This work examines the valley of the Urubamba River in terms of vertical zonation, Incan impact on the environment, plant use, the history of exploration and the notion of discovery, the idea of land reform, and cultural contact with the European world. Winding its path northward from the Andean Highlands to the Amazon, the valley has served as the stage of pre-Columbian civilizations and focal point of Spanish conquest in Peru. "Gade left behind not only a superb body of scholarly work, but a network of colleagues and students who remain indebted to his example. This book should serve as an inspiration for all scholars who wish to pursue the Sauerian, counter enlightenment or post development agendas of understanding and respecting particular places in all their historical and cultural complexity, including ambiguities and contradictions." -- The Geographical Review, American Geographical Society

Based on extensive fieldwork and documentary research in China, this book is a chronicle of the musical history of Lijiang County in China's southern Yunnan Province. It focuses on Dongjing music, a repertoire borrowed from China's Han ethnic majority by the indigenous Naxi inhabitants of Lijiang County. Used in Confucian worship as well as in secular entertainment, Dongjing music played a key role the Naxi minority's assimilation of Han culture over the last 200 years. Prized for its complexity and elegance, which set it apart from "rough" or "simpler" indigenous Naxi music, Dongjing played an important role in defining social relationships, since proficiency in the music and membership in the Dongjing associations signified high social status and cultural refinement. In addition, there is a strong political component in its examination of the role of indigenous music in the relation of a socialist state to its ethnic minorities.
The first in English on this rich musical tradition, this book is also unique in providing a complete history of the music in a single region in China over the twentieth century. It integrates individual, local, and national histories with musical experience and musical change. Ethnic music in China provides a vivid example of the tremendous cultural changes over the past century, and the tradition continues to evolve as China encourages ethnic diversity within a unified socialist nation. The book includes a case study of China's tourist trade and its policies toward minorities.

The second of two volumes on the relationship between popular religion and the self-help tradition in American culture, this book continues chronologically where the first left off. As with the first volume, this work focuses on the intersection of American history and popular religion and is intended as an introductory interpretive guide to major self-help figures and movements with origins in popular religious movements. This volume spans from Romanticism, the Gilded Age, and the history of Christian Science, with discussions of Mary Baker Patterson, Phineas Parkhurst Quimby, and Mary Baker Eddy, through Norman Vincent Peale and Robert Schuller. Peale and Schuller, with the exception of Evangelist Billy Graham, constitute the public face of mainstream American Protestantism and bring this two-volume study to its conclusion in the second half of the 20th century.

This reference will serve as a valuable research tool for American religion and popular culture scholars. Together with the first volume, "Self-Help and Popular Religion in Early American Culture," these two meticulously researched volumes clearly define and present the broad scope of the self-help tradition as it pervades American culture and as it developed and was influenced by popular religion. An extensive bibliography is included.

Luxury has been both celebrated and condemned throughout history right up to the present day. This groundbreaking text examines luxury and its relationship with desire, status, consumption and economic value, exploring why luxury remains prominent even in the context of a global recession. Using approaches from cultural studies, semiotic research and aesthetics, Luxury presents a wide range of case studies including urban space and new technologies, travel, interior design, cars, fashion ads and jewellery to explore what luxury represents, and why, in the contemporary world. The book will be essential reading for students and scholars across a range of fashion studies, cultural studies and sociology, and anyone interested in the power and allure of luxury today.

Despite its international significance, Madrid has been almost entirely ignored by urban, literary and cultural studies published in English. A Cultural History of Madrid: Modernism and the Urban Spectacle corrects that oversight by presenting an urban and cultural history of the city from the turn of the century to the early 1930s.Between 1900 and 1930, Madrid's population doubled to almost one million, with less than half the population being indigenous to the city itself. Far from the 'Castilian' capital it was made out to be, Madrid was fast becoming a socially magnetic, increasingly secular and cosmopolitan metropolis. Parsons explores the interface between elite, mass and popular culture in Madrid while considering the construction of a modern madrileno identity that developed alongside urban and social modernization. She emphasizes the interconnection of art and popular culture in the creation of a metropolitan personality and temperament.The book draws on literary, theatrical, cinematic and photographic texts, including the work of such figures as Ramon Mesonero Romanos, Benito Perez Galdos, Pio Baroja, Ramon Gomez de la Serna, Ramon Valle-Inclan and Maruja Mallo. In addition, the author examines the development of new urban-based art forms and entertainments such as the zarzuela, music halls and cinema, and considers their interaction with more traditional cultural identities and activities. In arguing that traditional aspects of culture were incorporated into the everyday life of urban modernity, Parsons shows how the boundaries between 'high' and 'low' culture became increasingly blurred as a new identity influenced by modern consumerism emerged. She investigates theinteraction of the geographical landscape of the city with its expression in both the popular imagination and in aesthetic representations, detailing and interrogating the new freedoms, desires and perspectives of the Madrid modernista.

Traditionally, Historical Archaeology has had a North American or European stance, focusing on the interplay between historical documents and the archaeological record. For Africa, with its non-traditional historical sources, this interplay is not as applicable. These sources also inform the period of contact with Europeans, during which the shape of the modern continent was inexorably defined. By focusing on such sources, it becomes possible to present historical understandings which access African experiences with outsiders and other African populations.

This volume explores the range of interactions between the historical sources and archaeology that are available on the African continent. The contributions, written by a range of experts on different aspects of African archaeology, present the underlying issues such as:
- The conflict and collaboration in the foundation of modern Africa;
- African trading communities maintaining their independence from Europe;
- The impacts of the Atlantic slave trade.

This represents the first consideration of historical archaeology over the African continent as a whole and therefore provides an important review for African archaeologists and historians. This seminal volume also explores Africa's place in global systems of thought and economic development for historical archaeologists and historians alike.

"The Great American Makeover" explores two basic questions: How do myths of self-reinvention shape America's past, and how do contemporary television makeover programs continue and question this long-standing tendency to celebrate the fundamental powers of American transformation? This collection demonstrates that the makeover mythos is a crucial link between earlier and emergent forms and processes of engagement with the national imaginary. It demonstrates the tenacity of the American fantasy of recreation and its enduring ability to speak to our shifting national desires and anxieties. At the same time, the volume speaks to American popular television's own enduring ability to reinvent itself.

This original study discovers the bourgeois in the modernist and the dissenting style of Bohemia in the new artistic movements of the 1910s. Brooker sees the bohemian as the example of the modern artist, at odds with but defined by the codes of bourgeois society. "Bohemia in London" reconstructs the usual history, situating the canonic names of modernism in the world of groups and coteries which shaped the allied experiments in art and life. Thus it renews once more the complexities and radicalism of the modernist challenge.

In this perceptive book, cultural and political theorist Jason M. Adams moves beyond increasingly inadequate accounts of speed and acceleration to reflect upon the temporality of the Occupy Wall Street movement. In doing so, he develops the concept of immediacy - the 'speed-limit' that, today more than ever, is reformatting thought, control, and resistance alike. In the process, Adams mobilizes the work of Paul Virilio, Karl Marx, Hannah Arendt and Gilles Deleuze to rethink the ancient Greek concept of kairos for the contemporary moment.

This collection of readings provides the reader with a basic introduction to the topic and concepts of cultural diversity as it has come to characterize the culture of the United States. Particular attention is given to the practice of racial, ethnic, and special interest group characterizations. No other book is as complete in its coverage of the diverse cultural groupings that make up the American culture. This unique work serves as a first step in beginning the quest for greater understanding and appreciation of diversity.

In recent years, debates over culture and education have entered the public consciousness as never before. Politicians, bureaucrats, and scholars have credited these endeavors with the capacity to influence matters ranging from public morality to national productivity. Trend examines points at which art and learning intersect in both traditional and nontraditional settings and offers a variety of alternatives for the construction of a new cultural pedagogy. He argues that we need to redefine concepts like "art," "literature," and "education," to integrate them more fully into our lives. On one hand, Trend uses a critical approach to examine how cultural work and pedagogy intersect within a range of discourses such as Marxist, feminist, deconstructionist and postcolonial. Yet on the other, he focuses on the use of specific examples of cultural practice within and outside the classroom to emphasize the importance of action as well as philosophy to bring about social change. Trend provides a theoretical overview of the ideological battles over texts and their discursive contexts and then analyzes how cultural education has evolved in such settings as the school, the university, and the community. He concludes with a discussion of pedagogy and democracy which suggests a range of possible resolutions.

The impact of Chinese culture can be felt in all areas of business and management in China, from Chinese firms to Western companies. This edited volume integrates contributions from multiple disciplines and countries, including China, Hong Kong, Taiwan, France, Australia, New Zealand, Canada, the United Kingdom, and the United States. More than merely a compendium of how-to-do-business-in-China tips, this book examines the influence of culture--specifically, Confucian values and Chinese traditions--on foreign direct investment, joint ventures, management styles and theories, and organizational behavior.

Alon and his contributors demonstrate that significant differences still exist between Chinese and Western cultures, and that these differences require an adaptation on both sides. Chinese firms will need to adapt to the way Western organizations do busines, as well as to currents in Western management theory; meanwhile, Western firms will need to take Chinese cultural influences into account when formulating strategy. Both sides can benefit from the insights contained in this volume, which is relevant for scholars of international business, cross-cultural management, and organizational behavior.

Between the 1890s and the 1930s, advancements in communication and travel encouraged widespread international cultural exchange, and Americans increasingly came into contact with Russian culture and theatrical performance. A number of factors, including emigration from Russia, world war, revolutionary activities in both Russia and the United States, and developments in modernism in the American theatre influenced the way those performances were received by American artists and audiences. Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance.

Perry argues that racism in America has moved into a new phase--post-intentional For a nation that often optimistically claims to be post-racial, we are still mired in the practices of racial inequality that plays out in law, policy, and in our local communities. One of two explanations is often given for this persistent phenomenon: On the one hand, we might be hypocritical-saying one thing, and doing or believing another; on the other, it might have little to do with us individually but rather be inherent to the structure of American society. More Beautiful and More Terrible compels us to think beyond this insufficient dichotomy in order to see how racial inequality is perpetuated. Imani Perry asserts that the U.S. is in a new and distinct phase of racism that is "post-intentional": neither based on the intentional discrimination of the past, nor drawing upon biological concepts of race. Drawing upon the insights and tools of critical race theory, social policy, law, sociology and cultural studies, she demonstrates how post-intentional racism works and maintains that it cannot be addressed solely through the kinds of structural solutions of the Left or the values arguments of the Right. Rather, the author identifies a place in the middle-a space of "righteous hope"-and articulates a notion of ethics and human agency that will allow us to expand and amplify that hope. To paraphrase James Baldwin, when talking about race, it is both more terrible than most think, but also more beautiful than most can imagine, with limitless and open-ended possibility. Perry leads readers down the path of imagining the possible and points to the way forward.

This volume aims to map out the complex relationships leisure has with notions of place and space in contemporary life. Illustrating the transdisciplinarity of this key feature of leisure studies, it explores how leisure places and spaces affect personal, social and collective identities.

In this pathbreaking study, the historical relationship between nineteenth-century spiritualism and twentieth-century surrealism is the basis for a general examination of conflicting movements in literature, art, philosophy, science, and other areas of social life. Because spiritualism delved into the world beyond humanity and surrealism was founded on the world within, the two provide a provocative frame for examining the struggles within modern culture. Cottom argues that we must conceive of interpretation in terms of urgency, desire, fierce contention, and impromptu deviation if we want to understand how things come to bear meaning for us. He demonstrates that even when Victorians holding seances and surrealists composing manifestoes were most foolish, they had much that was valuable to say about the life (and death) of reason.

The essays collected in "Cinema and Technology" map out a new interdisciplinary terrain, combining contemporary analyses of material and visual culture, deploying the methods of film studies, media and cultural studies, media anthropology, and science and technology studies. Rather than describing a technological "crisis," or separating the technological and aesthetic halves of the cinema, they present a manifold, expansive reconsideration of the life of technologies in the cultures, theories and practices of cinematic production and consumption.

Filmic constructions of war heroism have a profound impact on public perceptions of conflicts. Here, contributors examine the ways motifs of gender and heroism in war films are used to justify ideological positions, shape the understanding of the military conflicts, support political agendas and institutions, and influence collective memory.

Puerto Ricans in the United States comes at a crucial time to help us better understand Puerto Ricans, both those who live in the United States and those who live in Puerto Rico, as they debate the issue of national identity. Perez y Gonzalez, of Puerto Rican heritage, provides an information-packed volume that will become the definitive source for students and readers interested in learning about the Puerto Rican experience in the United States. With the homeland of Puerto Rico strongly evoked as background, the entire immigration and adaptation process of Puerto Ricans in this country since the early 1900s takes shape in a thoughtful analysis. This is essential reading for understanding an important American (im)migrant group and the development of our urban culture as well. Puerto Ricans in the United States begins by presenting Puerto Rico--the land, the people, and the culture. The island's invasion by U.S. forces in 1898 set the stage for our intertwined relationship to the present day. Perez y Gonzalez brings to life important historical events leading to immigration to the United States, particularly to the large northeastern cities, such as New York. The narrative highlights Puerto Ricans' adjustment and adaptation in this country through the media, institutions, language, and culture. A wealth of information is given on socioeconomic status, including demographics, employment, education opportunities, and poverty and public assistance. The discussions on the struggles of this group for affordable housing, issues of women and children, particular obstacles to obtaining appropriate health care, including the epidemic of AIDS, and race relations are especially insightful. Thefinal chapter on Puerto Ricans' impact on U.S. society highlights their positive contributions in a wide range of fields.

More of the best, craziest, biggest and funniest! Absolutely Awesome South Africa is an entertaining compilation on South Africa which is packed full of fun, facts and trivia. This completely new coffee table book is packed with completely new content and design on every page and is full of South African humour, history and interesting facts. The vibrant and colourful pages of Absolutely Awesome South Africa captures the heart and the soul of this magnificent country. This book is available in Hard Cover and Soft Cover. 220 page of Facts – Fun – Trivia – Humour – Quotations – Culture & so much more!

Mothering is a central issue for feminist theory, and motherhood is also a persistent presence in the work of Toni Morrison. Examining Morrison's novels, essays, speeches, and interviews, Andrea O'Reilly illustrates how Morrison builds upon black women's experiences of and perspectives on motherhood to develop a view of black motherhood that is, in terms of both maternal identity and role, radically different from motherhood as practiced and prescribed in the dominant culture. Motherhood, in Morrison's view, is fundamentally and profoundly an act of resistance, essential and integral to black women's fight against racism (and sexism) and their ability to achieve well-being for themselves and their culture. The power of motherhood and the empowerment of mothering are what make possible the better world we seek for ourselves and for our children. This, argues O'Reilly, is Morrison's maternal theory--a politics of the heart.

Amid a Sudan's dark history, saturated with conflicts and tragic current events, lies a culture with deep roots, going back as far as 8000 BC. With several hundred ethnic groups and languages, Sudan is one of the world's most diverse countries. Learn how these cultures have blended and collided throughout the centuries, and examine how traditions and customs are kept alive today. Religious beliefs, social customs, arts, literature, and cuisine are among the topics discussed in this volume, which is ideal for high school and undergraduate students. Chapters include: BLLand, People, and History BLReligion and Worldview BLLiterature and Media BLArt and Architecture/Housing BLCuisine and Traditional Dress BLGender Roles, Marriage, and Family BLSocial Customs and Lifestyle BLMusic and Dance A timeline of key events and bibliographical essay including print and nonprint sources supplement the work.

This volume offers a comprehensive guide to methods used in the sociocultural, linguistic and historical research of food use. This volume is unique in offering food-related research methods from multiple academic disciplines, and includes methods that bridge disciplines to provide a thorough review of best practices. In each chapter, a case study from the author's own work is to illustrate why the methods were adopted in that particular case along with abundant additional resources to further develop and explore the methods.

Nutritional Anthropology and public health research and programming have employed similar methodologies for decades; many anthropologists are public health practitioners while many public health practitioners have been trained as medical or biological anthropologists. Recognizing such professional connections, this volume provides in-depth analysis and comprehensive review of methods necessary to design, plan, implement and analyze public health programming using anthropological best practices. To illustrates the rationale for use of particular methods, each chapter elaborates a case study from the author's own work, showing why particular methods were adopted in each case.

In an age of information and new media the relationships between remembering and forgetting have changed. This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese Americans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and the desaparecidos in Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord's notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now "spectacle" can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin's plea to "explode the continuum of history" and bring our attention to now-time.