Using a commentary on the influential text, the Manjusri-namasamgiti, 'The Chanting of the Names of Manjusri', this book deals with Buddhist tantric meditation practice and its doctrinal context in early-medieval India. The commentary was written by the 8th-9th century Indian tantric scholar Vilasavajra, and the book contains a translation of the first five chapters. The translation is extensively annotated, and accompanied by introductions as well as a critical edition of the Sanskrit text based on eight Sanskrit manuscripts and two blockprint editions of the commentary's Tibetan translation. The commentary interprets its root text within an elaborate framework of tantric visualisation and meditation that is based on an expanded form of the Buddhist Yoga Tantra mandala, the Vajradhatu-mandala. At its heart is the figure of Manjusri, no longer the familiar bodhisattva of wisdom, but now the embodiment of the awakened non-dual gnosis that underlies all Buddhas as well their activity in the cosmos. The book contributes to our understanding of the history of Indian tantric Buddhism in a period of significant change and innovation. With its extensively annotated translation and lengthy introductions the book is designed to appeal not only to professional scholars and research students but also to contemporary Buddhists.

Originally published in 1976, Leon Hurvitz's monumental translation of the "Lotus Sutra" is the work scholars have preferred for decades. Hailed by critics as an "extraordinary" and "magnificent" achievement, Hurvitz's translation is based on the best known Chinese version of the text and includes passages of the original Sanskrit that were omitted from the Chinese.

Beloved for its mythology and literary artistry, the "Lotus Sutra" is one of the most popular and influential texts of Mahayana Buddhism, asserting that there is only one path to enlightenment, the bodhisattva path, and that all followers without exception can achieve supreme awakening. The text argues that the Buddha cannot be delimited by time and space and that a common intent underlies the diversity of Buddhist teachings. Through parables of the burning house, the wayward son, and other tales that have come to be known throughout East Asia, the sutra skillfully concretizes abstract religious concepts and clarifies bold claims about the Buddhist tradition. Urging devotees to revivify doctrine through recitation and interpretation, the sutra powered an organic process of remaking that not only kept its content alive in the poetry and art of premodern Asia but also introduced new forms of practice and scriptural study into contemporary Buddhism. Stephen F. Teiser's foreword addresses this vital quality of the sutra, discusses its background, and reflects on the enduring relevance of Hurvitz's critical work.

No Hindu god is closer to the soul of poetry than Krishna, and in North India no poet ever sang of Krishna more famously than S=urdD=as-or S=ur, for short. He lived in the sixteenth century and became so influential that for centuries afterward aspiring Krishna poets signed their compositions orally with his name.
This book takes us back to the source, offering a selection of S=urd=as's poems that were known and sung in the sixteenth century itself. Here we have poems of war, poems to the great rivers, poems of wit and rage, poems where the poet spills out his disappointments. Most of all, though, we have thememory of love-poems that adopt the voices of the women of Krishna's natal Braj country and evoke the power of being pulled into his irresistible orbit. Following the lead of several old manuscripts, Jack Hawley arranges these poems in such a way that they tell us Krishna's life story from birth to full maturity.
These lyrics from S=ur's Ocean (the S=urs=agar) were composed in the very tongue Hindus believe Krishna himself must have spoken: Brajbh=as=a, the language of Braj, a variety of Hindi. Hawley prepares the way for his verse translations with an introduction that explains what we know of S=urd=as and describes the basic structure of his poems. For readers new to Krishna's world or to the subtleties of a poet like S=urd=as, Hawley also provides a substantial set of analytical notes. "S=ur is the sun," as a familiar saying has it, and we feel the warmth of his light in these pages.

What did ancient Jews believe about demons and angels? This question has long been puzzling, not least because the Hebrew Bible says relatively little about such transmundane powers. In the centuries after the conquests of Alexander the Great, however, we find an explosion of explicit and systematic interest in, and detailed discussions of, demons and angels. In this book, Annette Yoshiko Reed considers the third century BCE as a critical moment for the beginnings of Jewish angelology and demonology. Drawing on early 'pseudepigrapha' and Aramaic Dead Sea Scrolls, she reconstructs the scribal settings in which transmundane powers became a topic of concerted Jewish interest. Reed also situates this development in relation to shifting ideas about scribes and writing across the Hellenistic Near East. Her book opens a window onto a forgotten era of Jewish literary creativity that nevertheless deeply shaped the discussion of angels and demons in Judaism and Christianity.

This book examines the contrasting interpretations of Islam and the Qur an by Averroes and Al-Ghazali, as a way of helping us untangle current impasses affecting each Abrahamic faith. This has traditionally been portrayed as a battle between philosophy and theology, but the book shows that Averroes was rather more religious and Al-Ghazali more philosophical than they are usually portrayed.

The book traces the interaction between two Muslim thinkers, showing how each is convinced of the existence of a Book in which God is revealed to rational beings, to whom He has given commandments, as well as of the excellence of Islamic society. Yet they differ regarding the proper way to interpret the sacred Book. From this point of view, their discussion does not address the contrast between philosophy and religion, or that between reason and revelation that is so characteristic of the Middle Ages, but rather explores differences at the heart of philosophical discussion in our day: is there a level of discourse which will facilitate mutual comprehension among persons, allowing them to engage in debate?

This interpretation of sacred texts illustrates the ways religious practice can shape believers readings of their sacred texts, and how philosophical interpretations can be modified by religious practice. Moreover, since this sort of inquiry characterizes each Abrahamic tradition, this study can be expected to enhance interfaith conversation and explore religious ways to enhance tolerance between other believers.

From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

Miniature books, handwritten or printed books in the smallest format, have fascinated religious people, printers, publishers, collectors, and others through the centuries because of their unique physical features, and continue to captivate people today. The small lettering and the delicate pages, binding, and covers highlight the material form of texts and invite sensory engagement and appreciation. This volume addresses miniature books with a special focus on religious books in Jewish, Christian, Muslim, Hindu and Buddhist traditions. The book presents various empirical contexts for how the smallest books have been produced, distributed, and used in different times and cultures and also provides theoretical reflections and comments that discuss the divergent formats and functions of books.

At the turn of the twelfth-century into the thirteenth, at the court of King Laksmanasena of Bengal, Sanskrit poetry showed profound and sudden changes: a new social scope made its definitive entrance into high literature. Courtly and pastoral, rural and urban, cosmopolitan and vernacular confronted each other in a commingling of high and low styles. A literary salon in what is now Bangladesh, at the eastern extreme of the nexus of regional courtly cultures that defined the age, seems to have implicitly reformulated its entire literary system in the context of the imminent breakdown of the old courtly world, as Turkish power expanded and redefined the landscape. Through close readings of a little-known corpus of texts from eastern India, this ambitious book demonstrates how a local and rural sensibility came to infuse the cosmopolitan language of Sanskrit, creating a regional literary idiom that would define the emergence of the Bengali language and its literary traditions.

The Biblical World is a comprehensive guide to the contents, historical settings, and social context of the Bible. This new edition is updated with several new chapters as well as a new section on biblical interpretation. Contributions from leading scholars in the field present wide-ranging views not just of biblical materials and their literary and linguistic context, but also of the social institutions, history and archaeology, and religious concepts. New chapters cover topics such as the priesthood and festivals, creation and covenant, ethics, and family life, while a new section on biblical interpretation discusses Jewish and Christian bible translation and key thematic emphases, and modern reader-response and cultural approaches. This revised edition of The Biblical World offers an up-to-date and thorough survey of the Bible and its world, and will continue to be an invaluable resource for students and scholars of the Hebrew Bible and New Testament and their history and interpretation, as well as anyone working on the societies, religions, and political and cultural institutions that created and influenced these texts.

In the West Krishna is primarily known as the speaker of the Bhagavad Gita. But it is the stories of Krishna's childhood and his later exploits that have provided some of the most important and widespread sources of religious narrative in the Hindu religious landscape. This volume brings together new translations of representative samples of Krishna religious literature from a variety of genres -- classical, popular, regional, sectarian, poetic, literary, and philosophical.

Let the wisdom of Colossians transform relationships in every area of your life -- home, church, and even the world -- with this study guide from renowned Bible teacher Joyce Meyer. Paul's letter to the Colossians reminds us that as we have died with Christ, we also need to die to our sins. It encourages us that because we have also been raised in Him, we must submit to Jesus and adopt qualities motivated by Christian love. In this comprehensive study tool, Joyce Meyer's commentary on Colossians affirms the Lordship of Christ and offers practical advice on family, relationships, and faith.

The discovery of the Dead Sea Scrolls provides unprecedented insight into the nature of the Hebrew Bible or Old Testament before its fixation. Timothy Lim here presents a complete account of the formation of the canon in Ancient Judaism from the emergence of the Torah in the Persian period to the final acceptance of the list of twenty-two/twenty-four books in the Rabbinic period. Using the Hebrew Bible, the Scrolls, the Apocrypha, the Letter of Aristeas, the writings of Philo, Josephus, the New Testament, and Rabbinic literature as primary evidence he argues that throughout the post-exilic period up to around 100 CE there was not one official "canon" accepted by all Jews; rather, there existed a plurality of collections of scriptures that were authoritative for different communities. Examining the literary sources and historical circumstances that led to the emergence of authoritative scriptures in ancient Judaism, Lim proposes a theory of the majority canon that posits that the Pharisaic canon became the canon of Rabbinic Judaism in the centuries after the destruction of the Jerusalem Temple.

Formalized by the tenth century, the expansive Bhagavata Purana resists easy categorization. While the narrative holds together as a coherent literary work, its language and expression compete with the best of Sanskrit poetry. The text's theological message focuses on devotion to Krishna or Vishnu, and its philosophical outlook is grounded in the classical traditions of Vedanta and Samkhya. No other Purana has inspired so much commentary, imitation, and derivation. The work has grown in vibrancy through centuries of performance, interpretation, worship, and debate and has guided the actions and meditations of elite intellectuals and everyday worshippers alike. This annotated translation and detailed analysis shows how one text can have such enduring appeal. Key selections from the Bhagavata Purana are faithfully translated, while all remaining sections of the Purana are concisely summarized, providing the reader with a continuous and comprehensive narrative. Detailed endnotes explain unfamiliar concepts and several essays elucidate the rich philosophical and religious debates found in the Sanskrit commentaries. Together with the multidisciplinary readings contained in the companion volume The Bhagavata Purana: Sacred Text and Living Tradition (Columbia, 2013), this book makes a central Hindu masterpiece more accessible to English-speaking audiences and more meaningful to scholars of Hindu literature, philosophy, and religion.

Surah Yusuf, a chapter of the Qur'an (Koran), was revealed to the Prophet Muhammad at a critical juncture of his life. This was the time when he had gone through ten to eleven years of ridicule and rejection in Makkah, a time when he lost his wife and partner, Khadija, a time when he lost his dear uncle Abu Talib. Allah revealed this precious surah to strengthen the Prophet Muhammad's heart. To remind him that he lives in the footsteps of the great prophets of the past and that Allah's help and support is there. This surah is full of meaningful messages of patience, reliance on Allah and how to overcome hardship and betrayal. It was also educational, teaching the Prophet Muhammad the answers to queries that were posed to him by the local Jews and Muslims. Finally this surah was a timely morale booster for the Prophet and his companions in a time of need. Yasir Qadhi has clearly divided the surah into related themes, as per the revelations, so that the reader can easily understand and grasp the great wealth of knowledge relayed through this surah to all.

Described variously as divinely appointed mighty warrior, fearful son, hesitant solider, clever tactician, commanding father, ruthless killer, idolater, and illegitimate king, the character of Gideon from the biblical book of Judges has long challenged readers. How did so many conflicting portraits of Gideon the man become inscribed in our biblical text? What might these different portraits tell us about the authors and editors of Gideon's story, especially in how they expected men to act? And how have interpreters rewritten the story of Gideon in order to create their own expectations for how to act-or not-as a man? By interweaving redaction criticism, reception history, and masculinity studies, Rewriting Masculinity explores how Gideon went from being understood as a mighty warrior to a weakling, from a successful leader to a man who led Israel astray. Kelly J. Murphy first considers the ways that older traditions about Gideon were rewritten at key moments in ancient Israel's history, sometimes so that the story of Gideon might better align with new ideas about what it meant to be a man. At other times, she shows, the story of Gideon was used to explain why older standards of masculinity no longer worked in new contexts. From here, Murphy traces how later generations of interpreters, from the ancient to the contemporary, continually rewrote Gideon in light of their own models for men, might, and masculinity. Rewriting Masculinity is an in-depth case study of how a biblical text was continuously updated. Emphasizing the importance of reading biblical stories and expansions alongside the later reception history of the narrative, Murphy shows that the story of Gideon the mighty warrior is, in many ways, the story of masculinity in miniature: an ever-changing, always-in-crisis, and constantly-transforming ideal.

Practice-oriented educational philosopher Elie Holzer invites readers to grow as teachers, students, or co-learners through "attuned learning," a new paradigm of mindfulness. Groundbreaking interpretations of classical rabbinic texts sharpen attention to our own mental, emotional, and physical workings as well as awareness of others within the complexities of learning interactions. Holzer integrates pedagogical pathways with ethical elements of transformative teaching and learning, the repair of educational disruptions, the role of the human visage, and the dynamics of argumentative and collaborative learning. Literary analyses reveal that deliberate self-cultivation not only leads to ethical and spiritual growth, but also offers a corrective for the pitfalls of the contemporary calculative modalities in educational thinking. The author speaks to the existential, humanizing art of learning and of teaching. This book can serve as a companion volume for A Philosophy of Havruta: Understanding and Teaching the Art of Text Study in Pairs, adding a new dimension of its model of joint learning.

This volume represents the first trilateral exploration of medieval scriptural interpretation. Judaism, Christianity, and Islam are often characterized as religio-cultural siblings, traditions whose origins can be traced to the same geographical region and whose systems of belief and institutional structures share much in common. A particularly important point of commonality is the emphasis that each of these traditions places upon the notion of divine revelation, especially as codified in the text. During the medieval period the three exegetical traditions of Judaism, Christianity, and Islam produced a vast literature, one of great diversity but also one of numerous cross-cultural similarities. The three sections of this book, each of which begins with an introduction to one of these exegetical traditions, explore this rich heritage of biblical and qur'anic interpretation.

This book is an interdisciplinary and multicultural study of ancient and contemporary texts that encode women's spirituality. The contributors, using modern critical methods such as feminist theory, postculturalism, and the new historicisms, examine how the ideas in these texts are being reworked in different religious traditions. The volume encompasses both contemporary and historical contexts, tracing the roles, actions, writings, and beliefs of women in pre-Christian, Christian, Islamic, indigenous, and neo-pagan contexts. The book builds on three decades of feminist research into such areas as goddess worship, indigenous spiritualities, eco-feminism, biblical hermeneutics, Christian and Islamic mysticism, subversive poetics, and mythological systems inside and outside the mainstream.