This volume examines the use of a central concept in the self-definition of any Greek speaking male: "Andreia," the notion of courage and manliness. The nature and use of value terms quickly leads the researcher to core issues of cultural identity: through a combination of lexical or semantic and conceptual studies the discourse of manliness and its role in the construction of social order is studied, in a variety of authors, genres, and communicative situations. This book is of interest to students of the classical world, the history of values, gender studies, and cultural historians.

This fascinating work provides an enlightening guided tour of the island of Cuba's historical, political, economic, and sociocultural development from the pre-Columbian period to the present. Cuba: A Global Studies Handbook offers a revealing look at a nation that, in its ongoing pursuit of freedom, has been a colonial pawn, a neocolonial paradise for corrupt politicians and dictators, an alluring vacation destination, a defiant Communist holdout and embarrassing thorn in the side of the powerful United States. Drawing heavily on his own research and experiences on the island, the author follows Cuba's political, economic, and sociocultural development from the pre-Columbian period to the present-with an emphasis on the revolutionary period. The book's reference section includes alphabetically organized entries on important people, places, and historical events, as well as shorter sections on Cuban Spanish, national traditions and holidays, cuisines, and important organizations. Also featured is a chart tracing the development of Cuban popular music and a listener's guide to some of the best available recordings. A useful reference section provides a descriptive alphabetical listing of specific information on important people, places, and historical events, as well as sections on Cuban Spanish, etiquette, national habits and traditions, cuisine, holidays, and important organizations Includes a detailed chronology of Cuban history from pre-Columbian times to the present, with emphasis on the revolutionary triumph of the late 1950s and early 1960s, Castro's enduring Communist regime, and the economic crisis of the "special period" that began in Cuba in 1990

No previous volume has collected as interesting and broad a collection of essays on Canadian discourse and culture. This volume of representative case studies reflects the Canadian experience in terms of discourse, society, and public culture, linking its discussions to larger political and social issues and theories. Topics include:

Constitutional controversies

Cultural sovereignty

Feminist voices

Globalization

Internet issues

Marginalized communities

Nationalism

Nativity

Multidisciplinary perspectives from a mix of established and emerging Canadian studies scholars converge in a highly readable, engaging, and unique book that offers a distinctive portrait of a nation not nearly as well understood as its proximity to the United States might suggest.

Considering Class: Theory, Culture and Media in the 21st Century offers the reader international and interdisciplinary perspectives on the importance of class analysis in the 21st century. Political economists, sociologists, educationalists, ethnographers, cultural and media analysts combine to provide a multi-dimensional account of current class dynamics. The crisis consists precisely in the gap between the objective reality and efficacy of class forces shaping international politics and the relative paucity of class-consciousness at a popular level and appreciation of class as an explanatory optic at a theoretical level. This important book shows why the process of reconstructing class consciousness must also take place on the ground of cultural and subjective formation where everyday values, habits and media practices are in play. Contributors are: Anita Biressi, Joseph Choonara, Maurizio Donato, Danny Dorling, Mark Gibson, Craig Haslop, Dave Hill, Peter Jakobsson, Marina Kabat, Holly Lewis, Catherine Lumby, Lisa Mckenzie, Tony Moore, Adrian Murray, Deirdre O'Neill, Jonathan Pratschke, Michael Seltzer, Eduardo Sartelli, Fredrik Stiernstedt, Roberto Taddeo, Mike Wayne, Milly Williamson, Ferruh Yilmaz.

Dalya Cohen-Mor examines the evolution of the concept of fate in the Arab world through readings of religious texts, poetry, fiction, and folklore. She contends that belief in fate has retained its vitality and continues to play a pivotal role in the Arabs' outlook on life and their social psychology. Interwoven with the chapters are 16 modern short stories that further illuminate this fascinating topic.

How do common household items such as basic plastic house wares or high-tech digital cameras transform our daily lives? "The Design of Everyday Life" considers this question in detail, from the design of products through to their use in the home. Drawing on interviews with consumers themselves, the authors look at how everyday objects, ranging from screwdrivers to photo management software, are used on a practical level. Closely investigating the design, production and use of mass-market goods, the authors offer new interpretations of how consumers' needs are met and manufactured. They examine the dynamic interaction of products with everyday practices. The Design of Everyday Life offers a fresh perspective on material culture, drawing crucial--and previously overlooked--links between design, consumption and use.

When the Berlin Wall came down and the two Germanies were reunited, culture was held up to be one of the keys to national unity. Ironically, however, Cooke argues it is the realm of culture that, at times, has most clearly demonstrated the continued divisions between East and West. Taking culture as broadly defined, this book examines state memorialization, literature, television, film, and the internet, to map out the problematic path of German national identity as it struggles to deal with the legacy of division. Drawing on postcolonial theory, the author examines the contention that the East has been colonized by the West, looking at how such perceptions have pervaded both east and west German culture. Cooke also discusses the complex phenomenon of nostalgia for East Germany, as evident in the recent international hit film Good Bye, Lenin! Rich in detail and first-hand accounts, this book provocatively asks how far East Germany can be read today as a postcolonial culture.

This book investigates whether, how and where the cultural milieu of European societies has changed as a result of the socio-economics crisis. To do so, it adopts a psycho-cultural approach, which views the cultural milieu as a set of meanings, placing the generalized image social actors have of themselves, the world, events and their relationships in the context of the socio-political and institutional environment, including policies. By analyzing the changes in cultural milieu and social identity, the book develops strategic and methodological guidelines for the design of post-crisis policies, providing a concept of how the cultural dynamics are associated with certain individual characteristics and specific socio-economic phenomena.

This book argues that photography, with its inherent connection to the embodied material world and its ease of transmissibility, operates as an implicitly political medium. It makes the case that the right to see is fundamental to the right to be. Limning the paradoxical links between photography as a medium and the conditions of political, social, and epistemological disappearance, the book interprets works by African American, Indigenous American, Latinx, and Asian American photographers as acts of political activism in the contemporary idiom. Placing photographic praxis at the crux of 21st-century crises of political equity and sociality, the book uncovers the discursive visual movements through which photography enacts reappearances, bringing to visibility erased and elided histories in the Americas. Artists discussed in-depth include Shelley Niro, Carrie Mae Weems, Paula Luttringer, LaToya Ruby Frazier, Matika Wilbur, Martine Gutierrez, Ana Mendieta, An-My Le, and Rebecca Belmore. The book makes visible the American land as a site of contestation, an as-yet not fully recognized battlefield.

Pasta, cappuccino, olive oil Italian food culture is a prominent feature of Western society in our cafes, restaurants and homes. But what is the history of Italian cuisine? And where do we get our notions about Italian food? Garlic and Oil is the first comprehensive history of food habits in modern Italy. Chronicling the period from the mid-nineteenth century to the present day, the author argues that politics dramatically affected the nature of Italian cuisine and food habits. Contrary to popular belief, the Italian diet was inadequate and unchanging for many decades. Drawing on the writings of scientific professionals, domestic economists, government officials, and consumers, the author shows how the miserable diet of so many Italians became the subject of political debate and eventually, the target of government intervention. As successive regimes liberal, fascist, democratic struggled with the question of how to improve peoples eating habits, their actions purposefully and inadvertently affected what and how much Italians ate, shaping not only the foundations of Italian cuisine, but also the nature of Italian identity. Garlic and Oil is a popular national food history that offers a new perspective on the history of consumerism and food studies by examining how political change affects food consumption habits.

We know more about the physical body--how it begins, how it responds to illness, even how it decomposes--than ever before. Yet not all bodies are created equal, some bodies clearly count more than others, and some bodies are not recognized at all. In Missing Bodies, Monica J. Casper and Lisa Jean Moore explore the surveillance, manipulations, erasures, and visibility of the body in the twenty-first century. The authors examine bodies, both actual and symbolic, in a variety of arenas: pornography, fashion, sports, medicine, photography, cinema, sex work, labor, migration, medical tourism, and war. This new politicsof visibility can lead to the overexposure of some bodies--Lance Armstrong, Jessica Lynch--and to the near invisibility of others--dead Iraqi civilians, illegal immigrants, the victims of HIV/AIDS and "natural" disasters.

Missing Bodies presents a call for a new, engaged way of seeing and recovering bodies in a world that routinely, often strategically, obscures or erases them. It poses difficult, even startling questions: Why did it take so long for the United States media to begin telling stories about the "falling bodies" of 9/11? Why has the United States government refused to allow photographs or filming of flag-draped coffins carrying the bodies of soldiers who are dying in Iraq? Why are the bodies of girls and women so relentlessly sexualized? By examining the cultural politics at work in such disappearances and inclusions of the physical body the authors show how the social, medical and economic consequences of visibility can reward or undermine privilege in society.

This book gives a unique insight into the changing shape of contemporary religion examining the new role that Pentecostal Charismatic Christianity plays in the lives of young, professional, black women who are enjoying career success and becoming part of South Africa's new middle class. Amongst these women an interesting relationship has emerged between work and religion as they feel that the social networks and self confidence they gain from their religious communities are as important as their spiritual experiences. But not all the women who join these churches remain, and this book explores why some women leave the churches in which they had previously felt they gained so much.

This is a revised, expanded, and updated edition of the highly successful Visual Culture. Like its predecessor, this new version is about visual literacy, exploring how meaning is both made and transmitted in an increasingly visual world. It is designed to introduce students and other interested readers to the analysis of all kinds of visual text, whether drawings, paintings, photographs, films, advertisements, television or new media forms. The book is illustrated with examples that range from medieval painting to contemporary advertising images, and is written in a lively and engaging style. The first part of the book takes the reader through differing theoretical approaches to visual analysis, and includes chapters on iconology, form, art history, ideology, semiotics and hermeneutics. The second part shifts from a theoretical to a medium-based approach and comprises chapters on fine art, photography, film, television and new media. These chapters are connected by an underlying theme about the complex relationship between visual culture and reality. New for the second edition are ten more theoretically advanced Key Debate sections, which conclude each chapter by provoking readers to set off and think for themselves. Prominent among the new provocateurs are Kant, Baudrillard, Althusser, Deleuze, Benjamin, and Foucault. New examples and illustrations have also been added, together with updated suggestions for further reading. The book draws together seemingly diverse approaches, while ultimately arguing for a polysemic approach to visual analysis. Building on the success of the first edition, this new edition continues to provide an ideal introduction for students taking courses in visual culture and communications in a wide range of disciplines, including media and cultural studies, sociology, art and design.

In their homelands in what is now New York State, Iroquois and their issues have come to dominate public debate as the residents of the region seek ways to resolve the multibillion dollar land claims against the state. This initial dispute over territorial title has grown to encompass gambling, treaties, taxation, and what it means to claim Native sovereignty in a world experiencing fantastic technological change. New York's influence is such that the experiences of Iroquois interaction with the state will surely affect how Natives and other states deal with similar issues. This is an essential volume for those wishing to better understand these issues, written from an Iroquois perspective by someone who has taken an active role in tribal affairs and who is dedicated to preserving the philosophies of his people. Douglas George-Kanentiio, a member of the Mohawk Nation and an activist for Native American claims, details the history of his Nation from initial contact with the Europeans through to the casino crises. As a key figure in events of the last two decades, George-Kanentiio uses aspects of his personal story to highlight issues of public interest: the land, family and community, geography, federal interference in tribal affairs, religion, political activism, land use/claims, and connections to organized crime.

Pleasures of Horror is a stimulating and insightful exploration of horror fictions--literary, cinematic and televisual--and the emotions they engender in their audiences. The text is divided into three sections. The first examines how horror is valued and devalued in different cultural fields; the second investigates the cultural politics of the contemporary horror film; while the final part considers horror fandom in relation to its embodied practices (film festivals), its "reading formations" (commercial fan magazines and fanzines) and the role of special effects. Pleasures of Horror combines a wide range of media and textual examples with highly detailed and closely focused exposition of theory. It is a fascinating and engaging look at responses to a hugely popular genre and an invaluable resource for students of media, cultural and film, studies and fans of horror.

Why and how has the Business Corporation come to exert such a powerful influence on American Society? The essays here take up this question, offering a fresh perspective on the ways in which the business corporation has assumed as enduring place in the modern capitalist economy, and how it has affected American society, culture and politics over the past two centuries. The authors challenge standard assumptions about the business corporation's emergence and performance in the United States over the past two centuries. Reviewing in depth the different theoretical and historiographical traditions that have treated the corporation, the volume seeks a new departure that can more fully explain this crucial institution of capitalism. Rejecting assertions that the corporation is dead, the essays show that in fact it has survived and even thrived down to the present in part because of the ways in which it has related to its social, political and cultural environment. In doing so, the book breaks with older explanations ground in technology and economics, and treats the corporation for the first time as a fully social institution. Drawing on a variety of social theories and approaches, the essays help to point the way toward future studies of this powerful and enduring institution, offering a new periodization and a new set of questions for scholars to explore. The range of essays engages the legal and political position of the corporation, the ways in which the corporation has been shaped by and shaped American culture, the controversies over corporate regulation and corporate power, and the efforts of minority and disadvantaged groups to gain access to the resources and opportunities that corporations control.

Like coffee or tea, yerba mate is one of the world's most beloved caffeinated beverages. Once dubbed a "devil's drink" by Spanish missionaries in South America only to be later hailed by capitalists and politicians as "green gold," it has a long and storied history. And no country consumes and celebrates yerba mate quite like Argentina. Yerba Mate is the first book to explore the extraordinary history of this iconic beverage in Argentina from the precolonial period to the present. From yerba mate's Indigenous origins to its ubiquity during the colonial era, from its association with rural people and the poor in the late nineteenth century to its resurgence in the last years of the twentieth century, Julia Sarreal meticulously documents yerba mate's consumption, production, and cultural importance over time. Yerba Mate is the definitive history of this popular beverage and social practice, and it tells a fascinating story about race, culture, and how a drink helped forge the national identity of one of the world's most dynamic countries.

Socially, politically, and artistically, the 1950s make up an odd interlude between the first half of the twentieth century-still tied to the problems and orders of the Victorian era and Gilded Age-and the pervasive transformations of the later sixties. In Revolution, Matthew Wilkens argues that postwar fiction functions as a fascinating model of revolutionary change. Uniting literary criticism, cultural analysis, political theory, and science studies, Revolution reimagines the years after World War II as at once distinct from the decades surrounding them and part of a larger-scale series of rare, revolutionary moments stretching across centuries. Focusing on the odd mix of allegory, encyclopedism, and failure that characterizes fifties fiction, Wilkens examines a range of literature written during similar times of crisis, in the process engaging theoretical perspectives from Walter Benjamin and Fredric Jameson to Bruno Latour and Alain Badiou alongside readings of major novels by Ralph Ellison, William Gaddis, Doris Lessing, Jack Kerouac, Thomas Pynchon, and others. Revolution links the forces that shaped postwar fiction to the dynamics of revolutionary events in other eras and social domains. Like physicists at the turn of the twentieth century or the French peasantry of 1789, midcentury writers confronted a world that did not fit their existing models. Pressed to adapt but lacking any obvious alternative, their work became sprawling and figurative, accumulating unrelated details and reusing older forms to ambiguous new ends. While the imperatives of the postmodern eventually gave order to this chaos, Wilkens explains that the same forces are again at work in today's fracturing literary market.

Incorporating perspectives from religious studies, humor studies, cultural and film studies, and theology, as well as original data from textual analysis and the voices of religious comedians, this book critically analyses the experiences of believers who appreciate that their faith is not necessarily a barrier to their laughter. It is often thought that religion and humor are incompatible, but Religious Humor in Evangelical Christian and Mormon Culture shows that humor is not only a popular means of entertainment, but also a way in which an individual or community expresses their identity and values. Elisha McIntyre argues that believers embrace their sense of humor, actively producing and consciously consuming comic entertainment that reflects their own experiences. This process is not however without conflict. The book argues that there are specific characteristics that indicate a unique kind of humor that may be called 'religious humor'. Through an examination of religious humor found in stand-up comedy, television sitcoms, comedy film and satirical cartoons, and drawing on interview data, the book outlines the main considerations that Christians take into account when choosing their comedy entertainment. These include questions about ideology, blasphemy, taboos around the body, and the motives behind the joke.

In today's European arts and sciences most of the time we see not only other, but also our own cultural traditions and the different forms of modernity like a dim image in a mirror. And the future of our own and other cultures seems to be shrouded in mystery, because our gift of knowledge and inspired messages are only partial. The question this book addresses is whether it is possible to get an almost face-to-face intimacy with various forms of cultural tradition and modernity by using our experiences and our powers of imagination, i.e. our expectations, in a more fruitful way.
The contributors to this book try to give answers to this weighty question by taking as a guideline Erasmus's famous motto "ad fontes, i.e. always go to the sources. Without, however, nursing the illusion that our partial knowledge will ever be complete. Is there, they ask, a real chasm between the 'modern' West and the 'traditional' East, as so many authors have argued? And if so, how deep is the chasm and how is it to be bridged? How much do people in the West know about their own cultural tradition and the modern times they live in? How much do they know of the traditions and the modernities of the East and how much do they need to know in order to cope with what the future will probably bring? Are our images of cultural tradition and modernity in East and West, in Past and Present so blurred that we look at them as through a glass, darkly? What the contributors to this book argue for is the necessity of looking at developments both in East and West, both in Past and Present from a wider perspective, of taking a global point of departure. They argue for greater understanding and communication betweencultures, for cultural pluralism (as distinct from cultural relativism). They argue for the open, tolerant, non-dogmatic and critical thought that was the most important characteristic of Erasmus's philosophy.
The chapters in this book can be useful to a broad audience and a range of social scientists and historians who are interested in the understanding of the relation between Past and Present, Tradition and Modernity, East and West.

Critical stories are more than just anecdotes or tales. They are narratives that raconter, or recount, the author's own experiences, situating them in broader cultural contexts. Just as the autoethnographer situates the self in relation to the "others" of which the self is both a part and from which it is distinct, the critical storyteller situates his or her story of conflict in relation to the broader reality from which the conflict arises. The key is the reality that is being related and the perspective from which it is being shared. In Critical Storytelling in Millennial Times, marginalized, excluded, and oppressed people share insights from their liminality and help readers learn from their perspectives and experiences. Examples of stories in this volume range from undergraduate perspectives on financial aid for college students, to narratives on first-hand police brutality, to heartbreaking tales about addiction, bullying, and the child sex trade in Cambodia. Undergraduate authors relate their stories and pose important questions to the reader about inciting change for the future. Follow along in their journeys and learn what you can do to make a change in your own reality. Contributors are: Ben Brawner, Dwight Brown, Bryce Cherry, Kaytlin Jacoby, Jimmy Kruse, Dean Larrick, Bric Martin, Kara Niles, Claire Parrish, Grace Piper, Claire Prendergast, Alexsenia Ralat, Alec Reyes, Stephanie Simon, S. H. Suits, Katy Swift, Morgan Vogels, and Brittany Walsh.

This all-encompassing volume offers a comprehensive look at the contemporary culture that defines this Southeast Asian country of Laos, examining everything from Buddhist traditions to Laotian cuisine. Coverage includes a brief history of the nation followed by in-depth narrative chapters on religion, literature, visual and performing arts, fashion, gender roles, everyday social customs, and more. Through illustrative descriptions of daily life, students will learn how traditional customs have shaped contemporary life in Laos today. Few other resources provide the same extensive coverage on current culture in Laos. Ideal for high school students as well as general readers, "Culture and Customs of Laos" is a must-have for all library shelves.

The Southeast Asian country of Laos, one of the world's last-standing communist nations, has often been overshadowed in the international newsroom by its more dominant neighbors, Thailand, Vietnam, and Cambodia. Among one of the most bombed countries in the world, one that suffered much during and after the Vietnam War, Laos has been struggling economically and politically for decades. In spite of these challenges, a rich, beautiful culture has survived in Laos. This exhaustive volume offers a comprehensive look at the contemporary culture that defines this seemingly quiet country, from Buddhism to Laotian cuisine. Coverage includes a brief history of the nation followed by in-depth narrative chapters on religion, literature, visual and performing arts, fashion, gender roles, everyday social customs, and more. Through illustrative descriptions of daily life, students will learn how traditional customs have shaped contemporary life in Laos today. Few other resources provide the same extensive coverage on current culture in Laos. Ideal for high school students as well as general readers, "Culture and Customs of Laos" is a must-have for all library shelves.

This volume approaches China's Belt and Road Initiative as a process of culturalization, one that started with the Silk Road and continued over the millennium. In mainstream literature, the Belt and Road Initiative (BRI) has been portrayed as the geo-economic vision and geo-political ambition of China's current leaders, intended to shape the future of the world. However, this volume argues that although geo-politics and geo-economy may play their part, the BRI more importantly creates a venue for the meeting of cultures by promoting people-to-people interaction and exchange. This volume explores the journey from the Silk-Road to Belt-Road by analyzing topics ranging from history to religion, from language to culture, and from environment to health. As such, scholars, academics, researchers, undergraduate and graduate students from the Humanities, Social Sciences, and Business will find an alternative approach to the Belt and Road Initiative.

The authors present a historical picture of gender relations in Highlands New Guinea by exploring domains of imagination as revealed in courting songs, ballads, and folktales from across the Highlands but with particular reference to field areas in the western Highlands. Texts and/or translations are from a rich corpus of materials previously unpublished in English. The examples draw the reader into the imaginative world of the people, while the analytical framework sets the discussion firmly into debates within interpretive anthropology.

The aim is to re-examine the images of gender relations in Highlands New Guinea by revealing the sensuous and emotional modalities of expressive folk genres and their aesthetic qualities. Ideas and practices centered on female spirit entities are shown to be important and pervasive in cult contexts, and these spirits were felt to have a significant influence on relations of courtship, marriage, and reproduction. Both women and men are also shown to have complex expressions of emotional dispositions in the spheres of courting and the choice of marital partners. By entering into these domains, the book modifies earlier analyses that have concentrated on antagonism, behavioral taboos, separation, and domination as themes in gender relations in Highland societies.