"This is a groundbreaking study, examining the theme of creation in 4 Ezra more thoroughly than has been done before. Moo reads the text with an exceptional alertness to data relating to creation and nature and notices details often overlooked." -- Edward Adams, Journal for the Study of the New Testament This exegetical study of creation and nature in 4 Ezra argues that this first-century Jewish apocalypse's profound pessimism concerning humankind and the present age is matched by a surprisingly robust belief in the goodness of the created order. 4 Ezra presents the natural world as standing with God over and against corrupt humankind, envisions substantial elements of continuity between the ages, and hints that those parts of the earth that remain unsullied by humankind still stand witness to God's sovereignty, love and justice and even serve as material pointers to the new creation. This study calls into question the persistent assumption that apocalypticism and the 'apocalyptic eschatology' of the historical apocalypses in particular necessarily entails a profound dualism. Emerging as it does from an experience of historical disaster and unresolved questions of theodicy, 4 Ezra especially is often considered an apocalypse in which the doctrine of the two ages has been radicalised to the extent that creation, history and life in this world have lost their meaning or significance. The results of this study, however, indicate that while 4 Ezra considers the world of humankind to be corrupted and corrupting, in the natural world the creator's sovereignty is not so obscured, and there his original intentions for creation can still be perceived. This study provides a fresh reading of 4 Ezra that takes seriously the book's unity and coherence. Its conclusions suggest that it may be best to abandon the label 'apocalyptic eschatology' given its potential to mast the interesting complexities and mix of continuity and discontinuity that attend the portrayal of creation, nature and hope in an apocalypse like 4 Ezra.

Divine Covenant explores the Qur'anic concept of divine knowledge through scientific, theoretical paradigms - in particular natural law theory - and their relationship with seven Islamic scholarly disciplines: linguistics, hadith, politics, history, exegesis, jurisprudence, theology. By comparing scholarship within these disciplines with current state-of-the-art, the study shows how the Qur'anic concept of divine Covenant reflects natural law theory, relates to a range of other legal, political, and linguistic Qur'anic concepts, informs the canon's entire literary structure, and has implications for a new, legal theory of 'Islamic origins'. The book makes the case that the Islamic disciplines share political economy, institutional framework, and decisive theoretical topics with the Qur'an. The latter include the natural law-related issues of human rights, constitutional separation of powers, and social contract. The book surveys the scholarly deliberations of these topics within the parameters of each discipline and in changing contexts. In addition, consequences of the modern nation-state institutional order for early modern and contemporary Qur'anic studies are mapped. It is argued that the early and medieval Islamic disciplines offer scientifically valuable knowledge because they refer to the same institutional framework as the Qur'an. The disciplines are also important parts of European political history, where they have inspired social contract theory inclusive of diverse religious identities.

During its 2,500-year life, the book of Genesis has been the keystone to almost every important claim about reality, humanity, and God in Judaism and Christianity. And it continues to play a central role in debates about science, politics, and human rights. With clarity and skill, acclaimed biblical scholar Ronald Hendel provides a panoramic history of this iconic book, exploring its impact on Western religion, philosophy, science, politics, literature, and more.

Hendel traces how Genesis has shaped views of reality, and how changing views of reality have shaped interpretations of Genesis. Literal and figurative readings have long competed with each other. Hendel tells how Luther's criticisms of traditional figurative accounts of Genesis undermined the Catholic Church; how Galileo made the radical argument that the cosmology of Genesis wasn't scientific evidence; and how Spinoza made the equally radical argument that the scientific method should be applied to Genesis itself. Indeed, Hendel shows how many high points of Western thought and art have taken the form of encounters with Genesis--from Paul and Augustine to Darwin, Emily Dickinson, and Kafka.

From debates about slavery, gender, and sexuality to the struggles over creationism and evolution, Genesis has shaped our world and continues to do so today. This wide-ranging account tells the remarkable story of the life of Genesis like no other book.

The essays in this compendium examine Late-Biblical writings dating from the Hellenistic period that relate to religion and society. A focus is placed on threat scenarios and on the drawing of differences to the Hellenistic environment and the question of identity for believers during the pre-Christian centuries.

The untold story of how the Arabic Qur'an became the English Koran For millions of Muslims, the Qur'an is sacred only in Arabic, the original Arabic in which it was revealed to the Prophet Muhammad in the seventh century; to many Arab and non-Arab believers alike, the book literally defies translation. Yet English translations exist and are growing, in both number and importance. Bruce Lawrence tells the remarkable story of the ongoing struggle to render the Qur'an's lyrical verses into English--and to make English itself an Islamic language. The "Koran" in English revisits the life of Muhammad and the origins of the Qur'an before recounting the first translation of the book into Latin by a non-Muslim: Robert of Ketton's twelfth-century version paved the way for later ones in German and French, but it was not until the eighteenth century that George Sale's influential English version appeared. Lawrence explains how many of these early translations, while part of a Christian agenda to "know the enemy," often revealed grudging respect for their Abrahamic rival. British expansion in the modern era produced an anomaly: fresh English translations--from the original Arabic--not by Arabs or non-Muslims but by South Asian Muslim scholars. The first book to explore the complexities of this translation saga, The "Koran" in English also looks at cyber Korans, versions by feminist translators, and now a graphic Koran, the American Qur'an created by the acclaimed visual artist Sandow Birk.

Der Koran ist noch immer nicht Teil des europaischen Wissenskanons, obwohl er tief in der biblischen Tradition verwurzelt ist. Er gilt weithin noch als exklusiv islamischer Text. Die kritische Bewertung seiner Beziehung zur Bibel und damit zur europaischen Tradition setzt seine Einbettung in die - auch fur das spatere Europa formative - spatantike Kultur voraus, in die er sich theologisch innovativ einbrachte. Die grossen Fragen der Zeit wurden nicht nur von Rabbinen und Kirchenvatern, sondern auch von der koranischen Gemeinde debattiert. Ihre besonderen Antworten verdienen daher als Beitrage zu einer neuen, sich intensiv in die laufenden Religionsdebatten einbringenden Theologie Beachtung. Die sich dabei abzeichnende Fokussierung des gesprochenen Wortes als der massgeblichen Manifestation Gottes in der Welt kann nicht ausserhalb des besonderen kulturellen Umfelds gesehen werden, in dem lokale Dichtung der arabischen Hochsprache bereits eine besondere Aura verliehen hatte. Der neue Blick auf den Koran erfordert jedoch gleichzeitig eine kritische Neureflektion unserer modernen - nie ganz unpolitischen - Philologien. Der Blick muss frei werden fur die Textpolitik des Koran, die den Prozess der Islamentstehung am ehesten erkennbar macht.

Sefer ha-Zohar (The Book of Radiance) has amazed readers ever since it emerged in medieval Spain over seven hundred years ago. Written in lyrical Aramaic, this masterpiece of Kabbalah exceeds the dimensions of a normal book; it is virtually a body of mystical literature, comprising over twenty discrete sections. The bulk of the Zohar consists of a mystical interpretation of the Torah, from Genesis through Deuteronomy. This seventh volume of The Zohar: Pritzker Edition consists of commentary on more than half the book of Leviticus. How does the Zohar deal with a biblical text devoted largely to animal sacrifices, cereal offerings, and priestly ritual? Here these ancient laws and procedures are spiritualized, transformed into symbols of God's inner life, now that both the Desert Tabernacle and the Temple in Jerusalem no longer exist. For example, the ascent offering, which was totally consumed on the altar, is known in Hebrew as olah (literally, "that which ascends"). In the Zohar, this symbolizes Shekhinah, last of the ten sefirot (divine potencies), who ascends to unite with Her beloved, the blessed Holy One. The biblical narrative describes how two of Aaron's sons, Nadab and Abihu, offered alien fire before YHVH and were immediately consumed in a divine blaze. Rabbinic tradition suggested various reasons why they were killed: they lacked the proper priestly garments, or had not washed their hands and feet, or were drunk, or were not married. For the Zohar, marriage enables one to imitate the divine union of male and female energies, and to stimulate that union above. By not marrying, Nadab and Abihu remained incomplete and unfulfilled. According to a related Zoharic passage, their ritual act failed because in their contemplation of the divine qualities they did not include Shekhinah. Without Her, God is incomplete.

Through extensive textual analysis, this open access book reveals how various passages of the Qur'an define death and resurrection spiritually or metaphorically. While the Day of Resurrection is a major theme of the Qur'an, resurrection has largely been interpreted as physical, which is defined as bones leaving their graves. However, this book shows that the Qur'an sometimes alludes to death and resurrection in a metaphoric manner - for example, rebuilding a desolate town, typically identified as Jerusalem, and bringing the Israelite exiles back; thus, suggesting awareness and engagement with Jewish liturgy. Many times, the Qur'an even speaks of non-believers as spiritually dead, those who live in this world, but are otherwise zombies. The author presents an innovative theory of interpretation, contextualizing the Qur'an within Late Antiquity and traces the Qur'anic passages back to their Biblical, extra-biblical and rabbinic subtexts and traditions. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

In this book, Analayo builds on his earlier ground-breaking work, 'Satipatthana: the Direct Path to Realization'. Here, he enlarges our perspective on this seminal teaching by exploring the practices of mindfulness as presented in both the Pali and Chinese versions of this important discourse.

Civilization implies, among other connotations, sophisticated religious beliefs. The archaeological construct of Indus civilization lacks sophistry. There are no known Harappan myths. However, oral transmission of myths defines a prehistoric religion. In this hypothesis, latter day beliefs are used to decode the commonly used Indus script symbols, once these myths have been contextualised. This approach permits an explanation of all the distinctive features of the Indus script. Most of the script symbols appear on steatite square stamp seals. These are too friable for use in commerce. All carry religious imagery and are most likely to be have been used as amulets, especially during the catastrophic floods. Flood defences were a vital requirement in this civilization. It is assumed that the populace worshipped a flood-rescuing deity, most probably Matsya. Symbolic expression of myths associated with Matsya, suggest that the Indus high-God was a pre-Vishnu figure. Clusters of symbols in the script represented chants or myths associated with a particular deity. This linguistic feature does not imply that the script itself represented a language. There are numerous inscriptions which lack any grouping of symbols. It is asserted that Indus script is not a script, but a complex religion-based symbol system. This hypothesis cannot be proven because none of the interpretations of the symbols can be externally validated. It does however have the merit of being both cogent and plausible.

While Buddhism has no central text comparable to the Bible or Koran, there is a powerful body of scripture from across Asia that encompasses the "dharma," or the teachings of the Buddha. In this rich anthology, eminent scholar Donald S. Lopez, Jr., brings together works from a broad historical and geographical range, and from such languages as Pali, Sanskrit, Tibetan, Chinese, and Japanese. There are tales of the Buddha's past lives, a discussion of qualities and qualifications for a monk, and an exploration of the many meanings of enlightenment. Together they provide a vivid picture of the Buddha and of the vast and profound nature of the Buddhist tradition.