This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works - Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear - to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies.

The Naqshbandiyya is one of the most widespread and influential Sufi orders in the Muslim world. Having its origins in the Great Masters tradition of Central Asia almost a millennium ago, it played a significant role in the pre-modern history of the Indian subcontinent and the Ottoman Empire, and is still spreading today. This volume seeks to present a broad picture of the evolution of the ideas and organizational forms of the Naqshbandi order throughout its history. It combines a synthesis of the vast literature on the order with original research, and shall be an important contribution for those interested in Sufism, Islamic history and Muslim-Christian relations.

Plotinus (c.205-70) was a Neoplatonist philosopher, his work posthumously published by Porphyry and divided into six books, nine tractates each, called the Enneads. In this book Majumdar makes a valuable addition to the literature on his work, especially Ennead III.7(45)11-13 - in particular explaining Plotinus' cosmology using the genus-species model of soul, coordinating the literature on the appearance of time and the cosmos with that on the larger issue of Plotinian "emanation" and examining the role of tolma and the restless nature of soul in this conjoint appearance. This book investigates Plotinian "emanation," its laws of poiesis (contemplative making ) and the roles of nature, matter, logos, (rational formative principle) and contemplation and highlights the subtler details of Plotinus' cosmology by disentangling conceptual issues about the nature of soul and self ("we") and their impact on the process of generation of time and the cosmos.

The notions of mental representation and intentionality are central to contemporary philosophy of mind and it is usually assumed that these notions, if not originated, at least were made essential to the philosophy of mind by Descartes in the seventeenth century. The authors in this book challenge this assumption and show that the history of these ideas can be traced back to the medieval period. In bringing out the contrasts and similarities between early modern and medieval discussions of mental representation the authors conclude that there is no clear dividing line between western late medieval and early modern philosophy; that they in fact represent one continuous tradition in the philosophy of mind.

The appeal of the sublime in the midns of British critics and poets during the eighteenth century holds a unique position in the history of aesthetics. At no other time has aesthetics displayed a similar interest in the experience of the sublime. This book explores the impulses behind the fascination for that experience. The Greek treatise Peri Hupsous by Longinus constitutes the earliest source for the experience of the sublime, and as such it shaped much of British eighteenth-century criticism. But the attraction of the sublime received stimulus from other sources as well. In the effort to expand the context of the sublime, the author considers the incentives provided not only by Longinus, but also by the criticism of intellectual literature during the second half of the seventeenth century; a body of criticism that was not primarily concerned with the sublime, but which nevertheless served as an important link to its subsequent appeal.

Here are The Prince and the most important of the Discourses newly translated into spare, vivid English. Why a new translation? Machiavelli was never the dull, worthy, pedantic author who appears in the pages of other translations, says David Wootton in his Introduction. In the pages that follow I have done my best to let him speak in his own voice. (And indeed, Wootton's Machiavelli does just that when the occasion demands: renderings of that most problematic of words, virtu, are in each instance followed by the Italian). Notes, a map, and an altogether remarkable Introduction no less authoritative for being grippingly readable, help make this edition an ideal first encounter with Machiavelli for any student of history and political theory.

Creation as Emanation examines Albert's reading of The Book of Causes with an eye toward two questions: First, how does Albert view the relation between faith and reason, so that he can identify creation from nothing with emanation from God? And second, how does he understand Platonism and Aristotelianism, so that he can avoid the misreadings of his fellow theologians by finding in a late-fifth-century Neoplatonist the key to Aristotle's meaning?

The medieval Christian West's most radical practitioners of a Neoplatonic, negative theology with a mystical focus are John Scottus Eriugena, Meister Eckhart and Nicholas Cusanus. All three mastered what Cusanus described as docta ignorantia: reflecting on their awareness that they could know neither God nor the human mind, they worked out endlessly varied attempts to express what cannot be known. Following Pseudo-Dionysius the Areopagite, they sought to name God with symbolic expressions whose negation leads into mystical theology. For within their Neoplatonic dialectic, negation moves beyond reason and its finite distinctions to intellect, where opposites coincide and a vision of God's infinite unity becomes possible. In these papers Duclow views these thinkers' efforts through the lens of contemporary philosophical hermeneutics. He highlights the interplay of creativity, symbolic expression and language, interpretation and silence as Eriugena, Eckhart and Cusanus comment on the mind's work in naming God. This work itself becomes mystical theology when negation opens into a silent awareness of God's presence, from which the Word once again 'speaks' within the mind - and renews the process of creating and interpreting symbols. Comparative studies with Gregory of Nyssa, Pseudo-Dionysius, Anselm and Hadewijch suggest the book's wider implications for medieval philosophy and theology.

This new introduction replaces Marenbon's best-selling editions Early Medieval Philosophy (1983) and Later Medieval Philosophy (1987) to present a single authoritative and comprehensive study of the period. It gives a lucid and engaging account of the history of philosophy in the Middle Ages, discussing the main writers and ideas, the social and intellectual contexts, and the important concepts used in medieval philosophy. Medieval Philosophy gives a chronological account which: treats all four main traditions of philosophy that stem from the Greek heritage of late antiquity: Greek Christian philosophy, Latin philosophy, Arabic philosophy and Jewish philosophy provides a series of 'study' sections for close attention to arguments and shorter 'interludes' that point to the wider questions of the intellectual context combines philosophical analysis with historical background includes a helpful detailed guide to further reading and an extensive bibliography All students of medieval philosophy, medieval history, theology or religion will find this necessary reading.

Thomas Aquinas is one of the foremost thinkers in Western philosophy and Christian scholarship, recognized as a significant voice in both theological discussions and secular philosophical debates. Alongside a revival of interest in Thomism in philosophy, scholars have realized its relevance when addressing certain contemporary issues in bioethics. This book offers a rigorous interpretation of Aquinas's metaphysics and ethical thought, and highlights its significance to questions in bioethics.
Jason T. Eberl applies Aquinas's views on the seminal topics of human nature and morality to key questions in bioethics at the margins of human life - questions which are currently contested in the academia, politics and the media such as:
- When does a human person's life begin? How should we define and clinically determine a person's death?
- Is abortion ever morally permissible? How should we resolve the conflict between the potential benefits of embryonic stem cell research and the lives of human embryos?
- Does cloning involve a misuse of human ingenuity and technology?
- What forms of treatment are appropriate for irreversibly comatose patients? How should we care for patients who experience unbearable suffering as they approach the end of life?
- What ethical mandates and concerns underlie the practice of organ donation?
"Thomistic Principles and Bioethics" ""presents a significant philosophical viewpoint which should motivate further dialogue amongst religious and secular arenas of inquiry concerning such complex issues of both individual and public concern. It will be illuminating reading for scholars, postgraduate and research students of philosophy, metaphysics, ethics, bioethics and moral theology.

This collected volume is inspired by the work of Edward Halper and is historically focused with contributions from leading scholars in Ancient and Medieval philosophy. Though its chapters cover a diverse range of topics in epistemology, ethics, and political philosophy, the collection is unified by the contributors' consideration of these topics in terms of the fundamental questions of metaphysics. The first section of the volume, "Knowing and Being," is dedicated to the connection between metaphysics and epistemology and includes chapters on Heraclitus, Plato, Aristotle, and the Ancient Daoists. The second section, "Goodness as Knowing How to Be," addresses ethics as an outgrowth of human metaphysical concerns and includes chapters on Plato, Aristotle, and Maimonides. Contributors include William H. F. Altman, Luc Brisson, Ronna Burger, Miriam Byrd, Owen Goldin, Lenn Goodman, Mitchell Miller, Richard Parry, Richard Patterson, Nastassja Pugliese, John Rist, May Sim, Roslyn Weiss, and Chad Wiener.

Joseph Bobik offers a translation of Aquinas's De Principiis Naturae (circa 1252) and De Mixtione Elementorum (1273) accompanied by a continuous commentary, followed by two essays: "Elements in the Composition of Physical Substances" and "The Elements in Aquinas and the Elements Today." The Principles of Nature introduces the reader to the basic Aristotelian principles such as matter and form, the four causes so fundamental to Aquinas's philosophy. On Mixture of the Elements examines the question of how the four elements (earth, air, fire, and water) remain within the physical things composed from them.

This book studies the various definitions of animal nature proposed by nineteenth-century currents of thought in France. It is based on an examination of a number of key thinkers and writers, some well known (for example, Michelet and Lamartine), others largely forgotten (for example, Gleizes and Reynaud). At the centre of the book lies the idea that knowledge of animals is often knowledge of something else, that the primary referentiality is overlaid with additional levels of meaning. In nineteenth-century France thinking about animals (their future and their past) became a way of thinking about power relations in society, for example about the status of women and the problem of the labouring classes. This book analyses how animals as symbols externalize and mythologize human fears and wishes, but it also demonstrates that animals have an existence in and for themselves and are not simply useful counters functioning within discourse.

The mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renowned Renaissance artists (such as Botticelli, Leonardo, or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology, and magic. The Neoplatonism in the books by Marsilio Ficino and Giovanni Pico della Mirandola became widely acknowledged for its lasting influence on art. It thus became common knowledge that Renaissance artists were not exclusively concerned with problems intrinsic to their work but that their artifacts encompassed a much larger intellectual and cultural horizon. This volume brings together historians concerned with the history of their own discipline - and also those whose research is on the art and culture of the Italian Renaissance itself - with historians from a wide variety of specialist fields, in order to engage with the contested field of iconology. The book will be of interest to scholars working in art history, Renaissance history, Renaissance studies, historiography, philosophy, theology, gender studies, and literature.

Augustine of Hippo was a philosopher as well as theologian, bishop and saint. He aimed to practice philosophy not simply as an academic discipline but as a love for divine wisdom pervading everything in his life and work. To inquire into Augustine and philosophy is thus to get to the heart of his concerns as a Christian writer and uncover some of the reasons for his vast influence on Western thought. This volume, containing essays by leading Augustine scholars, includes a variety of inquiries into Augustine's philosophy in theory and practice, as well as his relation to philosophers before and after him. It opens up a variety of perspectives into the heart of Augustine's thought. He frequently reminds his readers, "philosophy" means love of wisdom, and in that sense he expects that every worthy impulse in human life will have something philosophical about it, something directed toward the attainment of wisdom. In Augustine's own writing we find this expectation put into practice in a stunning variety of ways, as keys themes of Western philosophy and intricate forms of philosophical argument turn up everywhere. The collection of essays in this book examines just a few aspects of the relation of Augustine and philosophy, both in Augustine's own practice as a philosopher and in his interaction with others. The result is not one picture of the relation of Augustine and philosophy but many, as the authors of these essays ask many different questions about Augustine and his influence, and bring a large diversity of interests and expertise to their task. Thus the collection shows that Augustine's philosophy remains an influence and a provocation in a wide variety of settings today.

William of Ockham (c. 1287-1347) is known to be one of the major figures of the late Middle Ages. The scope and significance of his doctrine of human thought, however, has been a controversial issue among scholars in the last decade, and this book presents a full discussion of recent developments. Claude Panaccio proposes a richly documented and entirely original reinterpretation of Ockham's theory of concepts as a coherent blend of representationalism, conceptual atomism, and non reductionist nominalism, stressing in the process its special interest for current discussions in philosophy of mind and cognitive sciences.

Were the most serious philosophers of the millennium 200 A.D. to 1200 A.D. just confused mystics? This book shows otherwise. John Martin rehabilitates Neoplatonism, founded by Plotinus and brought into Christianity by St. Augustine. The Neoplatonists devise ranking predicates like good, excellent, perfect to divide the Chain of Being, and use the predicate intensifier hyper so that it becomes a valid logical argument to reason from God is not (merely) good to God is hyper-good. In this way the relational facts underlying reality find expression in Aristotle's subject-predicate statements, and the Platonic tradition proves able to subsume Aristotle's logic while at the same time rejecting his metaphysics. In the Middle Ages when Aristotle's larger philosophy was recovered and joined again to the Neoplatonic tradition which was never lost, Neoplatonic logic lived along side Aristotle's metaphysics in a sometime confusing and unsettled way. Showing Neoplatonism to be significantly richer in its logical and philosophical ideas than it is usually given credit for, this book will be of interest not just to historians of logic, but to philosophers, logicians, linguists, and theologians.

First published fifteen years ago, Ethica Thomistica is widely recognized as one of the finest introductions to St. Thomas's moral philosophy. Though the book has been out of print for several years, scholars and students still refer to it as the standard resource on Thomistic ethics. In this much-anticipated, revised edition, Ralph McInerny revisits the basics of Thomas's teachings and offers a brief, intelligible, and persuasive summary.

This volume is a collection of essays on a special theme in Aristotelian philosophy of mind: the internal senses. The first part of the volume is devoted to the central question of whether or not any internal senses exist in Aristotle's philosophy of mind and, if so, how many and how they are individuated. The provocative claim of chapter one is that Aristotle recognizes no such internal sense. His medieval Latin interpreters, on the other hand, very much thought that Aristotle did introduce a number of internal senses as shown in the second chapter. The second part of the volume contains a number of case studies demonstrating the philosophical background of some of the most influential topics covered by the internal senses in the Aristotelian tradition and in contemporary philosophy of mind. The focus of the case studies is on memory, imagination and estimation. Chapters introduce the underlying mechanisms of memory and recollection taking its cue from Aristotle but reaching into early modern philosophy as well as studying composite imagination in Avicenna's philosophy of mind. Further topics include the Latin reception of Avicenna's estimative faculty and the development of the internal senses as well as offering an account of the logic of objects of imagination.

In the second decade of the twentieth century the cultural life of Germany was transformed by the emergence of Expressionism, a series of vigorous, youthful artistic movements which were to exert a lasting influence on modern culture. In the same decade a young Swiss pastor called Karl Barth began a theological revolution, laying the foundations for probably the most influential body of Christian theology in the modern age. Some relationship between these two revolutions has long been assumed by scholars; yet it has never been examined in detail. The first part of this study addresses this omission, offering the most detailed analysis to date of the important relationship between Barth and Expressionism. The second part of the book takes a broader look at both Barth's theology and Expressionist culture, considering the relevance of the Enlightenment as a context for both. The key to this is a detailed discussion of Barth's own analysis of the Enlightenment in his neglected book Protestant Theology in the Nineteenth Century. Barth's view is also compared with Alasdair MacIntyre's treatment of the Enlightenment in After Virtue. The examination of these two contexts, German Expressionism and the Enlightenment, yields valuable insights into Barth's entire theological project.

The medieval philosopher and theologian John Duns Scotus (1266-1308) was one of the great thinkers of Western intellectual culture, exerting a considerable influence over many centuries. He had a genius for original and subtle philosophical analysis, with the motive behind his philosophical method being his faith. His texts are famous not only for their complexity, but also for their brilliance, their systematic precision, and the profound faith revealed. The texts presented in this new commentary show that Scotus' thought is not moved by a love for the abstract or technical, but that a high level of abstraction and technicality was needed for his precise conceptual analysis of Christian faith. Presenting a selection of nine fundamental theological texts of Duns Scotus, some translated into English for the first time, this book provides detailed commentary on each text to reveal Scotus' conception of divine goodness and the nature of the human response to that goodness. Following an introduction which includes an overview of Scotus' life and works, the editors highlight Scotus' theological insights, many of which are explored here for the first time, and shed new light on topics which were, and still are, hotly discussed. Scotus is seen to be the first theologian in the history of Christian thought who succeeds in developing a consistent conceptual framework for the conviction that both God and human beings are essentially free. Offering unique insights into Scotus' theological writings and faith, and a particular contribution to contemporary debate on Scotus' ethics, this book contributes to a clearer understanding of the whole of Scotus' thought.

Contents:
1. The philosophy of the Italian Renaissance
2. Renaissance philosophy outside Italy
3. Science and mathematics from the Renaissance to Descartes
4. Francis Bacon and man's two-faced kingdom
5. Descartes: methodology
6. Descartes: metaphysics and philosophy of mind
7. Seventeenth-century materialism: Gassendi and Hobbes
8. Spinoza: metaphysics and knowledge
9. The moral and political philosophy of Spinoza
10. Occasionalism
11. Leibniz: truth, knowledge and metaphysics

Leading figures at the dawn of the sixteenth-century Reformation commonly faced the charge of "judaizing": 72 In His Name concerns the changing views of four such men starting with their kabbalistic treatment of the 72 divine names of angels. Johann Reuchlin, the first of the four men featured in this book, survived the charge; Martin Luther's increasingly anti-semitic stance is contrasted with the opposite movement of the French Franciscan Jean Thenaud whose kabbalistic manuscripts were devoted to Francis I; Philipp Wolff, the fourth, had been born into a Jewish family but his recorded views were decidedly anti-semitic. 72 In His Name also includes evidence that kabbalistic beliefs and practices, such as the service for exorcism recorded by Thenaud, were unwittingly recorded by Christians. Although the book concerns early modern Europe, the religious interactions, the shifting spiritual attitudes, and the shadows cast linger on.

This book examines the studies of Aristotle's Poetics and related texts in which three Medieval philosophers proposed a conception of poetic validity (beauty), and a just relation between subjects in a community (goodness).