This book summarizes and classifies 100 wonderful Chinese industrial heritage cases, starting from the path of cultural tourism industry's involvement in the transformation and renewal of industrial heritage. With the development of industrialization for more than 100 years, China, which has been a major industrial heritage country, is often ignored in the field of industrial heritage research. This is the first book in the world to systematically explore the cultural and tourism industry's involvement in the transformation and renewal of Chinese industrial heritage. It fully contributed the wisdom and experience of the transformation of China's industrial heritage to the world, and provided important experience for the transformation of industrial heritage in other parts of the world. This book is not only a reference book for scholars, planners, and decision makers, but it will also inspire other readers who are concerned about China's urbanization and industrial heritage.

Awareness of eco-literature has recalled the central ideology of environmentalism - "to think globally and act locally." As this volume shows, various tags of contemporary discourse have emerged, including transnational, cosmopolitan, hybridity, diaspora, and generally cultural. These concerns highlight such global environmental problems as biodiversity, climate change, and developing new forms of interconnectedness with local and regional communities. In this context, contemporary discourse becomes of immediate concern in understanding the environmental crisis. In a way, reading different cultures and experiences can contribute to a contemporary discourse that can facilitate an environmental sensibility and develop a unique ecological approach.

Dwight Hopkins, whose important work in Black Theology has mediated class theological concerns through the prism of African American culture, here offers a fresh take on theological anthropology. Rather than defined "the human" as one eternal or inviolable essence, however, Hopkins looks to the multiple and conflicting notions of the human in contemporary thought, and particularly three key variables: culture, self, and race. Hopkins' critical reframing of these concepts firmly locates human endeavor, development, transcendence, and liberation in the particular messiness of struggle and strife.

The Twentieth Century in European Memory investigates contested and divisive memories of conflicts, world wars, dictatorship, genocide and mass killing. Focusing on the questions of transculturality and reception, the book looks at the ways in which such memories are being shared, debated and received by museum workers, artists, politicians and general audiences. Due to amplified mobility and communication as well as Europe's changing institutional structure, such memories become increasingly transcultural, crossing cultural and political borders. This book brings together in-depth researched case studies of memory transmission and reception in different types of media, including films, literature, museums, political debate printed and digital media, as well as studies of personal and public reactions. Contributors are: Ismar Dedovic, Astrid Erll, Rosanna Farbol, Magdalena Gora, Gunnthorunn Gudmundsdottir, Anne Heimo, Sara Jones, Wulf Kansteiner, Slawomir Kapralski, Zoe de Kerangat, Zdzislaw Mach, Natalija Majsova, Inge Melchior, Daisy Neijmann, Vjeran Pavlakovic, Benedikt Perak, Tea Sindbaek Andersen, and Barbara Toernquist-Plewa.

Increasing interest is being shown in the intersections between literary and cultural history and in the material dimensions of the text. Evelyn B. Tribble argues that far from being extratextual, as many scholars have contended, marginal commentary and text fuse together to form the page's inscribed identity. By tracing the connections between marginal apparatus, authority, and authorship, she demonstrates that changes in book production had profound consequences for the changing relations among readers, writers, and cultural authority in the early modern period. Margins and Marginality is, to date, the only book-length study of the marginal apparatus of Renaissance books.

The process of food production and distribution has grown into a global corporate system in recent years. This has caused significant impacts on sustainability on an international scale, particularly for developing nations. Establishing Food Security and Alternatives to International Trade in Emerging Economies is a pivotal reference source for the latest scholarly research on agricultural trade relations and trade liberalization in the context of developing countries. Highlighting a range of pertinent topics such as crop productivity, rural development, and value-added agriculture, this book is ideally designed for academics, researchers, graduate students, and practitioners interested in the current state of global food markets. Topics Covered: The many academic areas covered in this publication include, but are not limited to: Climate Change Crop Productivity Food Safety Maritime Piracy Rural Development Trade Policies Value-Added Agriculture

How has America censored British films? In this original, fascinating book, Anthony Slide answers this question, making full use for the first time of the recently opened US Production Code Administration files. Film by film from the 1930s through to the 1960s, he tells the inside story of the ongoing dialogue between the British film making industry and the American censors. The book shows graphically how the Production Code system operated, revealing how the censors viewed moral issues, violence, bad language and matters of decorum as well as revealing acute national differences, such as American concern over the British preoccupation with toilets. It also dispels myths, depicting chief censor Joseph Breen and his staff as knowledgeable people who sympathized with and admired the British film industry.

From the contents: Sandra BECKETT: Babes in the woods: today's riding hoods go to granny's. - Lewis SEIFERT: Madame Le Prince de Beaumont and the infantilization of the fairy tale. - Michael O'RILEY: La Bete est morte!': Mending images and narratives of ethnicity and national identity in post-World War II France. - Eileen HOFT-MARCH: Child Survivors and Narratives of Hope: Georges Perec's W ou le souvenir d'enfance'. - Alioune SOW: L'enfance metisse ou l'enfance entre les eaux: Le chercheur d'Afriques' de Henri Lopes. - Cheryl TOMAN: Writing Childhood: Reflection of a nation in a village voice in Marie-Claire Matip's Ngond'. - Julie BAKER: The childhood of the epic hero: representation of the child protagonist in the Old French Enfances' texts. - Mary EKMAN: Destinataire et/ou heritier du texte': figuring the child in early modern French memoirs."

What's for dinner? Not just in America, but around the world? And how is it cooked, what's the historical significance of that food, how is it served and consumed, and who gets to clean up? This book provides fascinating insight into how dinner is defined in countries around the world. Almost universally, "dinner" is a key meal in most countries around the world, whether it be a simple dish of rice and beans, a slice of pizza on the go, or a multi-course formal meal. What do the specifics of how a meal is eaten-by hand instead of with utensils, for example-say about a specific culture? This fascinating one-volume reference guide examines all aspects of dinner in international settings, enabling insightful cross-cultural comparisons and an understanding of the effects of modernization and globalization on food habits. Some 50 countries are covered in chapters focusing on present-day meal habits in Europe, Asia, the Middle East, Africa, and North and South America. The commentary covers everything about the meal, such as the time, the cooking and preparation, shopping for ingredients, the clean-up process, gender-based participation roles, conversation or other social interactions, and etiquette-just about everything that happens at the table. The book is ideal for classroom teaching and learning, as the entries and photos are conducive to teaching students about other cultures, directly supporting the National Geography Standards. Students will be able to make informed comparisons between their own lives and the various cultural experiences described in the book. Provides intimate insights into a broad range of international food habits, thereby affording readers a glimpse into the daily lives of people around the world and offering immense opportunities for cross cultural comparisons Compares cooking methods, gender roles regarding food and meals, and the places of children or extended relatives at meal time Underscores how food culture is universally and intrinsically related to ethnicity, family, and meal-time tradition Presents a combination of reference narrative, photographs, and recipes that make this a one-stop reference source ideal for students learning about other cultures

Given that the dissemination of enlightened thought in Europe was mostly effected through translations, the present collection of essays focuses on how its cultural adaptation took place in various national contexts. For the first time, the theoretical model of 'cultural transfer' (Espagne/Werner) is applied to the eighteenth century: The intercultural dynamics of the Enlightenment become manifest in the transformation process between the original and target cultures, be it by way of acculturation, creative enhancement, or misunderstanding. Resulting in shifts of meaning, translations offer a key not just to contemporary translation practice but to the discursive network of the European Enlightenment in general. The case studies united here explore both how translations contributed to the transnational standardisation of certain key concepts, values and texts, and how they reflect national specifications of enlightened discourses. Hence, the volume contributes to Enlightenment studies, at least as much as to historical translation studies.

This set gathers together a collection of previously out-of-print titles that examine China's great heritage in literature, poetry, theatre and performance, painting and crafts. This reference resource spans Chinese traditions and artforms to provide in-depth analysis of some of China's great cultural treasures from many different periods in the country's long history.

This book offers the first comprehensive and in-depth exploration of the way Chinese humor fits into broader discourses on Chinese identity and modernity in an increasingly globalized world throughout the period of modern China. It brings together the expertise of scholars from a variety of disciplines - history, literature, linguistics, anthropology, sociology and the study of popular culture - to examine the many forms and modes in which political humor is expressed in modern China: films, cartoons, the visual arts, oral performances and online satire.

How can the culturally diverse communities of America live justly and fruitfully together? Not by assimilation into the dominant culture -- nor by fighting for the freedom to pursue our own self-interest at the cost of our repressing both the wounds and the promising potential of our own cultural roots. This book offers a theory and practice of transformation that shows, especially through literature, education, and politics, how we can create a multicultural society that liberates our being as a fulfillment of the story of democracy. Perhaps for the first time in American history we are seeing the personal, political, historical, and sacred faces of women, people of color, and all ethnic groups as they tell their stories. It is this emerging scholarship that constitutes the new multicultural and feminine face of the story of democracy.

"Reconnecting Consumers, Producers and Food" presents a detailed and empirically grounded analysis of alternatives to current models of food provision. The book offers insights into the identities, motives and practices of individuals engaged in reconnecting producers, consumers and food. Arguing for a critical revaluation of the meanings of choice and convenience, "Reconnecting Consumers, Producers and Food" provides evidence to support the construction of a more sustainable and equitable food system which is built on the relationships between people, communities and their environments.

To what extent do minority writers feel represented by the literary canon of a nation and its body of "great works"? To what extent do they adhere to, or contest, the supposedly universal values conveyed through those texts and how do they situate their own works within the national tradition? Building on Edward W. Said's contrapuntal readings and Gayatri Chakravorty Spivak's reflections on the voice of the subaltern, this monograph examines the ways in which Rafik Schami, Emine Sevgi OEzdamar, and Feridun Zaimoglu have re-read, challenged, and adapted the German canon. Similar to other writers in postcolonial contexts, their work on the canon entails an inquiry into history and a negotiation of their relation to the texts and representations that define the "host" nation. Through close analyses of the works of these non-native German authors, the book investigates the intersection between politics, ethics, and aesthetics in their work, focusing on the appropriation and re-evaluation of cultural legacies in German-language literature. Opening up a rich critical dialogue with scholars of German Studies and Postcolonial Theory, Christine Meyer provides a fresh perspective on German-language minority literature since the reunification. Watch our talk with the editor Christine Meyer here: https://youtu.be/bIOn-8q5QIU

This volume focuses on the theatre history of Asian countries, and discusses the specific context of theatre modernization in Asia. While Asian theatre is one of the primary interests within theatre scholarship in the world today, knowledge of Asian theatre history is very limited and often surprisingly incorrect. Therefore, this volume addresses a major gap in contemporary theatre studies. The volume discusses the conflict between tradition and modernity in theatre, suggesting that the problems of modernity are closely related to the idea of tradition. Although Asian countries preserved the traditional form and values of their respective theatres, they had to also confront the newly introduced values or mechanisms of European modernity. Several papers in this volume therefore provide critical surveys of the history of theatre modernization in Asian countries or regions-Japan, Korea, Taiwan, Hong Kong, India Malaysia, Singapore, and Uyghur. Other papers focus on specific case studies of the history of modernization, discussing contemporary Taiwanese performances, translations of modern French comedy into Chinese, the modernization of Chinese Xiqu, modern Okinawan plays, Malaysian traditional performances, Korean national theatre, and Japanese plays during World War II. Renowned academics and theatre critics have contributed to this volume, making it a valuable resource for researchers and students of theatre studies, literature, and cultural studies.

Authenticity in our globalized world is a paradox: culture flows across borders with unprecedented ease while consumers demand the real thing like never before. This collection examines how authenticity relates to cultural products under globalization, looking closely at how a cuisine, musical genre, or artifact attains its aura of genuineness, of originality, when almost all traditional cultural products are invented in a certain time and place. The contributors in this volume identify how the aura - the authority of the original object - is generated in the first place. The methodologies and disciplines come from a variety of sources: cultural studies, qualitative sociology, musicology, literary studies, and beyond.

This volume brings together the work of leading film scholars from the UK, France and the US who assess a dominant art form's engagement with expressions of national identity at key moments in French cinematic history, from its origins at the end of the nineteenth century, through the inter-war period, the Occupation, the post-Liberation era, and the New Wave, up to the current state of the industry. The essays go against the grain in their attempts to construct an alternative history of French cinema, whether by bringing to light overlooked films or by examining well-known, indeed even 'over-exposed' films or filmmakers in a new light. In re-evaluating the work of Georges MEliEs, Jacques Becker, Jean Renoir, Diane Kurys, FranAois Truffaut, Jean-Luc Godard and Jean-Jacques Beineix, the contributors to this volume focus on the paradoxical centrality of the marginal in constructions of national identity. In doing so, they reveal the structure of 'l'exception franAaise', in which French culture makes an exception for itself by suppressing alterity within it. This multi-faceted assessment of French visual culture and identity will be of interest to students and scholars in French studies, media and film studies, cultural studies and French history.

This book manifests at least four recent shifts and tendencies within Modernist studies in general that point at the expansion of this increasingly interdisciplinary field. First, Modernist studies has seen a temporal expansion, to the extent that scholars in the field have come to turn to both the pre- and posterior history of Modernism. Second, the field has witnessed a spatial expansion, in that increasingly so researchers have also come to scrutinize the Modernisms of regions at the fringes of Europe, and beyond. Thirdly, a vertical expansion too has marked Modernist studies in recent decades, not only by further expanding the canon of women writers and exploring the continuum between high- and lowbrow, but also by looking at the artistic and mediatized hierarchies and cross-fertilizations operative in the period. A fourth conceptual expansion of the field shows that whereas concepts such as "middlebrow," "arriere-garde," and to some extent even "avant-garde," were once exotic notions of at best marginal importance in European Modernist studies, they now form part and parcel of the field, complicating and expanding it conceptually.

Lasley shows how American culture fosters selfishness, aggression, and violence. He believes that selflessness can and should be taught in the home and in the schools as an antidote to the individualism and tribalism that multicultural diversity can lead to. Without a certain cultural and personal respect for the other, the myriad racial, ethnic, and ideological differences could tear American society apart. Lasley uses ethnological examples of non-Western societies that stress nonviolence to elucidate models of peaceful behavior. He provides ways and means of teaching peaceful principles by using the literature of altruism and the images of service and other-directed activities.

Over the last decade, migration flows from Central and Eastern Europe have become an issue in political debates about human rights, social integration, multiculturalism and citizenship in Great Britain. The increasing number of Eastern Europeans living in Britain has provoked ambivalent and diverse responses, including representations in film and literature that range from travel writing, humorous fiction, mockumentaries, musicals, drama and children's literature to the thriller. The present volume discusses a wide range of representations of Eastern and Central Europe and its people as reflected in British literature, film and culture. The book offers new readings of authors who have influenced the cultural imagination since the nineteenth century, such as Bram Stoker, George Bernard Shaw, Joseph Conrad and Arthur Koestler. It also discusses the work of more contemporary writers and film directors including Sacha Baron Cohen, David Cronenberg, Vesna Goldsworthy, Kapka Kassabova, Marina Lewycka, Ken Loach, Mike Phillips, Joanne K. Rowling and Rose Tremain. With its focus on post-Wall Europe, "Facing the East in the West "goes beyond discussions of migration to Britain from an established postcolonial perspective and contributes to the current exploration of 'new' European identities.

Without question, the East German National People's Army was a profoundly masculine institution that emphasized traditional ideals of stoicism, sacrifice, and physical courage. Nonetheless, as this innovative study demonstrates, depictions of the military in the film and literature of the GDR were far more nuanced and ambivalent. Departing from past studies that have found in such portrayals an unchanging, idealized masculinity, Comrades in Arms shows how cultural works both before and after reunification place violence, physical vulnerability, and military theatricality, as well as conscripts' powerful emotions and desires, at the center of soldiers' lives and the military institution itself.

Defining the Modern Museum is a fascinating exploration of the museum as a cultural institution. Emphasizing museums' relationship to schools, libraries, and government agencies, this interdisciplinary study challenges long-standing assumptions about museums - revealing their messy, uncertain origins, and belying the standard narrative of their educational purpose having been corrupted by corporate goals.

Using theoretical models and extensive archival research, Lianne McTavish examines the case of Canada's oldest continuing public museum, the New Brunswick Museum in Saint John. Focusing on the period between 1842 and the 1950s, McTavish addresses topics such as the transnational exchange of objects between museums, efforts by women to claim space within the organization, the creation of Carnegie libraries, and the rising status of curators.

Shedding light on many topics of current interest, especially the commodification and globalization of museums, this study makes a lively contribution to museum studies and cultural studies.

This study examines representations of the cityscape and of a so-called "new urban violence" in both detective-centered and detectiveless crime fiction produced in Spanish America and Spain during recent decades. It documents the emergence and permutations of this production as an index not only of local perceptions of contemporary urban experience and of a contemporary urban "ecology of fear," but also as a transnational index of the globalization of literary forms and markets. It centers on the inscription of urban space in novels set in the metropolitan centers of the Hispanic World: Mexico City, Bogota, Buenos Aires, and Barcelona.

The society of traditional India is frequently characterized as static and dominated by caste. This study challenges older interpretations, arguing that medieval India was actually a time of dynamic change and fluid social identities. Using records of religious endowments from Andhra Pradesh, author Cynthia Talbot reconstructs a regional society of the precolonial past as it existed in practice.