more, as well as the exclusive, first-ever "What Americans Really Want" survey. What Luntz offers is a glimpse into the American psyche, along with analysis that will rock assumptions and right business judgment. He proves that success in virtually any profession demands that we either understand what Americans really want, or suffer the consequences. Praise for Frank Luntz: "When Frank Luntz invites you to talk to his focus group, you talk to his focus group."
--President Barack Obama, spoken on June 28, 2007, to a PBS-sponsored focus group following the Democratic presidential debate at Howard University "Frank Luntz understands the American people better than anyone I know." --Newt Gingrich, former Speaker of the House "The Nostradamus of pollsters."
--Sir David Frost "America's top companies listen to Frank Luntz because he understands what customers want and what employees think. He has a keen sense of the American psyche and an outstanding command of language that empowers and persuades." --Thomas J. Donohue, President & CEO, U.S. Chamber of Commerce

In recent years, the Sino-Tibetan frontier regions have attracted increasing scholarly interest. The region of Rebkong in Qinghai province is of particular significance because of its unique location on the Sino-Tibetan borderland, its multi-ethnic population and its complex religious history, which incorporates both large Geluk monasteries and significant Nyingma and Bonpo lay tantric communities. Covering the nineteenth century to the present, this volume brings together ten papers that explore the relationship between religion and culture in Rebkong. Using insights from anthropology, history and religious studies, the contributors offer new research and fresh interpretations of this important region on China's periphery, discussing issues of ethnicity and identity, the role of public institutions, and the role of religion and rituals.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture-the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large. A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

The book contains the memoirs of Robert van Voren covering the period 1977-2008 and provides unique insights into the dissident movement in the Soviet Union in the 1980s, both inside the country and abroad. As a result of his close friendship with many of the leading dissidents and his dozens of trips to the USSR as a courier, he had intimate knowledge of the ins and outs of the dissident movement and participated in many of the campaigns to obtain the release of Soviet political prisoners. In the late 1980s he became involved in building a humane and ethical practice of psychiatry in Eastern Europe and the (ex-) USSR, based on respect for the human rights of persons with mental illness. The book describes the dissident movement and many of the people who formed it, mental health reformers in Eastern Europe and the response of the Western psychiatric community, the battle with the World Psychiatric Association over Soviet, and later, Chinese political abuse of psychiatry, his contacts with former KGB officers and problems with the KGB's successor organization, the FSB. It also vividly describes the emotional effects of serving as a courier for the dissident movement, the fear of arrest, the pain of seeing friends disappear for many years into camps and prisons, sometimes never to return.

The world of sport is saturated with the signs and images of transnational corporations. But what effect does the relationship between sport and transnational corporate capitalism have on national cultural identities?From baseball in Japan to the growth of womens soccer in the US, from the corporate use of sport after September 11th to the FA Cup and the NBA, sporting events and their corporate partners can have a profound impact on collective imaginations at both transnational and local levels. Sport and Corporate Nationalisms explores the localized logics and practices underlying the marketing initiatives of major conglomerates and their increasing influence on the shaping and experiencing of national cultures. Corporations depend on sport as a vital marketing vehicle for inserting their interests into the lives of local consumers. This book puts forth convincing arguments that relate the role of sport-marketing complexes to national cultural markets in a global age.Sport and Corporate Nationalisms provides a much-needed analysis of the growing evolution of marketing strategies in the world of sport.

From digital-display dresses to remote control couture, this book exposes the revolutionary interface between contemporary fashion and technology. As twenty-first century fashion makes a dramatic departure from traditional methods, designers no longer turn to the past for inspiration, but look to the hi-tech future. The result is techno fashion, the new wave of intelligent clothing that fuses fashion with communication technology, electronic textiles, and sophisticated design innovations that express new ideas about appearance, construction and wearability. Born out of the collaboration between fashion designers, researchers and scientists, this new dialogue could be the most significant design innovation in fashion's history, or indicate its eventual demise. Either way, techno fashion promises to forever disrupt the historical narrative of fashion evolution. Through interviews with designers ranging from innovators such as Hussein Chalayan and Tristan Webber to mavericks like Alexander McQueen, Bradley Quinn examines the impact of this new direction. The fusion of design and technology introduced by Yohji Yamamoto, Rei Kawakubo and Issey Miyake has created another direction for clothing, creating a new breed of designer-cum-scientist who redefines the way we dress, communicate, and even respond to environmental changes. As technology begins to shape fashion's future, it redefines the boundaries between clothing, body and machine, forever transforming the ethics and lifestyles traditionally designated by codes of dress.

This volume approaches China's Belt and Road Initiative as a process of culturalization, one that started with the Silk Road and continued over the millennium. In mainstream literature, the Belt and Road Initiative (BRI) has been portrayed as the geo-economic vision and geo-political ambition of China's current leaders, intended to shape the future of the world. However, this volume argues that although geo-politics and geo-economy may play their part, the BRI more importantly creates a venue for the meeting of cultures by promoting people-to-people interaction and exchange. This volume explores the journey from the Silk-Road to Belt-Road by analyzing topics ranging from history to religion, from language to culture, and from environment to health. As such, scholars, academics, researchers, undergraduate and graduate students from the Humanities, Social Sciences, and Business will find an alternative approach to the Belt and Road Initiative.

Terry Teachout's thought-provoking observations on everyone from Louis Armstrong to The Sopranos, and on everything from American opera to serials on TV. Terry Teachout, one of our most acute cultural commentators, here turns his sharp eye to every corner of the arts world--music, dance, literature, theater, film, TV, and the visual arts. This collection gathers the best of Teachout's writings from the past fifteen years. In each essay he offers lucid and balanced judgments that invariably illuminate, sometimes infuriate, and always spark a response--the mark of a critic whose thoughts, however controversial, cannot be ignored. In a thoughtful introduction to the book, Teachout considers how American culture of the twenty-first century differs from that of the last century and how the information age has altered popular culture. His selected essays chronicle America's cultural journey over the past decade and a half, and they show us what has been lost--and gained--along the way. With highly informed opinions, an inimitable wit and style, and a genuine devotion to all things cultural, Teachout offers his readers much to delight in and much to ponder.

The orientation of academic institutions has in recent years been moving away from highly specialized area studies in the classical sense towards broader regional and comparative studies. Cultural studies points to the limitation of Western approaches to non-Western cultures - a development not yet reflected in actual research and data collections. Bringing together scholars from all over the world with specialized knowledge in both Western and non-Western languages, literatures, and cultures, this collection of essays provides new insights into the agency of non-Western literatures in relation to the West - a term used with critical caution and, like other common binary dualisms, challenged here. Inter-cultural expertise, seldom applied in the combination of Asian, African, and 'oriental' perspectives, makes this compilation of essays an important contribution to the study of colonialism and postcoloniality. Topics covered include postcolonial Arabic writing; T.S. Eliot in contemporary Arabic poetry; Algerian (and Berber) literature; the English language and narratives in Kenyan art; characterization, dialogism, gender and Western infuence in modern Hindi fiction; "Naya" drama in India; modern Burmese theatre and literature under Western influence; Remarque's "All Quiet on the Western Front "and the Vietnamese "Novel Without a Name"; Western Marxism and vernacular literature in colonial Indonesia; hybridity in "Komedi Stambul"; and Sherlock Holmes in/and the crime fiction of Siam and Indonesia Contributors: Amina Azza Bekkat; Thomas de Bruijn; Matthew Isaac Cohen; Rasheed El-Enany; Keith Foulcher; Saddik M. Gohar; Rachel Harrison; Doris Jedamski; Ursula Lies; Daniela Merolla; Evan Mwangi; Guzel Vladimirovna Strelkova; Anna Suvorova; U Win Pe

Stephen Castles provides a deeper understanding of recent 'migration crises' in this fascinating and highly topical work. The book links theory and methodology to real-world migration experiences, with a truly global perspective and in-depth analysis of the links between economics, migration and asylum and refugee issues. Key features surrounding this complex and often controversial field are examined through five thematic sections: the sociological theories and methodologies most appropriate for understanding the migratory process, including the changing nature of international migration in an era of globalization analysis of contemporary types of migration and the cruciality of understanding migration as a dynamic social process - inability to do so may lead to policy failure and unintended consequences the relationship between migration and development asylum and refugees the effects of international migration on citizenship and identity, providing a critical perspective on the emergence of transnationalism. Migration, Citizenship and Identity will appeal to graduate students, senior undergraduates and lecturers in international migration, globalization, sociology, political science, demography and geography. Government officials, civil society activists, social workers, medical personnel, lawyers and other professional groups whose work is concerned with migrants and refugees will also find much to engage them.

For 30 years, since the publication of her landmark book The Sexual Politics of Meat, Carol J. Adams and her readers have continued to document and hold to account the degrading interplay of language about women, domesticated animals, and meat in advertising, politics, and media. Serving as sequel and visual companion, The Pornography of Meat charts the continued influence of this language and the fight against it. This new edition includes more than 300 images, most of them new, and brings the book up to date to include expressions of misogyny in online media and advertising, the #MeToo movement, and the impact of Donald Trump and white supremacy on our political language. Never has this book--or Adams's analysis--been more relevant.

This anthology of essays, Northern Myths, Modern Identities, explores the various ways in which ancient mythologies have been cultivated in the cultural construction of ethnic, national and supra-national identities from 1800 to the present. How were Old Norse, Finno-Ugric and Frisian myths employed as rhetorical devices in national narratives? And how did (and do) these new interpretations convey a sense of 'northernness'? This volume approaches these issues from an interdisciplinary and international perspective, and brings together case studies from Scandinavia, the Baltic region, Friesland, Britain, the United States and even Japan. Thus, it provides a unique insight into the reception history and uses of northern myths in the present, and their role in the creation of modern identities. Contributors are: Tim van Gerven, Gylfi Gunnlaugsson, Simon Halink, Sumarlidi R. Isleifsson, Otto S. Knottnerus, Joep Leerssen, Daisy Neijmann, Han Nijdam, Robert A. Saunders, Katja Schulz, Tom Shippey, Carline Tromp, and Kendra Willson.

Despite its international significance, Madrid has been almost entirely ignored by urban, literary and cultural studies published in English. A Cultural History of Madrid: Modernism and the Urban Spectacle corrects that oversight by presenting an urban and cultural history of the city from the turn of the century to the early 1930s.Between 1900 and 1930, Madrid's population doubled to almost one million, with less than half the population being indigenous to the city itself. Far from the 'Castilian' capital it was made out to be, Madrid was fast becoming a socially magnetic, increasingly secular and cosmopolitan metropolis. Parsons explores the interface between elite, mass and popular culture in Madrid while considering the construction of a modern madrileno identity that developed alongside urban and social modernization. She emphasizes the interconnection of art and popular culture in the creation of a metropolitan personality and temperament.The book draws on literary, theatrical, cinematic and photographic texts, including the work of such figures as Ramon Mesonero Romanos, Benito Perez Galdos, Pio Baroja, Ramon Gomez de la Serna, Ramon Valle-Inclan and Maruja Mallo. In addition, the author examines the development of new urban-based art forms and entertainments such as the zarzuela, music halls and cinema, and considers their interaction with more traditional cultural identities and activities. In arguing that traditional aspects of culture were incorporated into the everyday life of urban modernity, Parsons shows how the boundaries between 'high' and 'low' culture became increasingly blurred as a new identity influenced by modern consumerism emerged. She investigates theinteraction of the geographical landscape of the city with its expression in both the popular imagination and in aesthetic representations, detailing and interrogating the new freedoms, desires and perspectives of the Madrid modernista.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Under what conditions does 'sensation' become 'sensational'? In the early nineteenth century murder was a staple of the sensationalizing popular press and gruesome descriptions were deployed to make a direct impact on the sensations of the reader. By the end of the century, public concern with the thrills, spills, and shocks of modern life was increasingly articulated in the language of sensation. Media sensationalism contributed to this process and magnified its impact, just as sensation was, in turn, taken up by literature, art and film. In the contemporary world the dramatization of these experiences in an era of media panics over terrorism and paedophilia has taken an overtly melodramatic form, in which battles of good and evil play out across the landscapes of our lives. Sensational Subjects develops an innovative, interdisciplinary approach to exploring these themes, their impact and their implications for understanding the modern world. A companion volume, Sympathetic Sentiments: Affect, Emotion and Spectacle in the Modern World is published simultaneously by Bloomsbury.

"Yuh has composed a complex, provocative, and compassionate portrayal of the experiences of Korean military brides from the 1950s through the 1990s. . . . Delving into how these women face isolation and alienation from both Korean and US societies because of their transnational status, Yuh's masterful history demonstrates that these women have resisted perceptions of both societies and forged communities based on their claiming Korean and US identities as Korean military brides. A wonderful resource... Highly recommended."
--"Choice"

"Ji-Yeon Yuh's book poignantly illustrates the human costs and benefits of militarized migration in the context of American-Korean relations."
--"The Journal of Asian Studies"

"Impeccably researched and seamlessly executed."
--"Bitch Magazine"

"IThis is one of the most compelling books I have read this year...Ji-Yeon Yuh's account is alternately heart breaking and inspiring."
-- "Comparative/World"

"Ji-Yeon Yuh uses a wealth of sources, especially moving oral histories, to tell an important, at times heartbreaking, story of Korean military brides. She takes us beyond the stereotypes and reveals their roles within their families, communities, and Korean immigration to the U.S. Without ignoring their difficult lives, Yuh portrays these women's agency and dignity with skill and compassion."
--K. Scott Wong, Williams College

"Ji-Yeon Yuh's study is to be commended on several counts, not the least of which is the aunique prisma (dust jacket) she gives the contemporary reader into the social and cultural contract between Korea and the United States, clearly a template that we would be advised to heed in these troubledtimes."
-- "The Journal of American History"

"By studying the lives and history of Korean amilitary brides, a Ji-Yeon Yuh pays tribute to an important group that has not received the understanding, attention, and respect that it deserves. Full of compelling stories, Beyond the Shadow of the Camptowns is sure to inspire new ways of thinking about U.S. and especially immigration history, as well as Asian American and Asian history."
--Elaine Kim, University of California at Berkeley

"Where do marriage, diaspora, racism and the politics of global alliances converge? In the dreams and dailiness of the thousands of Korean women living in the United States today. Ji-Yeon Yuh's engaging and revealing book shows us that by listening attentively to the Korean women married to white and black American men, we can become a lot smarter about the realities of globalized living."
--Cynthia Enloe, author of "Maneuvers: the International Politics of Militarizing Women's Lives"

""Beyond the Shadoe of Camptown" is a readable and poignant piece of scholarship. There is much worth praising in this book."
--Brandon Palmer, University of Hawaii at Manoa

"In general, the fluid writing style demonstrates Yuh's background in journalism, and helps explain why this work made its way from dissertation to hardcover so rapidly. It is a study that demands attention from scholars of foreign relations and migration between Korea and the United States, and deserves attention from ethnic studies scholars and immigration scholars as well."--"Journal of American Ethnic History"

"Beyond the Shadow of Camptown: Korean Military Brides in America, immigration historian Ji-Yeon Yuh explores how Koreanwomen relate to American men in these cross-cultural relationships, and how the military link between the dominant U.S. and subservient Korea tends to complicate their marriages, already challenging for many other reasons, with a dose of international politics as well."
--"Korean Quarterly"

"Through compelling oral histories, she traces the lives of women form successive generations of brides."
--"Chronicle of Higher Education"

Since the beginning of the Korean War in 1950, nearly 100,000 Korean women have immigrated to the United States as the wives of American soldiers. Based on extensive oral interviews and archival research, Beyond the Shadow of the Camptowns tells the stories of these women, from their presumed association with U.S. military camptowns and prostitution to their struggles within the intercultural families they create in the United States.

Historian Ji-Yeon Yuh argues that military brides are a unique prism through which to view cultural and social contact between Korea and the U.S. After placing these women within the context of Korean-U.S. relations and the legacies of both Japanese and U.S. colonialism vis A vis military prostitution, Yuh goes on to explore their lives, their coping strategies with their new families, and their relationships with their Korean families and homeland. Topics range from the personal--the role of food in their lives--to the communalthe efforts of military wives to form support groups that enable them to affirm Korean identity that both American and Koreans would deny them.

Relayed with warmth and compassion, this is the first in-depth study of Korean military brides, and is a groundbreaking contribution to AsianAmerican, women's, and "new" immigrant studies, while also providing a unique approach to military history.

Kitchens are where we cook, clean, cry, talk, laugh, break things. Hugely symbolic - as well as practical - kitchens evoke thoughts of hearth and home, family and domesticity. People today commonly spend more refurbishing their kitchens than refurbishing any other room in the home. On kitchen units alone, annual expenditure in England has been around the billion pound mark for some time. And this only represents part of what people spend on a kitchen. For, when they do up their kitchens, people frequently also buy new machinery and nearly always buy new accessories. To get at the heart of the meaning, design and purpose of the modern kitchen, the author interviewed a sample of seventy four homeowners. She follows them through the process of shopping and purchasing a new kitchen, and she discusses the importance of layout, colour, shape and texture. She explores the dominant role that women play in shaping the appearance of a new kitchen and considers the evolution of the modern kitchen in the context of the consumer age. The first history of the fitted kitchen in England, this innovative new book will appeal to anyone interested in design, sociology, gender studies and cultural history.

The concise introduction to the study of popular culture From Madonna and drag queens to cyberpunk and webzines, popular culture constitutes a common and thereby critical part of our lives. Yet the study of popular culture has been condemned and praised, debated and ridiculed. In Popular Culture: An Introduction, Carla Freccero reveals why we study popular culture and how it is taught in the classroom. Blending music, science fiction, and film, Freccero shows us that an informed awareness of politics, race, and sexuality is essential to any understanding of popular culture. Freccero places rap music, the Alien Trilogy and Sandra Cisneros in the context of postcolonialism, identity politics, and technoculture to show students how they can draw on their already existing literacies and on the cultures they know in order to think critically.Complete with a glossary of useful terms, a sample syllabus and extensive bibliography, this book is the concise introduction to the study of popular culture.