Students and other interested readers finally have a solid resource that describes the breadth of the evolving modern Australian society. "Culture and Customs of Australia" is the first general introduction to the rugged continent, written by an Australian novelist with particular insight. Clancy focuses on the Anglo-Irish and more recent immigrants, but the Aboriginal context is also presented.

Americans' generally superficial familiarity with the Australian continent stems mostly from recent films. Particular images stand out: the Outback, sheep shearing, surfing, the Sydney Opera House, Aborigines, and the Walkabout. Yet Europeans arrived in the late 18th century, followed by convict transports from England that started the colonization. Today, Australia remains a land of immigrants, and its ethnically diverse population has increased dramatically since World War II. Students and other interested readers finally have a solid resource that describes the breadth of the evolving modern Australian society. "Culture and Customs of Australia" is the first general introduction to the rugged continent, written by an Australian novelist with particular insight. Clancy focuses on the Anglo-Irish and more recent immigrants, but the Aboriginal context is also presented.

Readers will learn about the Australian identity, with its male mythology of the Bush. The mateship is the core element of a myth of independent, self-sufficient, freedom-loving citizens in a harsh land. This myth is set against multiculturalism and feminism. Other highlights include discussion of the weak hold that Christianity has over the population; the drastic urbanization of the last century and the suburban dream; adventure and the beach culture, with tourism; the importance of sports; the changing roles of men; the evolving cuisine, from the national barbeque to European and Asian influences; strong and long literary, artistic, and performing arts traditions; film industry talent; and the power of media in a sparsely populated country.

Against a backdrop of contemporary social and sexual concerns, and potent fears surrounding the moral and physical 'degeneration' of late nineteenth and early twentieth-century society, "'The Cruel Madness of Love'" explores a critical period in the developing relationship between syphilis and insanity. General paralysis of the insane (GPI), the most commonly diagnosed of the neurosyphilitic disorders, has been devastating both in terms of its severity and incidence. Using the rich laboratory and asylum records of lowland Scotland as a case study, Gayle Davis examines the evolution of GPI as a disease category from a variety of perspectives: social, medical, and pathological. Through exploring case notes and the impact of new diagnostic techniques and therapies, such as the Wassermann Test and Malarial Therapy, the reader gains a unique insight into both patients and practitioners. Significant insights are gained into the socio-sexual background and medical experience of patients, as well as the clinical ideas and judgmental behaviour of the practitioners confronting this disease. "'The Cruel Madness of Love'" will be of interest to anyone wishing to explore the historical relationship between sexuality, morality and disease. Gayle Davis is a Wellcome Trust University Award Holder at the University of Edinburgh. She has published on various aspects of the social history of medicine and sexuality in twentieth-century Britain, and is undertaking a Wellcome-funded research project on the history of infertility in Scotland. She is reviews editor for History of Psychiatry.

Drawing on a wide range of case studies, Cultures of Financialization argues that, in our age of crisis, the global economy is more invested than ever in culture and the imagination. We must take the idea of 'fictitious capital' seriously as a way to understand the power of finance, and what might be done to stop it.

Although enormous industrial advances were made in the USSR, the country still lagged behind the West in the post-industrial age. What the Soviets could not build or manufacture, they had to get from the West. The final outcome was a culture developed in which there was no regard for consumerism and no respect for the environment. The author traces the development of the Soviet malaise, but warns that a future authoritarian regime could still revive the technological race. Conversely, he also replies to the academic debate on the excesses of modern technology in the West, with a sharp criticism of feminist and post-modernist perspectives.

Anthropologist and social critic Ghassan Hage explores one of the most complex and troubling of modern phenomena: the desire for a white nation.

This book is the first in a series on Chinese management based on the Global Chinese Management Conferences (from 2015 to 2017), an annual conference organized by the Sun Tzu Art of War Institute. The first volume is by FOO Check Teck, professor at Fudan and Hunan University and founding editor of Chinese Management Studies (SSCI), who encourages readers to broaden their minds to embrace the Universe as a Community. The book argues that the lives of all beings are worth preserving and urges the academic community to recognize the ideologies at heart of management and to see research as a deep, reflective thinking process that goes far beyond the testing of hypotheses - great works, lasting 2,500 years are the result of deep reflection upon experiences. It also calls for the re-framing of management integration of a variety of ideological strands, typically in topics in MBA or MPA programs: earnings, mobility of human capital, complex adaptive systems, HRM (in small high-tech firms), technology standardization, Xin (trust: labor relations), multi-leveling, re-forming (hospitals), He-Xie (doctoral work), upgrading (automobile industry). The major consequential consideration must be what it means for people.

This study provides an alternative to the postmodern tradition of writing about the city by exploring spatialized constructions of gender and spiritual identity through an integrative framework based on insights from Bachelard's topoanalysis, psychogeography, feminist cultural theory and comparative literature and religion.

A collection of essays that explore the effects of modernization on Jewish self-understanding. Over the last three centurles, the Jewish experience has been profoundly affected by modernity, which Meyer defines as not only technological advance, cultural innovation, and reliance upon human reason but also as the adaptation of Jews to a modern framework within non-Jewish economies, societies, and cultures. Judaism within Modernity begins with an exploration of Jewish historiography and the problems of periodization in modern Jewish history. In these beginning essays we see the range of Meyer's thinking about what constitutes modernization and how to determine its beginning. He discusses the role of history in defining identity among Jews and suggests that finding an adequate paradigm of continuity is essential to the historian's task. The essays in the second section focus on the Jews of Germany. Here Meyer writes about the influence of German Jews on Jews in the United States, comparing the historical experience of the two communities. These essays also address the intersection of religion, scholarship, and history with politics in nineteenth- and twentiety-century Germany. A third section deals with the European Reform movement, which brought a liberal Judaism to the majority of German Jews. Here Meyer likewise presents a fresh perspective on the way the Reform movement was viewed by those outside of it, especially by non-Jews. The essays in the final section explore Judaism in the United States. In particular, they show how reform Judaism and Zionism were able to recondle their initial differences. Judaism within Modernity is an impressive collection of essays written by a renowned Jewish historian and will be a standard volume for students and scholars of the modern Jewish experience.

Now that the political correctness controversy has cooled, a time for sober reflection on the field of English has arrived. In this insightful overview of English, and of literary studies, Fleishman employs both historical perspective and pragmatic sense about choices for the future. His approach is to apply recent strategies of contextual understanding to English itself. What can a class analysis tell us about the influence on the profession of the changing American socioeconomic system? What are the likely intellectual and professional outcomes of the curricular embrace of minority literatures, neglected authors, and popular culture? Beyond stimulating self-evaluation by English educators, this study prepares readers outside the field to selectively encourage new curricular and methodological opportunities.

Josephine Lang (1815-80) was one of the most gifted, respected, prolific, and widely published song composers of the nineteenth century, yet her life and works have remained virtually unknown. Now, this carefully researched, compelling, and poignant study recognizes the composer for her remarkable accomplishments.
Based on years of study of unpublished letters, musical autographs, reviews, and the autobiographical poetry of Lang's husband, Reinhold Kostlin, the biographical portions of the book offer a stunning portrait of the composer as a woman and an artist.
In-depth musical analyses interwoven with the biography will be illuminating to scholars and to musicians of all skill levels. The analyses reveal Lang's sensitivity to her chosen poetic texts, as well as the validity of her claim that her songs were her diary; the authors demonstrate that many of the songs are directly connected to the events of Lang's life. The analyses are illustrated by an abundance of musical examples, including a number of complete songs. A companion CD, on which the authors have recorded 30 songs by Lang, complements the text.

Names such as Dubai and Abu Dhabi have been emerging in the world's eye over the past decade as exotic hotspots, wealthy from oil production and advanced in the means of technology. However, at the same time, the Arab Gulf States have managed to maintain their traditional culture, adapting it to modern life. With complete coverage on Oman, Qatar, Bahrain, Kuwait, and the United Arab Emirates, Culture and Customs of the Arab Gulf States is a must-have for every high school and public library shelf. Clear and vivid descriptions of contemporary life in the Arab Gulf help students discover how traditions of the past have evolved into customs today. This exhaustive volume covers topics such as religion, festivals, cuisine, fashion, family life, literature, the media, and music, among many others. Up-to-date and comprehensive, this volume offers a unique and contemporary depiction of culture in some of the world's wealthiest, up-and-coming nations.

During the past century, the interpretation given by the various directors staging Greek drama has varied, and the critical reception accorded the productions has also altered. While the texts of Aeschylus, Sophocles, and Euripides remain constant, the meanings drawn from their plays do not. The director who decides to offer a Greek tragedy in the modern American commercial theater believes in the ability of the text to reach the contemporary audience, and the reviewers assess the success of the venture: their words become a record of both a particular performance and the time in which it played. Hartigan explores how drama and society interact and witnesses the continued vitality of the Greek tragedy.

Arguing against the postmodern claim that systematic theory is unable to account for difference, "Difference in Time: A Critical Theory of Culture" adopts an interdisciplinary approach to the analysis of cultural judgement and social change. With music as her model for theory, Hanrahan explores the role of time, the creation of meaning, the identification of difference, and the basis for judgements in cultural life, and in doing so provides a foundation for the critique of cultural objects and practices that avoids both the elitism of traditional aesthetics and the unwavering relativism of so much contemporary cultural analysis. A broad-ranging and deeply philosophical work building on the scholarship of the Frankfurt School, "Difference in Time: A Critical Theory of Culture "drives home the need for critique in the evaluation and revision of the social knowledge and institutions of democratic civic life.

In Hanrahan's analysis, the dualism of critique--that of universal judgement and relative standpoint--is false when critique is understood as a dynamic process in which both judgement and standpoint are emergent and contingent. Differences are not given or static but are articulated in time; therefore, both the categories of critique and of social theory in general must be temporalized. Hanrahan's musical model draws attention to the fundamental temporality of social life and social structure, and integrates that understanding into the structure of a new dynamic in which difference is compatible with both system and structure. Thus, Hanrahan demonstrates that it is possible to construct critical categories that do not become orthodoxies.

"Kawaii" is a Japanese word that denotes "cute," "lovable," or "charming" although it does not have exactly the same meaning as those adjectives. This book proposes engineering methodologies for systematic measurement of the affective perception of kawaii, by using virtual reality and biological signals, and discusses the effectiveness of kawaii engineering for designing industrial products and services. Kawaii can draw sympathy from people and can embody a special kind of cute design, which reduces fear and makes dull information more acceptable and appealing. Following the introduction of the background of kawaii engineering in Chapter 1, Chapters 2 and 3 describe experiments on the systematic measurement and evaluation methods for kawaii products and affective evaluation experiments. Chapter 4 proposes a mathematical model to identify the physical attributes that determine kawaii in motion. Chapters 5 and 6 explain research that uses biological signals and eye-tracking. After a brief survey of psychological research on kawaii and cuteness in Chapter 7, Chapters 8 and 9 introduce the use of spoons designed to stimulate the appetite of the elderly and the practical implementation of an emotion-driven camera. Chapters 10-14 explain experimental research that examines kawaii perception of people from various cultural backgrounds. Kawaii Engineering will appeal to those who work on affective computing, product design, user experience design, virtual reality, and biological signals.

What does a hemispheric Americas look like when done through the lens of punk music, visuals and literature? That is the core premise of this book, presented through a collage of analytical, aesthetic and experiential takes on punk across the continent. This book challenges the dominant vision of punk - particularly its white masculine protagonists and deep Anglocentrism - by analysing punk as a critical lens into the disputed territories of 'America', a term that hides the heterogeneous struggles, global histories, hopes and despairs of late twentieth and early twenty-first century experience. Compiling academic essays and punk paraphernalia (interviews, zines, poetry and visual segments) into a single volume, the book seeks to explore punk life through its multiple registers, through vivid musical dialogues, excessive visual displays and underground literary expression. The kaleidoscopic accounts include everything from sustained academic inquiry and photo portraits to anarchist manifestos and interview excerpts with notable punk figures. The result is a radically heterogenous mixture that seeks to reposition punk and las Americas as intrinsically bound up in each other's history: for better and for worse. Out of critical pasts, within an urgent present and toward many different possible futures. This volume critically refashions punk to suggest it emerges from within the long-term historical experience of las Americas in all their plurality and is useful as a mode of critique towards the hegemonic dimensions of America in its imperial singularity. The book is rooted in a theory of 'radical heterogeneity' and thus represents a collage-like juxtaposition of punk perspectives from across the entire hemisphere and via divergent contributions: academic, experiential and aesthetic. Readership for this collection will include both academic and general readers. Primary readership will be academic. It will appeal to researchers, scholars, educators and students in the following fields: American studies, Latin American studies, media and communication, cultural studies, sociology, history, music, ethnomusicology, anthropology, art, literature. General readership will be among those interested in the following areas - anarchism, music, subculture, literature, independent publishing, photography.

Drawing on contemporary critical work on colonialism and the cross-cultural encounter, this is a study of the emergence of Utilitarianism as a new political language in Britain in the late-eighteenth and early-nineteenth centuries, and focuses on the relationship between this language and the complexities of British Imperial experience in India at the time. Examining the work of Mill and Sir William Jones, and also that of the poets Robert Southey and Thomas Moore, Javed Majeed highlights the role played by aesthetic and linguistic attitudes in the formulation of British views on India, and reveals how closely these attitudes were linked to the definition of cultural identities. To this end, Mill's utilitarian study of India is shown to function both as an attack on the conservative orientalism of the period, and as part of a larger critique of British society itself. In so doing, Majeed demonstrates how complex British attitudes to India were in the late eighteenth and early nineteenth centuries and how this might be explained in the light of domestic and imperial contexts.

"Story Circle" is the first collection ever devoted to a comprehensive international study of the digital storytelling movement, exploring subjects of central importance on the emergent and ever-shifting digital landscape.Covers consumer-generated content, memory grids, the digital storytelling youth movement, participatory public history, audience reception, videoblogging and microdocumentary
Pinpoints who is telling what stories where, on what terms, and what they look and sound like
Explores the boundaries of digital storytelling from China and Brazil to Western Europe and Australia

Traditionally identified with screwball comedies, Frank Capra has seldom been considered a conduit for populist concerns and issues. In this book, Gehring examines the influence of both Will Rogers and Frank Capra on modern populist movies, providing important background on Capra's links to the crackerbarrel personality of Rogers. He follows this theme forward, examining the populist roots in such films as "The Electric Horseman," "Field of Dreams," "Dave," "Grand Canyon," and others. A final chapter is a close-up of the contemporary, Capra-like director, Ron Howard. The inclusion of a bibliography and selected filmography makes this book an important contribution to film studies, popular culture, and American humor.

Covering the period comprising the Renaissance and Reformation, this volume introduces a unique set of interdisciplinary biographical dictionaries providing basic information on the people who have contributed significantly to the culture of Western civilization. Unlike general dictionaries which focus on political and military figures, this book covers such figures as the religious leaders who contributed to the Reformation, scientists who paved the way for a new view of the universe, and Renaissance painters, sculptors, and architects, as well as writers, musicians, and scholars. While the great personalities are included--Michelangelo, Shakespeare, Galileo--the volume covers lesser known figures as well--the Muslim scholar Leo Africanus, the Flemish geographer-astronomer Gemma Frisius, the English travel writer Thomas Coryate. Although many of the subjects also had political influence, the entries are written to highlight their individual cultural achievement.

An exciting, tumultuous, and chaotic age, the years from 1500 to 1620 saw increasing discontent with Catholicism and the beginning of Protestantism with Luther's 95 theses, great strides in the development of the printing press and a resulting increase in literacy, the humanist movement with its emphasis on the arts of antiquity, a proliferation of literature and art inspired by but moving beyond classical forms, and conflict between the triumph of Renaissance culture and the theologians of the Protestant Reformation. The resulting cultural production was astounding. This volume covers those who contributed to the fields of art and architecture, music, philosophy, religion, political and social thought, science, mathematics, literature, history, and education. With over 350 entries written by 72 scholars, the book provides a good basic resource on an exciting age.

In this book, Parent puts together a history of representations of the 1944 mutiny in Senegal. Combining firsthand analysis of the works and their intertextual interactions as well an external perspective, Parent engages with history, literature, film, poetics, and politics and highlights the importance of remembering the past.

PC or Political Correctness has received bad press, according to Choi and Murphy. Indeed, the body of ideas and concepts embodied in PC have been trivialized by conservatives seeking to defend their own positions and by a press catering to a public put off by philosophical discussions. Choi and Murphy seek to analyze the key facets of the debate over PC.

Starting with an examination of the key concepts of PC, Choi and Murphy review the essentials of neo-conservative social philosophy and the Postmodern Alternative as well as neo-conservative critiques of postmodernism. By providing a comprehensive examination of PC from its historical and philosophical underpinnings, Choi and Murphy show what is at stake in the controversy. This book is an important synthesis for researchers and students of contemporary philosophy and social policy.

Due to its potent mix of triumph and controversy, the Liberation of France from Nazi Occupation continues to reverberate in the post-war politics and culture of France.
Presenting new research by leading specialists in the fields of history, literature and film studies, this stimulating volume is the very best in interdisciplinary scholarship and will define the subject for years to come. It situates the Liberation in the broadest possible context of image and event and incorporates subtle layers of ambiguity. Gender issues are given prominence and the challenging task of examining the ideas and reality of liberation for French people lends the book its originality and purpose.

As decisively as the collapse of the Soviet Union signaled a most definite conclusion to that utopian undertaking gone mad, so has NAFTA ended an economic counterpart in Mexico. The United States and Canada are embarking on a grand experiment, incorporating Mexico into their very own economies, creating the largest trading bloc in the world consisting of more than 360 million consumers in an economy that will surpass seven trillion American dollars. For corporate America, an enormous opportunity lies in the integration of the Mexican nation into the economic and social fabric of North America. International business consultant and economist Louis Nevaer explains what these opportunities are and offers sage advice on how U.S. corporations can capitalize on them.

The implementation of NAFTA heralds the final conclusion of the Mexican Revolution, and Mexico is now embarked on a race against time to make up for lost decades. Ernesto Zedillo, who will deliver Mexico to the 21st century, confronts enormous challenges as the authoritarian hegemony that characterizes the political economy of the Mexican nation-state is dismantled. NAFTA constitutes a blueprint for the systematic surrender of the Mexican economy. There is, however, no blueprint for the transformation of Mexico into a democracy. Herein lies the greatest risks to corporate America, for there is always the danger of self-destruction, as witnessed in some of the republics of the former Soviet Union. The discussion presented in this book examines the present realities of the Mexican nation in the age of free trade. In Part I opportunities and risks for corporate America are analyzed, not only within an economic context, but also within a cultural and historical one, as well. Presented in Part II are the processes that have shaped Mexico over the centuries--Spanish rule, Native American civilizations, the trauma of conquest--which have given rise to the Mexican persona and character. With this understanding as background, the American reader gains a strategic advantage in understanding how the Mexican psyche works and which buttons to push. Finally, Part III presents a practical approach to conducting business in Mexico, which ranges from the legal requirements of opening a subsidiary, to a warning about the prevalence of corruption in Mexican society, as well as the existence of racism in Mexican culture.

Offering essays from some of the leading academic writers and younger scholars in the field of American studies from both the United States and Europe, this volume constitutes a rich and varied reconsideration of Modernist American poetry. Its contributions fall into two general categories: new and original discussions of many of the principal figures of the movement (Frost, Pound, Eliot, Williams, Cummings and Stevens) and reflections on the phenomenon of Modernism within a broader cultural context (the influence of Haiku, parallels and connections with Surrealism, responses to the Modernist accomplishment by later American poets). Because of its mixture of European and American perspectives, "Modernism Revisited" will be of vital interest to students and scholars of American literature and Modernism in general and of twentieth-century comparative literature and art.

This book examines the new ways of working and their impact on employees' well-being and performance. It concentrates on job demands and flexible work emanating from current economic and organizational change, and assesses impact on workers' health and performance. The development of issues such as globalization, rapid technological advances, new management practices, organizational changes and new job skills are addressed. This book gives an overview and discusses the potential negative and positive effects of such new job demands and new forms of work.