In tracing the process through which monuments give rise to collective memories, this path-breaking book emphasizes that memorials are not just inert and amnesiac spaces upon which individuals may graft their ever-shifting memories. To the contrary, the materiality of monuments can be seen to elicit a particular collective mode of remembering which shapes the consumption of the past as a shared cultural form of memory. In a variety of disciplines over the past decade, attention has moved away from the oral tradition of memory to the interplay between social remembering and object worlds. But research is very sketchy in this area and the materiality of monuments has tended to be ignored within anthropological literature, compared to the amount of attention given to commemorative practice. Art and architectural history, on the other hand, have been much interested in memorial representation through objects, but have paid scant attention to issues of social memory. Cross-cultural and interdisciplinary in scope, this book fills this gap and addresses topics ranging from material objects to physical space; from the contemporary to the historical; and from 'high art' to memorials outside the category of art altogether. In so doing, it represents a significant contribution to an emerging field.

Material religion is a rapidly growing field, and this volume offers an accessible, critical entry into these new areas of research. Each "key term" uses case studies and is accompanied by a color image - an object, practice, space, or site. The entries cut across geographies, histories, and traditions, offering a versatile and engaging text for the classroom. Key topics covered include: - Icon, ritual, magic, gender, race - Sacred, spirit, technology, - Space, belief, body, brain - Taste, touch, smell, sound, vision Each entry demonstrates in clear and jargon-free prose how the key term figures prominently in understanding the materiality of religion. Written by leading international scholars, all entries are linked by the ways materiality stands at the forefront of the understanding of religion, whether that comes from humanistic, social scientific, artistic, curatorial, or other perspectives. Brent Plate brings his expertise and extensive teaching experience to the comprehensive introduction which introduces students to the themes and methods of the material cultural study of religion. Key Terms in Material Religion provides a much-needed resource for courses on theory and method in religious studies, the anthropology of religion, and the ever-increasing number of courses focused on material religion.

The words and grammatical structure of a given language are the most basic building blocks of thought and communication; they reflect the ways speakers conceptualize themselves and their world and communicate with others. Since language reflects a culture's biases and inequities, a socially constructed, gendered power differential between men and women may lead each to have very different relationships to language. The essays in this collection explore some of the ways in which power and its expression (or repression) is gendered. The contributors seek to discover contexts and patterns within which power is articulated, reproduced, and ultimately transformed. While some contributors provide primarily descriptive examinations of presumed gender differences, others seek to critique or deconstruct these supposed meanings associated with gender and power relationships. An important collection for scholars and researchers involved with communication and with gender issues.

This book gathers together essays written by leading scholars of adaptation studies to explore the full range of practices and issues currently of concern in the field. The chapters demonstrate how content and messaging are shared across an increasing number of platforms, whose interrelationships have become as intriguing as they are complex. Recognizing that a signature feature of contemporary culture is the convergence of different forms of media, the contributors of this book argue that adaptation studies has emerged as a key discipline that, unlike traditional literary and art criticism, is capable of identifying and analyzing the relations between source texts and adaptations created from them. Adaptation scholars have come to understand that these relations not only play out in individual case histories but are also institutional, and this collection shows how adaptation plays a key role in the functioning of cinema, television, art, and print media. The volume is essential reading for all those interested both in adaptation studies and also in the complex forms of intermediality that define contemporary culture in the 21st century.

This book narrates the extraordinary growth in the study of Arabic in England from the late sixteenth century, when it was almost non-existent, to the end of the seventeenth. By its high point around 1666, England was pre-eminent among European countries in the study of Arabic. Permanent Chairs of Arabic had been established at Oxford and Cambridge, and specialized presses in Oxford and London had produced Arabic works. The Professor at Oxford, Edward Pococke, was recognized as the foremost scholar in the field in Europe, and a great collection of Arabic manuscripts, begun by Archbishop Laud, was being built up at Oxford. In this masterly and original study, Professor Toomer gives the first detailed account of this process, set against the religious and political background in England and Europe. He shows how trade with the Ottoman Empire and mistrust of Islam influenced the study of Arabic. Finally, he traces the course and causes of the drastic decline in Arabic studies towards the end of the century.

This truly unique volume brings together theoretical discussions of liberalizations with studies focused on literature, theatre and the visual arts. To the analysis of developments in selected Eastern European regions is added a historical dimension through discussions of the alternation of liberalization and repression in authoritarian European states from the eighteenth century onwards.

How do technological and cultural developments interact to affect consumption? What do ways of using household goods in specific historical contexts tell us about individual and collective identities? Do changes in consumption patterns emancipate social groups or reinforce existing structures of power?
The 'economic miracle' experienced by West Germany in the 1950s and 1960s had profound effects on everyday life and gender relations. This book reflects the growing need for historical research on leisure and consumption in the modern period and provides a very entertaining and carefully researched study of ideas about women, men, housework, consumption, and modernity. It contrasts the virtual reality presented by advertisements with the important qualitative changes in household appliances and how they affected everyday life and gender roles. New products claimed to make housework easier, but the idea of substituting money for labor contrasted with the ideal of the thrifty, hard-working housewife and a clear division of gender roles. The author examines a broad range of issues encompassing the transformation of household appliances from luxuries to necessities, the threat of consumer debt, men and housework, women and technology, and labor and leisure in the modern household.
This timely book represents a significant contribution to the following areas: material culture, German history, women's history, sociology, media/cultural studies and anthropology.

This book discusses the role of gender and participation within the context of budgeting and planning. Gender and participation are two very closely interconnected issues in these processes, and the author explores how these could better promote accountability and transparency. Through chapters on topics such as access to information and mechanisms for public engagement, gender responsive budgeting, and the role of women in combating corruption, the book includes examples of good practices in gender and participation from the international perspective and to what extent they could be applied in Afghanistan. Working in aid-dependent developing countries with a high level of gender inequality and corruption requires additional knowledge of issues in gender, public participation, accountability, and transparency-regardless of whether working in the public sector or in a non-governmental organization (NGO).

Michael Arntfield interrogates the legacy of Victorian-era crime fiction and Gothic horror on investigative forensic methods used by police today.

This study shows that, despite numerous surface similarities, the popular culture of the 1930s was different from that of the 1920s in a variety of ways, and not only because of the Great Depression. It was a period of quiet desperation and shifting values, one in which nickels and dimes replaced dollars as the currency of popular culture, and in which the emphasis was on finding methods to occupy idle time and idle minds. Popular culture during the 1930s is important for understanding not only how Americans coped, but why they did so with such good humor and so little of the discontent visible elsewhere in the world. An appreciation of popular culture during the 1930s is essential to understanding other aspects of the decade.

Chile's natural beauty, fascinating history, cultural traditions, and warm people are uniquely evoked in "Culture and Customs of Chile." Chilean American Castillo-Feliu effectively conveys how Chile's geography has helped to shape it into a modern, socially responsible model in Latin America. Students and other readers will learn how this small country has contributed to the hemisphere's stature, from a stable political scene to seafood-inspired cuisine. Chile's lively history forms the backdrop for a survey of a wealth of social riches. The literary lion Pablo Neruda, Andean music, and fine wine are just a few of the highlights found herein.

Because it has been such a model country, except for a troubled period in the 1970s and 1980s under the dictator Augusto Pinochet, Chile often stays out of headline news in the United States. Through chapters on history and people, religion, social customs, broadcasting and print media, literature, performing arts, and the arts and architecture, "Culture and Customs of Chile" will introduce Chile to a wider audience who can appreciate its understated charms. A chronology and appendix of the Spanish of Chile are indispensable aids.

This book is the first to formulate an ideology of emancipation for women in Morocco. Beginning with constructs of the body, femininity and masculinity, it analyzes the central role played by the sociopolitical writing of sexuality in creating gender hierarchy. The author focuses on Morocco, while drawing parallels with Hollywood cinema, one of the great producers of femininity and masculinity, and conducts an exhaustive examination of constructs of femininity and masculinity in language, social practices, cultural productions and legal texts. The objectives of this project are tripartite: it exposes the dynamics that devalue women's humanity; it charts the schemas of their sexual, economic and sociopolitical exploitation; and it advances concrete solutions for re-establishing women's human dignity.

This book explores and challenges the concept and experience of liminality as applied to critical perspectives in the study of events. It will be of interest to researchers in event studies, social and discursive psychology, cultural and political sociology, and social movement studies. In addition, it will provide interested general readers with new ways of thinking and reflecting on events. Contributing authors undertake a discussion of the borders, boundaries, and areas of contestation between the established social anthropological concept of liminality and the emerging field of critical event studies. By drawing these two perspectives closer together, the collection considers tensions and resonances between them, and uses those connections to enhance our understanding of both cultural and sporting events and offer fresh insight into events of activism, protest, and dissent.

This work explores the philosophical positions of five postmodern thinkers--Lyotard, Rorty, Schrag, Foucault, and Derrida--to show how their critiques imply that scholars are unduly limited by the belief that inquiry is fundamentally about gaining knowledge of phenomena that are assumed to exist prior to and independent of inquiry, and to persist essentially unchanged by inquiry. The author argues that there are good reasons why this constraint is both unnecessary and undesirable, and he resituates the disciplines within a more flexible foundation that would expand what counts as legitimate inquiry. This foundation would emphasize the inquirer as a cause of reality, not just an observer who aims to accurately describe and explain phenomena. Mourad proposes an intellectual and organizational form which he calls post-disciplinary research programs. These dynamic programs would be composed of scholars from diverse disciplines who collaborate to juxtapose disparate disciplinary concepts in order to create contexts for post-disciplinary inquries.

This book outlines the history and developments of interactionist social thought through a consideration of its key figures. Arranged chronologically, each chapter illustrates the impact that individual sociologists working within an interactionism framework have had on interactionism as perspective and on the discipline of sociology as such. It presents analyses of interactionist theorists from Georg Simmel through to Herbert Bulmer and Erving Goffman and onto the more recent contributions of Arlie R. Hochschild and Gary Alan Fine. Through an engagement with the latest scholarship this work shows that in a discipline often focused on macrosocial developments and large-scale structures, the interactionist perspective which privileges the study of human interaction has continued relevance. The broad scope of this book will make it an invaluable resource for scholars and students of sociology, social theory, cultural studies, media studies, social psychology, criminology and anthropology.

The UNESCO World Heritage Convention is one of the most widely ratified international treaties, and a place on the World Heritage List is a widely coveted mark of distinction. Building on ethnographic fieldwork at Committee sessions, interviews and documentary study, the book links the change in operations of the World Heritage Committee with structural nation-centeredness, vulnerable procedures for evaluation, monitoring and decision-making, and loose heritage conceptions that have been inconsistently applied. As the most ambitious study of the World Heritage arena so far, this volume dissects the inner workings of a prominent global body, demonstrating the power of ethnography in the highly formalised and diplomatic context of a multilateral organisation.

In recent decades, emerging scholarship in the field of girlhood studies has led to a particular interest in dolls as sources of documentary evidence. Deconstructing Dolls pushes the boundaries of doll studies by expanding the definition of dolls, ages of doll players, sites of play, research methods, and application of theory. By utilizing a variety of new approaches, this collected volume seeks to understand the historical and contemporary significance of dolls and girlhood play, particularly as they relate to social meanings in the lives of girls and young women across race, age, time, and culture.

This collection, arranged and edited by Beverly G. Hawk, examines media coverage of Africa by American television, newspapers, and magazines. Scholars and journalists of diverse experience engage in debate concerning U.S. media coverage of current events in Africa. As each African crisis appears in the headlines, scholars take the media to task for sensational and simplistic reporting. Journalists, in response, explain the constraints of censorship, reader interest, and media economics. Hawk's book demonstrates that academia and the press can inform each other to present a fuller and more sensitive picture of Africa today.

This volume will be of interest to scholars and practitioners in African studies, African politics, journalism, and international relations.

The book offers a detailed introduction to contemporary Chinese culture industry development. It starts with an analysis of the historical aspects and the contextual background rooted in the Reform & Opening-up policy. The second part discusses the development from the perspective of reality and introduces the different production modes for the country's most influential culture industries, since these are a unique feature of culture industry development in China. Lastly, the book clearly shows the strengths and weaknesses of culture industry development in China by comparing it with that of other countries against the backdrop of globalization.

This edited volume is an inquiry into the representation of intimate relationships in a diverse array of media including cinema, arts, literature, picture books, advertising and popular music. It examines artistic portrayal of intimate relationships as a subversion of the boundaries between the representable and the non-representable, the real and the surreal, the visceral and the ideal, the embodied and the abstracted, the configured and transfigured. The essays focus on artistic mediation of intimacy in diverse relationships, including heterosexual, same-sex, familial, sibling' , political, and sadomasochistic. The collection offers new interdisciplinary and multicultural perspectives on current trends in the study of popular representations of intimacy; representations that affect and formulate people's most personal inspirations, desires, angsts, dreams and nightmares in an increasingly alienated, industrialized world.

This is a discussion of the relationships between mass media and society. Topics examined include: talk radio and community; the growth of the corporate newspaper; media violence and audience behaviour; and race, ethnicity and the mass media.

This book investigates ways of dressing, style and fashion as gendered and embodied, but equally as "religionized" phenomena, particularly focusing on one significant world religion: Islam. Through their clothing, Muslims negotiate concepts and interpretations of Islam and construct their intersectionally interwoven position in the world. Taking the interlinkages between 'fashionized religion,' 'religionized fashion,' commercialization and processes of feminization as a starting point, this book reshapes our understanding of gendered forms of religiosity and spirituality through the lens of gender and embodiment. Focusing mainly on the agency and creativity of women as they appropriate ways of performing and interpreting various modalities of Muslim clothing and body practices, the book investigates how these social actors deal with empowering conditions as well as restrictive situations. Foregrounding contemporary scholars' diverse disciplinary, theoretical and methodological approaches, this book problematizes and complicates the discursive and lived interactions and intersections between gender, fashion, spirituality, religion, class, and ethnicity. It will be relevant to a broad audience of researchers across gender, sociology of religion, Islamic and fashion studies.

This book explores Victorian and modernist haunted houses in female-authored ghost stories as representations of the architectural uncanny. It reconsiders the gendering of the supernatural in terms of unease, denial, disorientation, confinement and claustrophobia within domestic space. Drawing on spatial theory by Gaston Bachelard, Henri Lefebvre and Elizabeth Grosz, it analyses the reoccupation and appropriation of space by ghosts, women and servants as a means of addressing the opposition between the past and modernity. The chapters consider a range of haunted spaces, including ancestral mansions, ghostly gardens, suburban villas, Italian churches and houses subject to demolition and ruin. The ghost stories are read in the light of women's non-fictional writing on architecture, travel, interior design, sacred space, technology, the ideal home and the servant problem. Women writers discussed include Elizabeth Gaskell, Margaret Oliphant, Vernon Lee, Edith Wharton, May Sinclair and Elizabeth Bowen. This book will appeal to students and researchers in the ghost story, Female Gothic and Victorian and modernist women's writing, as well as general readers with an interest in the supernatural.

An engrossing review of the development of global consumerism and its impact on sociological issues. The phrase "shop till you drop" has become as American as apple pie and the trend does not appear to be slowing. Consumer Culture begins with the history of the consumer culture, which reveals that our fascination with consuming shows not only the hidden significance of everyday items, such as sugar and fashionable clothing, but also reveals the uniqueness of our way of life. Consumer Culture also presents the views of economists and sociologists who see consumption as an expression of freedom. The book covers the social impact of consumption, examining such dubious milestones as physical attacks upon McDonald's and Starbucks, and best sellers that are critical of consumption. There is coverage of important research, such as whether consumers are making rational or impulsive choices and the effect of advertising on children. Capsule biographies of key individuals, such as Aaron Montgomery Ward, who pioneered the modern catalog, and Ray Kroc, founder of McDonald's; important figures in advertising, such as Helen Rosen Woodward; leaders in the consumer protection movement, such as Ralph Nader and Florence Kelley; and more Statistics on U.S. and global consumption trends including clustering and segmentation in patterns of consumption; the growth of franchises and malls; shopping behavior by age, ethnicity, and geographical location; and environmental effects such as those due to garbage production

Writing against the prevailing narrativization of suicide in terms of why it happened, Whitehead turns instead to the questions of when, how, and where, calling attention to suicide's materiality as well as its materialization. By turns provocative and deeply affecting, this book brings suicide into conversation with the critical medical humanities, extending beyond individual pathology and the medical institution to think about subjective and social perspectives, and to open up the various sites, scenes and interactions with which suicide is associated. Suicide is related forward from the point of death, rather than taking a retrospective view. Combining critical and textual analysis with personal reflection based on her own experience of her sister's suicide, Whitehead examines the days, months, and years following a death by suicide. This pivoting of attention to what happens in the wake of suicide brings to light the often-surprising ways in which suicide is woven into the everyday places that we inhabit, and in which it is related to all of us, albeit with varying degrees of proximity and kinship.