For every gallon of ink that has been spilt on the trans-Atlantic slave trade and its consequences, only one very small drop has been spent on the study of the forced migration of black Africans into the Mediterranean world of Islam. From the ninth to the early twentieth century, probably as many black Africans were forcibly taken across the Sahara, up the Nile valley, and across the Red Sea, as were transported across the Atlantic in a much shorter period. Yet their story has not yet been told. This book provides an introduction to this ""other"" slave trade, and to the Islamic cultural context within which it took place, as well as the effect this context had on those who were its victims. After an introductory essay, there are sections on Basic Texts (Qur'an and Hadith), Some Muslim Views on Slavery, Slavery and the Law, Perceptions of Africans in Some Arabic and Turkish Writings, Slave Capture, the Middle Passage, Slave Markets, Eunuchs and Concubines, Domestic Service, Military Service, Religion and Community, Freedom and Post-Slavery, and the Abolition of Slavery. A concluding segment provides a first-person account of the capture, transportation, and service in a Saharan oasis by a West African male, as related to a French official in the 1930s.

This edited collection explores varying shapes of nationalism in different regional and historical settings in order to analyse the important role that nationalism has played in shaping the contemporary world. Taking a global approach, the collection includes case studies from the Middle East, Africa, Asia and North America. Unique not only in its wide range of geographically diverse case studies, this book is also innovative due to its comparative approach that combines different perspectives on how nations have been understood and how they came into being, highlighting the transnational connections between various countries. The authors examine what is meant by the concepts of 'nation' and 'national identity,' discussing themes such as citizenship, ethnicity, historical symbols and the role of elites. By exploring these entangled categories of nationalism, the authors argue that throughout history, elites have created 'artificial ' versions of nationalism through symbolism and mythology, which has led to nationalism being understood through social constructivist or primordialist lenses. This diverse collection will appeal to researchers studying nationalism, including historians, political scientists and anthropologists.

This is a collection of key essays about the Akan Peoples, their history and culture. The Akans are an ethnic group in West Africa, predominately Ghana and Togo, of roughly 25 million people. From the twelfth century on, Akans created numerous states based largely on gold mining and trading of cash crops. This brought wealth to numerous Akan states, such as Akwamu, which stretched all the way to modern Benin, and ultimately led to the rise of the best known Akan empire, the Empire of Ashanti. Throughout history, Akans were a highly educated group; notable Akan people in modern times include Kwame Nkrumah and Kofi Annan. This volume features a new array of primary sources that provide fresh and nuanced perspectives. This collection is the first of its kind.

Stephanie J. Urdang's memoir tracking the slow demise of apartheid that led to South Africa's first democratic elections.Stephanie Urdang was born in Cape Town, South Africa, into a white, Jewish family staunchly opposed to the apartheid regime. In 1967, at the age of twenty-three, no longer able to tolerate the grotesque iniquities and oppression of apartheid, she chose exile and emigrated to the United States. There she embraced feminism, met anti-apartheid and solidarity movement activists, and encountered a particularly American brand of racial injustice. Urdang also met African revolutionaries such as Amilcar Cabral, who would influence her return to Africa and her subsequent journalism. In 1974, she trekked through the liberation zones of Guinea-Bissau during its war of independence; in the 1980's, she returned repeatedly to Mozambique and saw how South Africa was fomenting a civil war aimed to destroy the newly independent country.Urdang's memoir maps out her quest for the meaning of home and for the lived reality of revolution with empathy, courage, and a keen eye for historical and geographic detail. This is a personal narrative, beautifully told, of a journey traveled by an indefatigable exile who, while yearning for home, continues to question where, as a citizen of both South Africa and the United States, she belongs. "My South Africa!" she writes, on her return in 1991, after the release of Nelson Mandela, "How could I have imagined for one instant that I could return to its beauty, and not its pain?"

Every nation is called to have equilibrium between culture and progress, to defeat the struggle for Post-modernism and to reach structure renovation. In this book I describe the story of the Angolan People, starting on their cultural roots, their difficult fight for independence, darkened by the civil war, and the arrival of peace agreements. I identify some important factors in the deep struggle to make it to their dream of becoming a free and prosperous country.

The first full-length examination of the archaeology and history of the Namib Desert. This is a story of human survival over the last one million years in the Namib Desert - one of the most hostile environments on Earth. Namib reveals the resilience and ingenuity of desert communities and provides a vivid picture of our species' response to climate change, and ancient strategies to counter ever-present risk. Dusty fragments of stone, pottery and bone tell a history of perpetual transition, of shifting and temporary states of balance. Namib digs beneath the usual evidence of archaeology to uncover a world of arcane rituals, of travelling rain-makers, of intricate social networks which maintained vital systems of negotiated access to scarce resources. Ranging from the earliest evidence of human occupation, through colonial rule and genocide, to the invasion of the desert by South African troops during the First World War, this is the first comprehensive archaeology of the Namib. Among its important contributions are the reclaiming of the indigenous perspective during the brutal colonial occupation, and establishing new material links between the imperialist project in German South West Africa during 1885-1915 and the Third Reich, and between Nazi ideology and Apartheid. Southern Africa: University of Namibia Press/Jacana

Pioneering study of the role of the Christian churches in the Rwandan genocide of the Tutsi; a key work for historians, memory studies scholars, religion scholars and Africanists. Why did some sectors of the Rwandan churches adopt an ambiguous attitude towards the genocide against the Tutsi which claimed the lives of around 800,000 people in three months between April and July 1994? What prevented the churches' acceptance that they may have had some responsibility? And how should we account for the efforts made by other sectors of the churches to remember and commemorate the genocide and rebuild pastoral programmes? Drawing on interviews with genocide survivors, Rwandans in exile, missionaries and government officials, as well as Church archives and other sources, this book is the first academic study on Christianity and the genocide against the Tutsi to explore these contentious questions in depth, and reveals more internal diversity within the Christian churches than is often assumed. While some Christians, Protestant as well as Catholic, took risks to shelter Tutsi people, others uncritically embraced the interim government's view that the Tutsi were enemies of the people and some, even priests and pastors, assisted the killers. The church leaders only condemned the war: they never actually denounced the genocide against the Tutsi. Focusing on the period of the genocide in 1994 and the subsequent years (up to 2000), Denis examines in detail the responses of two churches, the Catholic Church, the biggest and the most complex, and the Presbyterian Church in Rwanda, which made an unconditional confession of guilt in December 1996. A case study is devoted to the Catholic parish La Crete Congo-Nil in western Rwanda, led at the time by the French priest Gabriel Maindron, a man whom genocide survivors accuse of having failed publicly to oppose the genocide and of having close links with the authorities and some of the perpetrators. By 1997, the defensive attitude adopted by many Catholics had started to change. The Extraordinary Synod on Ethnocentricity in 1999-2000 was a milestone. Yet, especially in the immediate aftermath of the genocide, tension and suspicion persist. Fountain: Rwanda, Uganda

Though Graeco-Roman antiquity (‘classics’) has often been considered the handmaid of colonialism, its various forms have nonetheless endured through many of the continent’s decolonising transitions. Southern Africa is no exception. This book canvasses the variety of forms classics has taken in Zimbabwe, Mozambique and especially South Africa, and even the dynamics of transformation itself.

How does (u)Mzantsi classics (of southern Africa) look in an era of profound change, whether violent or otherwise? What are its future prospects? Contributors focus on pedagogies, historical consciousness, the creative arts and popular culture.

The volume, in its overall shape, responds to the idea of dialogue – in both the Greek form associated with Plato’s rendition of Socrates’ wisdom and in the African concept of ubuntu. Here are dialogues between scholars, both emerging and established, as well as students – some of whom were directly impacted by the Fallist protests.

Rather than offering an apologia for classics, these dialogues engage with pressing questions of relevance, identity, change, the canon, and the dynamics of decolonisation and potential recolonisation. The goal is to interrogate classics – the ways it has been taught, studied, perceived, transformed and even lived – from many points of view.

Die sewende boek in Karel Schoeman se reeks oor die VOC-tydperk aan die Kaap die Goeie Hoop handel oor die tyd toe Ryk Tulbagh goewerneur van die Kaap was. Min is bekend oor Tulbagh se lewe in Nederland en oor die persoonlike aspekte van die man wat bekend was as “Vader Tulbagh, maar Schoeman slaag daarin om uit argivale en gepubliseerde bronne die Kaap tydens sy bewind lewe te gee. In die eerste groep hoofstukke word veral gekonsentreer op die Kompanjie en sy werksaamhede: die skeepvaart in en om Tafelbaai, die Kasteel as die sentrum van gesag aan die Kaap en die amptenary wat die werksaamhede van die VOC vlot moes laat verloop en verantwoordelik vir die handhawing van orde in die klein kolonie was. In die volgende hoofstuk word die nedersetting in die Tafelvallei bespreek, wat in Tulbagh se tyd al redelik dig bevolk was. Daarna kom die Liesbeekvallei en die uitbreiding van die kolonie na die Boland en nedersettings soos Stellenbosch, die Drakensteinvallei en die Wagenmakersvallei aan die orde. Volgens prof. O.J.O. Ferreira bewys hierdie werk dat Karel Schoeman tans die voorste kenner van die Kaapse kultuurgeskiedenis is: “Met sy deeglike navorsing, onderhoudende skyfstyl en raak aanvoeling vir dit wat die leser sal interesseer, het Schoeman ’n brok Suid-Afrikaanse kultuurgeskiedenis daargestel wat deur huidige en toekomstige geslagte historici, kultuurhistorici en gewone lesers met groot vrug as bron van inligting gebruik kan word, maar bowenal aan hulle ’n uitsonderlik genotvolle leeservaring sal verskaf.

Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.

Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.

Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.

New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.

This collection of essays demonstrates how chronic state failure and the inability of the international community to provide a solution to the conflict in Somalia has had transnational repercussions. Following the failed humanitarian mission in 1992-93, most countries refrained from any direct involvement in Somalia, but this changed in the 2000s with the growth of piracy and links to international terrorist organizations. The deterritorialization of the conflict quickly became apparent as it became transnational in nature. In part because of it lacked a government and was unable to work with the international community, Somalia came to be seen as a "testing-ground" by many international actors. Globalizing Somalia demonstrates how China, Japan, and the EU, among others, have all used the conflict in Somalia to project power, test the bounds of the national constitution, and test their own military capabilities. Contributed by international scholars and experts, the work examines the impact of globalization on the internal and external dynamics of the conflict, arguing that it is no longer geographically contained. By bringing together the many actors and issues involved, the book fills a gap in the literature as one of the most complete works on the conflict in Somalia to date. It will be an essential text to any student interested in Somalia and the horn of Africa, as well as in terrorism, and conflict processes.