The Martiniquean-born, French-educated, Algerian revolutionary Frantz Fanon has influenced generations of activists and scholars. Nearly fifty years after his untimely death (in 1961), Fanon's life's work continues to be debated and discussed around the world. Over the past five years, for example, new translations and editions of his writings have appeared in English, Spanish, and Portuguese. This book is an event: an international, interdisciplinary collection of debates and interventions by leading scholars and intellectuals from Africa, Europe, and the United States. The perspectives are theoretical and practical, philosophical and historical, engaging psychoanalytic theories and practices, issues of identity and sexuality to contemporary postcolonial politics and from cultural criticism to urban planning and conceptions of space.

This book analyzes narrations embedded in political disputes, allowing readers to gain a deeper understanding of modern political reality. The author explores this theme in readings of the Sophocles tragedy Antigone, the Melian Dialogue of Thucydides, Heinrich von Kleist's novella Michael Kohlhaas, Fyodor Dostoevsky's The Grand Inquisitor and E.L. Doctorow's Ragtime novel, taking into account the relevant interdisciplinary aspects of the narratives. His study of these four narrations focuses on key political concepts, such as might and right, self-interest, legality and justice, the nation-state and democracy, and relates them compellingly to current actuality. Since narrations can exert comprehensive and lasting influence on individuals' political discernment, this systematic analysis allows for a better comprehension of politics in education and civics.

During the early 1800s, inventor James Watt occupied his final years attempting to develop a mechanical system for copying sculptures of the human body. Though Watt's sculpture machine was never completed (and would, in any event, have eventually been made obsolete with the advent of photography), Watt's quest serves as an incisive metaphor for the subsequent body politics of the nineteenth century. As the modern world emerged, contemporary conceptions of physicality remained rooted in the classical tradition as they were simultaneously influenced by the technological forces of industry and revolution.

From Victorian reform to post World War I physical efficiency, Michael Budd's The Sculpture Machine traces this tension between the atavistic and modern in an engaging narrative analysis of physical culture. Budd foregrounds the rise of physical culture postcards, magazines and products by examining longstanding traditions of strength performance and the growing popularity of music hall body builders in the late 1800s. In the physical culture media itself, he uncovers elements of the consumer dynamic that shaped the 20th century tabloid-press as well as early gay-coded publications. From the 1830s through World War I, bodies were increasingly articulated as objects that could be shaped and repaired. Budd's insightful work deftly illustrates how ideas about bodies influenced the building of social, racial, gender and sexual identities in concert with the construction of a larger consumer culture.

Bonding Eros with virtue is neither unrealistic nor naive, contends Mike Martin. On the contrary, it's practical, even pragmatic. Virtues serve to focus, structure, and even define erotic love. In particular, caring, respect, faithfulness, honesty, fairness, wisdom, and gratitude are central to successful, long-term relationships.

"In Love's Virtues," Martin takes a look at why moral values enhance and solidify erotic and marital relationships. In the process, he challenges the widespread cynicism about marriage while remaining sensitive to the innumerable problems confronting couples. His approach to marital love is both traditional and modern. Traditional, by seeking to understand the moral significance of relationships based on long-term and lifelong commitments to love. Modern, by proceeding within a pluralist framework that affirms many kinds of erotic love, depending on the ideals partners embrace and their interpretations (within limits) of love's virtues.

Marriages, as Martin understands them, are moral relationships that involve sexual desires (at some time during the relationship) and are based on long-term commitment, whether or not those commitments are formally sanctioned by legal or religious authorities. In this sense, marriages are not restricted by the law, religious tenets, or the partners' sexual orientation.

Drawing on literature, psychology, and philosophy--from Plato and Shakespeare to Ingmar Bergman, Robert Bellah, and Carol Gilligan; from Tolstoy and D.H. Lawrence to Erich Fromm, Erica Jong, and Alice Walker--Martin reminds us that virtuous erotic love is a way to morally value another person. Understanding love as a virtue-structured way to appreciate others, he illustrates, is itself a step toward renewing marital faith.

This study looks at nineteenth - and early twentieth-century opera as part of a culture which produced fascism as a crisis-state, and threatened to extinguish the genre as an influential and contemporary high form of art altogether. Jeremy Tambling highlights the themes of the cultural crisis through a detailed discussion of some dozen operas and a general overview of the works of Wagner, Verdi, Puccini, Strauss, and others, drawing on the writings of Nietzsche, Adorno, Benjamin, and Heidegger, for an understanding of the ideological background. Reading fascism as a political, intellectual, and psychological phenomenon, the author draws on the works of Bataille, Theweleit, and Kristeva, for discussion of proto-fascist and fascist thought, and for its relation to gender-politics. Resisting the cliches about Wagner or Strauss's relationship to the Third Reich, Tambling takes the opera out the hermetically sealed-off state in which it is normally discussed, and presents it as both complicit in, and in opposition to, the reactionary and regressive pressures that made up the `culture of fascism', and those that tried to make opera part of the `fascism of culture'.

The authors state at the beginning of this provocative new book that one of the most distinctive features of the American persona is a preoccupation and underlying concern in the United States with what is or is not American.' How far can an ethnic group in the United States go to maintain its identity before it trespasses into what is perceived as un-American terrain? This is the underlying theme of Lambert and Taylor's community based investigation which studies the attitudes of Americans toward ethnic diversity and intergroup relations. Directed toward social psychologists, sociologists, anthropologists, and ethnic scholars, this study deals with the peculiar U.S. dichotomy of cultural diversity and assimilation.

The research is conducted in a metropolitan area among working class adults; some are established mainstream citizens, others are newcomers, but all experience ethnic and racial diversity as a daily fact of life. The authors examine the perspectives of mainstream White Americans and Black Americans. They interview ethnic immigrant groups--Polish, Arab, Albanian, Mexican, and Puerto Rican Americans--in two urban settings and offer insight to the reality as well as the exciting possibilities of multiculturalism. Students and scholars of all the social sciences will find "Coping with Cultural and Racial Diversity in Urban America" as a source of stimulating ideas.

This book provides a detailed snapshot of cultural policies in China, Japan, Singapore, South Korea and Taiwan. In addition to an historical overview of the culture-state relationships in East Asia, it provides an analysis of contemporary developments occurring in the regions' cultural policies and the challenges they are facing.

Bonding Eros with virtue is neither unrealistic nor naive, contends Mike Martin. On the contrary, it's practical, even pragmatic. Virtues serve to focus, structure, and even define erotic love. In particular, caring, respect, faithfulness, honesty, fairness, wisdom, and gratitude are central to successful, long-term relationships.

"In Love's Virtues," Martin takes a look at why moral values enhance and solidify erotic and marital relationships. In the process, he challenges the widespread cynicism about marriage while remaining sensitive to the innumerable problems confronting couples. His approach to marital love is both traditional and modern. Traditional, by seeking to understand the moral significance of relationships based on long-term and lifelong commitments to love. Modern, by proceeding within a pluralist framework that affirms many kinds of erotic love, depending on the ideals partners embrace and their interpretations (within limits) of love's virtues.

Marriages, as Martin understands them, are moral relationships that involve sexual desires (at some time during the relationship) and are based on long-term commitment, whether or not those commitments are formally sanctioned by legal or religious authorities. In this sense, marriages are not restricted by the law, religious tenets, or the partners' sexual orientation.

Drawing on literature, psychology, and philosophy--from Plato and Shakespeare to Ingmar Bergman, Robert Bellah, and Carol Gilligan; from Tolstoy and D.H. Lawrence to Erich Fromm, Erica Jong, and Alice Walker--Martin reminds us that virtuous erotic love is a way to morally value another person. Understanding love as a virtue-structured way to appreciate others, he illustrates, is itself a step toward renewing marital faith.

During the fateful summer of 1966, a handful of restless and frustrated deejays in New York and San Francisco began to conceive of a whole new brand of radio, one which would lead to the reinvention of contemporary music programming. Gone were the screaming deejays, the two minute doowop hits, and the goofy jingles. In were the counterculture sounds and sentiments that had seldom, if ever, made it to commercial radio. This new and unorthodox form of radio-this radical departure from the Top 40 establishment-reflected the social and cultural unrest of the period. Underground radio had been born of a desire to restore substance and meaning to a medium that had fallen victim to the bottom-line dictates of an industry devoted to profit. In this compelling and intriguing account of the counterculture radio movement, over 30 pioneers of the underground airwaves share insights and observations, and tell it like it was. Michael Keith has interviewed some of the most prominent figures of underground radio and has woven their reflections into a seamless, engrossing oral history of one of radio's most extraordinary moments. From the first broadcasts of a Screamin' Jay Hawkins record and a live Love-In and Be-In Rock 'n Roll concert, to the ultimate corporate takeover of the commercial underground airwaves, Keith provides the reader with a unique and fresh look at this turbulent era. There had never been anything like commercial underground radio before its '60s debut, and there has not been anything like it since its premature demise in the early 1970s. The innovativeness and boldness of underground radio brought a new golden age to the medium. Ignoring playlists, rigid programming formulas and program clocks, the underground deejays attracted a dedicated following of maturing baby boomers.

Evolution and Human Culture argues that values, beliefs, and practices are expressions of individual and shared moral sentiments. Much of our cultural production stems from what in early hominins was a caring tendency, both the care to share and a self-care to challenge others. Topics cover prehistory, mind, biology, morality, comparative primatology, art, and aesthetics. The book is valuable to students and scholars in the arts, including moral philosophers, who would benefit from reading about scientific developments that impact their fields. For biologists and social scientists the book provides a window into how scientific research contributes to understanding the arts and humanities. The take-home point is that culture does not transcend nature; rather, culture is an evolved moral behavior.

An interdisciplinary collection of essays exploring the complex and conflicted topic of beauty in cultural, arts and medicine, looking back through the long cultural history of beauty, and asking whether it is possible to 'recover beauty'.

Christianity and Public Culture in Africa takes readers beyond familiar images of religious politicians and populations steeped in spirituality. It shows how critical reason and Christian convictions have combined in surprising ways as African Christians confront issues such as national constitutions, gender relations, and the continuing struggle with HIV/AIDS. The wide-ranging essays included here explore rural Africa and the continent's major cities, colonial and missionary legacies, and mass media images in the twenty-first century. They also reveal the diversity of Pentecostalism in Africa and highlight the region's remarkable denominational diversity. Scholars and students alike will find these essays timely and impressive. The contributors demonstrate how the public significance of Christianity varies across time and place. They explore rural Africa and the continent's major cities, and colonial and missionary situations, as well as mass-mediated ideas and images in the twenty-first century. They also reveal the plurality of Pentecostalism in Africa and keep in view the continent's continuing denominational diversity. Students and scholars will find these topical studies to be impressive in scope. Contributors: Barbara M. Cooper, Harri Englund, Marja Hinfelaar, Nicholas Kamau-Goro, Birgit Meyer, Michael Perry Kweku Okyerefo, Damaris Parsitau, Ruth Prince, James A. Pritchett, Ilana van Wyk

This international comparison of pension plans lends great understanding to the transformation taking place in almost every nation around the world. It covers ten of the twelve countries of the European Union, as well as the United States and Japan. The project is interdisciplinary, covering a number of fields, such as economics, law, actuarial science, sociology, and political science, that contribute to the analysis of retirement income systems. The chapters vary in scope - some are comparative, some are restricted to a single country or to one type of plan in one country. Despite their diversity, the chapters share a common awareness of three aspects of pension plans: the importance of actors' roles in shaping each system, the different economic and social domains affected by retirement plans, and the interconnections between social security and supplementary plans.

View the Table of Contents. Read the Introduction.

"In this volume, Amy Best offers critical youth studies an epistemological compass, a collection of essays that spans across nations, methods, sexualities, ethnicities, generations and age, reflecting provocatively on how we create knowledge with, for and by youth. This book promises to be a classic for the next generation of scholars perched to engage critically, respectfully, theoretically and provocatively with youth, to inscribe a twenty-first century signature on critical youth studies."
--Michelle Fine, co-author of "Working Method: Research and Social Justice"

"A powerful and compelling book that represents cutting-edge new directions in critical youth studies. This is a passionate call for a critical moral consciousness that will create more humane spaces for today's youth in our complex global culture."
--Norman K. Denzin, co-editor of "The SAGE Handbook of Qualitative Research"

From youth culture to adolescent sexuality to the consumer purchasing power of children en masse, studies are flourishing. Yet doing research on this unquestionably more vulnerable--whether five or fifteen--population also poses a unique set of challenges and dilemmas for researchers. How should a six-year-old be approached for an interview? What questions and topics are appropriate for twelve year olds? Do parents need to give their approval for all studies?

In Representing Youth, Amy L. Best has assembled an important group of essays from some of todayas top scholars on the subject of youth that address these concerns head on, providing scholars with thoughtful and often practical answers to their many methodological concerns. Theseoriginal essays range from how to conduct research on youth in ways that can be empowering for them, to issues of writing and representation, to respecting boundaries and to dealing with issues of risk and responsibility to those interviewed. For anyone doing research or working with children and young adults, Representing Youth offers an indispensable guide to many of the unique dilemmas that research with kids entails.

Contributors include: Amy L. Best, Sari Knopp Biklen, Elizabeth Chin, Susan Driver, Marc Flacks, Kathryn Gold Hadley, Madeline Leonard, C.J. Pascoe, Rebecca Raby, Alyssa Richman, Jessica Taft, Michael Ungar, Yvonne Vissing, and Stephani Etheridge Woodson.

Every time you consult a calendar or clock, other people are thinking for you. Most users of these tools only know how to interpret the representations of time these objects provide, not the logics behind the representations. Those logics were others' ideas. This book looks at how the objects we use to think about time shape our thoughts. Such objects empower us to think about time certain ways, but they also contain hidden assumptions about time that deflect our awareness away from the complicated rhythms of our lives and our world. Because time ties together so many aspects of our lives, this book is able to explore the nexus of objects, cognition, culture, and even biology, and to do so in relationship to

This book examines the intricacies of emergent sexual citizenship. Designed for academics and broader audiences alike, the collection covers the theorization of sexual citizenship, the exploration of case studies in law, the relationship between sexual citizenship and bio-politics, and finally the erotic dissidence of sexual outlaws. The borders of sexual citizenship are traced, as authors investigate what it means to be 'inside,' as erotic subjects, or outside, as 'sexual outlaws.' The issues of inclusion and exclusion are approached through diverse methodological and analytical lenses: some articles are theoretical and philosophical, others are empirically based, presenting the findings of sociological and ethnographic research projects; some are textual analyses, of religious texts, film texts, and of legal discourse. Contributors are Abidemi Fasanmi, Rene Hirsch, Elene Lam, Jaclyn Lanthier, Todd G. Morrison, Nick J. Mule, Elly-Jean Nielsen, Serena Petrella, Olivia Schuman and Deww Zhang.

The growing number of elder men providing hands-on care to loved ones, particularly spouses, undeniably represents a hidden segment of the home care population. With that in consideration, caregiving in communities of color, in particular, is increasing while numbers of informal (unpaid) caregivers are projected to triple by 2030. Despite statistics, studies on African-American men who care for other elders (such as spouses and parents) - indeed, "the hidden among the hidden" - are negligible. This text follows a study conducted by Helen Black, a research scientist focusing on aging, alongside John Groce and Charles Harmon, founders of Mature Africans Learning from Each Other (M.A.L.E.), in which they interviewed elderly African-American men in caregiver roles. As a whole, The Hidden Among the Hidden is unique in its study of caregiving in the areas of subject matter, methodology, and presentation of findings. The men whose attitudes and behaviors toward caregiving are recorded in this book share a wealth of knowledge for other caregivers, gerontologists, healthcare professionals, students, and the community in general.

Written by Jorge Gracia, one of the most influential thinkers of Hispanic/Latino descent, this volume provides a superb introduction to the philosophical, social, and political elements of Hispanic/Latino identity.

The book explores central historical and current debates surrounding Hispanic/Latino culture, thought, and identity in the United States, Spain, and Latin American countries. Gracia's interdisciplinary approach is systematic and he uses philosophical analysis along with the history of philosophy to clarify and illustrate his provocative theses.

This engaging and enlightening work is an indispensable tool for anyone interested in Hispanic/Latino studies, social policy, and the history of thought and culture.

During their active lives, scientific instruments generally inhabit the laboratory, observatory, classroom or the field. But instruments have also lived in a wider set of venues, as objects on display. As such, they acquire new levels of meaning; their cultural functions expand. This book offers selected studies of instruments on display in museums, national fairs, universal exhibitions, patent offices, book frontispieces, theatrical stages, movie sets, and on-line collections. The authors argue that these displays, as they have changed with time, reflect changing social attitudes towards the objects themselves and toward science and its heritage. By bringing display to the center of analysis, the collection offers a new and ambitious framework for the study of scientific instruments and the material culture of science. Contributors are: Amy Ackerberg-Hastings, Silke Ackermann, Marco Beretta, Laurence Bobis, Alison Boyle, Fausto Casi, Ileana Chinnici, Suzanne Debarbat, Richard Dunn, Inga Elmqvist-Soederlund, Ingrid Jendrzejewski, Peggy A. Kidwell, Richard Kremer, Mara Miniati, Richard A. Paselk, Donata Randazzo, Steven Turner.

Embodying Latino Masculinities contributes to and advances our understanding of meanings of Latino manhood and masculinities through explorations of six case studies taken from various ethnic groups, historical moments, and socio-economic backgrounds. The work's comparative framework pushes current research on Latino masculinities forward as it is one of few texts that put differing ethno-racial and geo-historical experiences in dialogue to understand how multiple masculinities intersect, diverge, and unify. The case studies of Embodying Latino Masculinities range from theatre performance to literature, men's activism to music and sports to show how masculinities are embodied and performed.

Scholars of the middlebrow have demonstrated that the preferences and choices of both women writers and women readers have suffered considerably from the dismissive attitude of earlier critics. George Eliot's famous attack on 'Silly Novels by Lady Novelists' set the tone for the long tradition of gendered disputes over the literary merit of works of fiction - a controversy which eventually coalesced with a class-based hegemony of taste in the so-called Battle of the Brows. The new research presented in this volume demonstrates that this gendered inflection of the critical debate is not only one-sided but tends to obfuscate the significance the middlebrow literary spectrum had for the wider dissemination of new concepts of gender. By exploring the scope of middlebrow media culture between 1890 and 1945, from household magazines to popular novels, the essays in this volume give evidence of the relative proximity that existed between middlebrow writers and the avant-garde in their concern for gender issues. Contributors: Nicola Bishop, Elke D'hoker, Petra Dierkes-Thrun, Stephanie Eggermont, Christoph Ehland, Wendy Gan, Emma Grundy Haigh, Kate Macdonald, Louise McDonald, Tara MacDonald, Isobel Maddison, Ann Rea, Cornelia Wachter, Alice Wood

Empowered by new wealth and by their faith, early modern Londoners began to use philanthropy to assert their cultural authority in distant parts of the nation. Culture, Faith, and Philanthropy analyzes how disputes between London and provincial authorities over such benefactions demonstrated the often tense relations between center and periphery.

This book offers a theoretically sophisticated and empirically rich study of the intersections of contemporary Christianity and youth culture, focusing on evangelical engagements with punk, hip hop, surfing, and skateboarding. Ibrahim Abraham draws on interviews and fieldwork with dozens of musicians and sports enthusiasts in the USA, UK, Australia, and South Africa, and the analysis of evangelical subcultural media including music, film, and extreme sports Bibles. Evangelical Youth Culture: Alternative Music and Extreme Sports Subcultures makes innovative use of multiple theories of youth cultures and subcultures from sociology and cultural studies, and introduces the "serious leisure perspective" to the study of religion, youth, and popular culture. Engaging with the experiences of Pentecostal punks, surfing missionaries, township rappers, and skateboarding youth pastors, this book makes an original contribution to the sociology of religion, youth studies, and the study of religion and popular culture.

Although tattoos have become increasingly available to us, there are still spaces where they are not accepted, and even 'othered'. Looking at the UK, where media discourses are often unfavourable towards tattooed women discussing their own bodies, this book explores how we understand tattooed women's bodies in the UK - through the lens of gender and class. Unpacking themes which focus on how femininity is embodied, and how unwritten rules are broken or followed, Charlotte Dann demonstrates how meaning is key to our understanding of female body art. Drawing our attention to how traditional constructions of femininity are conformed to and resisted against, Dann positions media discourses of trends, regret, and transformation alongside tattooed women's own thoughts of their tattoos. The chapters uncover how tattoos relate to the embodiment, or resistance, of femininity where the body plays a complex role - in care, in the community, and in families. Delving into the societal norms about what women should and shouldn't do with their bodies, and looking specifically at motherhood, employment, and consumption, Dann demonstrates how meaning-making is critical to how women's tattooed bodies are understood, and how personal narratives take centre stage in the justification for tattoos. Providing a fuller understanding of the nuances particular to tattooed women, this book equips readers to reconstruct how we theorize femininity and the body.