Food and Identity in England, 1540-1640 considers early modern food consumption in an important new way, connecting English consumption practices between the reigns of Henry VIII and Charles I with ideas of 'self' and 'otherness' in wider contexts of society and the class system. Examining the diets of various social groups, ranging from manual labourers to the aristocracy, special foods and their preparation, as well as festive events and gift foods, this all-encompassing study reveals the extent to which individuals and communities identified themselves and others by what and how they ate between the Reformation of the church and the English Civil Wars. This text provides remarkable insights for anyone interested in knowing more about the society and culture of early modern England.

Home, wrote Robert Frost, is the place where, when you have to go there, they have to take you in. And yet the idea of home has, in the modern world, become extremely problematic.

Robert Frost's words tellingly illustrate the centrality of home to the human experience, as an unconditional haven that one simply has, without having to earn.

Yet, we live at a time when the idea of home has become extremely problematic. Our homeless fill America's streets and shelters; the comfort of home is increasingly threatened by urban violence; and the world-wide plight of those exiled or fleeing from their homelands due to civil war, starvation, or political repression seems relentless.

The idea of home, bound as it is in family and in the roles of men and women, has a deep resonance that is not fully captured by its use as a social and political slogan. What is its history and ideology? What has it meant and how has its meaning changed? Home moves us perhaps most powerfully as absence or negation. Homelessness and exile are among the worst of conditions, bringing with them alienation, estrangement, and the feelings of greatest despair.

This volume, based on a multi-institutional collaboration between the New School for Social Research and five major New York City museums, and its resulting conference, convenes many of America's top scholarly minds to address historical and contemporary meanings of home. Among the issues specifically addressed are the artistic rendition of home in art and propaganda; literary meanings of home; exile through the ages; homelessness past; homelessness in Dickens; the homeless in New York City history; alienation and belonging; slavery and the female discovery of personal freedom; and, more generally, the home and family in historical perspective.

Contributing to the volume are Breyten Breytenbach, David Bromwich (Yale University), Sanford Budick (Hebrew University of Jerusalem), Stanley Cavell (Harvard University), Mary Douglas, Tamara K. Hareven (University of Delaware), Eric Hobsbawm (Cambridge University, Emeritus), John Hollander (Yale University), Kim Hopper (Nathan Kline Institute for Psychiatric Research), George Kateb (Princeton University), Alexander Keyssar (Duke University), Steven Marcus (Columbia University), Orlando Patterson (Harvard University), Joseph Rykwert (University of Pennsylvania), Simon Schama (Harvard University), Alan Trachtenberg (Yale University), and Gwendolyn Wright (Columbia University).

This book provides the first synthetic review of the literature on cultural roads and itineraries, providing a template for developing typologies and clarity on existing research. It additionally develops a unique conceptual framework for understanding the social, political, ethical, and spatial dynamics behind cultural roads and itineraries. The book takes the discussion on cultural roads in two different directions. Firstly, by taking a step back from tourism studies, leisure studies, and heritage studies in order to further the conversation on cultural roads with a broader set of disciplines, namely those in the humanities and social sciences. Secondly, through a series of broader theoretical reflections and considerations, the book draws its focus back to the development of the cultural road and cultural itineraries with a new conceptual apparatus that can inspire new questions for research and new ideas for practice. Throughout the text, concepts, theories, principles, and practices are explored and explained through detailed case study analyses.

This book explores how spirituality and resiliency defines the character of African women and inspires them to serve the communities and organizations around them. Through portraits of twelve Malawian women national leaders, it celebrates the lives of indigenous women and describes how their unique backgrounds and experiences have contributed to their leadership development. It provides an understanding of the strategies these women employ to move beyond historical barriers to exercise leadership. The author introduces a new leadership model called transformative engaging leadership, which demonstrates how African women leaders use their inner strength to thrive and succeed in the midst of challenges. It contributes to African female leadership studies and will be helpful to leaders and organizations that have a passion for advancing female leaders in the developing world.

The zodiacal signs impact art, advertising, literature, history, mythology, psychology, health, and language with their evocative imagery, symbols and scientific and religious lore. This fact-filled reference guide pulls together applications of the zodiacal signs in those fields and others. Each sign is explicated in a separate chapter which discusses its origin and importance in diverse cultures, including its history, artistic applications, traditions, literary and religious interpretations, psychological significance, and application to notable historical and contemporary figures. An organized overview with cross-references and indexing allows the zodiac to be studied from numerous points of view. Artistic representations of each of the 12 houses accompany the text. Introductory chapters on the origins of the zodiacal signs, the historical foundation of astrology, the zodiac in the first millennium A.D., and the zodiac in the arts and sciences provide a thorough overview and comparative examination of the influence of the zodiac in human history and thought. A detailed timeline synchronizes discoveries and development of zodiacal associations and thought around the world. Appendices list planetary correspondences in jewels, metals, herbs, color, flavor, form, shapes, food preferences, and senses, and the symptoms and pathologies associated with birth signs. The work also contains an extensive bibliography and index.

This edited volume highlights the rich and complex educational debates around Critical Disability Studies in Education (DSE), critical mental health, and crip theories. Chapter authors use the term Dis/ability to criticize aspects of education research and international development that do not center the experiences of dis/abled students and people with dis/abilities. Through case studies from around the Americas, chapters highlight how top-down approaches to disabilities further oppress rather than emancipate. The volume prioritizes the spaces of resistance where local initiatives speak back to the demands imposed by an ever-globalizing world shaped by colonialism and imperialism, undergird by intersectional ableism. Voices of disabled students and people with dis/abilities counter-narrate the personal, interpersonal, structural, and political ways in which biomedical and psychological models of disability have impacted their well-being throughout education and society in the Americas. Through a critical sentipensante approach that centers the "epistemologies of the south," this volume challenges global mental health and dis/ability hegemony in the Americas.

This book, the second of two volumes, continues the authors' ground-breaking re-examination of India's history and political economy. This volume describes the economic fortunes of India in the second half of the 20th century. Beginning with the reconstruction of the Planning Commission and India's hybrid model of economic planning, the authors describe the multiple shocks weathered by the system before being replaced with a fully free market model after the collapse of the Soviet Union. Chapters consider the stresses placed on India's organisation by the shocks of the twentieth century, from its experiments with a socialist economy to its embrace of the Washington consensus in the 1980s. The impact of the invasion of China in 1962 and India's struggle to find its feet post-partition are also given detailed analysis. The book's unique perspective helps to shed light, for the first time, on how India's organisational structure negotiated the country's immense historical and cultural inheritance with the stresses of a twentieth century nation state.

This handbook is the definitive reference text for the study of 'dark tourism', the contemporary commodification of death within international visitor economies. Shining a light on dark tourism and visitor sites of death or disaster allows us to better understand issues of global tourism mobilities, tourist experiences, the co-creation of touristic meaning, and 'difficult heritage' processes and practices. Adopting multidisciplinary perspectives from authors representing every continent, the book combines 'real-world' viewpoints from both industry and the media with conceptual underpinning, and offers comprehensive and grounded perspectives of 'heritage that hurts'. The handbook adopts a progressive and thematic approach, including critical accounts of dark tourism history, dark tourism philosophy and theory, dark tourism in society and culture, dark tourism and heritage landscapes, the 'dark tourist' experience, and the business of dark tourism. The Palgrave Handbook of Dark Tourism Studies will appeal to students and scholars with an interest in aspects of memorialisation and morality in sociology, death studies, history, geography, cultural studies, philosophy, psychology, business management, museology and heritage tourism studies, politics, religious studies, and anthropology.

Written by a distinguished group of Third World and American scholars, this book investigates the political, economic, cultural, and religious dynamics of the Third World. Both highly topical and extremely timely, the volume takes an interdisciplinary approach to the subject, employing analytical tools drawn from political science, history, economics, and sociology. The papers included serve to facilitate a new understanding of the complex nature of Third World nationalism, explore critical issues facing the Third World such as widespread hunger in Africa and the mounting debt crisis, and offer new perspectives on the role of religion and ethnicity in Third World politics.

In his introduction, Ali sets the context for the papers that follow. He notes that the new nations of the Third World cannot be political and economic equals of the developed nations. Thus, aware of their weaknesses, the overriding concern of Third World leaders is to preserve themselves from foreign encroachment. The 14 subsequent papers define, explain, and analyze the myriad issues and problems that today confront policy-makers in both the Third World and the developed nations, including: the economic impact of OPEC; the political and economic origins of hunger in Africa; the West and Third World Religion; open economics and repressive policies in the Third World; the influences on and effects of U.S. policies towards the Third World. Students of political science as well as policy-makers and diplomats will find "Third World At the CrossroadS" enlightening and provocative reading.

This book analyzes the role of manga in contemporary Japanese political expression and debate, and explores its role in propagating new perceptions regarding Japanese history.

Throughout her novels, Toni Morrison explores the complex interaction of race, class, culture, and gender. This study takes into account both Western and Black traditions to show how Morrison not only denounces the constricting patterns of the dominant culture, but also, through the reversal or subversion of Western stereotypes, harnesses the rich potential for the significance they contain.

While most recent studies of Morrison examine individual works separately, this book concentrates on particular dimensions of Morrison's fiction and explores the continuities and developments from her first to most recent novel. And while other studies generally approach Morrison from a particular critical perspective, this book instead considers the interaction of multiple determinants such as race and gender, and gives special attention to the pressure exerted by dominant cultural forms. The authors demonstrate how in contradiction to the dominant culture's ideology of unity and homogeneity, Morrison makes a case for the value of difference in a diverse society.

This timely book demonstrates how full account can be taken of the structure and method of private international law in its expanding relationship with cultural heritage law, identifying opportunities for keeping pace with the underpinning value judgments. Through a global lens, Roodt explores how value-rationality and mutuality can defeat the dogmatic underpinnings of conflicts and jurisdiction rules that frustrate the achievement of global solidarity in public policy decisions and the treatment of foreign public law. The satisfactory settlement of claims based on ownership and the restitution of art and cultural objects requires improvements in the approaches and methods of dispute resolution that prevail today. The author reveals hidden dimensions of private international law, which can help re-script these approaches and methods to better tailor them to the illicit trade in cultural objects, title laundering, the suppression of policy considerations and ethical concerns that support the restitution of Nazi spoliated art. International officials and policymakers will find this a unique and ethically comprehensive resource, addressing matters that impact the artistic, cultural and historical record and the safeguarding of cultural and heritage objects within the contemporary art market. Adjudicators, law enforcement officials and legal scholars will appreciate its fresh and inclusive treatment of issues including restitution, material heritage and provenance.

This book explores cultural conceptions of the child and the cinematic absence of black children from contemporary Hollywood film. Debbie Olson argues that within the discourse of children's studies and film scholarship in relation to the conception of "the child," there is often little to no distinction among children by race-the "child" is most often discussed as a universal entity, as the embodiment of all things not adult, not (sexually) corrupt. Discussions about children of color among scholars often take place within contexts such as crime, drugs, urbanization, poverty, or lack of education that tend to reinforce historically stereotypical beliefs about African Americans. Olson looks at historical conceptions of childhood within scholarly discourse, the child character in popular film and what space the black child (both African and African American) occupies within that ideal.

This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants-for example forms of group body language and forms of consultation-not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.

Sitting in the ruins of the Third Reich, most Germans wanted to know which of the two post-war German states would erase the material traces of their wartime suffering most quickly and most thoroughly. Consumption and the quality of everyday life quickly became important battlefields upon which the East-West conflict would be fought. This book focuses on the competing types of consumer societies that developed over time in the two Germanies and the legacy each left. Consuming Germany in the Cold War assesses why East Germany increasingly fell behind in this competition and how the failure to create a viable socialist "consumer society" in the East helped lead to the fall of the Berlin Wall in 1989. By the 1970s, East Germans were well aware that the regime's bombastic promises that the GDR would soon overtake the West had become increasingly hollow. For most East German citizens, West German consumer society set the standards that East Germany repeatedly failed to meet.By exploring the ways in which East and West Germany have functioned as each other's "other" since 1949, this book suggests some of the possibilities for a new narrative of post-war German history. While taking into account the very different paths pursued by East and West Germany since 1949, the contributors demonstrate the importance of competition and highlight the connections between the two German successor states, as well as the ways in which these relationships changed throughout the period. By understanding the legacy that forty-plus years of rivalry established, we can gain a better understanding of the current tensions between the eastern and western regions of a united Germany.

This book offers a much-needed focus on Palestine solidarity films, supplying a critical theoretical framework whose intellectual thrust is rooted in the challenges facing scholars censored for attempting to rectify and reverse the silencing of a subject matter about which much of the world would remain uninformed without cinematic and televisual mediation. Its innovative focus on Palestine solidarity films spans a selected array of works which began to emerge during the 1970s, made by directors located outside Palestine/Israel who professed support for Palestinian liberation. Visualizing the Palestinian Struggle analyzes Palestine solidarity films hailing from countries such as Canada, the United Kingdom, Egypt, Iran, Palestine/Israel, Mexico, and the United States. Visualizing the Palestinian Struggle is an effort to insist, constructively, upon a rectification and reversal of the glaring and disproportionate minimization and distortion of discourse critical of Zionism and Israeli policy in the cinematic and televisual public sphere.

This open access book discusses British literature as part of a network of global entangled modernities and shared aesthetic concerns, departing from the retrospective model of a postcolonial "writing back" to the centre. Accordingly, the narrative strategies in the texts of early Black Atlantic authors, like Equiano, Sancho, Wedderburn, and Seacole, and British canonical novelists, such as Defoe, Sterne, Austen, and Dickens, are framed as entangled tonalities. Via their engagement with discourses on slavery, abolition, and imperialism, these texts shaped an understanding of national belonging as a form of familial feeling. This study thus complicates the "rise of the novel" framework and British middle-class identity formation from a transnational perspective combining approaches in narrative studies with postcolonial and queer theory.

During the heyday of Cold War cultural politics, state-sponsored performances of classical and popular music were central to the diplomatic agendas of the United States and the Soviet Union, while states on the periphery of the conflict often used state-funded performances to articulate their position in the polarized global network. In Albania in particular, the postwar government invested heavily in public performances, effectively creating a new genre of popular music: the wildly popular light music. In Audible States: Socialist Politics and Popular Music in Albania, author Nicholas Tochka traces an aural history of Albania's government through a close examination of the development and reception of light music as it has long been broadcast at an annual song competition, Radio-Television Albania's Festival of Song. Drawing on a wide range of archival resources and over forty interviews with composers, lyricists, singers, and bureaucrats, Tochka describes how popular music became integral to governmental projects to improve society-and a major concern for both state-socialist and post-socialist regimes between 1945 and the present. Tochka's narrative begins in the immediate postwar period, arguing that state officials saw light music as a modernizing agent that would cultivate a cosmopolitan, rational populace. Interweaving archival research with ethnographic interviews, author Nicholas Tochka argues that modern political orders do not simply render social life visible, but also audible. As the Cold War thawed and communist states fell, the post-socialist government turned again to light music, now hoping that these musicians could help shape Albania into a capitalist, "European" state. Incorporating insights from ethnomusicology, governmental studies, and post-socialist studies, Audible States presents an original perspective on music and government that reveals the fluid, pervasive, but ultimately limited nature of state power in the modern world. Tochka's project represents a nascent entry in a growing area of study in music scholarship that focuses on post-soviet Europe and popular musics. A remarkably researched and engagingly written study, Audible States is a foundational text in this area and will be of great interest for music scholars and graduate students interested in popular music, sound studies, and politics of the Cold War.

This book analyzes the relationship between art and politics in two contrasting modern dictatorships. Through a detailed look at the Chilean and Romanian dictatorships, it compares the different ways in which political regimes convey their view of the world through artistic means. It examines how artists help \ convey a new understanding of politics and political action during repressive regimes that are inspired by either communism or anti-communism (neoliberalism, traditionalist, conservative). This book demonstrates how artistic renderings of life during dictatorships are similar in more than one respect, and how art can help better grasp the similarities of these regimes. It reveals how dictatorships use art to symbolically construct their power, which artists can consolidate by lending their support, or deconstruct through different forms of artistic resistance.

From the Civil War in Lebanon to the Iranian Revolution of 1978-79, from the dismantling of the Ba'athist regime in Iraq to the virtual splintering of the country; and from the chaos in Afghanistan to the victimisation of the Hazaras by the Taliban. Shi'i communities around the world have suffered from wars, revolutions and hostility. These problems, in different ways, have all involved a configuration of complicated events, a heritage of historical factors and interntional power politics that defy simplistic explanations. Here, Lloyd Ridgeon brings together an investigation of the nature of contemporary Shi'ism. He and his collaborators here focus on the creation of identities- showing the diversity of thought within the Shi'i world. They demonstrate the transnational nature of Shi'i networs and the forces of tradition and modernity influencing current developments in Shi'i identity both in the Middle East and in the West. This volume looks at both the attempts of authorities to construct a cohesive Shi'i identity (by using, for example, Iranian school books as an indicator of sanctioned facets of what it means to be Iranian) as well as the ways in which identity is created and developed by minority groups in the Diaspora. It also offers an analysis of the Hazaras of Afghanistan- so often overlooked when attempts to understand Afghanistan are made. It is this ethnic minority, which was so marginalised and victimised under the Taliban that offers an example of the trend of the rise of Islamism amongst the Shi'a. Moreover, by looking further afield to the Shi'a of Senegal, and asking the question of whether the Alevis of Turkey comprise part of the global Shi'i community, this book emphasizes the ways in which traditional patterns of social organisation are being transformed. Shi'i Islam and Identity highlights these global networks, and shows that it is inaccurate to speak of a 'Shi'i Crescnt'; rather, Shi'i worlds range from Senegal, Afghanistan, Pakistan, Lebanon, Iran and Iraq, to Turkey, Albania and to European capitals such as London and Berlin. This book is thus of interest to those looking at modern religion and its contemporary forms, as well as those researching Shi'ism more specifically.

From its very inception Australia has been a derivative society: First as part of the British Empire and then, soon after World War II, what Mosler considers the American Empire and the new end-of-century Americanized global culture. This has meant that Australia has struggled to attain its own identity. Mosler explores that struggle for national independence, a struggle that seems to be doomed to failure.

According to Mosler, the reasons for this failure lie in Australia's propensity to remain a recreational culture; a culture more attuned to pleasure and dependence than regimented hard work and the concomitant collective pattern of national assertiveness. The Australian economy, defense arrangements, culture, and psychology have been dominated by other nations and transnational forces. The prospects for the nation in the future appear to be somewhat grim unless this historical pattern of dependence and lack of respect, indeed almost contempt, for national institutions is reversed. A provocative analysis that will be of interest to scholars, students, researchers, and anyone interested in Australian history and contemporary life and culture.

Many prominent science fiction writers, artists, and editors began as s.f. "fans." This is the first book to survey fandom's history, manifestations, and accomplishments, including clubs, fanzines, and conventions. The 24 essays are divided into sections that consider the following: the types of people who become fans and the satisfactions they receive; the development of fandom in America; fandom in Europe and the Orient; social interactions in the form of local clubs or wider-drawing conventions; and long-term results in the form of beginning professional careers in writing or publishing, exercising critical attention, and so forth. The writers of these essays have all participated in the activities they describe. The book also contains a glossary, an annotated bibliography, and an index. Overall, this book gives a detailed look at the most important facets of a fascinating subculture that has contributed significantly to the direction of modern science fiction.

This open access book presents fresh ethnographic work from the regions of Africa and Melanesia-where the popularity of charismatic Christianity can be linked to a revival and transformation of witchcraft. The volume demonstrates how the Holy Spirit has become an adversary to the reconfirmed presence of witches, demons, and sorcerers as manifestations of evil. We learn how this is articulated in spiritual warfare, in crusades, and in healing or witch-killing raids. The contributors highlight what happens to phenomena that people address as locally specific witchcraft or sorcery when re-molded within the universalist Pentecostal demonology, vocabulary, and confrontational methodology.

The first edited volume to examine philosopher Slavoj Zizek's influence on, and his relevance for, theatre and performance studies. Featuring a brand new essay from Zizek himself, this is an indispensable contribution to the emerging field of Performance Philosophy.

Illuminating one of the most pervasive issues of our time, Popular Culture is the first book to link the importance and implications of popular culture with pedagogical practice. It shows how cultural forms such as Hollywood films, pop music, soap operas, and televangelism are organized by gender, age, class, race, and ethnicity, thus providing the contradictory text that both enables and disables emancipatory interest, so fundamental to the formation of self and society. What emerges is a redefinition of the very notion of popular culture.