The Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the return of the Baroque expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and Cuban novelists Alejo Carpentier and Severo Sarduy. A highly original and compelling reinterpretation of modernity, The Return of the Baroque in Modern Culture answers Raymond WilliamsGCO charge to create alternative national and international accounts of aesthetic and cultural history in order to challenge the centrality of Anglo-American modernism.

This book examines the contemporary situation of women in France and makes an essential contribution to the growing interdisciplinary interest in la condition feminine. It addresses both mainstream issues - such as women's paid and unpaid work, women in politics with particular reference to the current parity debates, leisure and contemporary women's writing - as well as under-represented areas, namely women in rural France, immigrant and exiled women and the situation of lesbians. Authors examine the problems facing women at home and at work and critically assess the policy initiatives to combat unemployment, occupation segregation and pay inequality. Despite their high levels of activity in employment, French women still shoulder the burden of domestic work, child rearing and care for relatives and there are many areas of political representation where they are notable for their absence. Leading experts survey leisure practices and language - fascinating indicators for social roles, power relations and gender differences - and provide us with new insights into the position of women, whether in rural France, the media or immigrant and exile communities.This interdisciplinary book is suitable for both specialists seeking information within a specific area of gender studies and non-specialists seeking a general overview of women's situation in contemporary metropolitan France and will therefore appeal to a wide range of readers across humanities and social sciences.

The history of women's involvement in politics has focused most heavily on electoral politics, but throughout the twentieth century a far wider range of women has engaged in political activity when they found it increasingly challenging to feed their families and balance their household ledgers. The Politics of the Pantry examines the rise and fall of the American housewife as a political constituency group. It examines how working- and middle-class housewives' relationship with the state evolved over the course of the century. Shifting the focus away from the workplace as a site of protest, it looks to the homefront as a starting point for protest in the public sphere. Emily Twarog has selected key moments when working- and middle-class women used consumer actions to embrace their socially ascribed roles as mothers and wives to demand economic stability for their families and communities. These include the Depression-era meat boycott of 1935, the consumer coalitions of the New Deal, and the wave of consumer protests between 1965 and 1973. She frames her narrative around the lives of several key labor and consumer activists and their organizations in both urban and suburban areas - Detroit, greater Chicago, Long Island, and Los Angeles. This geographic and chronological span allows for a national story from the progressive politics of the New Deal to the election of Ronald Reagan and the emergence of the conservative right. With a focus on food consumption rather than production, the book looks closely at the ways in food - specifically meat - was used by women as a political tool. These women both challenged and embraced the social and economic order, rather than simply being an oppositional force. And the domestic politics they engaged in, Twarog argues, were not simply the feminine version of labor activism nor auxiliary to the masculine solidarity of unions. Exploring the intersections of labor, community, home, and the market, POLITICS OF THE PANTRY makes a strong case for the connection of the domestic sphere and the formation of women's political and class identity in America.

This book undertakes a psychotropic analysis of texts that deal with the violence of drug trafficking and interdiction, especially in Mexico. While most critics of so-called narcoculture have either focused on an aesthetic "sobriety" in these works or discounted them altogether as exploitative and unworthy of serious attention, Drugs, Violence, and Latin America illuminates how such work may reflect and intervene in global networks of intoxication. Theorizing a "dialectics of intoxication" that illustrates how psychotropy may either solidify or destabilize the self and its relationship to the other, it proposes that these tendencies influence human behavior in distinct ways and are leveraged for social control within both licit and illicit economies. A consideration of a countercultural genealogy in Latin America provides a contrastive psychotropic context for contemporary novels that exposes links between narcoviolence and consumerism, challenging our addictions of thought and feeling about ourselves and our relationships to drugs and narco-violence.

This book is a collection of diverse essays by scholars, policy-makers and creative practitioners who explore the burgeoning field of cultural measurement and its political implications. Offering critical histories and creative frameworks, it presents new approaches to accounting for culture in local, national and international contexts.

The notion of citizenship is complex; it can be at once an identity; a set of rights, privileges, and responsibilities; an elevated and exclusionary status, a relationship between individual and state, and more. In recent decades citizenship has attracted interdisciplinary attention, particularly with the transnational growth of Western capitalism. Yet citizenship's relationship to gender has gone relatively unexplored--despite the globally pervasive denial of citizenship to women, historically and in many places, ongoing today. This highly interdisciplinary volume explores the political and cultural dimensions of citizenship and their relevance to women and gender. Containing essays by a well-known group of scholars, including Iris Marion Young, Alison Jaggar, Martha Nussbaum, and Sandra Bartky, this book examines the conceptual issues and strategies at play in the feminist quest to give women full citizenship status. The contributors take a fresh look at the issues, going beyond conventional critiques, and examine problems in the political and social arrangements, practices, and conditions that diminish women's citizenship in various parts of the world.

In the wake of the elegant master theories of Joseph Campbell, Mircea Eliade, Georges Dumezil, and Claude Levi-Strauss, how are mythology and the comparative study of religion to be understood? In Myth and Method, a leading team of scholars assesses the current state of the study of myth and explores the possibilities for charting a methodological middle course between the comparative and the contextual issues raised in the last ten years. In confronting these tension, they provide an outline of the most troubling questions in the field and offer a variety of responses to them.

Transcending recent attempts to pigeonhole 'the information revolution', this book shows how the paradoxical aspects of new media and the Internet (is it masculine or feminine? Does it mean peace or war?) are the peculiarly intense expression of the contradictions underlying our whole society. Andrew Calcutt is an enthusiastic champion of the potential for new communications technology, and a trenchant critic of the culture of fear which prevents its realisation.

Contemporary Los Angeles can increasingly be considered a part of Latin America. Only 200 miles from the border with Mexico, it has the largest, most diverse population of Latinos in the United States-and reportedly the second largest population of Mexicans outside of Mexico City. It also has one of the most diverse representations of Latino gastronomy in the United States, featuring the cuisine of nearly every region of Mexico, countries such as Peru, Argentina, Guatemala and El Salvador, as well as an incredible variety of Asian-Latin fusion cuisine. Despite the expansion of Latino cuisine's popularity in Los Angeles and the celebrity of many Latino chefs, there is a stark divide between what is available at restaurants and food trucks and what is available to many low-income, urban Latinos who live in food deserts. In these areas, access to healthy, affordable, culturally appropriate foods is a daily challenge. Food-related diseases, particularly diabetes and obesity, plague these communities. In the face of this crisis, grassroots organizations, policy-makers and local residents are working to improve access and affordability through a growing embrace of traditional cuisine, an emergent interest in the farm-to-table movement, and the work of local organizations. Angelinos are creating alternatives to the industrial food system that offer hope for Latino food culture and health in Los Angeles and beyond. This book provides an overview of contemporary L.A.'s Latino food culture, introducing some of the most important chefs in the Latino food scene, and discussing the history and impact of Latino street food on culinary variety in Los Angeles. Along with food culture, the book also discusses alternative sources of healthy food for low-income communities: farmers markets, community and school gardens, urban farms, and new neighborhood markets that work to address the inequalities in access and affordability for Latino residents. By making the connection between Latino food culture and the Latino communities' food related health issues, this study approaches the issue from a unique perspective.

Most human bodies have two arms, two legs, hands, feet, a head. Yet the body, as we perceive it, is ultimately a cultural construct defined by the values and meanings each individual, and each culture, ascribes to it. Beyond its corporeal realities, the implications of the body-how we adorn, alter, heal, and please it-are potentially endless, limited only by the manner in which we frame it.

Revealing how the human body has served as as metaphor for social process, the anthology unveils the body as intrinsically configured by politics, gender, racial categories, fears of pollution, and commercial forces which exploit and regulate it. Historical snapshots of American bodies over the past two and a half centuries, the essays in this volume cover such diverse subjects as sailor tattoos, maritime cannibalism in the early 1800's, birth control, rest cures for neurasthenia, and, more recently, anorexia, boxing, cyberpunk, and plastic surgery. Drawing from history, literary and cultural studies, and film studies, American bodies is an eclectic, stimulating collection that will challenge many fundamental beliefs about our physical form.

"A vivid analysis of how many Latin Americans have crafted alternative modes of understanding sexuality."
--"Hispanic American Historical Review"

From its sweaty beats to the pulsating music on the streets, Latin/o America is perceived in the United States as the land of heat, the toy store for Western sex. It is the territory of magical fantasy and of revolutionary threat, where topography is the travel guide of desire, directing imperial voyeurs to the exhibition of the flesh.

Jose Quiroga flips the stereotype upside down: he shows how Latin/o American lesbians and gay men have consistently eschewed notions of sexual identity for a politics of intervention. In Tropics of Desire, Quiroga reads hesitant Mexican poets as sex-positive voices, he questions how outing and identity politics can fall prey to the manipulations of the state, and explores how invisibility has been used as a tactical tool in opposition to the universal imperative to come out.

Drawing on diverse cultural examples such as the performance of bolero and salsa, film, literature, and correspondence, and influenced by masters like Roland Barthes, Walter Benjamin and a rich tradition of Latin American stylists, Quiroga argues for a politics that denies biological determinism and cannibalizes cultural stereotypes for the sake of political action.

This study considers George Eliot's novels in relation to Dante and to nineteenth-century Italian culture during the Italian national revival and shows how these helped shape her fiction. Thompson argues that Eliot was able to draw selectively on a powerful Risorgimento mythology of national regeneration and that her engagement with the work of Dante Alighieri increases steadily in her later novels, where the Divine Comedy becomes a sustaining metaphor for Eliot's meliorist vision and for her theme of moral growth through suffering.

Far too often in the ?eld of archeology, the wheel of understanding and insight has a narrow focus that fails to recognize critical studies. Crucial information rega- ing pivotal archeological investigations at a variety of sites worldwide is extremely dif?cult, if not impossible, to obtain. The majority of archeological analysis and reporting, at best, has limited publication. The majority of archeological reports are rarely seen and when published are often only in obscure or out-of-print journals - the reports are almost as hard to ?nd as the archeological sites themselves. There is a desperate need to pull seminal archeological writings together into single issue or thematic volumes. It is the int- tion of this series, When the Land Meets the Sea, to address this problem as it relates to archeological work that encompasses both terrestrial and underwater archeology on a single site or on a collection of related sites. For example, despite the fact that we know that bays and waterways structured historic settlement, there is a lack of archeological literature that looks at both the nautical and terrestrial signatures of watersheds in?uence on historic culture.

Providing a detailed account of contemporary outdoor advertising and its relationship with urban space, this book examines what the outdoor advertising industry tells us about the commercial production of urban space, what industry practices reveal about contemporary capitalism, and how ads and billboard structures interface with spaces of the city.

Combining both legal and empirical research, this book explores the statutory aspects and practice of Gacaca Courts (inkiko gacaca), the centrepiece of Rwanda's post-genocide transitional justice system, assessing their contribution to truth, justice and reconciliation. The volume expands the knowledge regarding these courts, assessing not only their performance in terms of formal justice and compliance with human rights standards but also their actual modus operandi. Scholars and practitioners have progressively challenged the idea that genocide should be addressed exclusively through 'westernised' criminal law, arguing that the uniqueness of each genocidal setting requires specific context-sensitive solutions. Rwanda's experience with Gacaca Courts has emerged as a valuable opportunity for testing this approach, offering never previously tried homegrown solutions to the violence experienced in 1994 and beyond. Due to the unprecedented number of individuals brought to trial, the absence of lawyers, the participative nature, and the presence of lay judges directly elected by the Rwandan population, Gacaca Courts have attracted the attention of researchers from different disciplines and triggered dichotomous reactions and appraisals. The tensions existing within the literature are addressed, anchoring the assessment of Gacaca in a comprehensive legal analysis in conjunction with field research. Through the direct observation of Gacaca trials, and by holding interviews and informal talks with survivors, perpetrators, ordinary Rwandans, academics and the staff of NGOs, a purely legalistic perspective is overcome, offering instead an innovative bottom-up approach to meta-legal concepts such as justice, fairness, truth and reconciliation. Outlining their strengths and shortcomings, this book highlights what aspects of Gacaca Courts can be useful in other post-genocide contexts and provides crucial lessons learnt in the realm of transitional justice. The primary audience this book is aimed at consists of researchers working in the areas of international criminal law, transitional justice, genocide, restorative justice, African studies, human rights and criminology, while practitioners, students and others with a professional interest in the topical matters that are addressed may also find the issues raised relevant to their practice or field of study. Pietro Sullo teaches public international law and international diplomatic law at the Brussels School of International Studies of the University of Kent in Brussels. He is particularly interested in international human rights law, transitional justice, international criminal law, constitutional transitions and refugee law. After earning his Ph.D. at the Sant'Anna School of Advanced Studies in Pisa, Dr. Sullo worked at the Max-Planck-Institute for Comparative Public Law and International Law in Heidelberg as a senior researcher and as a coordinator of the International Doctoral Research School on Retaliation, Mediation and Punishment. He was also Director of the European Master's Programme in Human Rights and Democratization (E.MA) in Venice from 2013 to 2015 and lastly he has worked for international NGOs and as a legal consultant for the Libya Constitution Drafting Assembly on human rights and transitional justice.

An examination of memoirs written after 1945 by Jewish Austrians mourning the loss of their homeland. In reclaiming Heimat, Jacqueline Vansant focuses on nine memoirs by seven Austrian reeimigres - Ernst Lothar, Stella Klein-Low, Hans Thalberg, Minna Lachs, Franziska Tausig, Hilde Spiel, and Elisabeth Freundlich - who provide moving accounts of the profound loss of Heimat (home/homeland) and self and the desire to recover the loss in part by returning home. A disparate group with varying relationships to Judaism, they were nonetheless bound together by state-sanctioned anti-Semitism. As a result, their individual life stories reflect group experiences that are notably different from the collective memories of the general Austrian population. Vansant uses these autobiographical accounts to construct a useful framework to explore issues of individual and collective identity and cultural memory in an Austrian context. By examining the textual manifestations of the traumas of exile and return and the process of mourning the loss of homeland on rhetorical, thematic, and metaphorical levels, she reveals the difficulty in reconnecting to the Austrian ""we"" as a Jewish Austrian in postwar and post-Holocaust Austria. Reclaiming Heimat will interest students and scholars of Holocaust and Exile studies as well as German and Austrian literature. This book is also intended for a general readership interested in the aftermath of the Nazi era.

Less than three decades ago, when the Chinese bought cloth or clothes, they would have had to use a government-issued coupon. Today the Chinese fashion industry is one of the most dynamic in the world - it not only supplies fashions to the increasingly discerning domestic market, but also provides one-third of the clothing sold in the global market. How did this phenomenal transition come about? What can the growth of the Chinese fashion industry tell us about the post-Mao China? What roles do the local and the global play in the dramatic changes? This book offers a historically informed, ethnographically grounded and interpretive analysis of contemporary Chinese fashion and the fashion industry. It examines the interplay of state politics, market forces, local social and cultural factors, and the global political economy, both in the rise of the Chinese fashion industry and in the life and work of Chinese fashion professionals. As the first ethnographic account of the Chinese fashion industry in the post-Mao era, The Chinese Fashion Industry combines first-hand accounts with sophisticated cultural analysis to offer new insights, and will be of interest to students and scholars of fashion, anthropology and China.

Veteran journalist and communications scholar Philip Seib examines the future of Anglo-American relations in the context of post-Cold War developments such as the restructuring of NATO and the growing importance of the European Union. After establishing the historical context of ties between the United States and Great Britain, Seib analyzes current and prospective security and economic issues, cultural links between the two countries, and the dynamics of bilateral cooperation in matters such as building peace in Northern Ireland. Professor Seib also suggests an agenda for strengthening these ties as the new millennium begins. Relations between the United States and Great Britain remain good, but neglect-even during stable periods-could undermine this relationship. Seib makes the case that the United States and Great Britain still need each other and would benefit from constructive reappraisal and reaffirmation of their friendship. Although much has been written about the history of the special relationship, Seib provides uniquely comprehensive analysis of the issues that will determine the future of this alliance. The book will be of considerable use to scholars, students, policymakers, and all who believe that the future of US-British relations is too important to be taken for granted.

Focusing on international social justice drama in its current local, national, and international manifestation, this interdisciplinary approach explores the relationship of contemporary dramatic forms to human rights issues. Over examines the artistic styles, goals, and thematic interests of dramatists and film directors of works of social commitment. He also considers the conditions and economics of wide audience appeal that prevent Hollywood and many independent filmmakers from effectively addressing these politically explosive issues. In contrast, differing cultures and economic concerns result in third world filmmakers and playwrights producing more comprehensive expositions of social issues. Considering a selected group of film and stage movements the author concludes with an optimistic prediction for political drama in the new century. This informed discussion will appeal to film, theatre, and cultural studies scholars.

"Religion, Law, and Freedom: A Global Perspective" introduces readers to diverse perspectives on the interplay of religion, law, and communications freedom in different cultures around the world. Through discussion and analysis of the religious mores and cultural values that a nation adheres to, a greater understanding of that nation, its laws, and its freedoms can be cultivated. Rather than suggesting that harmony can be achieved without conflict, the essays in this volume seek to present the reader with a variety of perspectives from which to view and understand the relationships among religion, law, and freedom in various cultures. This multifaceted analysis, therefore, helps readers draw their own conclusions as to the best way to resolve cultural conflict brought about by the growing global community.

The book consists of fifteen chapters, authored or coauthored by 17 international scholars representing China, Germany, Israel, Iran, Japan, Latvia, Nigeria, Singapore, the United Kingdom, and the United States. The chapters are organized into four parts: "Perspectives on Eastern and Western Religions; Press Freedom in Religious and Secular Societies; Journalism, Advertising, and Ethical Issues;" and "Religion, Politics, Media, and Human Rights." This important contribution will especially appeal to researchers and students in such fields as mass communications, legal studies, cultural studies, political science, religion, intercultural communications, international communications, and journalism.

After 9/11, the world felt the "shock and awe" of the War on Terror. But that war also exploded inside novels, films, comics, and gaming. Danel Olson investigates why the paranormal, ghostly, and conspiratorial entered such media between 2002-2022, and how this Gothic presence connects to the most recent theories on PTSD. Set in New York/Gotham, Afghanistan, Iraq, and CIA black sites, the traumatic and weird works interrogated here ask how killing affects the killers. The protagonists probed are artillery, infantry, and armored-cavalry soldiers; military intelligence; the Air Force; counter-terrorism officers of the NYPD, NCIS, FBI, and CIA; and even the ultimate crime-fighting vigilante, Batman.

Traditions of folk drama exist throughout the world, ranging from simple forms that involve few people, rudimentary texts, and crude performance practices, to complex forms involving entire towns, highly elaborated texts, and performance practices that have developed over hundreds of years. Yet folk drama lacks, to this day, a full-length study from the perspectives of either folkloristics or drama studies. This work seeks to fill that lack by undertaking a bi-disciplinary study of the idea of folk drama, drawing on examples from around the world, including Yangge (China), Ta'ziyeh (Iran), Bhavai (India), Karagoz (Turkey), Apidan (Nigeria), and the Mummers' Play (England). It examines the meanings of "folk" and "drama," the significance of ritual and performance in folk drama, the frequently encountered problem of Eurocentric bias, the conventional tripartite division of drama into elite, popular, and folk categories, the need for a methodology capable of describing all aspects of folk drama performance, and the taxonomic place of folk drama in both folkloristics and drama studies. On the basis of this examination, Rethinking Folk Drama establishes a new basis for understanding the ubiquity and variety of folk drama.

While scholars have begun to study popular women's novels of the 19th century, there has been relatively little attention paid to popular women's fiction of the early 20th century. This is the first study to focus on popular fiction written by, for, and about women in the period between the two world wars. The author examines such well-known best sellers as Margaret Mitchell's "Gone With the Wind," Daphne du Maurier's "Rebecca" and Pearl S. Buck's "The Good Earth," as well as dozens of other popular novels that have been all but forgotten today, and seeks to uncover the values and attitudes widely held by middle-class women of the era by examining the basic beliefs affirmed in the books they read.

An ideal resource for anyone interested in learning about Ethiopia, this accessible, single-volume work provides all-encompassing and up-to-date coverage of the ancient and diverse cultures of Africa's second-most populated nation. Explore the fascinating culture of Ethiopia, a highly diverse nation built on the foundations of ancient kingdoms-truly a melting pot of traditions from Africa as well as other continents. With increasing freedom of speech and growing access to technology, Ethiopians are better able-and more eager-than ever to share ideas, art, and information not only with each other, but with the rest of the world. This detailed volume offers readers informed perspectives on one of the world's oldest populations, covering its long-ago history as well as its evolution in the 21st century. Readers will discover Ethiopa's collection of written and oral stories, unique art and architecture inspired by royalty and religion, delicious cuisine, and many forms of music, dress, and dance. The book's chapters also describe important changes in Ethiopia's social customs, prevalent attitudes regarding women, and the nation's historically oppressive political system. Presents comprehensive, current coverage of Ethiopia that includes the latest archaeological findings and socio-economic and political developments as well as previously overlooked topics such as gender, slavery, and migration Addresses the major famines in Ethiopia in the 1980s that led to the deaths of thousands of people and served as the reason many Westerners first became aware of this African nation Describes all of the major ethnic groups of Ethiopia, including the Afar, Amhara, Oromo, Sidamo, Somalis, and Tigray

Since its publication in 1985, Annie John has become one of the most widely taught novels in American high schools. Part of its appeal lies in its unique setting, the island of Antigua. This interdisciplinary collection of 30 primary documents and commentary will enrich the reader's understanding of the historical, social, and cultural contexts of the novel. Among the topics examined are slavery in the Caribbean, the various religions in the Caribbean islands, the controversy over Christopher Columbus, family life in Antigua, and emigrations from the West Indies to the United States. Sources include newspaper and magazine articles, editorials, first-person narratives and memoirs of life in the Caribbean, letters, and position papers. Most of the documents are not readily available in any other printed form. A literary analysis of Annie John examines the novel in light of its historical, social, and cultural contexts and as a coming-of-age novel. Each chapter concludes with study questions and topics for research papers and class discussion based on the documents in the chapter, and lists of further reading for examining the themes and issues raised by the novel. This casebook is valuable to students and teachers to help them understand the setting of the novel, its themes, and its young heroine.