First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.

Development is not an all-powerful machinery imposing its will upon powerless actors. Rather, it is a complex process that brings together multiple actors with diverse agendas. Participants' power in affecting outcomes results from their ability to mobilize discursive and material resources and to control and manipulate time and spatial contexts. This work critically examines development practices and various forms of collective action based on detailed ethnographical analysis of the Yacyreta hydroelectric project. The story unfolds in the borderlands of Paraguay and Argentina in the heart of the Latin American Southern Cone where local political cultures are responding to global forces that now dictate economic integration. Although relatively unknown today to the world, this area promises to exert a strong global impact in the near future.

The saga of the Yacyreta hydroelectric project on the Argentina-Paraguay border not only illustrates the radical change in the power dynamics of the Latin American Southern Cone region, but also reflects the transformation of development discourse and practice during the last decades. It examines the relationship between the weakened role of the nation-state in decision making and the emergence of nongovernmental organizations and grassroots movements as key development actors. Because the Yacyreta dam is being built in the borderlands of two countries as a binational undertaking, it threatens the boundedness of nation-states precisely where sovereignty is traditionally guarded--the national frontiers. Under these and other global challenges of deterritorialation such as processes of regional integration encouraged by Mercosur (Common Market of the South), popular conflicts have become spatialized, reflecting both the resilience of national imaginings and histories of exclusion and exploitation.

This study demystifies populist and romanticized academic constructions of subaltern groups. It shows that the outcomes of popular struggles can be one of accomodation and cooperation and not resistance. Nonetheless, they constitute serious threats to planned development. It challenges current approaches in development that advocate participation, empowerment, and communication.

The question of ignorance occupies a central place in anthropological theory and practice. This volume argues that the concept of ignorance has largely been pursued as the opposite of knowledge or even its obverse. Though they cover wide empirical ground - from clients of a fertility treatment center in New York to families grappling with suicide in Greenland - contributors share a commitment to understanding the concept as a productive, social practice. Ultimately, The Anthropology of Ignorance asks whether an academic commitment to knowledge can be squared with lived significance of ignorance and how taking it seriously might alter anthropological research practices.

Shlapentokh . . . former senior fellow at MoscoW's Institute of Sociology, has written an important study of responses to the general domestic crisis of the USSR. The first half of the book is devoted to examination of the background of the current crisis; the second half covers major ideological tendencies, conservative, ' neo-Stalinist, ' and liberal.' Shlapentokh shows how Gorbachev has gradually absorbed much, but by no means all, of the liberal' ideology but concludes that future prospects for liberalizing tendencies are highly uncertain. . . . Shlapentokh's insights make this first comprehensive treatment of Soviet ideology in the Gorbachev era one of the more significant studies of the USSR in recent years. "Choice"

The mid-1970s found almost all spheres of Soviet society in economic, social, and moral decline, a decline that generated conflicting ideologies offering solutions. "Soviet Ideologies in the Period of Glasnost" provides a penetrating examination of these unofficial ideologies, both historically and analytically, based upon studies of Soviet media, literature, films, underground literature, and Western scholarly works. It is a thorough and well-documented discussion of unofficial thinking trends in the Soviet Union during the post-Brezhnev era.

View the Table of Contents .nbsp; nbsp; nbsp; Read the Introduction . "Oscar G. Chase studies the American legal system in the manner of an anthropologist. By comparing American 'dispute ways' with those of other systems, including some commonly believed to be more 'primitive, ' he finds interesting similarities that challenge the premise that we live in a society regulated by a rational and just 'rule of law.'" — New York Law Journal "A witty and engaging endeavor. . . . A good contribution to our professional knowledge, and it is a must reading." — Law and Politics Book Review "After readingLaw, Culture, and Ritual, no one could ever again think that our legal proceedings are nothing more than an efficient method of discovering truth and applying law. Oscar Chase effectively uses a comparative approach to help us to step back from our legal practices and see just how steeped in myths, rituals and traditions they are. Scholars will want to read this book for its contribution to comparative law, but everyone interested in American culture should read this book. Chase shows us that there is no separating law from culture: each informs and maintains the other.Law, Culture, and Ritualis a major step forward in the rapidly expanding field of the cultural study of law." — Paul Kahn, author ofThe Cultural Study of Law: Reconstructing Legal Scholarship "Having allowed ourselves to be convinced (wrongly) that we are the most litigious people in the world, Americans have become obsessed with finding (quick) cures. Oscar Chase's book sounds a salutary warning. By presenting striking comparative examples that shatter our parochialism, he forces us to examine the cultural roots of disputeprocesses." — Richard Abel, Connell Professor of Law, UCLA Law School Disputing systems are products of the societies in which they operate - they originate and mutate in response to disputes that are particular to specific social, cultural, and political contexts. Disputing procedures, therefore, are an important medium through which fundamental beliefs, values, and symbols of culture are communicated, preserved, and sometimes altered. InLaw, Culture, and Ritual, Oscar G. Chase uses interdisciplinary scholarship to examine the cultural contexts of legal institutions, and presents several case studies to demonstrate that the processes used for resolving disputes have a cultural origin and impact. Ranging from the dispute resolution practices of the Azande, a technologically simple, small-scale African society, to the rise of discretionary authority in civil litigation in America, Chase challenges the claims of some scholars that official dispute systems are more reflective of the interests and preferences of elite professionals than of the cultures in which they are embedded.

A case study of why Third World countries are still poor, the premise of this book is that while some progress has been made in transforming the political economy of Ecuador, certain behaviors, beliefs and attitudes have kept the country from developing in ways that otherwise would have been possible. As the author asserts, for almost five centuries the cultural habits of Ecuadorian citizens have constituted a stumbling block for individual economic success. Still, he concludes, people's cultural values are not immutable: inconvenient customs can be changed or influenced by the economic success of immigrants. This is the challenge that Ecuador faces in the twenty-first century.

There is a wealth of scholarship on tourism from a variety of different disciplines, but few attempts to synthesize its broad themes into a coherent analytical framework. This book addresses this problem by analyzing tourism in light of contemporary social theory. By focusing on tourism in terms of consumption, commodification, and the political and cultural economy, the relationships between tourism, globalization, people, and place are explored in an empirically grounded but theoretically informed analysis.

Japanese culture is inscrutable-but then, so is American culture seen from the viewpoint of the Japanese. As Hayashi and Kuroda make clear, the problem is one of perspective. Neither is really an enigma if the viewer can free him- or herself from the mother culture and look at the other culture from within its own context. Along the way, the authors answer many questions about Japan from the never-ending nature of its trade disputes to the reasons for the misconceptions of many Western writers. The authors challenge those who think every culture perceives, thinks, and expresses alike. They also challenge those who believe that Japanese culture has changed significantly in recent years. Hayashi and Kuroda look at ancient poems and 7th-century documents as well as the writings of Japan's Nobel laureate, Oe, to show that the essence of Japanese culture remains unchanged. By examining the use of language as well as analyzing modern statistical data, Hayashi and Kuroda show how the Japanese concept of self is indistinct and how the Japanese live in a mental world of multiple truths. Along the way the authors provide new interpretations and insights that are invaluable to all students of Japan, from policy makers to poets and painters.

During the American Civil War, political ideology was the most important determinant of French journalistic attitudes. Conservatives usually supported the South while Liberals usually supported the North. Provincial newspapers, however, less consistently followed ideological patterns than their Parisian and big-city colleagues. Slavery was not a determinant of French attitudes, since all French were opposed to slavery; rather, both Conservatives and Liberals used the issue of slavery as a device to garner support. While Conservatives remained firm in believing that the South would prevail until the very end, Liberal journalists sometimes despaired of a Union triumph in the face of Northern military defeats.

Food at Sea: Shipboard Cuisine from Ancient to Modern Times traces the preservation, preparation, and consumption of food at sea, over a period of several thousand years, and in a variety of cultures. The book traces the development of cooking aboard in ancient and medieval times, through the development of seafaring traditions of storing and preparing food on the world s seas and oceans. Following a largely chronological format, Simon Spalding shows how the raw materials, cooking and eating equipments, and methods of preparation of seafarers have both reflected the shoreside practices of their cultures, and differed from them. The economies of whole countries have developed around foods that could survive long trips by sea, and new technologies have evolved to expand the available food choices at sea. Changes in ship construction and propulsion have compelled changes in food at sea, and Spalding s book explores these changes in cargo ships, passenger ships, warships, and other types over the centuries in fascinating depth of detail. Selected passages from songs and poems, quotes from seafarers famous and obscure, and new insights into culinary history all add spice to the tale."

In recent decades, religious fundamentalism has played an increasingly significant role in Western and Middle Eastern politics and culture. In this volume, an international group of scholars from fields such as religious studies, sociology, political science, history, and anthropology explore diverse dimensions of religious fundamentalism and relate it to a range of cultural and political issues. Although the focus is on fundamentalism in its Jewish guise, the methodological and comparative emphases make it valuable to specialists in a variety of fields.

Among the issues examined are: the characteristics that link fundamentalist movements within various religious traditions; the study of fundamentalist motifs as they appear specifically in Judaism, Christianity, and Islam (and whether or not this is a useful approach); the relationship between religion and modernity; the impact of fundamentalism on the Arab-Israeli conflict; and the interaction of modern Jewish fundamentalist movements with traditional Judaism. The book also provides important insights into the emergence of religious fundamentalism as a powerful social and political force in Jewish life, particularly in Israel.

Contributing to the volume are: Gerald Cromer (Bar-Ilan Univ.), Menachem Friedman (Bar-Ilan Univ.), Susan Harding (Univ. of California, Santa Cruz), James Davison Hunter (Univ. of Virginia), Aaron Kirschenbaum (Tel Aviv University), Hava Larazus-Yafeh (Hebrew Univ. of Jerusalem), Ian Lustick (Univ. of Pennsylvania), Alan Mittleman (Muhlenberg College), James Piscatori (Univ. College of Wales), Elie Rekhess (Tel Aviv Univ.), Laurence J. Silberstein (Lehigh Univ.), and Ehud Sprinzak (Hebrew Univ. of Jerusalem).

Drawing on traditional archival research, reception theory, cultural histories of slumming, and recent work in critical theory on literary representations of poverty, Westgate argues that the productions of slum plays served as enactments of the emergent definitions of the slum and the corresponding ethical obligations involved therein.

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"Covers its subject well, provides useful context, and makes lively reading for anyone interested in the history of technology, the social context of electricity and radioactive materials, or the history of alernative medicine."--"Technology and Culture"

"Not only provides a richly detailed and suprising account of long-forgotten artifacts, but also fleshes out the longer history of some still-familiar attitudes toward health and vitality."
--"Journal of Social History"

"De la Pena's fascinating study melds social history with material culture and the history of science and technology to explain Americans' enthusiastic embrace of modern mechanization and emergent industrial culture."
--"CHOICE"

"In this engaging and well-written study Carolyn Thomas de la Pena offers a detailed cultural history of the medical-technological interface in the period 1850-1940, and in so doing tells us a great deal about how the body and its relation to modernity were conceived."
--"American Historical Review"

"Exellent. Carolyn de la Pena's superbly researched project examines how Americans in the period between 1870 and 1935 sought to supplement their physical energy through engagement with a variety of popular health technologies, including muscle-building machines: electrical invigorators, such as belts and collars: and radioactive elixirs."
--"American Quarterly"

"It's an irresistible account of fads and fascinating foibles, including electric belts and radioactive tonics."
--"Christian Science Monitor"

"Transforming archival research into sparkling prose, "The Body Electric" explains how Americans learned to usemachines to seek health, sexual rejuvenation, and physical transformation. This innovative book is both an entertaining history of fads and foibles and a groundbreaking cultural critique of the continuing obsession with achieving physical perfection."
--David E. Nye, author of "Electrifying America and America as Second Creation"

""The Body Electric" is the so-far missing puzzle piece in our nineteenth-twentieth century knowledge of the social history of the human body and technology a richly illustrated study showing two centuries of technologizing the human body against fears of weakness, enervation, sexual depletion."
--Cecelia Tichi, author of "Shifting Gears: Technology, Literature, Culture in Modernist America"

Between the years 1850 and 1950, Americans became the leading energy consumers on the planet, expending tremendous physical resources on energy exploration, mental resources on energy exploitation, and monetary resources on energy acquisition. A unique combination of pseudoscientific theories of health and the public's rudimentary understanding of energy created an age in which sources of industrial power seemed capable of curing the physical limitations and ill health that plagued Victorian bodies. Licensed and "quack" physicians alike promoted machines, electricity, and radium as invigorating cures, veritable "fountains of youth" that would infuse the body with energy and push out disease and death.

The Body Electric is the first book to place changing ideas about fitness and gender in dialogue with the popular culture of technology. Whether through wearing electric belts, drinking radium water, or lifting mechanized weights, many Americans came to believethat by embracing the nation's rapid march to industrialization, electrification, and "radiomania," their bodies would emerge fully powered. Only by uncovering this belief's passions and products, Thomas de la PeAa argues, can we fully understand our culture's twentieth-century energy enthusiasm.

"Art in the Service of Colonialism" throws new light on how nothing in the Moroccan French Protectorate (1912-1956) escaped the imprints of metropolitan ideology and how the French transformed and dominated Moroccan society by looking at how the arts and crafts were transformed in the colonial period. Hamid Irbouh argues that during the Moroccan Protectorate (1912-1956), the French imposed their domination through a systematic modernisation and regulation of local arts and crafts. They also stewarded Moroccans into industrial life by establishing vocational and fine arts schools. The French archives, Arabic sources, and oral testimonies, which Irbouh used, demonstrate complex relationships between colonial administrators of both genders and their interactions with Moroccan officials, notables, and the poor. The French co-opted some locals into joining these educational institutions, which respected and reinforced familiar pre-Protectorate social structures. The artisans become The Best Workers in the French Empire, and artists exhibited abroad and cultivated a European and American clientele. The contradictions between reformist goals and the old order, nevertheless, added to social dislocations and led to rebellion against French hegemony. Irbouh focuses on how French women infiltrated the feminine Moroccan milieu to buttress colonial ideology, and how, at critical moments, Moroccan women and their daughters rejected traditional passive roles and sabotaged colonial plans. France's legacy in Moroccan arts and crafts provoked a backlash in the postcolonial period. After independence local artists, searching for their own identities, sought to reclaim their authenticity. The struggle to define a pristine visual heritage still rages, and the author, by underlining French contributions to Moroccan artistic and craft production, challenges the conclusions of the artists and critics who have argued for the establishment of an unadulterated art devoid of most or even all foreign influences. As in so many areas of Moroccan society, this book reveals that the weight of colonial history remains heavily present. In this well-conceived book based on original archival sources Hamid Irbouh investigates how French colonial administrators employed French women to inculcate colonial ideology by establishing new craft schools for notable and poor families in Moroccan cities. The French intended not only to teach modernized versions of old Moroccan crafts, but also wanted to instill new work habits and modern concepts of time into the girls and young women who attended their schools. Dr. Irbouh demonstrates how French women administrators took the lead in this effort and also shows how Moroccan women absorbed their lessons, but also resisted the colonial enterprise. His is a novel approach to colonial art history, situating Moroccan art production in large social, political and ideological contexts.

What provoked the fierce and systematic 'will to experiment' that was Modernism? Paranoia--thought especially to afflict those whose identities were founded on professional expertise--was described in the contemporary psychiatric literature as the violent imposition of system onto life's randomness. Modernism's great writers--Conrad, Ford, Lewis, Lawrence--both lived and wrote about these psychopathies of expertise.

Jewish identity in German culture remains in a critical state of flux. Analyzing its construction and perception in public discourse, the contributors of this volume discuss the works of a number of authors--from Kafka to new writers such as Irene Dische and Maxim Biller. In addition, topics covered include: American-Jewish writers in Germany, minority culture, homosexuality, and Jewish magazines.

This bibliography describes, in comprehensive detail, thirty-six special collections in the United States that are rich in published and unpublished research materials in the fields of intentional communities (communes), nudism, and sexual behavior, especially sexual freedom. For each collection, Selth provides information about types of publications, bibliographic access, conditions of use, miscellaneous comments, and describes the holdings. Indexes by name of the collection and geographical location and indexes of periodicals, names, and subjects are provided to enhance the usefulness of this unique research aid.

There could be no better homage to recently deceased sociologist Charles C. Moskos than dedicating to him this selection of the papers presented at RC01's international conference in Seoul (July 2008). It offers an up-to-date view of the panorama of social studies on armed forces and conflict resolution in a context of fast-moving change that renders many preceding theoretical previsions obsolete. Just to cite two aspects of this change, one can point first of all to how the presented studies move beyond the very concept of globalization, after which the conference had been named. It in fact emerged with clarity that the new dimensions of the context in which militaries and military policy must move are those of a constant, diffuse interaction of the 'local' and the 'global', so-called globalization. A second aspect, in the international area, is the shift towards a multipolar global order with the United States, the European Union, China, Russia, Latin America, Japan and India all manoeuvring for position, a shift that has significant consequences on military action as well.

While the writing of other ethnic women has already been receiving considerable attention, the writing of Asian American women has not. (Un)Doing is the first feminist theoretical work to look at writing by such contemporary Asian American writers as Amy Tan, Fae Myenne Ng, R. A. Sasaki, Gish Jen, and Cynthia Kadohata. Viewing them as feminist and postfeminist writers, Kafka argues that gender asymmetry in all its varied forms and guises is the major issue that they confront. Satirizing this world-wide oppression as "the missionary position," Kafka urges ethnic and women of color feminist critics to focus more on commonalities rather than view differences as impenetrable barriers.

"Bringing together contributors from a wide range of disciplines, countries and perspectives this book provides a thought-provoking overview of the human dimension of the workplace. It covers workplace problems as well as potential solutions. Essential reading for anyone committed to making the workplace a humane and effective place"--Provided by publisher.

This book examines the essence of leadership, its characteristics and its ways in Asia through a cultural and philosophical lens. Using Asian proverbs and other quotes, it discusses leadership issues and methods in key Asian countries including China, India, Japan, Kazakhstan, Malaysia and Singapore. It also explores the leadership styles of various great Asian political and corporate leaders. Further, it investigates several unique Asian philosophies, such as Buddhism, Guan Yin, Confucianism, Ta Mo, Chinese Animal zodiac signs, Hindu Gods, the Samurai, the Bushido Spirit and Zen in the context of leadership mastery and excellence. Offering numerous examples of a potpourri of the skills and insights needed to be a good, if not a great, leader, this practical, action-oriented book encourages readers to think, reflect and act.

A systematic examination of Chinese communication scholarship and comprehensive critique of its theories and methodologies are long overdue, and in this new collection of essays by a multicultural group of scholars, both aims are achieved. Focusing on such relatively new fields as Chinese health communication and Chinese communication on the internet, the volume addresses key questions about the state and the future of its field. Both challenging and complementing the Western views of communication, it advances theories of cultural and intercultural communication while at the same time broadening our understanding of the relevance of Chinese communication studies to communication studies overall, and the ways in which this subdiscipline points the way toward a new and more complicated future. The essayists, whose origins include the United States, Taiwan, Hong Kong, and China, bring their many perspectives to bear on what is the most comprehensive and inclusive review of Chinese communication research literature published in English. Of great benefit to Western and Eastern communication theorists, philosophers of social science, and Asian studies scholars, Chinese Communication Theory and Research is an invaluable guide to an increasingly complex and significant field of study.

The Quest for Civilization illuminates the origins of modern Japan through the lens of its cultural contact with the Netherlands providing a rare contribution to the field in English-language literature. Following the "opening" of the country in the 1850s, Japan encountered Western modernity through a quest for knowledge personified by Nishi Amane and Tsuda Mamichi, two young scholars who journeyed to Leiden in 1863 as the first Japanese sent to study in Europe. For two years they were tutored by Simon Vissering - one of the leading Dutch economists of the nineteenth century. Following their return home, their work as government officials and intellectuals played a key role in the introduction of the European social sciences, jurisprudence, and international law to Japan, thereby exerting a decisive influence on the establishment of the modern Japanese state and the redefinition of the international and cultural order in East Asia.

"Divided into three sections on cosmetics, clothes and hairstyling, this book explores how early modern women regarded beauty culture and in what waysskin, clothes and hair could be used to represent racial, class and gender identities, and to convey political, religious and philosophical ideals"--

On the Geopragmatics of Anthropological Identification explores the discursive spaces of our speaking position, or what has routinely been referred to in the literature as the poetics and politics of writing culture. At issue here are its problematic underlying notions of cultural identity, authorial subjectivity and postcolonial critique. Contrary to the widespread assumption that cultural studies and the social sciences share a common discourse of culture and society, Allen Chun argues that 'modern' disciplinary practices and axioms have in fact produced inherently incompatible theories. Anthropology's ethical relativism has also created obstacles for a critical theory of culture and society.