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Books > Humanities > Religion & beliefs > Christianity > Christian worship > General
Introduction by Ronald F. Thiemann Foreword by Elaine Pagels By a
founder of the Centering Prayer movement Originally a Wit Lecture
by one of today's key spiritual writers, this is a reflection on
contemplative prayer, the search for happiness, and our need to
explore the inner world. The search for God, Keating says, is also
the search for ourselves, but our self-consciousness gets in the
way. He takes the unique angle of the contemplative journey as
"divine therapy" for the illness of the human condition, a method
for opening up to our own wounded unconscious. As we move into a
global culture, he says, this process of letting go of attachments
and of self-centeredness is more important than ever. A work of
beauty and clarity, The Human Condition - - draws from a wide range
of classic and modern spiritual sources, as well as from solid
common sense - explains how God is the only true security and how
divine love is the full affirmation of who we are - shows how even
a life of action needs contemplation and the practice of the
presence of God
A gift edition of Daily Prayer For All Seasons, with a bonded
leather cover, two ribbon bookmarks, gilded edges, a presentation
page, and shrink-wrapped in gift box. People in all kinds of
religious traditions, including Judaism and Christianity, have been
marking time with prayer for almost as long as we've divided the
day into hours. "Praying the hours," as it's called, has always
reminded us that God walks with us throughout each day; "praying
the hours" is also a way that the community of faith comes
together, whether we're united all in one place or scattered like
raindrops. In the Episcopal Church, the Book of Common Prayer
offers beautiful services for morning, noon, evening, and nighttime
in a section called "The Daily Office" (pp 35-146). Daily Prayer
for All Seasons offers a variation on that theme, where a complete
service covers one or two pages, thereby eliminating the need to
shuffle prayer books and hymnals. Daily Prayer for All Seasons
works for individuals, small groups, and/or congregations. This
prayer book presents a variety of images of God, uses inclusive and
expansive language for and about God, and presents a rich variety
of language, including poetry, meditation, and prayers from the
broader community of faith.
A glimpse into the ideals and insights that have shaped one of the
Episcopal Church's most widely known parishes, St. Gregory of Nyssa
in San Francisco. Rick Fabian, well known as one of the founding
priests of St. Gregory of Nyssa in San Francisco, writes his
"treatise in eleven parts" on the significant signs of communal
life: the welcoming table, authority (human and biblical), baptism,
mystery, marriage, children, the spirit, reconciliation, the
worship year, beauty, and hospitality. This "revisionist approach
to sacramental theology" offers a glimpse into the depth of thought
behind the praxis that has shaped one of the Episcopal Church's
most widely known parishes.
An Anglican priest hands out brass knuckles to his congregation to
guard his church from anti-Christmas fanatics. Fascists insist that
the real Christmas is the Winter Solstice, while Communists stage
atheist musicals outside of churches on Christmas Eve. Activists
vandalize shops that set out holiday advertising in October and
anti-consumerists sing parody carols in shopping malls. Is there
such a thing as a War on Christmas? As Gerry Bowler demonstrates in
this entertaining book, there is and always has been a War, or
rather, several wars, on Christmas. Christmas, a global phenomenon
adored by billions and a backbone of international trade, is the
biggest single event on the planet. For Christians it is the
second-most sacred date on the calendar. But whether one celebrates
it or not, it engages billions of people who are caught up in its
commercialism, music, sentiment, travel, and frenetic busyness.
Since its controversial invention in the Roman Empire, Christmas
has struggled with paganism, popular culture, fierce Christian
opposition to its celebration, its abolition in Scotland and New
England, and its neglect and near-death experience in the 1700s,
only to be miraculously reinvented in the 1800s. The twentieth
century saw it opposed by Bolsheviks, twisted by Hitler, and
appropriated by every special interest group in the industrialized
world. Lately it has been caught up in the cultural struggles
between the left and the right in America, often misinterpreted as
a war on Christmas, when the fight is really over whether religion
in general will be allowed a public face. Gerry Bowler tells the
fascinating story of the tug-of-war over Christmas, replete with
cross-dressing priests, ranting Puritans, atheist witches, the
League of the Militant Godless, aesthetic terrorists in Quebec and
rap-singing Santa killers in Spain.
The issue of baptism has troubled Protestants for centuries. Should
infants be baptized before their faith is conscious, or does God
command the baptism of babies whose parents have been baptized?
Popular New Testament scholar Scot McKnight makes a biblical case
for infant baptism, exploring its history, meaning, and practice
and showing that infant baptism is the most historic Christian way
of forming children into the faith. He explains that the church's
practice of infant baptism developed straight from the Bible and
argues that it must begin with the family and then extend to the
church. Baptism is not just an individual profession of faith: it
takes a family and a church community to nurture a child into faith
over time. McKnight explains infant baptism for readers coming from
a tradition that baptizes adults only, and he counters criticisms
that fail to consider the role of families in the formation of
faith. The book includes a foreword by Todd Hunter and an afterword
by Gerald McDermott.
This is the second 'book of bits' for worship produced by the Wild
Goose Worship Group. Its predecessor, Cloth For the Cradle, was
received with great enthusiasm by clergy and laity alike. This book
traces Jesus' road to the cross through Lent, Holy Week and Easter.
Its prime purpose is to resource worship that enables people to
sense the hope, apprehension and joy of Easter as felt by Jesus'
friends. The range and diversity offers a unique source of elements
for lay and clergy worship planners and enablers. All of the
material has been used in celebrations and services of public
worship, but little has been previously published.
This book sets a new agenda for mortuary archaeology. Applying
explicit case studies based on a range of European sites (from
Scandinavia to Britain, Southern France to the Black Sea),
'Mortuary Practices and Social Identities in the Middle Ages'
fulfills the need for a volume that provides accessible material to
students and engages with current debates in mortuary archaeology's
methods and theories. The book builds upon Heinrich Harke's
influential research on burial archaeology and early medieval
migrations, focusing in particular on his ground-breaking work on
the relationship between the theory and practice of burial
archaeology. Using diverse archaeological and historical data, the
essays explore how mortuary practices have served in the make-up
and expression of medieval social identities. Themes explored
include masculinity, kinship, ethnicity, migration, burial rites,
genetics and the perception of landscape.
For Catholics, the family is recognized as the "domestic church,"
and it is in the family that people learn to recognize the love of
God and to turn to Him in prayer. It is in the family that people
first learn the virtues of living a God-centered life.
"Catholic Household Blessings and Prayers" contains prayers that
have marked the joys, sorrows, and daily routines of many
generations. Included in this volume are chapters on basic prayers,
daily prayers, a useful calendar of saints, and blessings for all
the seasons of the year. Also, included in this compendium are
prayers to the Virgin Mary; the Liturgy of the Hours; prayers upon
waking, at mealtime and before retiring for the night; prayers and
blessings for feast days and holidays; prayers during times of
anger, forgiveness, sickness, loss, grief, thanksgiving, conflict;
as well as prayers for the Church and lay people alike.
A wonderful gift idea for people of all ages, this handsome book
will inspire you and your loved one to enter more deeply into God's
love.
Congregational Music, Conflict and Community is the first study of
the music of the contemporary 'worship wars' - conflicts over
church music that continue to animate and divide Protestants today
- to be based on long-term in-person observation and interviews. It
tells the story of the musical lives of three Canadian Mennonite
congregations, who sang together despite their musical differences
at the height of these debates in the late 1990s and early 2000s.
Mennonites are among the most music-centered Christian groups in
North America, and each congregation felt deeply about the music
they chose as their own. The congregations studied span the
spectrum from traditional to blended to contemporary worship
styles, and from evangelical to liberal Protestant theologies. At
their core, the book argues, worship wars are not fought in order
to please congregants' musical tastes nor to satisfy the
theological principles held by a denomination. Instead, the
relationships and meanings shaped through individuals' experiences
singing in the particular ways afforded by each style of worship
are most profoundly at stake in the worship wars. As such, this
book will be of keen interest to scholars working across the fields
of religious studies and ethnomusicology.
The rise of early Christianity has been examined from a myriad of
perspectives, but until recently ritual has been a neglected topic.
Ritual and Christian Beginnings: A Socio-Cognitive Analysis argues
that ritual theory is indispensable for the study of Christian
beginnings. It also makes a strong case for the application of
theories and insights from the Cognitive Science of Religion, a
field that has established itself as a vigorous movement in
Religious Studies over the past two decades. Risto Uro develops a
'socio-cognitive' approach to the study of early Christian rituals,
seeking to integrate a social-level analysis with findings from the
cognitive and evolutionary sciences. Ritual and Christian
Beginnings provides an overview of how ritual has been approached
in previous scholarship, including reasons for its neglect, and
introduces the reader to the emerging fields of Ritual Studies and
the Cognitive Science of Religion. In particular, it explores the
ways in which cognitive theories of ritual can shed new light on
issues discussed by early Christian scholars, and opens up new
questions and avenues for further research. The socio-cognitive
approach to ritual is applied to a number of test cases, including
John the Baptist, the ritual healing practiced by Jesus and the
early Christians, the social life of Pauline Christianity, and the
development of early Christian baptismal practices. The analysis
creates building blocks for a new account of Christian beginnings,
highlighting the role of ritual innovation, cooperative signalling,
and the importance of bodily actions for the generation and
transmission of religious knowledge.
After resolving to become a Catholic Christian, Augustine spent a
decade trying to clarify his understanding of 'contemplation,' the
interior presence of God to the soul. That long struggle yielded
his classic account in the Confessions. This study explores
Augustine's developing understanding of contemplation, beginning
with his earliest accounts written before his baptism and ending
with the Confessions. Chapter One examines the pagan monotheism of
the Roman Platonists and the role of contemplation in their
theology. Augustine's pre-baptismal writings are then considered in
Chapter Two, tracking his fundamental break from pagan Platonism.
Chapter Three then turns to Augustine's developing understanding of
contemplation in these pre-baptismal texts. Chapter Four
concentrates on Augustine's thought during the decade after his
baptism in 387, a period that encompasses his monastic life in
Thagaste, and his years first as a presbyter and then as a bishop
in Hippo Regius. This chapter follows the arc of Augustine's
thought through these years of transition and leads into the
Confessions, giving a vantage point to survey its theology of
contemplation. Chapter Five concentrates on the Confessions and
sets its most famous account of contemplation, the vision at Ostia
from Book IX, into a larger polemical context. Augustine's defence
of his transcendental reading of scripture in Confessions XII is
analysed and then used to illuminate the Ostian ascent narrative.
The book concludes with observations on the importance of
Augustine's theology of contemplation to the emergence of Christian
monotheism in late antiquity.
When the story of modernity is told from a theological perspective,
music is routinely ignored-despite its pervasiveness in modern
culture and the manifold ways it has been intertwined with
modernity's ambivalent relation to the Christian God. In
conversation with musicologists and music theorists, this
collection of essays shows that the practices of music and the
discourses it has generated bear their own kind of witness to some
of the pivotal theological currents and counter-currents shaping
modernity. Music has been deeply affected by these currents and in
some cases may have played a part in generating them. In addition,
Jeremy Begbie argues that music is capable of yielding highly
effective ways of addressing and moving beyond some of the more
intractable theological problems and dilemmas which modernity has
bequeathed to us. Music, Modernity, and God includes studies of
Calvin, Luther, and Bach, an exposition of the intriguing tussle
between Rousseau and the composer Rameau, and an account of the
heady exaltation of music to be found in the early German
Romantics. Particular attention is paid to the complex relations
between music and language, and the ways in which theology, a
discipline involving language at its heart, can come to terms with
practices like music, practices which are coherent and meaningful
but which in many respects do not operate in language-like ways.
The Order of St Gilbert was the only specifically English religious
order founded in the Middle Ages. The edition gathers together
fragments surviving in Lincoln, Cathedral Library MS 115 (A.5.5);
Cambridge, St John's College, MS N. 1; Oxford, Bodleian Library,
Digby 36 (SC 1678), f. 110v; Cambridge, Pembroke' College, MS 226.
The first part is volume 59 of the present series.
How did people think about listening in the ancient world, and what
evidence do we have of it in practice? The Christian faith came to
the illiterate majority in the early Church through their ears.
This proved problematic: the senses and the body had long been held
in suspicion as all too temporal, mutable and distracting. Carol
Harrison argues that despite profound ambivalence on these matters,
in practice, the senses, and in particular the sense of hearing,
were ultimately regarded as necessary - indeed salvific
-constraints for fallen human beings. By examining early
catechesis, preaching and prayer, she demonstrates that what
illiterate early Christians heard both formed their minds and souls
and, above all, enabled them to become 'literate' listeners; able
not only to grasp the rule of faith but also tacitly to follow the
infinite variations on it which were played out in early Christian
teaching, exegesis and worship. It becomes clear that listening to
the faith was less a matter of rationally appropriating facts and
more an art which needed to be constantly practiced: for what was
heard could not be definitively fixed and pinned down, but was
ultimately the Word of the unknowable, transcendent God. This word
demanded of early Christian listeners a response - to attend to its
echoes, recollect and represent it, stretch out towards it source,
and in the process, be transformed by it.
Why go to church? What happens in church and why does it matter?
The Empty Church presents fresh answers to these questions by
creating an interdisciplinary conversation between theater
directors and Christian theologians. This original study expands
church beyond the sanctuary and into life. Shannon Craigo-Snell
emphasizes the importance of liturgical worship in forming
Christians as characters crafted by the texts of the Bible. This
formation includes shaping how Christians know, in ways that
involve the intellect, emotions, body, and will. Each chapter
brings a theater director into dialogue with a theologian, teasing
out the ways performance enriches hermeneutics, anthropology, and
epistemology. Thinkers like Karl Barth, Peter Brook, Delores
Williams, and Bertolt Brecht are examined for their insights into
theology, worship, and theater. The result is a compelling
depiction of church as performance of relationship with Jesus
Christ, mediated by Scripture, in hope of the Holy Spirit.
Liturgical worship, at its best, forms Christians in patterns of
affections. This includes the cultivation of emotion memories
influenced by biblical narratives, as well as a repertoire of
physical actions that evoke particular affections. Liturgy also
encourages Christians to step into various roles, enabling them to
make intellectual and volitional choices about what roles to take
up in society. Through liturgical worship, the author argues,
Christians can be formed as people who hope, and therefore as
people who live in expectation of the presence and grace of God.
This entails a discipline of emptiness that awaits and appreciates
the Holy Spirit. Church performance must therefore be provisional,
ongoing, and open to further inspiration.
Maud Lewis has become one of Canada's favourite folk artists, and
her buoyant winter pictures of nature, pets, farm animals, and
people at work and play are among her most charming. Her hands were
twisted with arthritis, but Maud earned her living by painting
Christmas cards and pictures and selling them from her tiny, gaily
painted one-room house beside the highway near Digby, Nova
Scotia.Originally issued in 1997 and now available in this updated
edition, Christmas with Maud Lewis paints a portrait of how this
spirited woman celebrated the season in her life and art. Maud's
vision of Christmas embraces skaters sliding every which way,
passengers leaning over the box of a horse-drawn sleigh, smiling
oxen in their best harness, and bluebirds beside their snow-covered
house. The paintings in Christmas with Maud Lewis are from the
large collection of the Woolaver family.
It is often claimed that we live in a secular age. But we do not
live in a desacralized one. Sacred forms-whether in 'religious' or
'secular' guise-continue to shape social life in the modern world,
giving rise to powerful emotions, polarized group identities, and
even the very concept of moral society. Analyzing contemporary
sacred forms is essential if we are to be able to make sense of the
societies we live in and think critically about the effects of the
sacred on our lives for good or ill. The Sacred in the Modern World
is a major contribution to this task. Re-interpreting Durkheim's
theory of the sacred, and drawing on the 'strong program' in
cultural sociology, Gordon Lynch sets out a theory of the sacred
that can be used by researchers across a range of humanities and
social science disciplines. Using vividly drawn contemporary case
material - including the abuse and neglect of children in Irish
residential schools and the controversy over the BBC's decision not
to air an appeal for aid for Gaza-the book demonstrates the value
of this theoretical approach for social and cultural analysis. The
key role of public media for the circulation and contestation of
the sacred comes under close scrutiny. Adopting a critical stance
towards sacred forms, Lynch reflects upon the ways in which sacred
commitments can both serve as a moral resource for social life and
legitimate horrifying acts of collective evil. He concludes by
reflecting on how we might live thoughtfully and responsibility
under the light and shadow that the sacred casts, asking whether
society without the sacred is possible or desirable.
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