Die Psalmen Salomos (PsSal) zahlen zu den wichtigsten Zeugen judischer Literatur und Theologie des ersten Jahrhunderts v. Chr. Die Studie zeichnet die Forschungsgeschichte dieser nicht kanonisch gewordenen Sammlung nach und skizziert deren Gesamtkomposition. Im Mittelpunkt der Untersuchung steht eine traditions- und kompositionsgeschichtliche Analyse der Lehrdichtung PsSal 14. In weisheitlicher Manier kontrastiert PsSal 14 Lebenswandel und Schicksal von Frommen und Sundern und nimmt dabei Ps 1 im Licht weiterer biblischer Traditionen und Motive interpretierend auf. PsSal 14 erweist sich als ein fruhes Beispiel der literarischen Rezeption von Ps 1, das ebenso traditionsgebunden wie innovativ ist und ein klares theologisches Programm besitzt.

Moshe Simon-Shoshan offers a groundbreaking study of Jewish law (halakhah) and rabbinic story-telling. Focusing on the Mishnah, the foundational text of halakhah, he argues that narrative was essential in early rabbinic formulations and concepts of law, legal process, and political and religious authority. The book begins by presenting a theoretical framework for considering the role of narrative in the Mishnah. Drawing on a wide range of disciplines, including narrative theory, Semitic linguistics, and comparative legal studies, Simon-Shoshan shows that law and narrative are inextricably intertwined in the Mishnah. Narrative is central to the way in which the Mishnah transmits law and ideas about jurisprudence. Furthermore, the Mishnah's stories are the locus around which the Mishnah both constructs and critiques its concept of the rabbis as the ultimate arbiters of Jewish law and practice. In the second half of the book, Simon-Shoshan applies these ideas to close readings of individual Mishnaic stories. Among these stories are some of the most famous narratives in rabbinic literature, including those of Honi the Circle-drawer and R. Gamliel's Yom Kippur confrontation with R. Joshua. In each instance, Simon-Shoshan elucidates the legal, political, theological, and human elements of the story and places them in the wider context of the book's arguments about law, narrative, and rabbinic authority. Stories of the Law presents an original and forceful argument for applying literary theory to legal texts, challenging the traditional distinctions between law and literature that underlie much contemporary scholarship.

After having explored the structure of the long sura 5 in his book The Feast (2007), Michael Cuypers applies the same rhetorical analysis to the thirty-three small suras (81 to 114) of the end of the Qur'an. Reading the text using the principles of Semitic rhetoric makes it possible to grasp the internal coherence of each of these suras, and also the semantic links that link them together. These suras (chapters), usually treated as small independent textual units, actually form a semantically coherent set composed of several hierarchical subsets. This results in new interpretations for suras, of which more than one raises questions because of their extreme brevity. Two major themes dominate: eschatology (Day of Judgment and resurrection) and the life of the Prophet, evoked by small discontinuous touches, from the awakening of his prophetic mission to the triumph of his preaching. The rhetorical analysis is enriched by intertextuality, confronting the Koranic text with the sacred literature circulating in late antiquity: the Bible, in the first place, but also several intertestamental writings, the Book of Enoch, the Testament of Moses and others. The image that emerges from these suras, dating from the Meccan era, is that of a messenger in charge of announcing the Day of Judgment.

The Koren Talmud Bavli is a groundbreaking edition of the Talmud that fuses the innovative design of Koren Publishers Jerusalem with the incomparable scholarship of Rabbi Adin Steinsaltz. The Koren Talmud Bavli Daf Yomi Edition set is a compact, black-and-white edition that presents an enhanced Vilna page, a side-by-side translation English translation, photographs and illustrations, a brilliant commentary, and a multitude of learning aids to help the beginning and advanced student alike actively participate in the dynamic process of Talmud study.

The Koren Talmud Bavli is a groundbreaking edition of the Talmud that fuses the innovative design of Koren Publishers Jerusalem with the incomparable scholarship of Rabbi Adin Steinsaltz. The Koren Talmud Bavli Noe Edition is a full-size, full-color edition that presents an enhanced Vilna page, a side-by-side English translation, photographs and illustrations, a brilliant commentary, and a multitude of learning aids to help the beginning and advanced student alike actively participate in the dynamic process of Talmud study.

Two major events occurred in the early centuries of Islam that determined its historical and spiritual development in the centuries that followed: the formation of the sacred scriptures, namely the Qur'an and the Hadith, and the chronic violence that surrounded the succession of the Prophet, manifesting in repression, revolution, massacre, and civil war. This is the first book to evaluate the writing of Islam's major scriptural sources within the context of these bloody, brutal conflicts. Conducting a philological and historical study of little-known though significant ancient texts, Mohammad Ali Amir-Moezzi rebuilds a Shi'ite understanding of Islam's early history and the genesis of its holy scriptures. At the same time, he proposes a fresh interpretative framework and a new data set for theorizing the early history of Islam, isolating the contradictions between Shi'ite and Sunni sources and their contribution to the tensions that rile these groups today.

The ancient rabbis believed that the Torah was divinely revealed and therefore contained eternal truths and multitudinous hidden meanings. Not a single word was considered haphazard or inconsequential. This understanding of how Scripture mystically relates to all of life is the fertile ground from which the Midrash emerged. Here Rabbi Sandy Eisenberg Sasso explores how Midrash originated and how it is still practiced today, and offers new translations and interpretations of twenty essential, classic midrashic texts. You will never read the Bible the same way again!

Rabbi Nachman of Bratslav (1772-1810) is widely considered to be one of the foremost visionary storytellers of the Hasidic movement. The great-grandson of the Ba'al Shem Tov, founder of the movement, Rabbi Nachman came to be regarded as a great figure and leader in his own right, guiding his followers on a spiritual path inspired by Kabbalah. In the last four years of his life he turned to storytelling, crafting highly imaginative, allegorical tales for his Hasidim. Three-time National Jewish Book Award winner Howard Schwartz has masterfully compiled the most extensive collection of Nachman's stories available in English. In addition to the well-known Thirteen Tales, including "The Lost Princess" and "The Seven Beggars," Schwartz has included over one hundred narratives in the various genres of fairy tales, fables, parables, dreams, and folktales, many of them previously unknown or believed lost. One such story is the carefully guarded "Tale of the Bread," which was never intended to be written down and was only to be shared with those Bratslavers who could be trusted not to reveal it. Eventually recorded by Rabbi Nachman's scribe, the tale has maintained its mythical status as a "hidden story." With utmost reverence and unfettered delight, Schwartz has carefully curated A Palace of Pearls alongside masterful commentary that guides the reader through the Rabbi's spiritual mysticism and uniquely Kabbalistic approach, ultimately revealing Rabbi Nachman to be a literary heavyweight in the vein of Gogol and Kafka. Vibrant, wise, and provocative, this book is a must-read for any lover of fairy tales and fables.

This book is a study of the making of collective memory within early Judaism in a seminal text of the Western canon. The book of Ecclesiastes and its speaker Qohelet are famous for saying that there is 'nothing new under the sun'. In the literary tradition of the modern West this has been taken as the motto of a book that is universal in scope, Greek in its patterns of thought, and floating free from the particularism and historical concerns of the rest of the Bible. Jennie Barbour argues that reading the book as a general compendium in this way causes the reader to miss a strong undercurrent in the text.
'Nothing new under the sun' is, in fact, a historical deduction made by Qohelet on the basis of long-range observation, conducted through his study of his nation's traditions: the first sage to turn from the window to the Book is not Ben Sira, but Qohelet himself. While Ecclesiastes says nothing about the great founding events of Israel's story, it is haunted by the decline and fall of the nation and the Babylonian exile, as the trauma of the loss of the kingdom of Solomon persists through a spectrum of intertextual relationships. The view of Qohelet from the throne in Jerusalem takes in the whole sweep of Israel's remembered historical experiences; Ecclesiastes is revealed as not simply as a piece of marketplace philosophy, but as a learned essay in processing a community's memory, with strong ties to the rest of Jewish and Christian scripture.

The Dhammapada is a classic of world religious literature. This spiritual masterpiece collects together the key sayings of the Buddha and is an essential guide for all those who wish to follow the Buddha on the path to enlightenment. Yet its appeal extends beyond Buddhism to engage anyone who seeks to understand profound universal truths, and it remains as relevant today as when the text was compiled some 2,500 years ago. In this beautiful translation of one of the best loved Buddhist scriptures, Thomas Byrom reveals the practical and timeless simplicity of the Buddha's teaching.