"Lovrenovic's talents lie not in the enumeration of historical facts, but in constructing (or discovering) a narrative to the evolving idea of Bosnia."
--"Slavic and European Journal"

While the contemporary political history of Bosnia has been played out on television for international audiences, the complicated cultural basis for recent historical events remains largely unknown. Why did Bosnians who spoke the same language fracture along religious and ethnic lines? Is there a distinct Bosnian nation and Bosnian culture? What does it mean to be Bosnian if one is Serbian or Croatian? And what does the future hold for artistic and intellectual life in Bosnia?

In Bosnia: A Cultural History, Ivan Lovrenovic provides a complex and detailed account of Bosnian history from a unique and often overlooked perspective. Focusing on the changes in religious, cultural, and ethnic influences from Paleolithic times to the present, Lovrenovic's analysis probes deep into the Bosnian past and helps to enlighten the reader as to the present and potential future of this troubled land.

The evolution of the Bosnian Church distinct from the Greek Orthodox and Roman Catholic Churches, the role of Islam and Judaism, religious and secular architecture, ancient and modern prose and poetry, music, radio, film and television are all discussed to offer a comprehensive portrait of Bosnian culture.

"The First Black President" is a critical and passionate reflection on the political and historical implications of an Obama administration concerning the issue of race in America. Obama's rise to political power has forever changed the contours of race relations in the country as many hail the new age of a "post-racial" society. Yet, an Obama presidency could further complicate real racial progress and could set race relations back in the country for decades to come if not viewed in the proper context. The book demonstrates that the Obama presidency must be celebrated as a historical triumph based on America's racist past, but also the struggle for equality, justice and freedom must also intensify with recognition of its global consequences. The problem of race in America no longer just affects American citizens but impacts cultures around the globe. The book speaks to both optimists and pessimists alike who are struggling to understand how race factors into the domestic and international policy agenda of Obama who now sits in the highest seat of political and global power.

This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time-the 1920s and 1930s and the last twenty years-to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s.

Few styles of popular music have generated as much controversy as progressive rock, a musical genre best remembered today for its gargantuan stage shows, its fascination with epic subject matter drawn from science fiction, mythology, and fantasy literature, and above all for its attempts to combine classical music's sense of space and monumental scope with rock's raw power and energy. Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins.
In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This "golden age" reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such as Jethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air.
In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself.
An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.

Postmodern philosophy is shown to be a valuable tool for exposing the bankruptcy of laissez-faire economics and culture and in developing a democratic policy. Despite the claims made by conservatives, Choi, Callaghan, and Murphy argue that an unencumbered market does not encourage pluralism. Sources of power are left intact that work in various ways to truncate democracy. Postmodernism offers an alternative to the conservative ideology and provides a new approach to promoting social equity. The protests in Los Angeles during the spring of 1992 signaled that the United States is a troubled society. Specifically, many people are not close to experiencing democracy. This is the case even though American society is becoming increasingly diverse. Certain powerful interests constrict the American policy in very important ways. Postmodern philosophy is used by Choi, Callaghan, and Murphy to illustrate how this control is maintained through the manipulation of symbolism and other cultural factors. Accordingly, they contend, new symbolism is needed before a democratic, pluralistic polity can be said to exist. Postmodernism is also employed to show how a democratic mode of order can be conceptualized. Contrary to what some critics claim, Postmodernism is a worldly philosophy that has much to say about contemporary issues. This volume of cultural criticism will be of interest to political philosophers, sociologists, and others concerned with current social and political problems.

The book uses an innovative prism of interorality that powerfully reevaluates Caribbean orality and innovatively casts light on its overlooked and fundamental epistemological contribution into the formation of Caribbean philosophy. It defines the innovative prism of interorality as the systematic transposition of previously composed storytales into new and distinct tales. The book offers a powerful consideration of the interconnections between Caribbean orality and Caribbean philosophy, especially as this pertains to aesthetics and ethics. This is a new area of thought, a new methodological approach and a new conceptual paradigm and proposition to scholars, students, writers, artists and intellectuals who conceive and examine intellectual and cultural productions in the Black Atlantic world and beyond.

The Asian American population is increasing rapidly and, not unpredictably, so are its mental health needs. A number of cultural factors and stressors common to Asian Americans pose obstacles to the successful employment of Western psychotherapy approaches and counseling---for example, the central role of the family in Asian life and the culturally based, traditional stigma associated with mental health problems. The authors, all practicing psychotherapists, focus on the critical aspects of transference and empathy in their consideration of the mental health approaches and therapies appropriate to ethnic minority population.

The work has value as a resource for professionals and as a training guide for those intending to practice as psychotherapists and counselors in minority communities. It offers extraordinary insights and practical guidance through the use of case studies. Not only do these identify problems stemming from the racial differences between client and therapist, but they also provide rich clinical examples of case diagnosis, treatment plans, and client status statements. This is an important book that will further both the theory and practice of psychotherapy among minority populations.

For over twenty years, Paul Weithman has explored the thought of John Rawls to ask how liberalism can secure the principled allegiance of those people whom Rawls called 'citizens of faith'. This volume brings together ten of his major essays (including one new unpublished essay), which reflect on the task and political character of political philosophy, the ways in which liberalism does and does not privatize religion, the role of liberal legitimacy in Rawls's theory, and the requirements of public reason. The essays reveal Rawls as a thinker deeply engaged with political and existential questions that trouble citizens of faith, and explore how - in firm opposition to political realism - he tries to show that the possibility of liberal democracy and the natural goodness of humanity are objects of reasonable faith. The volume will be of interest to political philosophers, political theorists, moral theologians, and religious ethicists.

The first book to examine how the ancient Maya defined gender. Contributors explain what it meant to be male and female. They show how gender was experienced and what the bases were for gender designations. They demonstrate how gender relations affected other areas of Mayan life, such as the arts, cosmology, economics, politics, religion, and social structure. And they analyze the changes in Mayan gender relations and identities that were fostered by evolving historical systems.

There was no single Mayan polity nor was there a unitary cultural approach. Certain similarities in culture account for the observation of a general commonality among the ancient Maya, but there clearly were significant differences between Mayan sites, within the same site over time, and even between social sectors at the same site in any given time--this is no less true for ancient Maya gender identity and relations. Thus, the authors seek to explain why emphasis upon bilateral inheritance of power and prerogative was emphasized in artwork at some periods and some sites and not at others. Avoiding the vain attempt to provide a single explanation, they seek to offer a clearer sense of the richness of their topic.

This book investigates architectural and urban dimensions of the ethnic-nationalist conflict in Sarajevo, the capital of Bosnia and Herzegovina, during and after the siege of 1992-1995. Focusing on the wartime destruction of a portion of the cityscape in central Sarajevo and its post-war reconstruction, re-inscription and memorialization, the book reveals how such spatial transformations become complicit in the struggle for reconfiguration of the city's territory, boundaries and place identity. Drawing on original research, the study highlights the capacities of architecture and urban space to mediate terror, violence and resistance, and to deal with heritage of the war and act a catalyst for ethnic segregation or reconciliation. Based on a multi-disciplinary methodological approach grounded in architectural and urban theory, the spatial turn in critical social theory and assemblage thinking, as well as techniques of spatial analysis, in particular morphological mapping, the book provides an innovative spatial framework for analyzing the political role of contemporary cities.

Every human society has a lineup of base, wicked, unethical characters-real and fictional-that are regarded as villainous. This book explores how western societies have used those they label villains to delineate insiders from outsiders; political, social, economic, and cultural behaviors deemed a threat to the order, harmony, and well-being of society itself; and normal as opposed to abnormal psychological behavior. Part One addresses how nature and those identified as ""barbarians"" were villainized as sinister ""others"" bent on destroying humanity and western civilization. Part Two considers how certain villainous types-tyrants, traitors, and tramps (aka ""femme fatales"")-challenged and reinforced western thinking with regard to legitimate governance, loyalty to one's people, and proper male/female roles and relationships. Part Three looks at how sociopathic gangsters and grifters and psychopathic murderers have served as models of evil and/or unprincipled behavior, and, in so doing, highlighted what we regard as moral and rightful conduct. In tandem with these villainous types, this study also considers two distinct though related phenomena, the dramatic shrinking of what is now considered villainous in the West, and the proliferation of all manner of odd and over-the-top villains in western pop culture and mass media.

This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire's flaneur to the contemporary "creative" borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the "foot soldiers of capitalism", the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platform-a forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in terms of the dynamics of global contemporary art.

Trollope and the Magazines examines the serial publication of several of Trollope's novels in the context of the gendered discourses in a range of Victorian magazines - including Cornhill, Good Words, Saint Pauls , and the Fortnightly Review . It highlights the importance of the periodical press in the literary culture of Victorian Britain, and argues that readers today need to engage with the lively cultural debates in the magazines, in order better to appreciate the complexity of Trollope's popular fiction.

This collection introduces and develops Lacanian thought concerning the relations among language, subjectivity, and society. Lacanian Theory of Discourse provides an account of how language both interacts with and constitutes structures of subjectivity, producing specific attitudes and behaviors as well as significant social effects.

Explores the worldwide popularity of the love-lock as a ritual token of love and commitment by considering its history, symbolism, and heritage. "[T]his is an eminently enjoyable and thorough investigation of a popular phenomenon through the lens of heritage and folk tradition."-Sara De Nardi, Western Sydney University A padlock is a mundane object, designed to fulfil a specific - and secular - purpose. A contemporary custom has given padlocks new significance. This custom is 'love-locking', where padlocks are engraved with names and attached to bridges in declaration of romantic commitment. This custom became popular in the 2000s, and its dissemination was rapid, geographically unbound, and highly divisive, with love-locks emerging in locations as diverse as Paris and Taiwan; New York and Seoul; Melbourne and Moscow. From the introduction: I was distractedly perusing the photo frame aisle, my eyes skimming the generically sentimental stock pictures of happy families smiling at the camera, pretty landscapes, cute pets and couples walking hand-in-hand, when I came across one that jumped out at me.... I recognised the image instantly as a photograph of love-locks: the padlocks that had been appearing en masse on bridges and other public structures on a global scale since the early 2000s. And, having been researching the custom known as lovelocking for about five years at that point, it was with a peculiar sense of pride that I realised love-locks had accomplished the status of a stock image.

Throughout history, people have been intrigued with spirits, angels, or devas as sources of wisdom and guidance. They are not only interesting as those who possess an insight into events and circumstances, but also as proof of life after death. In this clear and useful reference guide, Bjorling presents a listing of the literature on the various ways in which people of different cultures have consulted spirits--through shamans and oracles, magic, mediums, Voodoo, and psychics. Each chapter contains a general introduction to the respective topic as well as a listing of pertinent books, articles, and dissertations. His survey also includes early spirit contacts in Africa, Latin America, and Asia.

This book examines the history of UK radio from its analogue beginnings to its digital future by highlighting the roles played by the BBC and commercial radio in ensuring the medium's long-term success. Beginning as a mere technological innovation, radio developed into a broadcasting model which has sustained for almost one hundred years. The UK model was defined by a public service broadcaster responsible for maintaining standards of broadcasting, as well as commercial operators-acting illegally and then legally-who have sought to exploit radio's economic potential. This book aims to show how both these entities have contributed to the success of radio in the UK, whether acting competitively or by cooperating in order to ensure radio's survival into the next century. This study will appeal to students of media or anyone with a general interest in the history of radio.

Spanning from the 1876 exposition in Philadelphia, through Paris 1889, and culminating in Paris 1900, this book examines how Argentina, Brazil, and Mexico forged the image of a modernizing Latin America at the moment of their insertion into the new visual economy of capitalism, as well as how their modern writers experienced and narrated these events by introducing new literary forms and modernizing literary language. Following these itineraries overseas and back, Uslenghi illuminates the contested, political, and transformative relations that emerged as images and material culture travelled from sites of production to those of exhibition, exchange, and consumption.

"Critical examination of the role of identity in academic and activist feminism."
--"Women's Review of Books"

"This lively, well-edited collection of papers offers an excellent introduction to many of the issues and interests at stake."
--"The European Legacy"

In recent years, identity has come to be seen as a process rather than a fact or deterministic force. Yet, recognizable identity traits continue to draw people together and provide them with a sense of empowering commonality. Although the plasticity afforded identity has freed up rigid definitions and guidelines for affiliation, some believe that nebulous demarcations of identity may deprive women of a solid position from which to effectively contest centers of power.

Bringing together articles by well-known authors and theorists such as Audre Lourde, June Jordan, Daphne Patai, Barbara Smith, Marilyn Frye, Shane Phelan, Leila J. Rupp, Hazel Carby, and Adrienne Rich with lesser-known writers and scholars, this broad-based anthology ranges widely from personal narratives to empirical research. The book unpacks issues of race, class, gender, ethnicity, sexuality, disability, and age, contributing a mA(c)lange of sharp, lively perspectives to current debate.

In a postmodern era of feminism, how do women come to identify, organize and mobilize themselves within a complex global network of relationships? Identity Politics in the Women's Movement offers critical examination of the inescapable role of identity in academic and activist feminism and the opportunities, challenges and conflicts identity politics pose.

Social capital and ethnicity are crucial to young people's understandings of their social world. The strong bonding networks often assumed in ethnic groups suggest that individuals may prefer to be bonded to each other according to shared socio-cultural factors such as shared histories, memories, language, customs, traditions and values. However, bridging forms of social capital allow new understandings of ethnic identities to emerge, and which involve dynamic and complex social processes that are continually changing and evolving according to time, location and context. This book explores the ways in which the concepts of social capital and ethnicity play a central role in young people's relationships, participation in wider social networks and the construction of identities. Researchers and scholars working in the fields of children and youth studies, education, families, social and racial and ethnic studies, offer differing accounts of the ways in which social capital operates in young people's lives across diverse social settings and ethnic groups. This edited book is timely and significant given the public interest of researchers, academics, politicians and policymakers working in areas of youth and community work, race relations and cultural diversity. This book was published as a special issue of Ethnic and Racial Studies.

This work brings together writings on television published in Quarterly Review of Film and Video, from essays by Nick Browne and Beverle Houston to the latest historical and critical research. It considers television's economics, technologies, forms and audiences from a cultural perspective that links history, theory and criticism. The authors address several key issues: the formative period in American television history; the relation between television's political economy and its cultural forms; gender and melodrama; and new technologies such as video games and camcorders. Originally published in 1993.

The fast consolidating identities along religious and ethnic lines in recent years have considerably 'minoritised' Muslims in India. The wide-ranging essays in this volume focus on the intensified exclusionary practices against Indian Muslims, highlighting how, amidst a politics of violence, confusing policy frameworks on caste and class lines, and institutionalised riot systems, the community has also suffered from the lack of leadership from within. At the same time, they have emerged as a 'mass' around which the politics of 'vote bank', 'appeasement', 'foreigners', 'Pakistanis within the country', etc. are innovated and played upon, making them further apprehensive about asserting their legitimate right to development. The important issue of the double marginalisation of Muslim women and attempts to reform the Muslim Personal Law by some civil society groups is also discussed. Contributed by academics, activists and journalists, the articles thus discuss issues of integration, exclusion and violence, and attempt to understand categories like 'identity', 'minority', 'multiculturalism', and 'nationalism' with regard to and in the context of Indian Muslims. The volume will be of great interest to those in sociology, politics, history, cultural studies, minority studies, Islamic studies, policy studies, geography, etc.

How can I know something? How can I convince someone of the rightness of my position? How does reality function? What is artistic creativity? What is the role of the state? It is well known that people from various cultures give dissimilar answers to such philosophical questions. After three decades in the cross-cultural study of ideas and values, Thomas Kasulis found that culture influences not only the answers to these questions, but often how one arrives at the answers. In generalizing cultural difference, Kasulis identifies two kinds of orientation: intimacy and integrity. Both determine how we think about relations among people and among things, and each is reasonable, effective, and consistent. Yet the two are so incompatible in their basic assumptions that they cannot successfully engage each other.

Cultural difference extends beyond nations. Cultural identities crystallize in relation to religion, occupation, race, gender, class. Rather than attempt to transcend cultural difference, Kasulis urges a deeper awareness of its roots by moving beyond mere cultural relativism toward a cultural bi-orientationality that will allow us to adapt ourselves to different cultural contexts as the situation demands.

Wonderfully clear and unburdened by jargon, Intimacy or Integrity is accessible to readers from a variety of perspectives and backgrounds. By analyzing the synergy between thought and culture, it increases our understanding of cultural difference and guides us in developing strategies for dealing with orientations different from our own.

Selected proceedings from the 6th International Conference on Culture and Communication, held at Temple U., 1986. The eight sections cover language and politics; sociolinguistics; performance as cultural reflection; sales, promotion, and organization; technology in its social context; mass media and