Housing matters, no matter when or where. This volume of collected essays on housing in colonial and postcolonial Africa seeks to elaborate how and why housing is much more than an everyday practice.

The politics of housing unfold in disparate dimensions of time, space and agency. Depending on context, they acquire diverse, often ambivalent, meanings. Housing can be a promise, an unfulfilled dream, a tool of self- and class-assertion, a negotiation process, or a means to achieve other ends. This volume analyzes housing in its multifacetedness, be it a lens to offer insights into complex processes that shape societies; be it a tool of empire to exercise control over private relations of inhabitants; or be it a means to create good, obedient and productive citizens.

Contributions to this volume range from the field of history, to architecture and urban planning, African studies, linguistics, and literature. The individual case studies home in on specific aspects and dimensions of housing and seek to bring them into dialogue with each other. By doing so, the volume aims to add to the debate on studying urban practices and their significance for current social change.

Hermann Giliomee, pre-eminent South African historian, dissects the forces that shaped the Afrikaners into an unusual ‘maverick African’ nation.

He analyses long-term forces like the powerful legal position of Afrikaner women, the expanding frontier, and the struggles about race inside the church, along with more recent political history.

"That summer afternoon, I had no way of knowing the book would radically alter my existence. Yet that proved to be the case."

So writes folklorist José Manuel de Prada-Samper about a chance discovery more than thirty years ago of an obscure book called Specimens of Bushman Folklore in a second-hand bookshop in England.

Part historical detective story, part memoir, Fading Footprints traces the author’s journey into the magical folklore of the /xam hunter-gatherers of the Upper Karoo. Through archival research and on field trips in South Africa, De Prada-Samper is able to humanise the /xam as he delves into the work and lives of researchers William Bleek and Lucy Lloyd, who recorded the stories of San prisoners in Cape Town in the late 1800.

The author learns that many are still told to this day by farm workers in forgotten corners of the Northern Cape and that, contrary to common belief, the culture and traditions of South Africa’s first people are still alive.

In The Eight Zulu Kings, well-respected and widely published historian John Laband examines the reigns of the eight Zulu kings from 1816 to the present.

Starting with King Shaka, the renowned founder of the Zulu kingdom, he charts the lives of the kings Dingane, Mpande, Cetshwayo, Dinuzulu, Solomon and Cyprian, to today’s King Goodwill Zwelithini whose role is little more than ceremonial.

In the course of this investigation Laband places the Zulu monarchy in the context of African kingship and tracks and analyses the trajectory of the Zulu kings from independent and powerful pre-colonial African rulers to largely powerless traditionalist figures in post-apartheid South Africa.

Die Herero-opstand 1904–1907 is ’n heruitgawe van ’n boek wat ses keer tussen 1976 en 1979 deur HAUM gepubliseer is. Die lotgevalle van die Hererovolk word in hierdie boek geskets, ’n stuk geskiedenis wat ’n sentrale plek in Namibie se kleurryke geskiedenis beklee. Die opstand van die Herero’s in 1904 teen Duitse koloniale gesag kan beskou word as die enkele gebeurtenis wat die gebied se volksverhoudinge die ingrypendste verander het. Die Herero-opstand 1904–1907 vertel van die geleidelike opbou na die konflik, die skielike uitbarsting van geweld en die tragiese afloop vir die Herero’s toe duisende verhonger het en hulle grond en politieke seggenskap verloor het.

Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.

Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.

Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.

New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.

Die tweede versameling van prof. Fransjohan Pretorius se rubrieke oor die geskiedenis van Suid-Afrika van die vroegste tye tot taamlik onlangs wat in die dagblad Beeld verskyn het.

Maak kennis met nog helde en hendsoppers, die skurke en sterre van die land se verlede in kort en boeiende rubrieke wat die leser se geheue sal verfris oor al die grootste momente in ons geskiedenis asook 'n paar minder bekende maar ewe interessante gebeure.

A recent wave of research has explored the link between wh- syntax and prosody, breaking with the traditional generative conception of a unidirectional syntax-phonology relationship. In this book, Jason Kandybowicz develops Anti-contiguity Theory as a compelling alternative to Richards' Contiguity Theory to explain the interaction between the distribution of interrogative expressions and the prosodic system of a language. Through original and highly detailed fieldwork on several under-studied West African languages (Krachi, Bono, Wasa, Asante Twi, and Nupe), Kandybowicz presents empirically and theoretically rich analyses bearing directly on a number of important theories of the syntax-prosody interface. His observations and analyses stem from original fieldwork on all five languages and represent some of the first prosodic descriptions of the languages. The book also considers data from thirteen additional typologically diverse languages to demonstrate the theory's reach and extendibility. Against the backdrop of data from eighteen languages, Anti-contiguity offers a new lens on the empirical and theoretical study of wh- prosody.

Van al die gebeure in die Kaapkolonie gedurende die Tweede Vryheidsoorlog het die teregstelling van Hans Lötter, asook dié van kmdt. Gideon Scheepers, die meeste emosie onder Afrikaners ontketen. Lötter en sy mederebelle in die Kolonie het die verbeelding van die plaaslike bevolking aangegryp en die Britte maande lank hoofbrekens besorg. Sy gevangeneming, verhoor en teregstelling deur ’n Britse vuurpeloton op Middelburg, Kaap, het groot woede en verontwaardiging veroorsaak en hom verewig as Boeremartelaar in die Afrikaner-volksoorleweringe. Nou word sy boeiende verhaal vir die eerste keer volledig vertel.

1994 symbolised the triumphal defeat of almost three and a half centuries of racial separation since the Dutch East India Company planted a bitter almond hedge to keep indigenous people out of `their' Cape outpost in 1659. But for the majority of people in the world's most unequal society, the taste of bitter almonds linger as their exclusion from a dignified life remain the rule.

In the year of South Africa's troubled coming-of-age, veteran investigative journalist Michael Schmidt brings to bear 21 years of his scribbled field notes to weave a tapestry of the view from below: here in the demi-monde of our transition from autocracy to democracy, in the half-light glow of the rusted rainbow, you will meet neo-Nazis and the newly dispossessed, Boers and Bushmen, black illegal coal miners and a bank robber, witches and wastrels, love children and land claimants.

With their feet in the mud, the Born Free youth have their eyes on the stars.

When Robert McBride was sentenced to death, he turned to the public gallery in court and said: ‘Freedom is just around the corner. I am leaving you at the corner – and you must take that corner to find freedom on the other side.’ As the guard moved in, he raised his fist and shouted: ‘The struggle continues till Babylon falls!’

It was 1987: the time of ‘total onslaught’. The trial of the MK unit that planted the Magoo's bomb on the Durban beachfront dominated the news but few knew the real facts of the brave young people who brought the armed struggle to KwaZulu-Natal.

This is the remarkable story of McBride and his comrades: the substation sabotage spree, rescuing a compatriot from hospital and smuggling him to Botswana, the devastating Why Not and Magoo's car bomb that killed three women, the dramatic trial and McBride’s 1 463 days on Death Row.

Now updated to include McBride’s controversial life after the end of apartheid, this is a thrilling tale of a young South African’s incredible courage, loyalty between friends and falling in love across the race barrier. Today, the struggle continues as McBride fights against corruption and state capture.

A magisterial history of South Africa, from the earliest known human inhabitation of the region to the present.

Leonard Thompson, a leading scholar in southern African history and politics, provides a fresh and penetrating exploration of the country's history, from the earliest known human inhabitation of the region to the present, focusing primarily on experiences of its black inhabitants.

The Fourth Edition of this classic text brings South Africa's history up to date with a new chapter chronicling the first presidential term of Mbeki and ending with the funeral of Nelson Mandela.

Die agtste en laaste deel van die reeks Kolonie aan die Kaap beskryf die agteruitgang en verval van die VOC en die gevolge wat dit vir Kaap gehad het gedurende die laaste kwarteeu van die VOC-bewind. Swanesang dek die tydperk vanaf die dood van goewerneur Rijk Tulbagh tot en met die eerste Britse besetting van die Kaap in 1795. Sy opvolgers, J.A van Pletterberg, J.C. de Graaff, die waarnemende goewerneur Rhenius en die laaste goewerneur, J.A. Sluysken, en die onsekerheid wat die laaste deel van die VOC-tydperk gekenmerk het, word belig. Afgesien van die amptelike rolle wat verskeie VOC-amptenare gespeel het, word ook aandag aan hulle karaktereienskappe en persoonlike lewens gegee om sodoende lewe aan die geskiedkundige figure te gee. Schoeman slaag egter veral daarin om naas die amptenary ook ’n beeld te gee van die lewe van gewone mense in die breer Kaapse samelewing. Besonder boeiend is die bespreking van die reise van verskeie natuurkundiges, soos die Swede Thunberg en Sparrman, die Skotte Masson en Paterson, die Nederlander Robert Jacob Gordon en die Franse Sonnerat en Le Vaillant. Veral die flambojante Le Vaillant se boeke was baie populer en het bygedra om die Kaap en sy interessante fauna en flora wyd bekend te maak. In die laaste hoofstukke word aandag gegee aan die Franse Rewolusie en ander politieke veranderinge in Europa wat Nederland verswak en tot die Britse oorname van die Kaap gelei het.

Die sewende boek in Karel Schoeman se reeks oor die VOC-tydperk aan die Kaap die Goeie Hoop handel oor die tyd toe Ryk Tulbagh goewerneur van die Kaap was. Min is bekend oor Tulbagh se lewe in Nederland en oor die persoonlike aspekte van die man wat bekend was as “Vader Tulbagh, maar Schoeman slaag daarin om uit argivale en gepubliseerde bronne die Kaap tydens sy bewind lewe te gee. In die eerste groep hoofstukke word veral gekonsentreer op die Kompanjie en sy werksaamhede: die skeepvaart in en om Tafelbaai, die Kasteel as die sentrum van gesag aan die Kaap en die amptenary wat die werksaamhede van die VOC vlot moes laat verloop en verantwoordelik vir die handhawing van orde in die klein kolonie was. In die volgende hoofstuk word die nedersetting in die Tafelvallei bespreek, wat in Tulbagh se tyd al redelik dig bevolk was. Daarna kom die Liesbeekvallei en die uitbreiding van die kolonie na die Boland en nedersettings soos Stellenbosch, die Drakensteinvallei en die Wagenmakersvallei aan die orde. Volgens prof. O.J.O. Ferreira bewys hierdie werk dat Karel Schoeman tans die voorste kenner van die Kaapse kultuurgeskiedenis is: “Met sy deeglike navorsing, onderhoudende skyfstyl en raak aanvoeling vir dit wat die leser sal interesseer, het Schoeman ’n brok Suid-Afrikaanse kultuurgeskiedenis daargestel wat deur huidige en toekomstige geslagte historici, kultuurhistorici en gewone lesers met groot vrug as bron van inligting gebruik kan word, maar bowenal aan hulle ’n uitsonderlik genotvolle leeservaring sal verskaf.

South African poet and political activist Dennis Brutus (1924-2009) wrote poetry of the most exquisite lyrical beauty and intense power. And through his various political activities, he played a uniquely significant role in mobilising and intensifying opposition to injustice and oppression - initially in South Africa, but later throughout the rest of the world as well. This book focuses on the life of Dennis Brutus in South Africa from his childhood until he went into exile on an exit permit in 1966. It is also an attempt to acknowledge Brutus' literary and political work and, in a sense, to reintroduce Brutus to South Africa. This book places his own voice at the centre of his life story. It is told primarily in his own words - through newspaper and journal articles, tape recordings, interviews, speeches, court records and correspondence. It draws extensively on archival material not yet available in the public domain, as well as on interviews with several people who interacted with Brutus during his early years in South Africa. In particular, it examines his participation in some of the most influential organisations of his time, including the Teachers' League of South Africa, the Anti-Coloured Affairs Department movement and the Coloured National Convention, the Co-ordinating Committee for International Recognition in Sport, the South African Sports Association and the South African Non-Racial Olympic Committee, which all campaigned against racism in South African sport. Brutus left behind an important legacy in literature involvement, in community affairs and politics in as well.

Prof. Fransjohan Pretorius se rubrieke oor die geskiedenis van Suid-Afrika van voor Jan van Riebeeck se landing tot die jongste tye wat in die dagblad Beeld verskyn het.

Maak kennis met die helde en hendsoppers, die skurke en sterre van die land se verlede in kort en boeiende rubrieke wat die leser se geheue sal verfris oor al die grootste momente in ons geskiedenis asook 'n paar minder bekende maar ewe interessante gebeure.

'n Nuwe en bygewerkte uitgawe van die publikasie wat in 1990 uitgegee is deur die Nasionale Parkeraad van Suid-Afrika (tans SANParke).

Dit is die uitvoerige voorgeskiedenis en geskiedenis van die ou Transvaalse Laeveld en die gebeure wat gelei het tot die ontstaan van een van die eerste bewaringsgebiede in die ou Zuid-Afrikaansche Republiek toe die Sabie-reservaat in 1898 geproklameer is.

On March 21, 1960, a line of 150 white policemen fired 1344 rounds into a crowd of several thousand people assembled outside a police station, protesting against the Apartheid regime's racist "pass" laws. The gunfire left in its wake sixty-seven dead and one hundred and eighty six wounded. Most of the people who were killed were shot in the back, hit while running away.
The Sharpeville Massacre, as the event has become known, marked the start of armed resistance in South Africa, and prompted worldwide condemnation of South Africa's Apartheid policies. In Sharpeville, Tom Lodge explains how and why the Massacre occurred, looking at the social and political background to the events of March 1960 as well as the long-term consequences of the shootings. Lodge offers a gripping account of the Massacre itself as well as the wider events that accompanied the tragedy, particularly the simultaneous protest in Cape Town which helped prolong the political crisis that developed in the wake of the shootings. Just as important, he sheds light on the long term consequences of these events. He explores how the Sharpeville events affected the perceptions of black and white political leadership in South Africa as well as South Africa's relationship with the rest of the world, and he describes the development of an international "Anti-Apartheid" movement in the wake of the shootings.
In South Africa today, March 21 is a public holiday, Human Rights Day, and for many people, it remains a day of mourning and memorial. This book illuminates this pivotal event in South African history.

Uit die vertellinge van C.F. Gronum kry die leser ’n seldsame en insiggewende blik op die leefwyse van die negentiende-eeuse Boere in die Maricodistrik. Jagtogte, transportryery, verskillende tipes meule, die delwerye op Kimberley en die Kimberleyse trein is maar enkele aspekte wat aandag geniet. Die ingewikkelde verhouding tussen die Boere en Mzilikaze word onder meer in hierdie kontreigeskiedenis verken. So word daar byvoorbeeld vertel van tante Pertoors wat uiteindelik haar groen kappie aan Mzilikaze afgestaan het en hoe hy twee jaar later steeds hoogs in sy skik die kappie gedra het! Jagtogte, transportryery, verskillende tipes meule, die delwerye op Kimberley en die Kimberleyse trein is maar enkele aspekte wat aandag geniet.

Since 1997, the war in the east of the Democratic Republic of the Congo has taken more than 6 million lives and shapes the daily existence of the nation's residents. While the DRC is often portrayed in international media as an unproductive failed state, the Congolese have turned increasingly to art-making to express their experience to external eyes. Author Cherie Rivers Ndaliko argues that cultural activism and the enthusiasm to produce art exists in Congo as a remedy for the social ills of war and as a way to communicate a positive vision of the country. Ndaliko introduces a memorable cast of artists, activists, and ordinary people from the North-Kivu province, whose artistic and cultural interventions are routinely excluded from global debates that prioritize economics, politics, and development as the basis of policy decision about Congo. Rivers also shows how art has been mobilized by external humanitarian and charitable organizations, becoming the vehicle through which to inflict new kinds of imperial domination. Written by a scholar and activist in the center of the current public policy debate, Necessary Noise examines the uneasy balance of accomplishing change through art against the unsteady background of civil war. At the heart of this book is the Yole!Africa cultural center, which is the oldest independent cultural center in the east of Congo. Established in the aftermath of volcano Nyiragongo's 2002 eruption and sustained through a series of armed conflicts, the cultural activities organized by Yole!Africa have shaped a generation of Congolese youth into socially and politically engaged citizens. By juxtaposing intimate ethnographic, aesthetic, and theoretical analyses of this thriving local initiative with case studies that expose the often destructive underbelly of charitable action, Necessary Noise introduces into heated international debates on aid and sustainable development a compelling case for the necessity of arts and culture in negotiating sustained peace. Through vivid descriptions of a community of young people transforming their lives through art, Ndaliko humanizes a dire humanitarian disaster. In so doing, she invites readers to reflect on the urgent choices we must navigate as globally responsible citizens. The only study of music or film culture in the east of Congo, Necessary Noise raises an impassioned and vibrantly interdisciplinary voice that speaks to the theory and practice of socially engaged scholarship.

Enige land se geskiedenis lewer figure op waarvan die grootsheid nie deur tyd en vergetelheid gestroop kan word nie. In die Suid-Afrikaanse konteks is Marthinus Theunis Steyn so ’n figuur: ’n man wat hom selfloos aan sy volk gewy het en bereid was om alles vir sy mense se vryheid op te offer. Die leser word op boeiende wyse betrek by Marthinus Theunis Steyn se kleurvolle lewensverhaal: hoe hy nooit sy herkoms as Vrystaatse plaasseun verraai het nie en selfs as president in voeling met die eenvoudigste Boere gebly het; hoe hy sy uitmergelende siekte met volharding bly beveg het en hoe sy geloof in God en sy liefde vir sy gesin en sy erfgrond hom in tye van beproewing staande gehou het.

Conflict over natural resources has made Africa the focus of international attention, particularly during the last decade. From oil in Nigeria and diamonds in the Democratic Republic of Congo, to land in Zimbabwe and water in the Horn of Africa, the politics surrounding ownership, management, and control of natural resources has disrupted communities and increased external intervention in these countries. Such conflict has the potential to impact natural resource supply globally, with both local and wide-reaching consequences. The United States, for example, estimates that a quarter of its oil supply will come from Africa by 2015. Natural Resources and Conflict in Africa is the first book to offer a detailed look at conflict over various natural resources in several African countries. Abiodun Alao undertakes this broad survey by categorizing natural resources into four groups: land (including agricultural practices and animal stock), solid minerals, oil, and water. Themes linking these resources to governance and conflict are then identified and examined with numerous examples drawn from specific African countries. Alao's approach offers considered conclusions based on comparative discussions and analysis, thus providing the first comprehensive account of the linkage between natural resources and political and social conflict in Africa. Abiodun Alao is a Senior Research Fellow at the Conflict, Security, and Development Group, School of Social Science and Public Policy, King's College, University of London.

Kolonie aan die Kaap is die derde van vyf boeke oor vroeë blanke vestiging aan die Kaap.

In dié deel vestig Karel Schoeman die aandag op die eerste blanke intrekkers. Die VOC (Verenigde Oostindische Compagnie), het in 1651 besluit om in Tafelbaai ’n verversingspos te stig ten behoewe van die Kompanjie se skeepvaart tussen Nederland en die Ooste en dis met hierdie doel dat kommandeur Jan van Riebeeck in Desember van daardie jaar met sy vlootjie van vyf skepe na die Kaap uitgeseil het.

Die eerste hoofstuk gee aandag aan Van Riebeeck se lewe en loopbaan tot en met hierdie datum en in die tweede hoofstuk word die werksaamhede rondom die vestiging van die verversingspos aan die hand van Van Riebeeck se dagboeke en briewe en die geskrifte van vroeë besoekers beskryf. Die omstandighede van die pioniersgroepie wat uitvoering aan Van Riebeeck se opdragte en ambisieuse planne moes gee, word in hoofstuk 3 bespreek. Aanvanklik moes alle lewensmiddele, gereedskap, saad, plantjies en selfs perde uit die Ooste ingevoer word. ’n Fort, wat skuiling en beskerming teen wilde diere en vyandige Khoi-stamme moes gee, is in 1666 voltooi. Hoe die verskillende sosiale groeperinge soos die hoë amptenare, die ambagsmanne, soldate en slawe in dié Fort gewerk, geleef en soms ook gesterf het, die onthale, kerk- en gebedsdienste en militêre parades kom in hoofstuk 4 aan die bod.

’n Klein klompie hoë Kompanjiesamptenare was deel van die Kaapse nedersetting, maar dit was hoofsaaklik uit die groter groep werksvolk, soldate en matrose dat die latere vryburgers afkomstig was. Die uiters moeilike omstandighede, teenslae en mislukkings van die aanvanklike groepie van nege, maar ook die enkele suksesverhale, word in hoofstuk 7 bespreek. Die boek sluit af met ’n oorsig oor Van Riebeeck se latere loopbaan in die Ooste en sy oorlye in 1677.

This book is based on the first edition titled Historical Dictionary of Mozambique - with new entries, updating of information, some reorganisation, and the correction of a few minor errors of fact and interpretation in the earlier work; it is aimed primarily at a South African readership.

The purpose of bringing out this revised edition is to make information on Mozambique more easily available and affordable for students and others in southern Africa who are interested in the history of one of South Africa's closest neighbours. Over several centuries, relations between the two emerging territories have been complex and sometimes troubled, and despite the fact that the economies of the two countries have more recently become historically interdependent, the simple fact that Mozambique is officially – at least, a Portuguese-speaking country has perhaps functioned as a barrier to understanding.

The emphasis in focus is on contemporary history from the middle of the twentieth century onwards, with perhaps one-third of all entries dealing with topics and personalities from that period. However, the dictionary includes many entries covering both the period before the arrival of the Portuguese in the late fifteenth century, as well as on the five centuries of their presence – often precarious – in Mozambique.