A marvelous book, at once comprehensive and highly readable, a fascinating analysis of doomsday cults and apocalyptic anxiety. --Michael Owen Jones, University of California, Los Angeles The End of the World As We Know It makes accessible to both scholars and general readers the amazing panorama of millenarian scenarios abounding in America at the end of the millennium. --Robert S. Ellwood, University of Southern California Will stand for some time as the best survey and analysis of the meaning and place of apocalypticism and millennialism in American culture. --Religion and Literature Fascinating and] intelligent . . . should be required reading. --Psychotronic From religious tomes to current folk prophesies, recorded history reveals a plethora of narratives predicting or showcasing the end of the world. The incident at Waco, the subway bombing by the Japanese cult Aum Supreme Truth, and the tragedy at Jonestown are just a few examples of such apocalyptic scenarios. And these are not isolated incidents; millions of Americans today believe the end of the world is inevitable, either by a divinely ordained plan, nuclear catastrophe, extraterrestrial invasion, or gradual environmental decay, Examining the doomsday scenarios and apocalyptic predictions of visionaries, televangelists, survivalists, and various other endtimes enthusiasts, as well as popular culture, film, music, fashion, and humor, Daniel Wojcik sheds new light on America's fascination with worldly destruction and transformation. He explores the origins of contemporary apocalyptic beliefs and compares religious and secular apocalyptic speculation, showing us the routes our belief systems have traveled over the centuries to arrive at the dawn of a new millennium. Included in his sweeping examination are premillennial prophecy traditions, prophecies associated with visions of the Virgin Mary, secular ideas about nuclear apocalypse, the transformation of apocalyptic prophecy in the post-Cold War era, and emerging apocalyptic ideas associated with UFOs and extraterrestrials. Timely, yet of lasting importance, The End of the World as We Know It is a comprehensive cultural and historical portrait of an age-old phenomenon and a fascinating guide to contemporary apocalyptic fever. Daniel Wojcik is Associate Professor of English and Folklore at the University of Oregon and author of Punk and Neo-Tribal Body Art. He received his Ph.D. in Folklore and Mythology from the University of California, Los Angeles.

This book explores the aesthetic and ethical ways in which history and daily life are filmically represented and witnessed in Taiwanese director Hou Hsiao-hsien's movies. From the era of the Japanese Occupation to the White Horror and then to the lifting of martial law, the author shows how Hou Hsiao-hsien uses visual media to evoke the rhythms of daily life through the emotional memory of the characters and communities he explores. In particular, the book focuses on the ways in which Hou Hsiao-hsien seeks to reflect the strong dilemmas of identity and the traumatic emotions associated with witnessing history. Taking an interdisciplinary approach, it investigates the concepts of daily life, representation and historical trauma in order to focus on how these films represent history and political trauma through the nature of daily life and personal memories, and the resulting historical responsibility and ethics. This is the first academic monography about Hou Hsiao-hsien's films.

In this groundbreaking collection, Dr. Jenna Ng brings together academics and award-winning artists and machinima makers to explore the fascinating combination of cinema, animation and games in machinima (the use of computer game engines to produce animated films in cost- and time-efficient ways). Book-ended by a preface by Henry Lowood (curator for history of science and technology collections at Stanford University) and an interview with Isabelle Arvers (machinima artist, trainer, critic, and curator), the collection features wide-ranging discussions addressing machinima not only from diverse theoretical perspectives, but also in its many dimensions as game art, First Nations media art, documentary, and pedagogical tool. Making use of interactive multimedia to enhance the text, each chapter features a QR code which leads to a mobile website cross-referencing with its print text, integrating digital and print content while also taking into account the portability of digital devices in resonance with machinima's mobile digital forms. Exploring the many dimensions of machinima production and reception, Understanding Machinima extends machinima's critical scholarship and debate, underscoring the exciting potential of this emerging media form.

Talking Politics presents the opinions of some of America's leading broadcasters and political commentators on the tension-fraught relationship between politics and the media. In a series of personal, frank, and in-depth interviews, Tom Brokaw, Larry King, Robert MacNeil, Linda Ellerbee, Bernard Shaw, and others talk about the extraordinarily influential, sometimes volatile, relationship between journalists and political figures. Providing a window onto political campaigns and governance, political analysts, journalists, and media figures address issues such as: * When does a tabloid story become news, worthy of the attention of the serious media * Can a talk show really give us a closer look at a candidate or is that closeness an illusion? * When can voters trust candidate images presented on TV-network news, talk shows, or otherwise? In an age when the media has become as much a topic as the politicians it covers. Talking Politics will be fascinating reading for all who follow politics. Talking Politics gives us an inside view of the relationship between journalists and candidates, one that shapes the way most Americans choose their president. In a series of personal and in-depth interviews, some of America's top broadcasters and political commentators talk about the extraordinarily influential relationship between the nation's most powerful journalists and political figures. Tom Brokaw, Larry King, Robert MacNeil, Linda Ellerbee, Bernard Shaw, and other media figures address issues such as: o When does a tabloid story become worthy of the attention of the serious media? o Can a talk show really give us a closer look at a candidate or is that closeness an illusion? o When can voters trust candidate images presented on television-network news, talk shows, or otherwise? Each chapter in Talking Politics features a frank, revealing interview with one of the nation's most influential broadcasters or political commentators. The result is a unique, behind-the-scenes look at the tension-fraught relationship between TV news and political candidates. In an age when the media has become as much a topic as the politicians it covers, Talking Politics will be fascinating reading for all who follow politics.

Feminist Discourse and Spanish Cinema provides the first detailed consideration of women directors working before the Civil War and during Franco's dictatorship, and is the first to explore the impact of feminism on filmmaking in Spain.

Places of Privilege examines dynamics of privilege and power in the construction of place in a period of the rapid social transformation of places, borders and boundaries. Drawing on inter-disciplinary perspectives, the book examines place as a site for the making and re-making of privilege, while considering new meanings of community, and examining spaces for cultural identity and resistance. Chapters point to a range of conceptual resources that can be utilised to produce critical analyses of place-making. As the authors point out, power and privilege shape place but these dynamics are in turn shaped by the specific place based histories and social dynamics within which they are located. Contributors are: Lutfiye Ali, Alison M. Baker, Paola Bilbrough, Tony Birch, Jora Broerse, Sally Clark, Josephine Cornell, Yon Hsu, Lou Iaquinto, Karen Jackson, Shose Kessi, Rebecca Lyons, Chris McConville, Nicole Oke, Amy Quayle, Alexandra Ramirez, Kopano Ratele, Christopher C. Sonn, and Ramon Spaaij.

With great care and judicious inclusion of noteworthy material, Gunde has provided a one-stop reference on the contributions of the Chinese and their way of life. In one volume, the essence of China--past and present--is brilliantly captured. The extensive coverage includes chapters on the land, history, and people; thought and religion; literature and art; music and dance; food and clothing; architecture and housing; family and gender; and holidays and leisure activities. The volume is further enhanced by a chronology, guide to pronunciation, glossary, suggested readings, numerous photos, and volume map.

China is ever-important on the global stage as the world's second-largest and most populous country. Up-to-date and written with warmth, eloquence, and authority, "Culture and Customs of China" will be a popular source for students and the interested reader seeking to understand the modern people and culture in the context of an ancient history.

All CEOs, managers, supervisors, training professionals, and educators must be able to effectively recruit, train, manage, and promote a culturally diverse work force. Unfortunately, few of them have been adequately trained to do so. Effective management of diversity is good business. It takes effective communication, conflict resolution, and the creation of an inclusive organizational culture to succeed. This comprehensive book helps administrators better understand the problems they face and how to deal with them by dispelling the myths and facing the realities of cultural diversity.

Drawing on numerous examples of successful diversity initiatives, the book gives the reader a balanced view of distinct diversity interventions. Cross-cultural training programs are critiqued, along with specific methods for assuring quality in-service training activities. Self-administered quizzes, surveys, and critical incidents are included to allow the reader to gain self-insight and self-improvement. African Americans, Hispanics, Native Americans, Asians, women, older workers, employees with disabilities, foreign workers, and majority cultural groups are discussed in great detail. Theories and laws, as well as behavioral, cognitive, and affective strategies are among the topics presented.

Social democrats in the Western world look back on a century where growth and expansion of centre-left values seemed, during certain periods of time, to be a law of nature. Today, the so-called golden era from the 1940s to the 1970s is just a distant memory for the social democratic movement. Volume 35 of Comparative Social Research challenges this narrative of the post-war glory of social democracy. It argues that social democracy has been associated too tightly with the specific context of post-1945 and explores the margin for manoeuvre for the social democratic movement, both now and in the future. Contributors to this book explore essential questions for contemporary social democrats, such as; What does social democracy constitute as a set of ideas in the 21st century experiencing rapid technological, economic and demographic change? Is the narrative of the decline of social democracy warranted, and is there an opportunity for transformation or even rejuvenation? Social Democracy in the 21st Century is an essential reading for academics and researchers of political science and sociology.

From Charlie Chaplin's The Gold Rush to Quentin Tarantino's Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre. Placing the movies he discusses in a historical and literary context, Gehring explores the genre's obession with death and the characters' failure to be shocked by it. Movies discussed include: Slaughterhouse Five, Catch-22, Clockwork Orange, Harold and Maude, Heathers, and Natural Born Killers.

This interdisciplinary book responds to the explosion of gay and lesbian creativity on modern-day France. Rather than attempting to formalize a specifically 'gay' or 'lesbian' style or identity, the authors seek to open up new 'homotextualities, ' understood here as ongoing constructions and deconstructions of both homosexuality and its environments. They investigate the work of (among others) Violette Leduc, Tony Duvert, Renaud Camus, and Guy Hocquenghem; the cinema of Josiane Balasko and Cyril Collard; the theoretical writings of Leo Bersani, Luce Irigaray, and Monique Wittig. Employing a range of methods, authors re-evaluate and contest both the literary and theoretical canon and establish new convergences between French and Gay Studies, in particular, queer theory. This book provides the first proper assessment of the usefulness of this approach when dealing with a literary and cultural tradition notoriously discreet about the very concept of a gay writer.

This richly illustrated volume explores the eroticization of death in the literature, art, and music of the nineteenth century, and in the popular culture of our time.

Death was the natural enemy of love in the arts of the West until the late eighteenth century, when the two mated in artistic fancy to celebrate death as a font of sensual bliss. Through the nineteenth century, voluptuous visions of death pervaded high culture. Keats fell half in love with easeful death, and, as Heine told it, Life only warms in death's cold arms. For Whitman, death was the word of the sweetest song. Flaubert tempted his Saint Anthony with Lust and Death fused into a single figure. Zola saw love and death intermixed in the somber pit of the human soul. At mid- century, painters and poets alike competed in depicting Ophelia drowning in ecstasy. At the century's end the figure of the femme fatale haunted the cultural elite. After 1914, the entire morbid complex sank into popular culture.

What was the source of this eroticization of death in the arts? To answer this question, Rudolph Binion explores a rich variety of prose and poetry, painting and sculpture, and lyrical and instrumental music, interlacing love and death. He compares modern and premodern treatments of key subjects such as Salome and Mary Magdalene, supporting his text with an array of arresting illustrations. In conclusion, he traces this fantasy of carnal love beyond death to the Christian message of spiritual love beyond death, which modern, post- Christian culture has both discarded and salvaged.

In "Love Beyond Death: The Anatomy of a Myth in the Arts," Rudolph Binion investigates the various art forms where the conjunction of love and death is found and provides an explanation for this bizarre match. Supporting his text with some of the most sinister, alluring, and provocative images from the nineteenth century, Binion provides the reader with a dizzying account of the development of this artistic obsession, and of its passage into the popular culture of the twentieth century.

In the last half century, ways of thinking about the Holocaust have changed somewhat dramatically. In this volume, noted scholars reflect on how their own thinking about the Holocaust has changed over the years. In their personal stories they confront the questions that the Holocaust has raised for them and explore how these questions have been evolving. Contributors include John T. Pawlikowski, Richard L. Rubenstein, Michael Berenbaum, and Eva Fleischner.

Biological Time, Historical Time presents a new approach to 19th century thought and literature: by focussing on the subject of time, it offers a new perspective on the exchanges between French and German literary texts on the one hand and scientific disciplines on the other. Hence, the rivalling influences of the historical sciences and of the life sciences on literary texts are explored, texts from various scientific domains - medicine, natural history, biology, history, and multiple forms of vulgarisation - are investigated. Literary texts are analysed in their participation in and transformation of the scientific imagination. Special attention is accorded to the temporal dimension: this allows for an innovative account of key concepts of 19th century culture.

The matsutake mushroom continues to be a highly sought delicacy, especially in Chinese, Japanese, and Korean cuisine. Matsutake Worlds explores this mushroom through the lens of multi-species encounters centered around the matsutake's notorious elusiveness. The mushroom's success, the contributors of this volume argue, cannot be accounted for by any one cultural, social, political, or economic process. Rather, the matsutake mushroom has flourished as the result of a number of different processes and dynamics, culminating in the culinary institution we know today.

Routledge Library Editions: Revolution in England examines the turbulent times that led to the English revolution and civil war as new political and religious ideas led to the overthrow of the king and establishment of a republic. Modern ideas of democracy were established then, and are analysed here in a series of books that look at the various radical sects such as the Nonjurors and Levellers that espoused new political thought and ways of living.

Internationalism is generally considered to be a major feature of the labour movement, and to hold a far more powerful appeal for workers' organizations than national identity. However, this revisionist book argues that, in fact, it is the national dimension which is of utmost importance to workers' organizations, and that national questions have often compelled workers to engage in struggles on different levels. Through detailed case studies of trade union involvement in Northern Ireland, Italy, Spain, Belgium, Austria and Europe generally, contributors tackle subjects long neglected by labour historians and overturn the accepted wisdom that nationalism and the labour movement are irreconcilably opposed. This analysis of how international agendas are influenced by nationalist politics is unique, and the case-studies offer a dynamic description of the different ways in which nationalist values meet with trade union ideas and practices.The high standard of scholarship and the combination of historical and contemporary material make this book essential reading for students and researchers of labour history, politics, political theory and area studies.

This is the first ethnography to be written about a Campeche Maya community. It examines the surviving Maya traditional technologies and sacred cosmologies and discusses the potential for combining these with modern knowledge and technologies to form an efficient new system that will not only provide for ecologically responsible development but will also make possible the cultural survival of this threatened indigenous population.

Every human society has a lineup of base, wicked, unethical characters-real and fictional-that are regarded as villainous. This book explores how western societies have used those they label villains to delineate insiders from outsiders; political, social, economic, and cultural behaviors deemed a threat to the order, harmony, and well-being of society itself; and normal as opposed to abnormal psychological behavior. Part One addresses how nature and those identified as ""barbarians"" were villainized as sinister ""others"" bent on destroying humanity and western civilization. Part Two considers how certain villainous types-tyrants, traitors, and tramps (aka ""femme fatales"")-challenged and reinforced western thinking with regard to legitimate governance, loyalty to one's people, and proper male/female roles and relationships. Part Three looks at how sociopathic gangsters and grifters and psychopathic murderers have served as models of evil and/or unprincipled behavior, and, in so doing, highlighted what we regard as moral and rightful conduct. In tandem with these villainous types, this study also considers two distinct though related phenomena, the dramatic shrinking of what is now considered villainous in the West, and the proliferation of all manner of odd and over-the-top villains in western pop culture and mass media.

In the years since World War II, commercial television has become the most powerful force in American culture. It is also the quintessential example of postmodernist culture. This book studies how "The Twilight Zone, The Prisoner, Twin Peaks," and "The X-Files" display many of the central characteristics that critics and theorists have associated with postmodernism, including fragmentation of narratives and characters, multiplicity in style and genre, and the collapse of traditional categorical boundaries of all kinds. The author labels these series strange TV since they challenge the conventions of television programming, thus producing a form of cognitive estrangement that potentially encourages audiences to question received ideas.

Despite their challenges to the conventions of commercial television, however, these series pose no real threat to the capitalist order. In fact, the very characteristics that identify these series as postmodern are also central characteristics of capitalism itself, especially in its late consumerist phase. An examination of these series within the context of postmodernism thus confirms Fredric Jameson's thesis that postmodernism is a reflection of the cultural logic of late capitalism. At the same time, these series do point toward the potential of television as a genuinely innovative medium that promises to produce genuinely new forms of cultural expression in the future.

As the first book to introduce and analyze cultural studies in contemporary China, this volume is an important resource for Western scholars wishing to understand the rise and development of cultural studies in China. Organized according to subject, it includes extensive material examining the relationships between culture and politics, as well as culture and institutions in contemporary China. Further, it discusses the development of cultural debates.

"A lively and interesting overview of guns in American life; past, present, and future...Guns in America: A Reader will serve most promisingly as a long-awaited introduction to a complex and controversial issue."
--"Left History"

Firearms have long been at the core of our national narratives. From the Puritans' embrace of guns to beat back the "devilish Indian" to our guilty delight in the extralegal exploits of Dirty Harry, Americans have relied on the gun to right wrongs, both real and imagined.

The extent to which guns have been woven into our nation's mythology suggests that the current debate is only partly about guns themselves and equally about conflicting cultural values and competing national identities. Belying the gun debate are a host of related issues: contesting conceptions of community, the proper relationship between the individual and the state, and the locus of responsibility for maintaining order.

Guns in America documents and analyzes the history of firearms in America, exploring various aspects of gun manufacture, ownership, and useaand more importantly, the cultural and political implications which this history reveals.

Eschewing single-minded partisanship and emphasizing nuance and compromise, Jan E. Dizard and Robert Merrill Muth have assembled a diverse array of writings from all points on the ideological spectrum. The documents span the whole of American history, from Puritan sermons to contemporary NRA documents. The result is an indispensable panorama of the never-ending controversies over gun control, crime, hunting, and militias.

Our genetic markers have come to be regarded as portals to the past. Analysis of these markers is increasingly used to tell the story of human migration; to investigate and judge issues of social membership and kinship; to rewrite history and collective memory; to right past wrongs and to arbitrate legal claims and human rights controversies; and to open new thinking about health and well-being. At the same time, in many societies genetic evidence is being called upon to perform a kind of racially charged cultural work: to repair the racial past and to transform scholarly and popular opinion about the "nature" of identity in the present. Genetics and the Unsettled Past considers the alignment of genetic science with commercial genealogy, with legal and forensic developments, and with pharmaceutical innovation to examine how these trends lend renewed authority to biological understandings of race and history. This unique collection brings together scholars from a wide range of disciplines-biology, history, cultural studies, law, medicine, anthropology, ethnic studies, sociology-to explore the emerging and often contested connections among race, DNA, and history. Written for a general audience, the book's essays touch upon a variety of topics, including the rise and implications of DNA in genealogy, law, and other fields; the cultural and political uses and misuses of genetic information; the way in which DNA testing is reshaping understandings of group identity for French Canadians, Native Americans, South Africans, and many others within and across cultural and national boundaries; and the sweeping implications of genetics for society today.