Landscapes, Sources and Intellectual Projects of the West African Past offers a comprehensive assessment of new directions in the historiography of West Africa. With twenty-four chapters by leading researchers in the study of West African history and cultures, the volume examines the main trends in multiple fields including the critical interpretation of Arabic sources; new archaeological surveys of trans-Saharan trade; the discovery of sources in Latin America relating to pan-Atlantic histories; and the continuing analysis of oral histories. The volume is dedicated to Paulo Fernando de Moraes Farias, whose work inspired the intellectual reorientations discussed in its chapters and stands as the clearest formulation of the book's central focus on the relationship between political conjunctures and the production of sources. Contributors are: Benjamin Acloque, Karin Barber, Seydou Camara, Mamadou Diawara, Paulo Fernando de Moraes Farias, Francois-Xavier Fauvelle, Nikolas Gestrich, Toby Green, Bruce Hall, Jan Jansen, Shamil Jeppie, Daouda Keita, Murray Last, Robin Law, Camille Lefebvre, Paul Lovejoy, Ghislaine Lydon, Carlos Magnavita, Sonja Magnavita, Kevin MacDonald, Thomas McCaskie, Ann McDougall, Daniela Moreau, Mauro Nobili, Insa Nolte, Abel-Wedoud Ould-Cheikh, Benedetta Rossi, Charles Stewart.

Madagascar is the fourth largest island in the world. It is a unique blend of Asia and African culture. Although close to the East Coast of Africa, Madagascar came to be inhabited by sea-faring peoples from present day Indonesia. Although so close to the east coast of Africa where traces of human existence go back hundreds of thousands years, Madagascar was uninhabited until about two thousand years ago. How it came to be inhabited by sea-faring peoples from present day Indonesia is just one of the many fascinating aspects of this book. The History of Madagascar examines the origins of Malagasy, the early context with Europeans and the struggle for influence in the nineteenth century between the British and the French. It also covers the Colonial period from 1896 to 1960, the recovery of independence and subsequent history up to the early 1990's. A highly readable, entertaining introduction to the history, politics and people of Madagascar."

WINNER OF THE 2017 MARTIN A. KLEIN PRIZE In his in-depth and compelling study of perhaps the most famous of Portuguese colonial massacres, Mustafah Dhada explores why the massacre took place, what Wiriyamu was like prior to the massacre, how events unfolded, how we came to know about it and what the impact of the massacre was, particularly for the Portuguese empire. Spanning the period from 1964 to 2013 and complete with a foreword from Peter Pringle, this chronologically arranged book covers the liberation war in Mozambique and uses fieldwork, interviews and archival sources to place the massacre firmly in its historical context. The Portuguese Massacre of Wiriyamu in Colonial Mozambique, 1964-2013 is an important text for anyone interested in the 20th-century history of Africa, European colonialism and the modern history of war.

Africology: An Interdisciplinary Study of Thought and Praxis provides students with diverse and thought-provoking readings that encourage them to examine Africana culture through the lenses of social science, humanities, and professional studies. The carefully selected readings in this volume features Afrocentric perspectives and support the study of the global Africana experience. The anthology begins with chapters that explore the interchange and migration of African people, nomenclature, methods, tools, and instruments used to evaluate and study Africana phenomena in higher education settings, and analyses of the religiosity of African Americans. Additional chapters are devoted to Black power studies, the position of African Americans in the U.S. economy following the passage of the Thirteenth, Fourteenth, and Fifteenth amendments, and Black feminist thought. Students read about the psychological development of African American personality, Black athletics, the creation and importance of hip hop culture, and a discussion of criminal justice reform. Featuring principal research and thought leadership in the discipline, Africology is a valuable supplementary text for courses in ethnic studies, Africology, sociology, and any course that explores the Africana experience.

South Africa is the most industrialized power in Africa. It was rated the continent's largest economy in 2016 and is the only African member of the G20. It is also the only strategic partner of the EU in Africa. Yet despite being so strategically and economically significant, there is little scholarship that focuses on South Africa as a regional hegemon. This book provides the first comprehensive assessment of South Africa's post-Apartheid foreign policy. Over its 23 chapters - -and with contributions from established Africa, Western, Asian and American scholars, as well as diplomats and analysts - the book examines the current pattern of the country's foreign relations in impressive detail. The geographic and thematic coverage is extensive, including chapters on: the domestic imperatives of South Africa's foreign policy; peace-making; defence and security; bilateral relations in Southern, Central, West, Eastern and North Africa; bilateral relations with the US, China, Britain, France and Japan; the country's key external multilateral relations with the UN; the BRICS economic grouping; the African, Caribbean and Pacific Group (ACP); as well as the EU and the World Trade Organization (WTO). An essential resource for researchers, the book will be relevant to the fields of area studies, foreign policy, history, international relations, international law, security studies, political economy and development studies.

Muslims beyond the Arab World explores the tradition of writing African languages using the Arabic script 'Ajami and the rise of the Muridiyya order of Islamic Sufi in Senegal, founded by Shaykh Ahmadu Bamba Mbakke (1853-1927). The book demonstrates how the development of the 'Ajami literary tradition and the flourishing of the Muridiyya into one of sub-Saharan Africa's most powerful and dynamic Sufi organizations are entwined. It offers a close reading of the rich hagiographic and didactic written, recited, and chanted 'Ajami texts of the Muridiyya, works largely unknown to scholars. The texts describe the life and Sufi odyssey of the order's founder, his conflicts with local rulers and Muslim clerics and the French colonial administration, and the traditions and teachings he championed that shaped the identity and practices of his followers. In analyzing these Murid 'Ajami texts, Fallou Ngom evaluates prevailing representations of the movement and offers alternative perspectives. He demonstrates how, without the knowledge of the French colonial administration, the Murids were able to use their written, recited, and chanted 'Ajami materials as an effective means of mass communication to convey the personal journey of Shaykh Ahamadu Bamba, his doctrine, the virtues he stood for and cultivated among his followers: self-reliance, strong faith, the pursuit of excellence, nonviolence, and optimism in the face of adversity. This, according to Muslims beyond the Arab World, is the source of the surprising resilience, appeal, and expansion of Muridiyya.

This fascinating book, originally published in 1971, had it origins in daily journalism: a series of feature articles for the Pretoria News written between 1968 and 1970. Since then much has changed and that era now seems as remote as Kruger’s did in 1970. The original text is reprinted here with minimal editing. Though happily some still survive, many of the buildings pictured in this book have disappeared, such as the old Town Hall and the first Opera House. Gone too are many of the original pictures, some burnt in the fire that destroyed the main part of Munitoria and the city’s priceless archive. Kruger’s Pretoria provides the memory of a town long gone.

In Modern Architecture, Empire, and Race in Fascist Italy, Brian L. McLaren examines the architecture of the late-Fascist era in relation to the various racial constructs that emerged following the occupation of Ethiopia in 1936 and intensified during the wartime. This study is conducted through a wide-ranging investigation of two highly significant state-sponsored exhibitions, the 1942 Esposizione Universale di Roma and 1940 Mostra Triennale delle Terre Italiane d'Oltremare. These exhibitions and other related imperial displays are examined over an extended span of time to better understand how architecture, art, and urban space, the politics and culture that encompassed them, the processes that formed them, and the society that experienced them, were racialized in varying and complex ways.

A bold and innovative social history, The Seed Is Mine concerns the disenfranchised blacks who did so much to shape the destiny of South Africa. After years of interviews with Kas Maine and his neighbors, employers, friends, and family - a rare triumph of collaborative courage and dedication - Charles van Onselen has recreated the entire life of a man who struggled to maintain his family in a world dedicated to enriching whites and impoverishing blacks, while South Africa was tearing them apart.

“If ever one wondered whether the life of a single man could illuminate a century, [this] brilliant biography … proves the point.” — Carmel Schrire, The Boston Globe

“An epic … [that] tells of the loss of human potential generated by a politics that surrendered generosity and openness to self-interest and bigotry. It reveals the way an ordinary man can survive with dignity in such a world.” — Vincent Crapanzano, the New York Times

“A magnificent book [with] implications beyond its modest claims … This remarkable story compels foreboding but also kindles hope, for it shows the extraordinary courage of 'ordinary' men under severe difficulties.” — Eugene Genovese, Emory University

“[Van Onselen] teases out the subtleties of the paternalistic relationships between rural whites and blacks which gave rise to real friendships but also to much betrayal, anger, and humiliation . . . It is a monumental masterpiece of research, and a poetic evocation of the human spirit to survive … ” — Linda Ensor, Business Day