Kolonie aan die Kaap is die derde van vyf boeke oor vroeë blanke vestiging aan die Kaap.

In dié deel vestig Karel Schoeman die aandag op die eerste blanke intrekkers. Die VOC (Verenigde Oostindische Compagnie), het in 1651 besluit om in Tafelbaai ’n verversingspos te stig ten behoewe van die Kompanjie se skeepvaart tussen Nederland en die Ooste en dis met hierdie doel dat kommandeur Jan van Riebeeck in Desember van daardie jaar met sy vlootjie van vyf skepe na die Kaap uitgeseil het.

Die eerste hoofstuk gee aandag aan Van Riebeeck se lewe en loopbaan tot en met hierdie datum en in die tweede hoofstuk word die werksaamhede rondom die vestiging van die verversingspos aan die hand van Van Riebeeck se dagboeke en briewe en die geskrifte van vroeë besoekers beskryf. Die omstandighede van die pioniersgroepie wat uitvoering aan Van Riebeeck se opdragte en ambisieuse planne moes gee, word in hoofstuk 3 bespreek. Aanvanklik moes alle lewensmiddele, gereedskap, saad, plantjies en selfs perde uit die Ooste ingevoer word. ’n Fort, wat skuiling en beskerming teen wilde diere en vyandige Khoi-stamme moes gee, is in 1666 voltooi. Hoe die verskillende sosiale groeperinge soos die hoë amptenare, die ambagsmanne, soldate en slawe in dié Fort gewerk, geleef en soms ook gesterf het, die onthale, kerk- en gebedsdienste en militêre parades kom in hoofstuk 4 aan die bod.

’n Klein klompie hoë Kompanjiesamptenare was deel van die Kaapse nedersetting, maar dit was hoofsaaklik uit die groter groep werksvolk, soldate en matrose dat die latere vryburgers afkomstig was. Die uiters moeilike omstandighede, teenslae en mislukkings van die aanvanklike groepie van nege, maar ook die enkele suksesverhale, word in hoofstuk 7 bespreek. Die boek sluit af met ’n oorsig oor Van Riebeeck se latere loopbaan in die Ooste en sy oorlye in 1677.

In September 1958, Guinea claimed its independence, rejecting a constitution that would have relegated it to junior partnership in the French Community. In all the French empire, Guinea was the only territory to vote "No." Orchestrating the "No" vote was the Guinean branch of the Rassemblement Democratique Africain (RDA), an alliance of political parties with affiliates in French West and Equatorial Africa and the United Nations trusts of Togo and Cameroon. Although Guinea's stance vis-a-vis the 1958 constitution has been recognized as unique, until now the historical roots of this phenomenon have not been adequately explained.
Clearly written and free of jargon, "Cold War and Decolonization in Guinea" argues that Guinea's vote for independence was the culmination of a decade-long struggle between local militants and political leaders for control of the political agenda. Since 1950, when RDA representatives in the French parliament severed their ties to the French Communist Party, conservative elements had dominated the RDA. In Guinea, local cadres had opposed the break. Victimized by the administration and sidelined by their own leaders, they quietly rebuilt the party from the base. Leftist militants, their voices muted throughout most of the decade, gained preeminence in 1958, when trade unionists, students, the party's women's and youth wings, and other grassroots actors pushed the Guinean RDA to endorse a "No" vote. Thus, Guinea's rejection of the proposed constitution in favor of immediate independence was not an isolated aberration. Rather, it was the outcome of years of political mobilization by activists who, despite Cold War repression, ultimately pushed the Guinean RDA tothe left.
The significance of this highly original book, based on previously unexamined archival records and oral interviews with grassroots activists, extends far beyond its primary subject. In illuminating the Guinean case, Elizabeth Schmidt helps us understand the dynamics of decolonization and its legacy for postindependence nation-building in many parts of the developing world.
Examining Guinean history from the bottom up, Schmidt considers local politics within the larger context of the Cold War, making her book suitable for courses in African history and politics, diplomatic history, and Cold War history.

For every gallon of ink that has been spilt on the trans-Atlantic slave trade and its consequences, only one very small drop has been spent on the study of the forced migration of black Africans into the Mediterranean world of Islam. From the ninth to the early twentieth century, probably as many black Africans were forcibly taken across the Sahara, up the Nile valley, and across the Red Sea, as were transported across the Atlantic in a much shorter period. Yet their story has not yet been told. This book provides an introduction to this ""other"" slave trade, and to the Islamic cultural context within which it took place, as well as the effect this context had on those who were its victims. After an introductory essay, there are sections on Basic Texts (Qur'an and Hadith), Some Muslim Views on Slavery, Slavery and the Law, Perceptions of Africans in Some Arabic and Turkish Writings, Slave Capture, the Middle Passage, Slave Markets, Eunuchs and Concubines, Domestic Service, Military Service, Religion and Community, Freedom and Post-Slavery, and the Abolition of Slavery. A concluding segment provides a first-person account of the capture, transportation, and service in a Saharan oasis by a West African male, as related to a French official in the 1930s.

This edited collection explores varying shapes of nationalism in different regional and historical settings in order to analyse the important role that nationalism has played in shaping the contemporary world. Taking a global approach, the collection includes case studies from the Middle East, Africa, Asia and North America. Unique not only in its wide range of geographically diverse case studies, this book is also innovative due to its comparative approach that combines different perspectives on how nations have been understood and how they came into being, highlighting the transnational connections between various countries. The authors examine what is meant by the concepts of 'nation' and 'national identity,' discussing themes such as citizenship, ethnicity, historical symbols and the role of elites. By exploring these entangled categories of nationalism, the authors argue that throughout history, elites have created 'artificial ' versions of nationalism through symbolism and mythology, which has led to nationalism being understood through social constructivist or primordialist lenses. This diverse collection will appeal to researchers studying nationalism, including historians, political scientists and anthropologists.

This is a collection of key essays about the Akan Peoples, their history and culture. The Akans are an ethnic group in West Africa, predominately Ghana and Togo, of roughly 25 million people. From the twelfth century on, Akans created numerous states based largely on gold mining and trading of cash crops. This brought wealth to numerous Akan states, such as Akwamu, which stretched all the way to modern Benin, and ultimately led to the rise of the best known Akan empire, the Empire of Ashanti. Throughout history, Akans were a highly educated group; notable Akan people in modern times include Kwame Nkrumah and Kofi Annan. This volume features a new array of primary sources that provide fresh and nuanced perspectives. This collection is the first of its kind.

Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.

Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.

Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.

New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.

Die sewende boek in Karel Schoeman se reeks oor die VOC-tydperk aan die Kaap die Goeie Hoop handel oor die tyd toe Ryk Tulbagh goewerneur van die Kaap was. Min is bekend oor Tulbagh se lewe in Nederland en oor die persoonlike aspekte van die man wat bekend was as “Vader Tulbagh, maar Schoeman slaag daarin om uit argivale en gepubliseerde bronne die Kaap tydens sy bewind lewe te gee. In die eerste groep hoofstukke word veral gekonsentreer op die Kompanjie en sy werksaamhede: die skeepvaart in en om Tafelbaai, die Kasteel as die sentrum van gesag aan die Kaap en die amptenary wat die werksaamhede van die VOC vlot moes laat verloop en verantwoordelik vir die handhawing van orde in die klein kolonie was. In die volgende hoofstuk word die nedersetting in die Tafelvallei bespreek, wat in Tulbagh se tyd al redelik dig bevolk was. Daarna kom die Liesbeekvallei en die uitbreiding van die kolonie na die Boland en nedersettings soos Stellenbosch, die Drakensteinvallei en die Wagenmakersvallei aan die orde. Volgens prof. O.J.O. Ferreira bewys hierdie werk dat Karel Schoeman tans die voorste kenner van die Kaapse kultuurgeskiedenis is: “Met sy deeglike navorsing, onderhoudende skyfstyl en raak aanvoeling vir dit wat die leser sal interesseer, het Schoeman ’n brok Suid-Afrikaanse kultuurgeskiedenis daargestel wat deur huidige en toekomstige geslagte historici, kultuurhistorici en gewone lesers met groot vrug as bron van inligting gebruik kan word, maar bowenal aan hulle ’n uitsonderlik genotvolle leeservaring sal verskaf.

Every nation is called to have equilibrium between culture and progress, to defeat the struggle for Post-modernism and to reach structure renovation. In this book I describe the story of the Angolan People, starting on their cultural roots, their difficult fight for independence, darkened by the civil war, and the arrival of peace agreements. I identify some important factors in the deep struggle to make it to their dream of becoming a free and prosperous country.

The first full-length examination of the archaeology and history of the Namib Desert. This is a story of human survival over the last one million years in the Namib Desert - one of the most hostile environments on Earth. Namib reveals the resilience and ingenuity of desert communities and provides a vivid picture of our species' response to climate change, and ancient strategies to counter ever-present risk. Dusty fragments of stone, pottery and bone tell a history of perpetual transition, of shifting and temporary states of balance. Namib digs beneath the usual evidence of archaeology to uncover a world of arcane rituals, of travelling rain-makers, of intricate social networks which maintained vital systems of negotiated access to scarce resources. Ranging from the earliest evidence of human occupation, through colonial rule and genocide, to the invasion of the desert by South African troops during the First World War, this is the first comprehensive archaeology of the Namib. Among its important contributions are the reclaiming of the indigenous perspective during the brutal colonial occupation, and establishing new material links between the imperialist project in German South West Africa during 1885-1915 and the Third Reich, and between Nazi ideology and Apartheid. Southern Africa: University of Namibia Press/Jacana

Though Graeco-Roman antiquity (‘classics’) has often been considered the handmaid of colonialism, its various forms have nonetheless endured through many of the continent’s decolonising transitions. Southern Africa is no exception. This book canvasses the variety of forms classics has taken in Zimbabwe, Mozambique and especially South Africa, and even the dynamics of transformation itself.

How does (u)Mzantsi classics (of southern Africa) look in an era of profound change, whether violent or otherwise? What are its future prospects? Contributors focus on pedagogies, historical consciousness, the creative arts and popular culture.

The volume, in its overall shape, responds to the idea of dialogue – in both the Greek form associated with Plato’s rendition of Socrates’ wisdom and in the African concept of ubuntu. Here are dialogues between scholars, both emerging and established, as well as students – some of whom were directly impacted by the Fallist protests.

Rather than offering an apologia for classics, these dialogues engage with pressing questions of relevance, identity, change, the canon, and the dynamics of decolonisation and potential recolonisation. The goal is to interrogate classics – the ways it has been taught, studied, perceived, transformed and even lived – from many points of view.

This collection of essays demonstrates how chronic state failure and the inability of the international community to provide a solution to the conflict in Somalia has had transnational repercussions. Following the failed humanitarian mission in 1992-93, most countries refrained from any direct involvement in Somalia, but this changed in the 2000s with the growth of piracy and links to international terrorist organizations. The deterritorialization of the conflict quickly became apparent as it became transnational in nature. In part because of it lacked a government and was unable to work with the international community, Somalia came to be seen as a "testing-ground" by many international actors. Globalizing Somalia demonstrates how China, Japan, and the EU, among others, have all used the conflict in Somalia to project power, test the bounds of the national constitution, and test their own military capabilities. Contributed by international scholars and experts, the work examines the impact of globalization on the internal and external dynamics of the conflict, arguing that it is no longer geographically contained. By bringing together the many actors and issues involved, the book fills a gap in the literature as one of the most complete works on the conflict in Somalia to date. It will be an essential text to any student interested in Somalia and the horn of Africa, as well as in terrorism, and conflict processes.

This book assesses South African history within imperial and global networks of power, trade and communication. South African modernity is understood in terms of the interplay between internal and external forces. Key historical themes, including the emergence of an industrialised economy, the development of systematic racial discrimination and popular resistance against racial power, and the influence of national and ethnic identities on political and social organisation, are set out in relation to imperial and global influences. This book is central to our understanding of South Africa in the context of world history.