From 1962 to 1965, in perhaps the most important religious event of the twentieth century, the Second Vatican Council met to plot a course for the future of the Roman Catholic Church. After thousands of speeches, resolutions, and votes, the Council issued sixteen official documents on topics ranging from divine revelation to relations with non-Christians. But the meaning of the Second Vatican Council has been fiercely contested since before it was even over, and the years since its completion have seen a battle for the soul of the Church waged through the interpretation of Council documents. The Reception of Vatican II looks at the sixteen conciliar documents through the lens of those battles. Paying close attention to reforms and new developments, the essays in this volume show how the Council has been received and interpreted over the course of the more than fifty years since it concluded. The contributors to this volume represent various schools of thought but are united by a commitment to restoring the view that Vatican II should be interpreted and implemented in line with Church Tradition. The central problem facing Catholic theology today, these essays argue, is a misreading of the Council that posits a sharp break with previous Church teaching. In order to combat this reductive way of interpreting the Council, these essays provide a thorough, instructive overview of the debates it inspired.

This book project traces the thought of several Roman Catholic Modernists (and one especially virulent anti-Modernist) as they confronted the intellectual challenges posed by the Great war from war from 1895 to 1907.

The Dictionary contains 135 biographical-critical essays on contemporary Catholic American poets, dramatists, and fiction writers. Not since Hoehn's "Catholic Authors: Contemporary Biographical Sketches, 1930-1947" has such an inventory of Catholic American writers appeared. The Works By bibliographies contain all of each author's productions be they fiction, poetry, drama or non-fiction. The Works About bibliographies to each essay cite five critical studies or, where none exists, book reviews, plus references to other biographical sources. The Introduction explores the diversity of belief in contemporary Catholic expression. An essay by Professor Genaro Padilla examines the place of Catholicism in the work of Hispanic writers in the United States today. A partial list of the authors contained here reads like a Who's Who of American literary luminaries and includes such writers as John Gregory Dunne, Mary Gordon, Flannery O'Connor, Walker Percy, Don Delillo, Robert Stone, and Maureen Howard.

As a resource for further research on the authors contained, for continued reflection on the various forms of contemporary Catholic American writing, and for renewed scholarly interest in many excellent and often-neglected literary texts, the "Biographical Dictionary of Contemporary Catholic American Writing" deserves a place in most academic and public libraries. Generalists and English teachers and majors will find its perusal fascinating and rewarding.

John Fisher, 1469-1535 was a figure of European stature during the Tudor age. His many roles included those of bishop, humanist, theologian, cardinal, and ultimately martyr. This study places him in the context of sixteenth-century Christendom, focusing not just on his resistance to Henry VIII, but also on his active engagement with the renaissance and reformation.

Vincent de Paul, the Lazarist Mission, and French Catholic Reform offers a major re-assessment of the thought and activities of the most famous figure of the seventeenth-century French Catholic Reformation, Vincent de Paul. Confronting traditional explanations for de Paul's prominence in the devot reform movement that emerged in the wake of the Wars of Religion, the volume explores how he turned a personal vocational desire to evangelize the rural poor of France into a congregation of secular missionaries, known as the Congregation of the Mission or the Lazarists, with three inter-related strands of pastoral responsibility: the delivery of missions, the formation and training of clergy, and the promotion of confraternal welfare. Alison Forrestal further demonstrates that the structure, ethos, and works that de Paul devised for the Congregation placed it at the heart of a significant enterprise of reform that involved a broad set of associates in efforts to transform the character of devotional belief and practice within the church. The central questions of the volume therefore concern de Paul's efforts to create, characterize, and articulate a distinctive and influential vision for missionary life and work, both for himself and for the Lazarist Congregation, and Forrestal argues that his prominence and achievements depended on his remarkable ability to exploit the potential for association and collaboration within the devot environment of seventeenth-century France in enterprising and systematic ways. This is the first study to assess de Paul's activities against the wider backdrop of religious reform and Bourbon rule, and to reconstruct the combination of ideas, practices, resources, and relationships that determined his ability to pursue his ambitions. A work of forensic detail and complex narrative, Vincent de Paul, the Lazarist Mission, and French Catholic Reform is the product of years of research in ecclesiastical and state archives. It offers a wholly fresh perspective on the challenges and opportunities entailed in the promotion of religious reform and renewal in seventeenth-century France.

This book depicts the significant role played by American Catholic Women Religious in the broader narratives of modern American history and the history of the Catholic Church. The book is a guide to fifty foreign missions founded by Dominican and Maryknoll Sisters in the twentieth century. Sister Donna Moses examines root causes for the radical political stances taken by American Catholic Women Religious in the latter half of the century and for the conservative backlash that followed. The book identifies key events that contributed to the present state of division within the American Catholic Church and describes current efforts to engage in dynamic dialogue.

This book is about the sexual and religious lives of Catholic women in post-war England. It uses original oral history material to uncover the way Catholic women negotiated spiritual and sexual demands at a moment when the two increasingly seemed at odds with each other. It also examines the public pronouncements and secretive internal documents of the central Catholic Church, offering a ground-breaking new explanation of the Pope's decision to prohibit the Pill in 1968. The material gathered here offers a fresh perspective on the idea that 'sex killed God', reframing dominant approaches to the histories of sex, religion and social change. The book will be essential reading not only for scholars of sexuality, religion, gender and oral history, but anyone interested in social and cultural change more broadly. -- .

During World War I, the Catholic church blocked the distribution of government-sponsored V.D. prevention films, initiating an era of attempts by the church to censor the movie industry. This book is an entertaining and engrossing account of those efforts-how they evolved, what effect they had on the movie industry, and why they were eventually abandoned. Frank Walsh tells how the church's influence in Hollywood grew through the 1920s and reached its peak in the 1930s, when the film industry allowed Catholics to dictate the Production Code, which became the industry's self-censorship system, and the Legion of Decency was established by the church to blacklist any films it considered offensive. With the industry's Joe Breen, a Catholic layman, cutting movie scenes during production and the Legion of Decency threatening to ban movies after release, the Catholic church played a major role in determining what Americans saw and didn't see on the screen during Hollywood's Golden Age. Walsh provides fascinating details about the church's efforts to guard against anything it felt might corrupt moviegoers' morals: forcing Gypsy Rose Lee to change her screen name; investigating Frank Sinatra's fitness to play a priest in Miracle of the Bells; altering a dance sequence in Oklahoma; eliminating marital infidelity from Two-Faced Woman; compelling Howard Hughes to make 147 cuts in The Outlaw; blocking the distribution of Birth of a Baby; and attacking Asphalt Jungle for serving the "crooked purposes of the Soviet Union." However, notes Walsh, there were serious divisions within the church over film policy. Bishops feuded with one another over how best to deal with movie moguls, priests differed over whether attending a condemned film constituted a serious sin, and Legion of Decency reviewers disagreed over film evaluations. Walsh shows how the decline of the studio system, the rise of a new generation of better-educated Catholics, and changing social values gradually eroded the Legion's power, forcing the church eventually to terminate its efforts to control the type of film that Hollywood turned out. In an epilogue he relates this history of censorship to current efforts by Christian fundamentalists to end "sex, violence, filth, and profanity" in the media.

This book considers the cultural residue from pre-Christian Ireland in Synge's plays and performances. By dramatising a residual culture in front of a predominantly modern and political Irish Catholic middle class audience, the book argues that Synge attempted to offer an alternative understanding of what it meant to be "modern" at the beginning of the twentieth century. The book draws extensively on Synge's archive to demonstrate how pre-Christian residual culture informed not just how he wrote and staged pre-Christian beliefs, but also how he thought about an older, almost forgotten culture that Catholic Ireland desperately wanted to forget. Each of Synge's plays is considered in an individual chapter, and they identify how Synge's dramaturgy was informed by pre-Christian beliefs of animism, pantheism, folklore, superstition and magical ritual.

'These prayers help me to pray... All prayer is talking to God as to a friend, and it is God's closest friends who can teach me how to do that best.' Timothy Radcliffe OPThis treasury of prayers for the Third Christian Millennium offers practical spiritual guidance for an increasingly busy world.The late Cardinal Basil Hume, in his Introduction, writes that the need for us to be people of prayer has never been more urgent. We know that unless we are deeply rooted in a sense of God's presence and able to refer all things to God, then our pilgrimage into the future will be marked more by uncertainty than by the peace which is God's gift.The book's extensive range includes favourite Catholic prayers such as the Rosary and the Stations of the Cross, along with others that may be less familiar, organized under many different themes and topics. Helpful introductions and a pattern of daily prayers make this book nothing less than a course in Christian spirituality.The book is for people approaching Christian prayer for the first time, and also for those who want to begin afresh. It will be especially helpful to young people, and the parents and teachers who want to help them learn to pray in the living tradition of the Church.

Mark W. Roche presents a clear, precise, and positive view of the challenge and promise of a Catholic university. Roche makes visible the ideal of a Catholic university and illuminates in original ways the diverse, but interconnected, dimensions of Catholic identity. Roche's vision of the distinct intellectual mission of a Catholic university will appeal to Catholics as well as to persons who are not Catholic but who may recognize through this essay the unexpected allure of a Catholic university.

As the first comprehensive monograph on the relations between the Catholic Church and the European Union, this book contains both a detailed historical overview of the political ties between the two complex institutions and a theoretical analysis of their normative orders and mutual interactions.