In 1859, at age fourteen, Florence Szasz stood before a room full of men and waited to be auctioned to the highest bidder. But slavery and submission were not to be her destiny: Sam Baker, a wealthy English gentleman and eminent adventurer, was moved by compassion and an immediate, overpowering empathy for the young woman, and braved extraordinary perils to help her escape. Together, Florence and Sam -- whose love would remain passionate and constant throughout their lives -- forged into literally uncharted territory in a glorious attempt to unravel a mysterious and magnificent enigma called Africa.

A stunning achievement, To the Heart of the Nile is an unforgettable portrait of an unforgettable woman: a story of discovery, bravery, determination, and love, meticulously reconstructed through journals, documents, and private papers, and told in the inimitable narrative style that has already won Pat Shipman resounding international acclaim.

The beauty and fashion world attracts enormous interest. Everybody knows who Naomi Campbell is, but few know who South Africa's local Naomi Campbells were (and are)!

This title is an extraordinary mix of glamour, nostalgia and social analysis. It takes the reader on a journey through our South African history and politics from the unusual perspective of the beauty industry. Backed by a photo gallery of classic icons from the 50s, 60s and 70s to the present, it celebrates the inspirational role of beautiful and courageous Black women, especially models and beauty queens. It also looks at the business of beauty and recounts the struggles and successes of Black practitioners trying to make it in this competitive sector.

The author is someone who herself was a leading model of the 1980s. Nakedi Ribane co-owned one of the very few Black modeling agencies of note in South Africa. She is ideally placed to offer a fascinating 'behind-the-scenes' look at one of the most under-rated yet influential industries of our time.

This fascinating account of the Cape's indigenous people traces the origins and history of the San hunter-gatherers, whose ancestry in southern Africa dates back at least 120,000 years, and the Khoekhoe herders, who arrived in the south-western Cape about 2000 years ago. This is the first in a new series of full-color heritage books aimed at both local and overseas tourists. The author uncovers the rich history of the indigenous people of the Cape: Stone Age people, the San and the Khoikhoi, as well as the Griqua. This is the first time this history has been presented in a comprehensive, accessible way in a single book: The many specially-commissioned photos vividly bring to life the sites and events discussed; Maps and contact details are given for readers wishing to visit the heritage sites.The book has been produced in consultation with the South African Heritage Agency.

Readers relive the infrequent yet heroic triumphs of this hardy band of explorer-conquerors. The Journal of African History Deepens our knowledge of events on the Upper Nile. International Journal of African Historical Studies This book is a detailed and original study of the creation of the province of Equatoria, located in present-day Southern Sudan. No detailed account has previously been published on the effort to conquer and create a new Egyptian province in the 1870s in the interior of Africa, despite its importance to the history of the on-going northsouth conflict in the Sudan. The annexation of Equatoria emerged from the Khedive (viceroy) Ismails aspiration for an African empire that would control the source of the White Nile at Lake Victoria. At the time he was under pressure from the British government to suppress the lucrative slave trade in the Turco-Egyptian Sudan, and to this end the new province was to be under direct control of Cairo and not the authorities in Khartoum. The two conquering expeditions of Equatoria were led by Britons, Samuel Baker and Charles Gordon (later Governor-General of the Sudan).With them were other Europeans, Americans, Sudanese and Egyptians. Baker, Gordon and some of the others left detailed accounts of their experience in the region. All of which contribute to our knowledge not only of the difficulties involved in the annexation of a region thousands of kilometres from Cairo, but also geographical data and a record of the complex human relations that developed between the men involved in the expeditions, and the creation of the new province. Official documents from the Egyptian state archive, Dar al-Wathaiq, provide detailed accounts of the politics of the annexation of Equatoria, and these accounts are discussed in their historical context.

The ongoing assassinations of anti-apartheid activists led to rumours that some kind of third force must be responsible. The South African government flatly denied any involvement. All investigations of the matter were met with stony silence.

The first crack in the wall came with the publication by the Vrye Weekblad newspaper of the extraordinary story of Dirk Coetzee, former Security Branch Captain. His tale of murder, kidnapping, bombing and poisoning provided corroboration of the shocking confessions made by Almond Nofemela on death row. Slowly the dark secret started unravelling under the probing of determined journalists.

In The Heart Of The Whore introduces the reader to the secret underworld of the death squads. It explains when and why they were created, who ran them, what methods they employed, who the victims and perpetrators were. Jacques Pauw was more closely involved with the subject than any other person outside the police and armed forces. In this groundbreaking work he looks at the devastating effect of the secret war on the opponents of apartheid as well as the corrosive effects on the people who committed these crimes.

Jacques Pauw is the author of the bestselling book The President’s Keepers. He is an award-winning journalist, television documentary producer and author. This is NOT an updated edition, just a re-release of the original 1992 book.

Versamelde Boesmanstories 2 volg op die gewilde Versamelde Boesmanstories 1 (2009). Hierdie keer word "Deel III: Die Boesman Self, Sy Sedes, Gewoontes En Bekwaamhede" en "Deel IV: Gemengde Vertellings, Mees Van ’n Avontuurlike Aard", in een deel gepubliseer.

Versamelde Boesmanstories 2 gee ’n blik in die lewe en gewoontes van Boesmans, gesien deur die bril van G.R. von Wielligh.

Ons vind uit dat ’n Boesman nie graag aan vreemdelinge uitwys waar watergate in die woestyn is nie en dat hy hom kan vermom soos ’n volstruis om wild te bekruip. Wanneer ’n Boesman in die veld seerkry en hy wil hê iemand moet hom sien, gooi hy stof in die lug.

The defeat of Apartheid and triumph of non-racial democracy in South Africa was not the work of just a few individuals. Ultimately, it came about through the actions – large and small – of many principled, courageous people from all walks of life and backgrounds.

Some of these activists achieved enduring fame and recognition and their names today loom large in the annals of the anti-apartheid struggle. Others were engaged in a range of practical, hands-on activities outside of the public eye. These were the loyal foot soldiers of the liberation Struggle, the unsung workers at the coal face who, largely behind the scenes, made a difference on the ground and helped to bring about meaningful change.

Even though Apartheid was aimed at entrenching white power and privilege, a number of whites rejected that system and instead joined their fellow South Africans in opposing it. Of these, a noteworthy proportion came from the Jewish community.

Mensches in the Trenches tells the hitherto unrecorded stories of some of these activists and the essential, if seldom publicised role that they and others like them played in bringing freedom and justice to their country.

Cecil John Rhodes lived from 1853 to 1902, a brief span, and was the renowned and world-famous founder of Rhodesia (1890-1980), the leading personality and figure in the Victorian world’s late nineteenth-century Africa empire.

Rhodes’ endeavours shaped the domains of late nineteenth- and twentieth-century Zambesia, and set down the trajectories marking southern Africa, while the Great Powers’ record of empire in Africa proved greatly inferior to Rhodesia’s. Zambesia’s long history of continuous turbulence on a troubled plateau was reversed by Rhodes’ Pioneer Column in 1890 when the ‘First Rhodesians’ arrived following five decades of itinerant white presence in Zambesia. The Occupation of Mashonaland in 1890, conquest of Matabeleland in 1893 and the end of native rebellions in 1896-97 set the stage for decades of enduring prosperity in Rhodesia, Rhodes’ most enduring legacy. Pax Rhodesiana lasted ninety years, ending in a civil war.

Then, Rhodes’ memorabilia and many memorials were subjected to modern cultural cleansing, the inheritor state in time eroding and declining into a failing state.

Voices of Liberation: Archie Mafeje should be understood as an attempt to contextualise Mafeje's work and thinking and adds to gripping intellectual biographies of African intellectuals by African researchers. Mafeje's scholarship can be categorised into three broad areas: a critique of epistemological and methodological issues in the social sciences; the land and agrarian question in sub-Saharan Africa; and revolutionary theory and politics (including questions of development and democracy). Noted for his academic prowess, genius mind, incomparable wit and endless struggle for his nation and greater Africa, Mafeje was also hailed by his daughter, Dana El-Baz, as a 'giant' not only in the intellectual sense but as a human being. Part I discusses Mafeje's intellectual and political influences. Part II consists of seven of Mafeje's original articles and seeks to contextualise his writings. Part III reflects on Mafeje's intellectual legacy.

With the summer of 2012 marking half a century of independence for Algeria, the Algerian War has been brought into discussions in France once more, where parallels between the past and present are revealed. This analysis takes an in-depth look at the war from 1954 to 1962 and the response from the French left. Drawing from documents and interviews, it offers a full account of not only the role of the revolutionary left in giving political and practical solidarity to the Algerian liberation struggle, but also that of the Trotskyists during that period. Including a section on how the war has been reflected in fiction, this volume is sure to interest academics across various fields.

The radio in Africa has shaped culture by allowing listeners to negotiate modern identities and sometimes fast-changing lifestyles. Through the medium of voice and mediated sound, listeners on the station – known as Radio Bantu, then Radio Zulu, and finally Ukhozi FM – shaped new understandings of the self, family and social roles.

Through particular genres such as radio drama, fuelled by the skills of radio actors and listeners, an array of debates, choices and mistakes were unpacked daily for decades. This was the unseen literature of the auditory, the drama of the airwaves, which at its height shaped the lives of millions of listeners in urban and rural places in South Africa. Radio became a conduit for many talents squeezed aside by apartheid repression. Besides Winnie Mahlangu and K.E. Masinga and a host of other talents opened by radio, the exiles Lewis Nkosi and Bloke Modisane made a niche and a network of identities and conversations which stretched from the heart of Harlem to the American South. Nkosi and Modisane were working respectively in BBC Radio drama and a short-lived radio transcription centre based in London which drew together the threads of activism and creativity from both Black America and the African continent at a critical moment of the late empire.

Radio Soundings is a fascinating study that shows how, throughout its history, Zulu radio has made a major impact on community, everyday life and South African popular culture, voicing a range of subjectivities which gave its listeners a place in the modern world.

Offers new insights into the struggle against Apartheid, and the poverty and inequality that instigated political resistance.

On 3 September 1984 a bloody uprising set the African townships of the Vaal Triangle aflame. Triggered by dissatisfaction over rent increases and a local government that was failing to provide any meaningful political power or social transformation to the black majority, it heralded the insurrectionary period that was to profoundly challenge the administrative and coercive capacities of the apartheid state and greatly contribute towards its demise. Led by a broad coalition of civic organisations, student bodies and trade unions, nationwide protests followed demanding a new political and social order. By the mid-1980s the ideological influence of the African National Congress (ANC) had established its hegemony among township activists and was regarded as the main force in the liberation struggle.

Arguing that liberation from poverty and inequality played as significant role in driving the struggle against apartheid as political rights, Rueedi shows how the enactment of the ideals of the 1955 Freedom Charter during the insurrectionary period shaped how communities understood liberation and freedom, both during and after apartheid. She explores the ways in which the establishment and subsequent failure of the model townships was intertwined with struggles for social transformation and dignity; investigates the links between underground networks of the ANC and above ground community structures; and examines how increasing state repression fuelled militancy and political violence, leading to an impasse that signalled the beginning of the end of the apartheid regime.

Ghosts of Archive draws on the discourses of deconstruction, intersectionality and archetypal psychology to mount an argument that archive is fundamentally and structurally spectral and that the work of archive is justice. Drawing on more than 20 years of the author's research on deconstruction and archive, the book posits archive as an essential resource for social justice activism and as a source, or location, of soul for individuals and communities. Through explorations of what Jacques Derrida termed 'hauntology', Harris invites a listening to the call for justice in conceptual spaces that are non-disciplinary. He argues that archive is both constructed in relation to and beset by ghosts - ghosts of the living, of the dead and of those not yet born - and that attention should be paid to them. Establishing a unique nexus between a deconstructive intersectionality and traditions of 'memory for justice' in struggles against oppression from South Africa and elsewhere, the book makes a case for a deconstructive praxis in today's archive. Offering new ideas about spectrality, banditry and archival activism, Ghosts of Archive should appeal to those working in the disciplines of archival science, information studies and psychology. It should also be essential reading for those with an interest in social justice issues, transitional justice, history, philosophy, memory studies and postcolonial studies.

Bantu Holomisa is one of South Africa’s most respected and popular political figures. Born in the Transkei in 1955, he attended an elite school for the sons of chiefs and headmen. While other men his age were joining Umkhonto weSizwe, Holomisa enrolled in the Transkeian Defence Force and rose rapidly through the ranks.

As head of the Transkeian Defence Force, Holomisa led successive coups against the homeland regimes and then became the head of its military government. He turned the Transkei into a ‘liberated space’, giving shelter to ANC and PAC activists, and declared his intention of holding a referendum on the reincorporation of the Transkei into South Africa. These actions brought him immense popularity and the military dictator became a liberation hero for many South Africans.

When the unbanned ANC held its first election for its national executive in 1994, Holomisa, who had by now joined the party, received the most votes, beating long-time veterans and party stalwarts. He and Mandela developed a close relationship, and Holomisa served in Mandela’s cabinet as deputy minister for environmental affairs and tourism. As this biography reveals, the relationship with both Mandela and the ANC broke down after Holomisa testified before the Truth and Reconciliation Commission, among other issues, that Stella Sigcau and her cabinet colleagues had accepted a bribe from Sol Kerzner.

After being expelled from the ANC, Holomisa formed his own party, the United Democratic Movement, with Roelf Meyer. As leader of the UDM, Holomisa has played a prominent role in building coalitions among opposition parties and in leading important challenges to the dominant party.

This biography, written in collaboration with Holomisa, presents an engaging and revealing account of a man who has made his mark as a game changer in South African politics.

In 1857, at the height of the colonial period, as Britain was advancing its control over southern Africa and absorbing the formerly independent African chiefdoms, the Anglican Bishop of Cape Town, Robert Gray, set up Zonnebloem College on an old wine farm on the outskirts of the city. Working in partnership with the British Governor, Sir George Grey, his plan was to enrol the sons and daughters of leading African chiefs and equip them with an English, Christian education, and then send them home to further the cause of Christianity and ‘civilisation’ among their own people. This elite educational project, which was at the same time cultural and political in nature, soon gathered steam. Among the first entrants were Gonya and Emma Sandile, heir and eldest daughter of the Rharhabe chief Sandile; Nathaniel Umhala, son of the Ndlambe chief Mhala; and George Tlali, son of the great Basotho leader, Moshoeshoe I. Over the years a succession of sons from chiefly dynasties, sometimes spanning several generations, would come to Zonnebloem: the Moshoeshoes of Basutoland, the Pilanes of Bechuanaland, the Lewanikas of Barotseland, and the Lobengulas of Matabeleland. They and many others who followed in their steps would, after their education at Zonnebloem, take up careers as catechists, teachers, political secretaries, lawyers, newspaper editors and priests and serve their communities with distinction. Their stories – their trials and their achievements – are recounted here, often in their own words, drawing on a unique collection of school essays and letters to their various mentors that must form one of the earliest bodies of writing by Africans in southern Africa. This remarkable book, based on years of research and written with great sympathy, tells the little-known early history of the genesis of an African intelligentsia during the colonial period.

Many of the photographs are as familiar as they are iconic: Nelson Mandela gazing through the bars of his prison cell on Robben Island; a young Miriam Makeba smiling and dancing; Hugh Masekela as a schoolboy receiving the gift of a trumpet from Louis Armstrong; Henry ‘Mr Drum’ Nxumalo; the Women’s March of 1955; the Sophiatown removals; the funeral of the Sharpeville massacre victims …

Photographer Jürgen Schadeberg was the man behind the camera, recording history as it unfolded in apartheid South Africa, but his personal story is no less extraordinary. His affiliation for the displaced, the persecuted and the marginalised was already deeply rooted by the time he came to South Africa from Germany in 1950 and began taking pictures for the fledgling Drum magazine. In this powerfully evocative memoir of an international, award-winning career spanning over 50 years – in Europe, Africa and the US – this behind-the-scenes journey with a legendary photojournalist and visual storyteller is a rare and special privilege.

Schadeberg’s first-hand experiences as a child in Berlin during the Second World War, where he witnessed the devastating effect of the repressive Nazi regime, and felt the full wrath of the Allied Forces’ relentless bombing of the city, are vividly told. The only child of an actress, who left her son largely to his own devices, Jürgen became skilled at living by his wits, and developed a resourcefulness that held him in good stead throughout his life. At the end of the war, his mother married a British officer and emigrated to South Africa, leaving Jürgen behind in a devastated Germany to fend for himself. With some luck and a great deal of perseverance, he was able to pursue his interest in photography in Hamburg, undergoing training as an unpaid ‘photographic volunteer’ at the German Press Agency, then graduating to taking photos at football matches.

After two years there, Jürgen made the decision to travel to South Africa. He arrived at Johannesburg station on a cold winter’s morning. He had a piece of paper with his mother’s address on it, his worldly possessions in a small, cheap suitcase on the platform beside him, and his Leica camera, as always, around his neck.

1994 Symbolised the triumphal defeat of almost three and a half centuries of racial separation since the Dutch East India Company planted a bitter almond hedge to keep indigenous people out of `their' Cape outpost in 1659. But for the majority of people in the world's most unequal society, the taste of bitter almonds linger as their exclusion from a dignified life remain the rule. In the year of South Africa's troubled coming-of-age, veteran investigative journalist Michael Schmidt brings to bear 21 years of his scribbled field notes to weave a tapestry of the view from below: here in the demi-monde of our transition from autocracy to democracy, in the half-light glow of the rusted rainbow, you will meet neo-Nazis and the newly dispossessed, Boers and Bushmen, black illegal coal miners and a bank robber, witches and wastrels, love children and land claimants. With their feet in the mud, the Born Free youth have their eyes on the stars.

Born To Kwaito considers the meaning of kwaito music now. ‘Now’ not only as in ‘after 1994’ or the Truth Commission but as a place in the psyche of black people in post-apartheid South Africa.

This collection of essays tackles the changing meaning of the genre after its decline and its ever-contested relevance. Through rigorous historical analysis as well as threads of narrative journalism Born To Kwaito interrogates issues of artistic autonomy, the politics of language in the music, and whether the music is part of a strand within the larger feminist movement in South Africa. Candid and insightful interviews from the genre’s foremost innovators and torchbearers, such as Mandla Spikiri, Arthur Mafokate, Robbie Malinga and Lance Stehr, provide unique historical context to kwaito music’s greatest highs, most captivating hits and most devastating lows. Born To Kwaito offers up a history of the genre from below by having conversations not only with musicians but with fans, engineers, photographers and filmmakers who bore witness to a revolution.

Living in a place between criticism and biography, Born To Kwaito merges academic theories and rigorous journalism to offer a new understanding into how the genre influenced other art forms such as fashion, TV and film. The book also reflects on how some of the music’s best hits have found new life through the mouths of local hip-hop’s current kingmakers and opened kwaito up to a new generation.

The book does not pretend to be an exhaustive history of the genre but rather a present-active analysis of that history as it settles and finds its meaning.

A Brief History of South Africa is an introduction to South African history from the earliest times to the Mandela Presidency.

Using both a narrative chronology and thematic chapters, the book encourages critical thinking about how history shaped South Africa. While presenting an account of colonisation and the policies of successive governments, A Brief History portrays the resistance to colonisation, segregation and apartheid, including the role of political, social and trade union movements.

A Brief History does not aim to be comprehensive, but rather provides the basic facts for the general reader. The book can also act as a study guide for both formal and non-formal adult education. Equally important, A Brief History can be used to strengthen history teaching in schools.

The book provides history teachers with the opportunity to expand their own knowledge, especially if they do not have a history qualification. Each chapter points readers to a range of further readings with a variety of historical interpretations, and provides questions for group discussion.

Jan Christiaan Smuts was world famous as a soldier, statesman and intellectual, one of South Africa’s greatest leaders. Yet little is said or written about him today, even though we appear to live in a leadership vacuum.

Unafraid of Greatness is a re-examination of the life and thoughts of Smuts. It is intended to remind a contemporary readership of the remarkable achievements of this impressive soldier-statesman. Richard Steyn argues that Smuts’s role in the creation of modern South Africa should never be forgotten, not least because of his lifetime of devoted service to this country. The book draws a parallel between Smuts and President Thabo Mbeki, both architects of a new South Africa, much lionised abroad yet often distrusted at home.

This highly readable account of Smuts’s eventful life blends fact, anecdote and opinion in an examination of his complex character – his relationships with women, spiritual and intellectual life, and role as adviser to world leaders. Politics and international affairs lie at the heart of this book, but Smuts’s unique contributions in a variety of other fields, including botany, conservation and philosophy, also receive attention.

Unafraid of Greatness does not shy away from the contradictions of its subject. While Smuts was one of the architects of the United Nations and a great champion of human rights, he could not come to terms with the need to include the African majority in the politics of his own country