Designed for both academic and lay audiences, this book identifies the characteristics of ritual and, via multiple examples, details how ritual works on the human body and brain to produce its often profound effects. These include enhancing courage, effecting healing, and generating group cohesion by enacting cultural-or individual-beliefs and values. It also shows what happens when ritual fails.

Sexual confessions on television talk shows. Gender and medical discourse in colonial India. River Phoenix in "My Own Private Idaho," White women in a German colony. Henry James' thwarted love. What do these seemingly diverse subjects have in common?

All address, in different ways, social and cultural attempts to contain eroticism by delineating the perimeters of genders. They scrutinize the political investments in the construction of gender in such disparate locations as contemporary Hollywood, Renaissance England, colonial India and Africa, and in modern and contemporary homosexual discourse communities and in Freud's sessions with Dora.

But whether the gendering of the subject follows the dictates of conservative politics or the radical agenda of a marginalized interest, the essays reveal the erotic overflow--the flood--that cannot be contained within any one gender identity. In examining how the erotic escapes containment, this work discloses problems inherent in the intersections of gender and desire.>[ go to the Genders website ]

This book draws together 13 distinctive and original explorations of how dominant cultural mainstreams and margins are formed and resisted, how they stabilize and shift, and how they permeate and define each other. The chapters speak to central problems of cultural politics that represent critical challenges for theory, research, and action in the social world. The authors develop and advance new approaches for interdisciplinary inquiry into contemporary cultural issues. Drawing on and extending scholarship in communication, political science, sociology, women's studies, critical cultural studies, anthropology, and American studies, they analyze what happens when marginal groups meet mainstream forces. The chapters will enliven academic debates over what constitutes a cultural mainstream or margin. This volume explores theories, problems, and contemporary struggles over identity and representation, ideology and hegemony, and discourse and action. The essays focus on critical questions covering postcolonial theory, primitivism, feminism, sexuality, the body, art, multiculturalism, the environmental crisis, the mass media, and social movements. The authors examine diverse issues, ranging from the writing of women prisoners to how media policy is embedded in cultural history, to the political implications of cultural representations in cross-cultural contexts. Altogether, the diversity and depth of the text will help us develop new and complementary ways of thinking about critical questions in the politics of culture.

Many new social and economic organizations are emerging in different parts of Asia Pacific which have skillfully adapted western capitalism to suit their own specific requirements. They have also put to effective use their own social and cultural values to get the best economic results. Japan used its heritage of associated living to overcome adversarial labour and management relations; Singapore made use of Confucial emphasis on social discipline and respect for merit to build a meritocratic society; Indonesia used its genius for eclecticism to build its own brand of social pragmatism, and then used it for economic growth; Thailand used the concept of merit in Theravada Buddhism to accelerate economic growth; and Malaysia used its own growing pragmatism to balance conflicting ethnic demands. The book examines the variety of address their respective core development issues and simultaneously register an explosive economic growth.

The classic serial, invented by BBC Radio Drama sixty years ago, survived and adapted itself to television, the arrival of colour and the global market in what has become a flood of classics with all channels competing for ratings and overseas sales. This richly detailed book traces these developments and analyses the genre's response to social, economic, technical and cultural changes, which have re-shaped it into the form we recognise today. The book contains considerable interview material with performers and media professionals.

Until its use declined in the nineteenth century, Indians of the southeastern United States were devoted to a caffeinated beverage commonly known as black drink. Brewed from the parched leaves of the yaupon holly (Ilex vomitoria), black drink was used socially and ceremonially. In certain ritual purification rites, Indians would regurgitate after drinking the tea. This study details botanical, clinical, spiritual, historical, and material aspects of black drink, including its importance not only to Native Americans, but also to many of their European-American contemporaries.

At the cutting edge of political theory, this first volume in the "Taking on the Political Series" reflects the conceptual foundations of the series, opening up space to the political by engaging in and redefining polemics. In recognition of the collapse of the traditional belief in strong foundations for the political domain and the ungrounding of politics generally, the authors introduce and map the concept of afoundationalism while tackling such themes as social structure, ethical argumentation and political organization. Provocative and engaging, this book will change ways of thinking about and approaching political theory both in teaching and research.

This book offers a theoretical intervention into the normative ideals of public space that are deeply rooted in Western urbanism. It disrupts the binaries of presence/absence, inclusion/exclusion by presenting a series of case studies that vividly convey the complexity and vicissitude of grassroots spatial practices. It engages powerfully with the question of what constitutes the "urban public" in our everyday cities. Moreover, it provides a fresh perspective on the proliferating scholarship on Chinese urbanism in the reform era by seriously considering the ways in which ordinary urban inhabitants respond to and negotiate the impacts of rapid social change and the reshuffling of the systems of values and ideologies. The urban public, therefore, is analyzed as an important field in which identities and cultural differences are formed and performed. This book is a worthwhile read for anyone interested in theories of urban public space in general or urban transformation of post-reform China in particular.

Theory in and out of Context furthers discourse and understanding about the complex phenomenon we know as play. Play, as a human and animal activity, can be understood in terms of cultural, social, evolutionary, psychological, and philosophical perspectives.This effort necessarily includes inquiry from a range of disciplines, including history, sociology, psychology, education, biology, anthropology, and leisure studies. Work from a number of those disciplines is represented in this book. This volume includes sections covering Foundations and Theory of Play, Gender and Children's Play, Theory of Mind, Adult-Child Play, and Classroom Play. Scholarly analyses and reports of research from diverse disciplines amplify our understanding of play in Western and non-Western societies.

Using the cheap desktop publishing techniques of 'zine culture, and supplementing them with an extensive presence on the World Wide Web, the Bad Subjects Production Team has produced one of the only successful political 'zines in the US, as well as one of the first--and longest-running--on-line publications in the world.

Bad Subjects offers a critique of the post-1960s left in the United States, and attempts to reclaim a utopian vision for a political movement which has become fragmented and cynical about the possibility of social transformation. Indeed, Bad Subjects itself is simultaneously a valuable resource and an inspiration, a record of what politically-engaged cultural criticism can achieve, and an example of a progressive political community making use of new technologies.

Offering a way out of vulgar multiculturalism--based on separatism and the idea of "authenticity"--into a critical identity politics founded on coalitions, hybridity, and class consciousness, Bad Subjectsspeaks to readers both in and outside of the academy. Taking their cue from the feminist slogan, "the personal is political," and from Marxist injunctions to study "everyday life," Bad Subjects covers everything from popular culture and high technology to economic restructuring and political organizing, from Raymond Williams to The Dead Kennedys.

In the terrain of cultural criticism, Bad Subjects is an off-road vehicle roaring away from the beaten path.

In an age when innovative scholarly work is at an all-time high, the academy itself is being rocked by structural change. Funding is plummeting. Tenure increasingly seems a prospect for only the elite few. Ph.D.'s are going begging for even adjunct work. Into this tumult steps Cary Nelson, with a no- holds-barred account of recent developments in higher education.

Eloquent and witty, Manifesto of a Tenured Radical urges academics to apply the theoretical advances of the last twenty years to an analysis of their own practices and standards of behavior. In the process, Nelson offers a devastating critique of current inequities and a detailed proposal for change in the form of A Twelve-Step Program for Academia.

Beginning with the myth of origin that joins every young Zaramo woman to her origins as she is initiated into the secrets of life and womanhood, the book then provides us with an historical account of the Tanzanian coast around Dar es Salaam as a background to the persistence of the cultural institutions to which the reader is introduced. Statements and narrations by Salome as a representative of the modern educated Zaramo people intersperse the author's descriptions of the rituals of womanhood, of individual and social healing, and of the ways conflict is symbolically manipulated and managed. Rituals are seen in their vibrant role, not as remnants of tradition, but as means of handling encroaching external pressures on the community. These pressures include, commercialization of livelihood, development thrust in the form of villagization, or the ongoing process of losing land rights. The book shows that a people will counteract the threat of social disintegration by overemphasizing their core values in an attempt to create strong communication forces and instruments of power. A good introduction to contemporary African issues, Third World women's studies, and ethnographic anthropology.

Ned Rorem, composer and writer, is both a gifted memoirist and one of our most acerbic cultural commentators. This anthology of his musings on music, people, and life surveys the full range of his literary achievement and reflects the evolution of his sensibilities. The first part of the book is devoted to writing of an autobiographical nature, including ruminations on being alone and on becoming a composer. The second part focuses on music and individuals from Bartok and Ravel to Edith Piaf and the Beatles. The final part consists of portraits and memorials of such figures as Martha Graham, Paul Bowles, Marc Blitzstein, Frank O'Hara, Allen Ginsberg, and Truman Capote. The book also includes a lengthy conversation on the art of the diary.

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"An important contribution to our understanding of the talkshow genre and its cultural political funtion."
-- "American Journal of Sociology"

"A wide-ranging exploration of some key theoretical issues in cultural sociology centerting on subjectivity, sense-making, and cultural heirarchy."
--"Contemporary Sociology"

"A cogent analysis of our culture."
--"The Times"

When "The Phil Donahue Show" topped the ratings in 1979, it ushered in a new era in daytime television. Mixing controversial social issues, light topics, and audience participation, it created a new genre, one that is still flourishing, despite being harshly criticized, over two decades later. Now, the daytime TV landscape is littered with talk shows. But why do people watch these shows? How do they make sense of them? And how do these shows affect their viewers' sense of what constitutes appropriate public debate?

In Talking Trash, Julie Engel Manga offers a fascinating exploration of these questions and reveals the wide range of reasons viewers are drawn to "trash talk." Focusing on such shows as "Oprah!, Jerry Springer, Ricki Lake, Jenny Jones," and "Maury Povitch," and drawing upon interviews with women who watch these shows, Talking Trash is the first examination of the talk show phenomenon from the viewers' perspective. In taking this approach, Manga is able to understand what talk shows mean to the women who watch them. And by refusing to judge either the shows or their viewers as good or bad, she is able to grasp how viewers relate to these shows-as escape, entertainment, uninhibited public discourse, or an accurate reflection of their ownhardships and heartaches. Manga concludes that while the form of "trash-talk" shows may be relatively new, the socio-cultural experience they embody has been with us for a long time.

Absorbing, entertaining, and keenly perceptive, Talking Trash illuminates the complex viewer response to "trash talk" and examines the cultural politics surrounding this wildly controversial popular phenomenon.

This study seeks to explore the myriad forms of representation of the French public as a whole, and of specific socio-cultural groups in French society, by means of collectively-shared myths and metaphors. The book also examines visual, linguistic and textual media, and political participation and practice. It considers diametrical questions of belonging or marginality, social struggle or social cohesion, and explores how the various forms of identity are created and maintained. The approach is multidisciplinary, using recent research in various disciplines from contributors in France and the UK. The book aims to provide a coherent and multi-faceted study of socio-cultural identity and citizenship in France.

This book reconsiders audiovisual culture through a focus on human perception, with recourse to ideas derived from recent neuroscience. It proceeds from the assumption that rather than simply working on a straightforward cognitive level audiovisual culture also functions more fundamentally on a physiological level, directly exploiting precise aspects of human perception. Vision and hearing are unified in a merged signal in the brain through being processed in the same areas. This is illustrated by the startling 'McGurk Effect', whereby the perception of spoken sound is changed by its accompanying image, and counterpart effects which demonstrate that what we see is affected by different sounds accompanying sounds. This blending of sound and images into a whole has become a universal aspect of culture, not only evident in films and television but also in video games and short Internet clips. Indeed, this aesthetic formation has become the dominant of this period. The McGurk Universe attends to how audiovisual culture engages with and mediates between physiological and psychological levels.

The topic of memory has shot to prominence in recent years, engaging the attention of academics and a wider public alike. This is partly due to a spate of anniversaries and commemorations of events, such as the Holocaust and the Second World War, whose significance for the present is affirmed even as their meanings continue to be debated. In Germany and France, contested memories, representations and commemorations of this period have become virtually a defining feature of their respective political cultures. Equally contested are France's memories of a decolonization process whose legacy still makes its presence felt in the political landscape. This book uses the concept of 'vectors' of memory to designate the conduits of that memorial activity, and examines in detail a range of vectors - historiography, war crimes trials, novels and films - that have focused public attention and debate in this era of so-called 'commemorative obsession'. More than a descriptive summary of such developments, the author elucidates the identity politics that is being expressed through these channels. In the course of these investigations, concepts such as 'sites of memory', 'testimony', and 'trauma' - much invoked in recent work on 'collective memory' - are critically examined in a number of historical, juridical and representational contexts.
Interdisciplinary in its scope and in the manner in which it bridges historiographical and cultural analysis, this book will appeal to students and scholars of history, cultural and media studies, French and German political culture, Holocaust studies and postcolonialism.

This edited volume offers a critical, thorough, and interdisciplinary examination of arguments for eliminating the minimum democratic voting age. As children and youth increasingly assert their political voices on issues such as climate change, gun legislation, Black Lives Matter, and education reform, calls for youth enfranchisement merit further academic conversation. Leading scholars in childhood studies, political science, philosophy, history, law, medicine, and economics come together in this collection to explore the diverse assumptions behind excluding children from voting rights and why these are open to question. While arriving at different and sometimes competing conclusions, each chapter deconstructs the idea of voting as necessarily tied to age while reconstructing a more democratic imagination able to enfranchise the third of humanity made up by children and youth. Thus, this book defines and establishes a new field of academic study and public debate around children's suffrage. Chapter "The Reform that never happened: a history of children's suffrage restrictions" is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.

In the wake of the 2008-2009 economic recession, this revealing work offers a psychological explanation of how we as a nation grapple with self-control and how we can develop a new and healthier generation. As J.R. Slosar shows in this urgent, sometimes startling volume, the nation's fast-and-loose approach to money was in fact a symptom of a more widespread pattern of excessive behavior. In The Culture of Excess: How America Lost Self-Control and Why We Need to Redefine Success, Slosar portrays an America where the drive to succeed and the fear of missing out manifested itself not only in self-entitled corporate fraud, but in everything from sharp rises in obesity and cosmetic medical procedures to equally troubling increases in eating disorders, panic attacks, and outbreaks of uncontrollable rage. The Culture of Excess is the first book to assess the impact of economic and social factors on the nation's psychological well-being. Narcissism, productive narcissism, psychopathy, rigidity and self destruction, perfectionism, the illusion of success, and identity achievement all come into play as Slosar diagnoses the psychological drivers behind this indulgent age, offering his prescription for helping "Generation Me" become "Generation We." Numerous vignettes and case studies illustrate the major themes of the book Dozens of research citations at the end of each chapter An extensive bibliography referencing 75 professional journals and 48 books A comprehensive index

A study of the American cultural wars taking place in controversial museum exhibitions Museums have become ground zero in America's culture wars. Whereas fierce public debates once centered on provocative work by upstart artists, the scrutiny has now expanded to mainstream cultural institutions and the ideas they present. In Displays of Power, Steven Dubin, whose Arresting Images was deemed "masterly" by the New York Times, examines the most controversial exhibitions of the 1990s. These include shows about ethnicity, slavery, Freud, the Old West, and the dropping of the atomic bomb by the Enola Gay. This new edition also includes a preface by the author detailing the recent Sensation! controversy at the Brooklyn Museum. Displays of Power draws directly upon interviews with many key combatants: museum administrators, community activists, curators, and scholars. It authoritatively analyzes these episodes of America struggling to redefine itself in the late 20th century.

"Blackshirts & Reds" explores some of the big issues of our time: fascism, capitalism, communism, revolution, democracy, and ecology--terms often bandied about but seldom explored in the original and exciting way that has become Michael Parenti's trademark.

Parenti shows how "rational fascism" renders service to capitalism, how corporate power undermines democracy, and how revolutions are a mass empowerment against the forces of exploitative privilege. He also maps out the external and internal forces that destroyed communism, and the disastrous impact of the "free-market" victory on eastern Europe and the former Soviet Union. He affirms the relevance of taboo ideologies like Marxism, demonstrating the importance of class analysis in understanding political realities and dealing with the ongoing collision between ecology and global corporatism.

Written with lucid and compelling style, this book goes beyond truncated modes of thought, inviting us to entertain iconoclastic views, and to ask why things are as they are. It is a bold and entertaining exploration of the epic struggles of yesterday and today.
Michael Parenti is one of the nation's leading progressive thinkers. He lectures widely around the country and is the author of Dirty Truths, Against Empire, Democracy for the Few, Land of Idols: Political Mythology in America, and many other books. He lives in Berkeley, California.

Urban agriculture is increasingly considered an important part of creating just and sustainable cities. Yet the benefits that many people attribute to urban agriculture-fresh food, green space, educational opportunities-can mask structural inequities,thereby making political transformation harder to achieve. Realizing social and environmental justice requires moving beyond food production to address deeper issues such as structural racism, gender inequity, and economic disparities. Beyond the Kale argues that urban agricultural projects focused explicitly on dismantling oppressive systems have the greatest potential to achieve substantive social change. Through in-depth interviews and public forums with some of New York City's most prominent urban agriculture activists and supporters, Kristin Reynolds and Nevin Cohen illustrate how some urban farmers and gardeners not only grow healthy food for their communities but also use their activities and spaces to disrupt the dynamics of power and privilege that perpetuate inequity. Addressing a significant gap in the urban agriculture literature, Beyond the Kale prioritizes the voices of people of colour and women-activists and leaders whose strategies have often been underrepresented within the urban agriculture movement-and it examines the roles of scholarship in advancing social justice initiatives.

Europeans are eating out in unprecedented numbers - in cafs, pubs, brasseries and restaurants. Globalization brought about changes in patterns of leisure and consumption, as well as a democratization of restaurant culture. But what if we open up this concept of 'eating out' to include any eating that takes place outside the home? What cultural shifts can we see through time? What differences can we discover about pre-industrial, industrial and post-industrial societies?Eating Out in Europe addresses such questions as it examines changes in eating patterns through time. 'Eating out' is broadly conceived to cover everything from nibbling a pizza at work to dining in an exquisite restaurant, from suffering an institutional lunch at the school cafeteria to enjoying the natural world with a picnic. The meaning of eating out clearly varies enormously depending on the setting, circumstances and significance of the meal. The contributors describe and interpret the huge changes that occurred in eating habits throughout Europe by analyzing such factors as urbanization, technological innovation, demographic growth, employment patterns and identity formation. Case studies include the evolution of the pub, the rise of the fast food industry in Britain, picnicking in nineteenth-century France, snack culture in the Netherlands, industrial canteens in Germany, the rise of restaurants in Norway and countryside traditions in Hungary, among others. Fully comprehensive and illustrated, the contributors draw on examples throughout Europe from the late eighteenth century to the present day.

This book builds on the notion that social pathology differs from society to society and that the sense of character that develops in each society is specific to different perceptions of interpersonal obligations and responsibilities in that society. The book deals with the cultural and psychological effects of social change relevant to the study of modernity and postmodernity. It deals with particular social issues such as war and conflict, juvenile delinquency, problems of social ecology and religious revivalism, all reflecting the stresses of modern life and social change within very concrete, particular environments. Braun and his contributors show how individual character and civil society evolve together to create culturally specific trajectories of social change.