Studying the case of Latin American cinema, this book analyzes one of the most public - and most exportable- forms of postcolonial national culture to argue that millennial era globalization demands entirely new frameworks for thinking about the relationship between politics, culture, and economic policies. Concerns that globalization would bring the downfall of national culture were common in the 1990s as economies across the globe began implementing neoliberal, free market policies and abolishing state protections for culture industries. Simultaneously, new technologies and the increased mobility of people and information caused others to see globalization as an era of heightened connectivity and progressive contact. Twenty-five years later, we are now able to examine the actual impact of globalization on local and regional cultures, especially those of postcolonial societies. Tracing the full life-cycle of films and studying blockbusters like City of God, Motorcycle Diaries, and Children of Men this book argues that neoliberal globalization has created a highly ambivalent space for cultural expression, one willing to market against itself as long as the stories sell. The result is an innovative and ground-breaking text suited to scholars interested in globalization studies, Latin-American studies and film studies.

This book examines the phenomenon of the "digital city" in the US by looking at three case studies: New York City, San Antonio, and Seattle. Kristin Scott considers how digital technologies are increasingly built into the logic and organization of urban spaces and argues that while each city articulates ideals such as those of open democracy, civic engagement, efficient governance, and enhanced security, competing capitalist interests attached to many of these digital technological programs make the "digital city" problematic.

Pairing cultural analysis in urban contexts with interdisciplinary approaches to political culture, this book argues that recent cultural production in Spain grapples with the conditions and possibilities for social transformation in dialogue with the ongoing crisis, neoliberal governance, and political culture in Spain's democratic history.

This volume looks at sustainable protection and sustainable use of cultural and natural heritage, particularly in view of the current challenges of the 21st century. For more than 40 years the World Heritage Convention has regulated the protection of the cultural and natural heritage of humankind, particularly in that heritage shall be protected if it is threatened by modern development. The international community has also adopted sustainability and sustainable development, as objectives to facilitate the protection of cultural and natural heritage. Sustainable heritage protection and use must therefore be preserved in the face of the global challenges it faces and must be perceived in terms of societal, political and corresponding economic paradigms.

This book explores how Esperanto - often regarded as a future-oriented utopian project that ended up confined to the past - persists in the present. Constructed in the late nineteenth century to promote global linguistic understanding, this language was historically linked to anarchism, communism and pacifism. Yet, what political relevance does Esperanto retain in the present? What impacts have emerging communication technologies had on the dynamics of this speech community? Unpacking how Esperanto speakers are everywhere, but concentrated nowhere, the author argues that digital media have provided tools for people to (re)politicise acts of communication, produce horizontal learning spaces and, ultimately, build an international community. As Esperanto speakers question the post-political consensus about communication rights, this language becomes an ally of activism for open-source software and global social justice. This book will be of relevance to students and scholars researching political activism, language use and community-building, as well as anyone with an interest in digital media more broadly.

Southeast Asia's recent economic dynamism has helped to stimulate renewed interest in the study of many aspects of this complex region. This collection of essays explores the evolution of various disciplinary approaches to Southeast Asia. Basing their approaches on anthropology, sociology, geography, economics, history, politics, international relations and on a consideration of literature, the authors examine many of the crucial debates and controversies of the past, and aim to provide a picture of the current scholarship in each discipline as it relates to the region.

The stories of six veteran U.S. teachers who have studied about, taught, and lived in Japan and China show that intensive international experience can profoundly affect a teacher's life and work. Reflections about culture shock, friendships across borders, fundamental transformation and school reform recommendations are integrated with wonderfully creative pedagogies.

Six U.S. teachers who lived and taught in Japan and China tell their stories with introspection and enthusiasm. Their experiences improved their teaching and contributed to their cultural awareness and empathy. How these teachers contribute to classroom practice abroad, how they develop personal friendships with their Chinese and Japanese hosts and colleagues, and how they begin to change their school environments upon returning to the U.S. clearly demonstrates the tremendous effects of their international experience.

Frank portrayals of some of their difficult living conditions and reactions to culture shock caution those who would try this life and teaching adventure without adequate preparation. The book concludes with specific recommendations on preparation for such an experience.

An intellectual history of contrasting ideas around the power of the arts to bring about personal and societal change - for better and worse. A fascinating account of the value and functions of the arts in society, in both the private sphere of individual emotions and self-development and public sphere of politics and social distinction.

This book examines 21st-century South African autobiographical writing that addresses the nation's socio-political realities, both past and present. The texts in focus represent and depict a South Africa caught in the midst of contradictory and competing images of the 'Rainbow Nation'. Arguing that recent memoirs question and criticize the illusion of a united nation, the study shows how these texts reveal the flaws and shortcomings not only of the apartheid past but of contemporary South Africa. It encompasses a broad range of autobiographical works, largely published since 2009, that engage with South Africa's past, present and future. At its centre is the quest for space and belonging, and this book investigates who can comfortably 'belong' in South Africa in its post-apartheid, post-Truth and Reconciliation, post-Mbkei and post-Zuma state.

Combining media effects with aesthetic approaches this book offers the first substantial, systematic and coherent account of fun and its importance. But what exactly is fun and what purposes does it serve? Fun is a vital element of entertainment, and entertainment is the most important form of culture in modern Western democracies. It demonstrates that fun is at the heart of entertainment's effects - entertainment both offers its consumers fun and provides them with the intellectual materials to think about the nature of fun. More than this, the book argues that entertainment shows us that fun - pleasure without purpose - is at the heart of living a good life. Illustrated with detailed examples from entertainment - from the Urban Dictionary to The Simpsons, to the Culture novels of Iain M Banks - this book is intelligent, original, and even (dare we say it) fun.

Written by some of the most distinguished scholars in the field of ethnic relations, this volume examines the role of ethnicity in modern day society and the impact of government policy on ethnic relations. International in scope, the essays look at a number of different but interrelated issues--aging, identity, minority groups, and others--examining each from a multidisciplinary perspective. Coverage ranges from the problems of Asian Americans to integration issues in Israel and the relationship between ethnic diversity and patterns of retirement. The contributions include both theoretical and empirical works.

The first section of the study presents the primary issues and central concepts involved in the study of multiculturalism in modern day societies. Specific chapters address such issues as the vesting of ethnic interests in state institutions, state policies toward subordinate ethnics, and government efforts to address multiculturalism. Particularly valuable is a retrospective analysis of Canada's "Bilingual and Bicultural Report." The next section contains detailed case studies which identify specific ethnic groups and analyze their current societal roles. In the final chapters, the contributors present two projections of what ethnic relations will be like in the twenty-first century as North America becomes more multi-ethnic and multilingual. Taken together, the essays offer an illuminating overview of the nature of multiculturalism in widely diverse societies.

A Choice Outstanding Academic Book

"Smith has written a richly detailed, valuable study that clearly deserves a place on the shelves of scholars of southern politics and of religion and politics."
"--American Political Science Review"

""A fascinating and well-documented study of the transformation of the Southern Baptist Convention (SBC) into the single largest religious force in modern American politics.""
"--Southeastern Political Review"

By championing the ideals of independence, evangelism, and conservism, the Southern Baptist Covention (SBC) has grown into the largest Protestant denomination in the country. The Convention's mass democratic form of church government, its influential anual meetings, and its sheer size have made it a barometer for Southern political and cultural shift. Its most recent shift has been starboard-toward fundementalism and Republicanism.

While the Convention once ofered a happy home to Harry Truman, Jimmy Carter, and church-state separationists, in the past two decades the SBC has become an uncomfortable institution for Democrats, progressive theologians, and other moderate voices. Current SBC member-heroes include Senators Trent Lott and Jesse Helms. Despite this seeming marginalization, Southern Baptist politicians have grown from political obscurity to occupying the four highest positions in the constitutional order of succesion to the presidency. President Bill Clinton, Vice President Al Gore, Senate President pro-tempore Strom Thurmond, and House Speaker Newt Gingrich are all Southern Baptists.

In its emerging Republicanism, the SBC has taken on characteristics of its more active fellow travelers in the Christian Right, forgingalliances with former enemies (African Americans amd Roman Catholics), playing presidential politics, establishing a Washington lobbying presence, working the political grassroots, and declaring war on Walt Disney. Each of these missions has been accomplished with calculating political precision.

The Rise of Baptist Republicanism traces the Republicanization of the SBC's Republicanism in the context of the rise of the Fundamentalist Right and the emergence of a Republican majority in the South. Describing the SBC's political roots, Oran P. Smith contrasts Baptist Republicans with the rest of the Christian Right while revealing the theological, cultural, and historical factors which have made Southern Baptists receptive to Republican/Fundamentalist Right influences. The book is a must read for anyone wishing to understand the intersection of religion and politics in America today.

This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and literary adaptation, to explorations of the Gothic's power to haunt contemporary playwriting, macabre tourism and site-specific performance. By taking familiar Gothic motifs, such as the Gothic body, the monster and Gothic theatricality, and bringing them to a new contemporary stage, this collection provides a fresh and comprehensive take on a popular genre. Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.

New speakers are an increasingly important aspect of the revitalization of minority languages since, in some cases, they can make up the majority of the language community in question. This volume examines this phenomenon from the viewpoint of three minority languages: Breton, Yiddish and Lemko.

As violence and turmoil continue to define the former Yugoslavia, basic questions remain unanswered: What are the forces behind the Serbian expansionist drive that has brought death and destruction to Croatia, Bosnia and Herzegovina, and Kosovo? How did the Serbs rationalize, and rally support for, this genocidal activity?

Heavenly Serbia traces Serbia's nationalist and expansionist impulses to the legendary battle of Kosovo in 1389. Anzulovic shows how the myth of "Heavenly Serbia" developed to help the Serbs endure foreign domination, explaining their military defeat and the loss of their medieval state by emphasizing their own moral superiority over military victory. Heavenly Serbia shows how this myth resulted in an aggressive nationalist ideology which has triumphed in the late twentieth century and marginalized those Serbs who strive for the establishment of a civil society.

"Modern Serbian nationalism...and its contradictory connections...have been sources of considerable scholarly interest...Branimir Anzulovic's compendium is a good example of the genre, made all the more useful by Anzulovic's excellent command of the literature."
--Ivo Banac, "History of Religions"

Author interview with CNN: http: //www.cnn.com/chat/transcripts/branimir_chat.html

Negotiating Feminisms examines intergenerational feminism in Chicanx family life. It analyses literary representations of the ways that Chicanas negotiate feminisms in the family across generations, through the maintenance, contestation, and adaptation of traditional gender roles. Using an original theoretical lens of negotiation to read the works of Ana Castillo and Sandra Cisneros, this book unpacks intergenerational resistance to patriarchal oppression. This book shows how the works of Cisneros and Castillo articulate a politics of negotiation that critiques the gendered ideologies and roles of the family. In doing so, the book's discussion not only engages with literary representations but also connects these representations to the contextual experience of Chicanx family life. This book calls for a rethinking of women characters beyond limited, and limiting, familial roles and uses the framework of feminist negotiation as a means to explore the empowering possibilities of intergenerational female relationships.

This book explores how Indonesia is imagined differently by young people in the three cities of Jakarta, Kupang and Banda Aceh. Throughout the course of Indonesia's colonial and postcolonial history, Jakarta, the capital, has always occupied a central position, while Kupang in East Nusa Tenggara and Banda Aceh in Nanggroe Aceh Darussalam are located at the peripheries. The book analyses the convergences and divergences in how the country is perceived from these different vantage points, and the implications for Indonesia, also providing a new perspective to the classic and contemporary theories of the nation. By examining the heterogeneity of the imaginings of the nation 'from below', it moves away from the tendency to focus on the homogeneity of the nation, found in the classic theories such as Anderson's and Gellner's, as well as in more recent theories on every day and banal nationalism. Using the tenets of standpoint theory and Laclau and Mouffe's theory of hegemony, the nation is acknowledged as an empty signifier that means different things depending on the positionality of the perceiving subject. The work appeals to scholars of nation studies and Asian and Indonesian studies, as well those interested in the empirical grounding of poststructuralist theories.

Responding to the creative economy's status as an industry, education and government priority, this edited volume brings together original contributions to examine the experiences and realities of working within a number of creative sectors and addresses how higher education can both enable students to pursue and critically examine work in the cultural industries. Debates on cultural work are garnering more interest than ever before and this volume presents critical discussion based on research findings from academics and policy-makers in the fields of media and cultural studies, enterprise, employability, psychology, and education. The volume addresses: what cultural work is and how higher education is connected with its growth as a sector; educational initiatives that see students gaining ever more detailed experiences and insights; the ways in which students and cultural workers position their identities; and the politics of access and issues of exclusion as they relate to industry networks, race and gender.

What are the theoretical parameters that produce the category public intellectual? By pondering the conceptual elements that inform the term, this book offers not just a political critique, but a sense of the new challenges its meanings present. This collection complicates the notion of public intellectual while arguing for its continued urgency in communities formal and informal, institutional and abstract. While it is not quite accurate to say public intellectuals have disappeared entirely, it is clear they function differently in an age of global neoliberalism and techno-digital overdrive. Today the idea of the public intellectual bears only the slightest resemblance to what it was fifty or even twenty-five years ago. The essays in this collection provide a number of different ways to imagine the fate of public intellectuals and offers a thorough exploration of the commonplace ideologies and politics associated with them.

Ross McKibbin investigates the ways in which `class culture' characterized English society and intruded into every aspect of life, during the period from 1918 to the mid-1950s. He shows how this division into separate social classes manifested itself within the mini `cultures' which together help constitute society: families and family life, friends and neighbours, the workplace, schools and colleges, religion, sexuality, sport, music, film, radio, and examines the effects of increasing Americanization. This fascinating and original study is invaluable for an understanding of the fundamental structures and belief systems underpinning English society in the first half of the twentieth century.

In this book the seventeenth century, heavy with significance for the future of Europe, is fully explored by Professor Bergin and six major authors as they address, in turn, economy, society, politics, war and international relations, science, thought and culture ('The Age of Curiosity'), and Europe in the wider world. In a set of chapters covering and contrasting the European experience across the full century and the full continent, the reader is offered a rich, lively, and provocative introduction to the period, and students a superbly authoritative context for more detailed work.

This book investigates the relationship between musical Modernism and German cinema. It paves the way for anunorthodox path of research, one which has been little explored up until now. The main figures of musical Modernism, from Alban Berg to Paul Hindemith, and from Richard Strauss to Kurt Weill, actually had a significant relationship with cinema. True, it was a complex and contradictory relationship in which cinema often emerged more as an aesthetic point of reference than an objective reality; nonetheless, the reception of the language and aesthetic of cinema had significant influence on the domain of music. Between 1913 and 1933, Modernist composers' exploration of cinema reached such a degree of pervasiveness and consistency as to become a true aesthetic paradigm, a paradigm that sat at the very heart of the Modernist project. In this insightful volume, Finocchiaro shows that the creative confrontation with the avant-garde medium par excellence can be regarded as a vector of musical Modernism: a new aesthetic paradigm for the very process - of deliberate misinterpretation, creative revisionism, and sometimes even intentional subversion of the Classic-Romantic tradition - which realized the "dream of Otherness" of the Modernist generation.

This book examines magic's generally maleficent effect on humans from ancient Egypt through the Middle Ages, including tales from classical mythology, Jewish, Christian, and Muslim cultures. It shows that certain magical motifs lived on from age to age, but that it took until the Italian Renaissance for magic tales to become fairy tales.

This timely and engaging book addresses communicative issues that arise when science and technology travel across socio-cultural boundaries. The authors discuss interactions between different scientific communities; scientists and policy-makers; science and the public; scientists and artists; and other situations where science clashes with other socio-cultural domains. The volume includes theoretical proposals of how to deal with intercultural communication related to science and technology, as well as rich case studies that illustrate the challenges and strategies deployed in these situations. Individual studies explore Europe, Latin America, and Africa, thus including diverse Global North and South contexts.