This book is a landmark in contemporary cultural psychology. Ernest Boesch's synthesis of ideas is the first comprehensive theory of culture in psychology since Wilhelm Wundt's Volkerpsychologie of the first decades of the twentieth century. Cultural psychology of today is an attempt to advance the program of research that was charted out by Wundt-yet at times we are carefully avoiding direct recognition of such continuity. While Wundt's experimental psychology has been hailed as the root for contemporary scientific psychology, the other side of his contribution- ethnographic analysis of folk traditions and higher psychological functions- has been largely discredited as something disconnected from the scientific realm. As an example of ""soft"" science-lacking the ""hardness"" of experimentation-it has been considered to be an esoteric hobby of the founding father of contemporary psychology. Of course that focus is profoundly wrong-the opposition ""soft"" versus ""hard"" just does not fit as a metalevel organizer of any science.Yet the rhetoric discounting the descriptive side of Wundt's psychology is merely an act of social guidance of what psychologists do-not a way of creating knowledge.

From the outset, Silvio Berlusconi's career was expected to be short, and he has been considered finished several times, only to have reemerged victorious. This fascinating political and historical study shows that Berlusconi's success and resilience have lain in his ability to provide answers to longstanding questions in Italian history.

The practiceof archaeology has many different facets: from academia, to government, tocultural resource management, to public media.

Considering the place of archaeology in society means understanding the rolesthat archaeology has in the present day and a sense of the contributions thatit can make in each of these areas, both now and in the future. Archaeologistscome to the field to pursue a variety of interests: teaching, examininghistory, preserving the environment, or studying a specialized time period orinterest. The outside world has a number of other expectations of archaeology: preservation, tourism, and education, to name but a few.

From a broad and varied background, the editors have compiled a rare group ofcontributors uniquely qualified to address questions about the current state ofarchaeology and its relevance in society. There is no single answer to thequestion of how the field of archaeology should develop, and what it can do forsociety. Instead, the authors in this volume lay out the many ways in which archaeology isrelevant to the present day - considering, for example, climate change, energyexploration, warfare, national identity, the importance of stories and how theyare told, and how and why opportunities to engage with the past throughmuseums, digs, television, classes, and the print media have the formsthey currently do - creating a state-of-the-art tool for archaeologists, policymakers and the public alike to understand thework of many in the fieldand address the challenges we all face."

"The scope of the work is broad, with European and Latin American influences well represented. Recommended for collections that emphasize fiction of the past two decades." Library Journal

The 1960s counterculture challenged the mainstream practices that dominated the 1950s, producing such groups as the hippies, Diggers, the National Organization for Women, and the American Indian Movement, all of which demanded societal change. The A-Z entries in this volume provide fascinating details on notable persons who stirred alternative ideas such as Betty Friedan, Abbie Hoffman, Andy Warhol, and Stokely Carmichael; events such as Woodstock, the Moratorium, and various be-ins; and new directions in music, art, clothing, and language.

How can we understand consumption in a region known for its cultural richness and vast inequalities? What do Latin Americans consume, and why? Examining topics from tango and samba to sex workers in Costa Rica, from eating tamales to selling ice in the Andes, and from building and moving houses to buying cell phones, this collection brings together original research on some of the many forms of consumption and consumers that contribute to Latin American cultures and histories. Contributors include sociologists, anthropologists, media and cultural studies scholars, geographers and historians, showcasing diverse approaches to understanding Latin American consumption practices and consumer culture.

Bloggers around the world produce material for local, national and international audiences, yet they are developing in ways that are distinct from the U.S. model. Through case studies of blogs written in English, Chinese, Arab, French, Russian, and Hebrew, this book explores the way blogging is being conceptualized in different cultural contexts. The authors move beyond the most highly trafficked sites to shed light on larger developments taking place online, calling into question assumptions that form the foundation of much of what we read on blogging and, by extension, on global amateur or do-it-yourself media. This book suggests a more nuanced approach to understanding how blogospheres serve communication needs, how they exist in relation to one another, where they exist apart as well as where they overlap, and how they interact with other forms of communication in the larger media landscape.

In this wide-ranging study of the politics of memory in Northern Ireland, Brian Conway examines the 'career' of the commemoration of Bloody Sunday, and looks at how and why the way this historic event is remembered has undergone change over time. Drawing on original empirical data, he provides new insights into the debate on collective memory.

This edited collection outlines the accomplishments, shortcomings, and future policy prospects of the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, arguing that the Convention is not broad enough to confront the challenges concerning human rights, sustainability, and cultural diversity as a whole.

What makes an Italian film Italian, a French film French? Are Hollywood films really American? This study reveals how centralization, common language and narrative convention express the cultural heritages within the national cinemas of nine countries (China, Finland, France, India, Iran, Italy, Mexico, Ukraine, and the United States). The goal is to bring critical theory and artistic expression back into equilibrium with a method that demonstrates how popular cinema truly can explain the world, ""one country at a time.

Expanding William F. Pinar's notion of autobiography from an individual to a national scale, this book takes the reader on an inner journey to explore the fragmented condition of the post-9/11 American national psyche. It excavates the many layers of the emerging social context within which multiple, conflicting national narratives of identity compete, and uses notions of democracy, nation, and citizen as signposts of contested terrain inside a troubled nation. While reminding us that the old, enduring questions remain unresolved, the book identifies and grapples with new questions that are central to emergent visions of 'educating for democracy' in contemporary America, situated now within a frenetic post-9/11 world.

Little has been written about the potato's Italian history. This book examines the important role it has played in Italy's social, cultural and economic history. Italy, like the rest of Europe, owes a lot to the 'Columbian exchange'. As a result of this process, in addition to potatoes, Europe acquired maize, tomatoes and most types of beans. All are basic elements of European diet and cookery today. The international importance of the potato today as the world's most cultivated vegetable highlights its place in the Columbian exchange. While the history of the potato in the United States, Ireland, Britain and other parts of northern Europe is quite well known, little is known about the slow rise and eventual fall of the potato in Italy. This book aims to fill that gap, arguing why the potato's 'Italian' history is important. It is both a social and cultural history of the potato in Italy and a history of agriculture in marginal areas. David Gentilcore examines the developing presence of the potato in elite and peasant culture, its place in the difficult mountain environment, in family recipe notebooks and kitchen accounts, in travellers' descriptions, agronomical treatises, cookery books, and in Italian literature.

A critical inquiry into postmodern anxiety, fear, indifference, obsessive attention seeking, and the disappearance of privacy and of public space, the book offers penetrating insights into what its author terms the troubled identity, and also into the cultural canon, the weakened sense of belonging, and the inflation of key political concepts. Blending political theory and philosophy of culture, the book exposes the tension between thought and action, politics and literature, power and dissent in postmodern politics and culture. A polemical book of an Eastern European, it raises the pivotal issues of present Europe's cultural identity and political existence.

Shakespeare has long been identified as Britain's 'national poet', but his extensive role in the 2012 London Cultural Olympiad confirmed his expanded status as a modern global icon. From his prominent positioning in the London Olympic Games' Opening Ceremony, Closing Ceremony and Paralympic Opening Ceremony (which reached global audiences of an estimated one billion), to his major presence in the official cultural programme surrounding the Olympic Games (including the Royal Shakespeare Company's World Shakespeare Festival, Shakespeare's Globe Theatre's 'Globe to Globe' Festival and the BBC's Shakespeare Unlocked Season), Shakespeare played a significant role in the way the UK presented itself both to its own citizens and to the world. This collection examines the different cultural forces at play in the construction, use and reception of Shakespeare during the 2012 'Olympic Moment', exploring what his surprisingly persistent presence in the UK's Olympic festivities says about the relationship between culture, politics and identity in twenty-first-century British and global life.Through a series of chapters that cut across major Shakespearean events staged and broadcast during this unique year, the collection offers a comprehensive analysis of Shakespeare's positioning as both a symbol of British cultural achievement and a powerful form of cultural currency in an increasingly globalized world. Each chapter in the collection takes a single-word concept as its starting point (e.g. Celebration, Multiculturalism, Nation), developing it critically through an analysis of a cluster of key Shakespearean performances and events. These key terms serve as indications of the overarching theoretical interests of the collection while also allowing writers scope to discuss the most pertinent and culturally complex case studies in detail.

What is the real nature of television, and what is its place in contemporary society and culture? In a provocative rethinking of the medium and its ensuing effects, this book argues that we have misunderstood television and have thus contributed to a distorted view of art and culture in the 20th century. During the final quarter of this century both in academic and popular circles, we have spread wildly exaggerated claims about television's undermining of human consciousness and behavior. Television has become a scapegoat for all sorts of societal and cultural ills. The arguments presented by many researchers on behalf of the ill-effects of TV are fundamentally weak and flawed. On the eve of the 21st century, the claimed distinctions between high art and popular culture have become a final, hopeless repository of pedantry. Television can be understood only by viewing it as an art form, and measuring its role in society and culture in concert with the first principles of human reason and liberty.

The richly varied collection of 15 essays in this volume showcase the afterlife of the Book of Revelation. It is a biblical book that has left its mark in many fields of intellectual endeavour: literature, film, music, philosophy, political theology, and religious ideology. It is perhaps paradoxical that this book, which promises God's punishment upon anyone expanding on its contents, has nevertheless accumulated to itself over two millennia vast amounts of commentary, exposition, and appropriation. Offered at the close of the 'Blair/Bush years', this volume also exposes and highlights the often deeply ironic resonances generated while studying the reception history of Revelation during a period when the book has both significant public currency and a potentially terrifying global impact. Contents. Decoding, Reception History, Poetry: Three Hermeneutical Approaches to the Apocalypse (Jonathan Roberts); Self-Authorization in Christina Rossetti's The Face of the Deep (Jo Carruthers); Revelation, Dr Jekyll and Mr Hyde (Alison Jack); Revelation and Film (Melanie J. Wright); The Apocalypse according to Johnny Cash (William John Lyons); The Johannine Apocalypse and the Risk of Knowledge (James E. Harding); Revelation, Violence, and War (Heikki Raisanen); The Reception of Revelation, c. 1250-1700 (Anke Holdenried); A Seventeenth-Century Particular Baptist on Revelation 20.1-7 (Simon Woodman); The Book of Revelation, the Branch Davidians and Apocalyptic (Self-)destruction? (Kenneth Newport); Ecological Readings of the Apocalypse of John in Contemporary America (Michael S. Northcott); Feminist Reception of the Book of Revelation (Hanna Stenstrom); Revelation as Form and Content in the Works of Karl Marx and Friedrich Engels (Jorunn Okland)

Exploring bilateral narratives of identity at a socio-discursive level from 1990 onwards, this book provides a new approach to understanding how Chile and Australia imagine and discursively construct each other in light of the bilateral Free Trade Agreement signed in 2008.

First published in 2002, Marek Haltof's seminal volume was the first comprehensive English-language study of Polish cinema, providing a much-needed survey of one of Europe's most distinguished-yet unjustly neglected-film cultures. Since then, seismic changes have reshaped Polish society, European politics, and the global film industry. This thoroughly revised and updated edition takes stock of these dramatic shifts to provide an essential account of Polish cinema from the nineteenth century to today, covering such renowned figures as Kieslowski, Skolimowski, and Wajda along with vastly expanded coverage of documentaries, animation, and television, all set against the backdrop of an ever-more transnational film culture.

The Gothic and the Everyday aims to regenerate interest in the Gothic within the experiential contexts of history, folklore, and tradition. By using the term 'living', this book recalls a collection of experiences that constructs the everyday in its social, cultural, and imaginary incarnations

This volume takes readers on a fascinating journey through the visual arts of Aotearoa New Zealand, Australia and the Pacific Islands, contemplating the multivocal dialogues that occur between these artistic media and the texts and traditions of the Bible. With their distinctively antipodean perspectives, contributors explore the innovative ways that both creators and beholders of Oceanic arts draw upon their contexts and cultures in order to open up creative engagements with the stories, themes and theologies of the biblical traditions. Various motifs weave their way throughout the volume, including antipodean landscapes and ecology, (post)colonialism, philosophy, Oceanic spiritualities and the often contested engagements between western and indigenous cultures. Within this weaving process, each essay invites readers to contemplate these various forms of visual culture through Oceanic eyes, and to appreciate the fresh insights that this process can bring to reading and interpreting the biblical traditions. The result is a rich and interdisciplinary array of conversations that will capture the attention of readers within the fields of biblical reception studies, cultural studies, theology and art history.

Foremost scholars explore new directions in communication research in the light of social, economic, and technological changes in recent years. They analyze differing perspectives historically, problems and opportunities in terms of information flows and filters, and new public policy and social issues and challenges. They raise major questions about future needs and trends. This interdisciplinary study delves into a number of basic concerns, such as how public agendas are formed, how shifting groups in society interpret messages differently, and how technology has changed profoundly the ways in which we communicate in the world today. This overview of the state of communication research is designed for scholars, professionals, and for student use in research methods courses.

Short-listed for the North American Society for Sport History Book Award 2003Alcohol is never far from sporting events. Although popular thinking on the effects of drinking has changed considerably over time, throughout history sport and alcohol have been intimately linked. The Victorians, for example, believed that beer helped to build stamina, whereas today any serious athlete must abstain from the 'demon drink'. Yet despite current prohibitions and the widespread acceptance of alcohol's deleterious effects, the uneasy alliance of sport with alcohol remains culturally entrenched. It is common for sporting celebrities to struggle with alcoholism, and teams are often encouraged to 'bond' by drinking together. Indeed, many of today's major sporting sponsors are breweries and manufacturers of alcoholic drinks.From hooliganism to commerce, from advertising and sponsorship to health and fitness, if there is one thing that brings athletes, fans and financial backers together it must be beer. This cultural history of drinking and sport examines the roles masculinity, class and regional identity play in alcohol consumption at a broad range of matches, races, courses and competitions. Offering a fresh perspective on the culture and commerce of sporting events, this book will be essential reading for cultural historians, anthropologists and sociologists, and anyone interested in sport.

Charles Dickens in Cyberspace opens a window on a startling set of literary and scientific links between contemporary American culture and the nineteenth-century heritage it often repudiates. Surveying a wide range of novelists, scientists, filmmakers, and theorists from the past two centuries, Jay Clayton traces the concealed circuits that connect the telegraph with the Internet, Charles Babbage's Difference Engine with the digital computer, Frankenstein's monster with cyborgs and clones, and Dickens' life and fiction with all manner of contemporary popular culture--from comic books and advertising to recent novels and films. In the process, Clayton argues for two important principles: that postmodernism has a hidden or repressed connection with the nineteenth-century and that revealing those connections can aid in the development of a historical cultural studies. In Charles Dickens in Cyberspace nineteenth-century figures--Jane Austen, Charles Darwin, Charles Dickens, Thomas Hardy, Henry James, Ada Lovelace, Joseph Paxton, Mary Shelley, and Mary Somerville--meet a lively group of counterparts from today: Andrea Barrett, Greg Bear, Peter Carey, Helene Cixous, Alfonso Cuaron, William Gibson, Donna Haraway, David Lean, Richard Powers, Salman Rushdie, Ridley Scott, Susan Sontag, Neal Stephenson, Bruce Sterling, and Tom Stoppard. The juxtaposition of such a diverse cast of characters leads to a new way of understanding the "undisciplined culture" the two eras share, an understanding that can suggest ways to heal the gap that has long separated literature from science. Combining storytelling and scholarship, this engaging study demonstrates in its own practice the value of a self-reflective stance toward cultural history. Its personal voice, narrative strategies, multiple points of view, recursive loops, and irony emphasize the improvisational nature of the methods it employs. Yet its argument is serious and urgent: that the afterlife of the nineteenth century continues to shape the present in diverse and sometimes conflicting ways.