THE HIERARCHY OF SAINTS is an intermediate level work of Sufi beliefs about the status of saints and specific their roles and duties. Based on evidence in the Quran and Holy Traditions of Prophet Muhammad, and the ancient teachings of masters of the Naqshbandi Sufi Order, four levels of saints are described in detail, along with guidelines to identify such holy souls. This title is recommended for anyone engaged in the study Sufism.

THE HIERARCHY OF SAINTS, PART 2 is based on the divinely inspired spiritual discourses of the global head of the Naqshbandi-Haqqani Sufi Order, Mawlana Shaykh Nazim Adil al-Haqqani. It is a compilation of lectures by his representative from the annual "Ramadan Series," which is devoted to ancient sacred teachings of forty generations of eminent Sufi masters of the Naqshbandi Golden Chain. The Hierarchy of Saints, Part 2 reveals rare, secret knowledge that is only assimilated by adhering to the protocols of the highest Sufi masters. It takes us on a journey that, through discipline and steadfastness, subjugates the ego and worldly desires and reveals one's unique path to receive "the Sacred Trust." This volume outlines advanced levels of conduct and character that, under supervision of the Sufi master, bring one into higher spiritual realms. The stations of Ikhlas (Sincerity) and Tawhid (Oneness) are highlighted, along with the disciplines to reach them and many traps to avoid. Descriptions of the premier shaykhs that look after affairs of this world are both insightful and captivating. Lessons of previous masters and their students offer the seeker a road map to success. This title is recommended for anyone engaged in the study Sufism.

Mirigavati or The Magic Doe is the work of Shaikh Qutban Suhravardi, an Indian Sufi master who was also an expert poet and storyteller attached to the glittering court-in-exile of Sultan Husain Shah Sharqi of Jaunpur. Composed in 1503 as an introduction to mystical practice for disciples, this powerful Hindavi or early Hindi Sufi romance is a richly layered and sophisticated text, simultaneously a spiritual enigma and an exciting love-story full of adventures. The Mirigavati is both an excellent introduction to Sufism and one of the true literary classics of pre-modern India, a story that draws freely on the large pool of Indian, Islamic, and European narrative motifs in its distinctive telling of a mystical quest and its resolution. Adventures from the Odyssey and the voyages of Sindbad the Sailor-sea voyages, encounters with monstrous serpents, damsels in distress, flying demons and cannibals in caves, among others-surface in Suhravardi's rollicking tale, marking it as first-rate entertainment for its time and, in private sessions in Sufi shrines, a narrative that shaped the interior journey for novices. Before his untimely death in 2009, Aditya Behl had completed this complete blank verse translation of the critical edition of the Mirigavati, which reveals the precise mechanism and workings of spiritual signification and use in a major tradition of world and Indian literature.

In a global context of widespread fears over Islamic radicalisation and militancy, poor Muslim youth, especially those socialised in religious seminaries, have attracted overwhelmingly negative attention. In northern Nigeria, male Qur'anic students have garnered a reputation of resorting to violence in order to claim their share of highly unequally distributed resources. Drawing on material from long-term ethnographic and participatory fieldwork among Qur'anic students and their communities, this book offers an alternative perspective on youth, faith, and poverty. Mobilising insights from scholarship on education, poverty research and childhood and youth studies, Hannah Hoechner describes how religious discourses can moderate feelings of inadequacy triggered by experiences of exclusion, and how Qur'anic school enrolment offers a way forward in constrained circumstances, even though it likely reproduces poverty in the long run. A pioneering study of religious school students conducted through participatory methods, this book presents vital insights into the concerns of this much-vilified group.

This definitive sourcebook presents more than sixty authoritative new translations of key Islamic texts. Edited and translated by three leading specialists, Classical Islam features eight thematically-linked sections covering the Qur'an and its interpretation, the life of Muhammad, hadith, law, theology, mysticism and Islamic history. The new edition has been expanded to cover a fuller range of material illustrating the growth of Islamic thought from its seventh-century origins through to the end of the medieval period. It includes illustrations, a glossary, extensive bibliography and explanatory prefaces for each text. Classical Islam is an essential resource for the study of early and medieval Islam and its legacy.

Among the most challenging biblical figures to understand is Jeroboam son of Nebat, the first monarch of northern Israel whose story is told in 1 Kings 11-14. This book explores the characterization of Jeroboam in the Hebrew text, and traces his rags to riches career trajectory. What are the circumstances whereby this widow's son is elevated to the position of king, with a conditional promise for a lasting dynasty? A close reading of the narrative reveals a literary achievement of great subtlety and complexity. Even though he becomes the negative standard for the rest of Israel's royal history, Jeroboam's portrait is far more nuanced than is often realized and yields a host of surprises for the engaged reader. Numerous issues are raised in the 1 Kings 11-14 material, including questions of power, leadership, and the role of the prophetic office in national affairs. Against the grain of conventional interpretation that tends to idealize or vilify biblical characters, Keith Bodner's study locates the arrival of Jeroboam's kingship as a direct response to scandalous activity within the Solomonic empire.

This book challenges the dominant scholarly notion that the Qur'an must be interpreted through the medieval commentaries shaped by the biography of the prophet Muhammad, arguing instead that the text is best read in light of Christian and Jewish scripture. The Qur'an, in its use of allusions, depends on the Biblical knowledge of its audience. However, medieval Muslim commentators, working in a context of religious rivalry, developed stories that separate Qur'an and Bible, which this book brings back together. In a series of studies involving the devil, Adam, Abraham, Jonah, Mary, and Muhammad among others, Reynolds shows how modern translators of the Qur'an have followed medieval Muslim commentary and demonstrates how an appreciation of the Qur'an's Biblical subtext uncovers the richness of the Qur'an's discourse. Presenting unique interpretations of 13 different sections of the Qur'an based on studies of earlier Jewish and Christian literature, the author substantially re-evaluates Muslim exegetical literature. Thus The Qur'an and Its Biblical Subtext, a work based on a profound regard for the Qur'an's literary structure and rhetorical strategy, poses a substantial challenge to the standard scholarship of Qur'anic Studies. With an approach that bridges early Christian history and Islamic origins, the book will appeal not only to students of the Qur'an but of the Bible, religious studies and Islamic history.

The general theme of Rumi's thought, like that of other mystic and Sufi poets of Persian literature, is essentially that of the concept of tawhid - union with his beloved (the primal root) from which whom he has been cut off and become aloof - and his longing and desire to restore it The Masnavi weaves fables, scenes from everyday life, Quranic revelations and exegesis, and metaphysics into a vast and intricate tapestry. In the East, it is said of him that he was "not a prophet - but surely, he has brought a scripture." Rumi believed passionately in the use of music, poetry, and dance as a path for reaching God. For Rumi, music helped devotees to focus their whole being on the divine, and to do this so intensely that the soul was both destroyed and resurrected. It was from these ideas that the practice of "whirling" dervishes developed into a ritual form. His teachings became the base for the order of the Mawlawi which his son Sultan Walad organized. Rumi encouraged sama listening to music and turning or doing the sacred dance. In the Mevlevi tradition, sama represents a mystical journey of spiritual ascent through mind and love to the Perfect One. In this journey, the seeker symbolically turns towards the truth, grows through love, abandons the ego, finds the truth, and arrives at the Perfect. The seeker then returns from this spiritual journey, with greater maturity, to love and to be of service to the whole of creation without discrimination with regard to beliefs, races, classes, and nations. In other verses in the Masnavi, Rumi describes in detail the universal message of love: The lover's cause is separate from all other causes Love is the astrolabe of God's mysteries. Rumi was an evolutionary thinker in the sense that he believed that the spirit after devolution from the divine Ego undergoes an evolutionary process by which it comes nearer and nearer to the same divine Ego. All matter in the universe obeys this law and this movement is due to an inbuilt urge (which Rumi calls "love") to evolve and seek enjoinment with the divinity from which it has emerged. Evolution into a human being from an animal is only one stage in this process. The doctrine of the Fall of Adam is reinterpreted as the devolution of the Ego from the universal ground of divinity and is a universal, cosmic phenomenon. The French philosopher Henri Bergson's idea of life being creative and evolutionary is similar, though unlike Bergson, Rumi believes that there is a specific goal to the process: the attainment of God. For Rumi, God is the ground as well as the goal of all existence. However Rumi need not be considered a biological evolutionary creationist. In view of the fact that Rumi lived hundreds of years before Darwin, and was least interested in scientific theories, it is probable to conclude that he does not deal with biological evolution at all. Rather he is concerned with the spiritual evolution of a human being: Man not conscious of God is akin to an animal and true consciousness makes him divine. Nicholson has seen this as a Neo-Platonic doctrine: the universal soul working through the various spheres of being, a doctrine introduced into Islam by Muslim philosophers like Al Farabi and being related at the same time to Ibn Sina's idea of love as the magnetically working power by which life is driven into an upward trend.

In 1946 the first of the Dead Sea Scroll discoveries was made near the site of Qumran, at the northern end of the Dead Sea. Despite the much publicized delays in the publication and editing of the Scrolls, practically all of them had been made public by the time of the fiftieth anniversary of the first discovery. That occasion was marked by a spate of major publications that attempted to sum up the state of scholarship at the end of the twentieth century, including The Encyclopedia of the Dead Sea Scrolls (OUP 2000). These publications produced an authoritative synthesis to which the majority of scholars in the field subscribed, granted disagreements in detail.
A decade or so later, The Oxford Handbook of the Dead Sea Scrolls has a different objective and character. It seeks to probe the main disputed issues in the study of the Scrolls. Lively debate continues over the archaeology and history of the site, the nature and identity of the sect, and its relation to the broader world of Second Temple Judaism and to later Jewish and Christian tradition. It is the Handbook's intention here to reflect on diverse opinions and viewpoints, highlight the points of disagreement, and point to promising directions for future research.

The Book of Jasher covers the Mosaic period of the Bible presented in Genesis, Exodus, Numbers, Deuteronomy, and Joshua in greater detail and with explanations not found in the present Old Testament Documents. This apocryphal book of the Bible has been considered by some to be the original beginning to the Bible and is referenced in both the Book of Joshua and the Second Book of Samuel. Is not this written in the Book of Jasher?-Joshua, X. 13. Behold it is written in the Book of Jasher.-II. Samuel, I. 18

This book offers new translations of the Tiruppavai and Nacciyar Tirumoli, composed by the ninth-century Tamil mystic and poetess Kotai. Two of the most significant compositions by a female mystic, the Tiruppavai and Nacciyar Tirumoli give expression to her powerful experiences through the use of a vibrant and bold sensuality, in which Visnu is her awesome, mesmerizing, and sometimes cruel lover. Kotai's poetry is characterized by a richness of language in which words are imbued with polyvalence and even the most mundane experiences are infused with the spirit of the divine. Her Tiruppavai and Nacciyar Tirumoli are garlands of words, redolent with meanings waiting to be discovered. Today Kotai is revered as a goddess, and as a testament to the enduring relevance of her poetry, her Tiruppavai and Nacciyar Tirumoli continue to be celebrated in South Indian ritual, music, dance, and the visual arts.
This book aims to capture the lyricism, beauty, and power of Kotai's original works. In addition, detailed notes based on traditional commentaries, and discussions of the ritual and performative lives of the Tiruppavai and Nacciyar Tirumoli highlight the importance of this ninth-century poet and her two poems over the past one thousand years.

The Koren Talmud Bavli is a groundbreaking edition of the Talmud that fuses the innovative design of Koren Publishers Jerusalem with the incomparable scholarship of Rabbi Adin Steinsaltz. The Koren Talmud Bavli Standard Edition is a full-size, full-color edition that presents an enhanced Vilna page, a side-by-side English translation, photographs and illustrations, a brilliant commentary, and a multitude of learning aids to help the beginning and advanced student alike actively participate in the dynamic process of Talmud study.

Most scholars believe that the numerous similarities between the Covenant Code (Exodus 20:23-23:19) and Mesopotamian law collections, especially the Laws of Hammurabi, which date to around 1750 BCE, are due to oral tradition that extended from the second to the first millennium. This book offers a fundamentally new understanding of the Covenant Code, arguing that it depends directly and primarily upon the Laws of Hammurabi and that the use of this source text occurred during the Neo-Assyrian period, sometime between 740-640 BCE, when Mesopotamia exerted strong and continuous political and cultural influence over the kingdoms of Israel and Judah and a time when the Laws of Hammurabi were actively copied in Mesopotamia as a literary-canonical text. The study offers significant new evidence demonstrating that a model of literary dependence is the only viable explanation for the work. It further examines the compositional logic used in transforming the source text to produce the Covenant Code, thus providing a commentary to the biblical composition from the new theoretical perspective. This analysis shows that the Covenant Code is primarily a creative academic work rather than a repository of laws practiced by Israelites or Judeans over the course of their history. The Covenant Code, too, is an ideological work, which transformed a paradigmatic and prestigious legal text of Israel's and Judah's imperial overlords into a statement symbolically countering foreign hegemony. The study goes further to study the relationship of the Covenant Code to the narrative of the book of Exodus and explores how this may relate to the development of the Pentateuch as a whole.