Engagement with the Muslim world and Muslim people is inevitable for Christians. After all, Islam is the fastest-growing religion in the United States. But what does the Qur'an really say about things like Jesus, war, and non-Muslims? What does the Bible say on these matters? If Christians are to engage in informed, loving conversation with their Muslim neighbors, they need to be equipped with more than the often-specious talking points they glean from the news or email forwards.
"Comparing the Qur'an and the Bible "offers readers an unprecedented collection of Scriptures and doctrines of both faiths presented side by side for easy study and comparison, covering such key issues as
Jesus
Abraham
creation
angels/jinn
jihad
the fall of humankind
predestination
ransom for sin/sacrifice
grace
rebirth
God/Allah
women
marriage and divorce
homosexuality
suicide
resurrection
judgment
Paradise
prayer
A brief explanation of each passage in the Qur'an and the Bible is given, as well as biblical answers to Islamic teaching. The book also motivates readers to have hearts for Muslims and seek to bring them to Christ, offering "door openers" to sharing the Good News. This indispensible collection will be treasured by anyone seeking to understand and engage their Muslim neighbors.

Mirigavati or The Magic Doe is the work of Shaikh Qutban Suhravardi, an Indian Sufi master who was also an expert poet and storyteller attached to the glittering court-in-exile of Sultan Husain Shah Sharqi of Jaunpur. Composed in 1503 as an introduction to mystical practice for disciples, this powerful Hindavi or early Hindi Sufi romance is a richly layered and sophisticated text, simultaneously a spiritual enigma and an exciting love-story full of adventures. The Mirigavati is both an excellent introduction to Sufism and one of the true literary classics of pre-modern India, a story that draws freely on the large pool of Indian, Islamic, and European narrative motifs in its distinctive telling of a mystical quest and its resolution. Adventures from the Odyssey and the voyages of Sindbad the Sailor-sea voyages, encounters with monstrous serpents, damsels in distress, flying demons and cannibals in caves, among others-surface in Suhravardi's rollicking tale, marking it as first-rate entertainment for its time and, in private sessions in Sufi shrines, a narrative that shaped the interior journey for novices. Before his untimely death in 2009, Aditya Behl had completed this complete blank verse translation of the critical edition of the Mirigavati, which reveals the precise mechanism and workings of spiritual signification and use in a major tradition of world and Indian literature.

This bilingual edition of the "Qur'an," the Holy Book of Islam, was first published in the United States in 1988. Ahmed Ali, the distinguished Pakistani novelist, poet, critic, and diplomat, presents this elegant and poetic translation in a contemporary and living voice. On each page, the original Arabic and the translated English sit side by side, encouraging the reader to draw from both texts. Professor Ali also includes notes where necessary, providing the full meaning of each word and phrase. This accessible volume is truly essential for both scholars and followers of Islam.

This book challenges the dominant scholarly notion that the Qur'an must be interpreted through the medieval commentaries shaped by the biography of the prophet Muhammad, arguing instead that the text is best read in light of Christian and Jewish scripture. The Qur'an, in its use of allusions, depends on the Biblical knowledge of its audience. However, medieval Muslim commentators, working in a context of religious rivalry, developed stories that separate Qur'an and Bible, which this book brings back together. In a series of studies involving the devil, Adam, Abraham, Jonah, Mary, and Muhammad among others, Reynolds shows how modern translators of the Qur'an have followed medieval Muslim commentary and demonstrates how an appreciation of the Qur'an's Biblical subtext uncovers the richness of the Qur'an's discourse. Presenting unique interpretations of 13 different sections of the Qur'an based on studies of earlier Jewish and Christian literature, the author substantially re-evaluates Muslim exegetical literature. Thus The Qur'an and Its Biblical Subtext, a work based on a profound regard for the Qur'an's literary structure and rhetorical strategy, poses a substantial challenge to the standard scholarship of Qur'anic Studies. With an approach that bridges early Christian history and Islamic origins, the book will appeal not only to students of the Qur'an but of the Bible, religious studies and Islamic history.

The essays in this compendium examine Late-Biblical writings dating from the Hellenistic period that relate to religion and society. A focus is placed on threat scenarios and on the drawing of differences to the Hellenistic environment and the question of identity for believers during the pre-Christian centuries.

"Major Themes of the Qur'an" is Fazlur Rahman's introduction to one of the richest texts in the history of religious thought. In this classic work, Rahman unravels the Qur'an's complexities on themes such as God, society, revelation, and prophecy with the deep attachment of a Muslim educated in Islamic schools and the clarity of a scholar who taught for decades in the West.

"Generations of scholars have profited from Rahman's] pioneering scholarly work by taking the questions he raised and the directions he outlined to new destinations."--Ebrahim Moosa, from his new foreword

"The religious future of Islam and the future of interfaith relationship . . . will be livelier and saner for the sort of Quranic centrality which "Major Themes of the Qur'an" exemplifies and serves."--Kenneth Cragg, "Middle East"" Journal"

"There shines through a] rare combination of balanced scholarly judgment and profound personal commitment. . . . Rahman is] eager to open up the mysteries of the Qur'an to a shrinking world sorely in need of both moral regeneration and better mutual understanding."--Patrick D. Gaffney, "Journal of Religion"

"I can't think of any book more important, still, than "Major Themes of the Qur'an.""--Michael Sells, author of "Approaching the Qur'an"

The general theme of Rumi's thought, like that of other mystic and Sufi poets of Persian literature, is essentially that of the concept of tawhid - union with his beloved (the primal root) from which whom he has been cut off and become aloof - and his longing and desire to restore it The Masnavi weaves fables, scenes from everyday life, Quranic revelations and exegesis, and metaphysics into a vast and intricate tapestry. In the East, it is said of him that he was "not a prophet - but surely, he has brought a scripture." Rumi believed passionately in the use of music, poetry, and dance as a path for reaching God. For Rumi, music helped devotees to focus their whole being on the divine, and to do this so intensely that the soul was both destroyed and resurrected. It was from these ideas that the practice of "whirling" dervishes developed into a ritual form. His teachings became the base for the order of the Mawlawi which his son Sultan Walad organized. Rumi encouraged sama listening to music and turning or doing the sacred dance. In the Mevlevi tradition, sama represents a mystical journey of spiritual ascent through mind and love to the Perfect One. In this journey, the seeker symbolically turns towards the truth, grows through love, abandons the ego, finds the truth, and arrives at the Perfect. The seeker then returns from this spiritual journey, with greater maturity, to love and to be of service to the whole of creation without discrimination with regard to beliefs, races, classes, and nations. In other verses in the Masnavi, Rumi describes in detail the universal message of love: The lover's cause is separate from all other causes Love is the astrolabe of God's mysteries. Rumi was an evolutionary thinker in the sense that he believed that the spirit after devolution from the divine Ego undergoes an evolutionary process by which it comes nearer and nearer to the same divine Ego. All matter in the universe obeys this law and this movement is due to an inbuilt urge (which Rumi calls "love") to evolve and seek enjoinment with the divinity from which it has emerged. Evolution into a human being from an animal is only one stage in this process. The doctrine of the Fall of Adam is reinterpreted as the devolution of the Ego from the universal ground of divinity and is a universal, cosmic phenomenon. The French philosopher Henri Bergson's idea of life being creative and evolutionary is similar, though unlike Bergson, Rumi believes that there is a specific goal to the process: the attainment of God. For Rumi, God is the ground as well as the goal of all existence. However Rumi need not be considered a biological evolutionary creationist. In view of the fact that Rumi lived hundreds of years before Darwin, and was least interested in scientific theories, it is probable to conclude that he does not deal with biological evolution at all. Rather he is concerned with the spiritual evolution of a human being: Man not conscious of God is akin to an animal and true consciousness makes him divine. Nicholson has seen this as a Neo-Platonic doctrine: the universal soul working through the various spheres of being, a doctrine introduced into Islam by Muslim philosophers like Al Farabi and being related at the same time to Ibn Sina's idea of love as the magnetically working power by which life is driven into an upward trend.

In 1946 the first of the Dead Sea Scroll discoveries was made near the site of Qumran, at the northern end of the Dead Sea. Despite the much publicized delays in the publication and editing of the Scrolls, practically all of them had been made public by the time of the fiftieth anniversary of the first discovery. That occasion was marked by a spate of major publications that attempted to sum up the state of scholarship at the end of the twentieth century, including The Encyclopedia of the Dead Sea Scrolls (OUP 2000). These publications produced an authoritative synthesis to which the majority of scholars in the field subscribed, granted disagreements in detail.
A decade or so later, The Oxford Handbook of the Dead Sea Scrolls has a different objective and character. It seeks to probe the main disputed issues in the study of the Scrolls. Lively debate continues over the archaeology and history of the site, the nature and identity of the sect, and its relation to the broader world of Second Temple Judaism and to later Jewish and Christian tradition. It is the Handbook's intention here to reflect on diverse opinions and viewpoints, highlight the points of disagreement, and point to promising directions for future research.

A Daoist classic that has had a profound influence on Chinese thought, the Laozi or Daodejing, evolved into its present form sometime around the third century BCE and continues to enjoy great popularity throughout East Asia and beyond. Philip J Ivanhoe's lucid and philosophically-minded interpretation and commentary offer fresh insights into this classic work. In the substantial introduction and numerous notes, Ivanhoe draws attention to the issues at play in the text, often relating them to contemporary philosophical discussions and directing the reader to related passages within the Daodejing and to other works of the period. The Language Appendix, unique to this edition, offers eight translations of the opening passage by well-known and influential scholars and explains, line-by-line, how each might have reached his particular interpretation.

From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

Rabbi Adin Even-Israel Steinsaltz's Reference Guide to the Talmud is the original Talmud study aid. An indispensable resource for students of all levels, this fully revised, English-language edition of the Reference Guide clearly and concisely explains the Talmud's fundamental structure, concepts, terminology, assumptions, and inner logic; provides essential historical and biographical information; and includes appendixes, a key to abbreviations, and a comprehensive index.

For improved usability, this completely updated volume has a number of new features: topical organization instead of by Hebrew alphabet, re-edited and revised text to coordinate with the language used in the Koren Talmud Bavli, an index of Hebrew terms to enable one seeking a Hebrew term to locate the relevant entry. An excellent companion for anyone studying any edition of the Talmud.

Only preserved in a single manuscript in Tehran, this remarkable twelfth-century Qur'anic commentary by Muhammad b. 'Abd al-Karim al- Shahrast=an=i marks the achievement of a lifelong, arduous quest for knowledge. Shahrast=an=i began writing Mafatih al-asr=ar or Keys to the Arcana towards the end of his life and the work reflects the brilliant radicalism of his more private religious views. The introduction and opening chapter of this virtually unknown work is presented here in a bilingual edition, which also includes an introduction and contextual notes by Dr Toby Mayer.
In Keys to the Arcana, Shahrast=an=i breaks down the text of the Qur'an and analyses it from a linguistic point of view, with reference to the history of Qur'anic interpretation. The author's ultimate aim is to use an elaborate set of complimentary concepts - the 'keys' of the work's title - to unearth the esoteric meanings of the Qur'anic verses, which he calls the 'arcana' of the verses (asr=ar al-=ay=at). A historian of religious and philosophical doctrines, Shahrast=an=i has generally been considered to be a spokesman for the Sunni religious establishment under the Seljuqs. The complimentary concepts in question, however, appear to derive from the Isma'ili Shi'i intellectual tradition, indicating that the author may have been secretly involved in the Isma'ili movement.
Shahrast=an=i 's unusually esoteric and highly systematic exegesis of the Qur'an provides a vivid picture of the mature state of scriptural commentary in the twelfth-century CE. Dr Mayer's meticulous translation of Shahrast=an=i 's Introduction and Commentary on S=urat al-Fatiha, supplemented by the Arabic text, allows the reader and scholar access to this intriguing Muslim intellectual work for the first time.

This volume consists of 130 stories and short Dharma anecdotes selected from Nagarjuna's immense commentary on The Great Perfection of Wisdom Sutra (Mahaprajnaparamita-upadesa). Each story is "framed" by the inclusion of Nagarjuna's introductory and summarizing Dharma discussions which place the stories in the context of the Bodhisattva Path to buddhahood. The translation and story selection are by the American monk, Bhikshu Dharmamitra. This volume includes facing-page source text in both traditional and simplified scripts.

This is a treatise on the meaning of "The Sutra on Generating the Resolve to Become a Buddha." It was written by the famous early Indian shastra master and bodhisattva, Shramana Vasubandhu (ca 300 ce). In this text, Vasubandhu discourses on the causality behind the origination of the bodhisattva vow (bodhicitta) and on each of the six perfections through which that vow reaches its fruition in buddhahood. This volume includes facing-page source text in both traditional and simplified scripts, variant-readings from other editions, and translator's notes. The translation is by the American monk, Bhikshu Dharmamitra, a translator of numerous important classic Buddhist works.

For decades, Koren's combination Siddur-Humash has been a favorite in Israel. For the first time this convenient volume is available in an American edition. The Koren Talpiot Shabbat Humash offers all the tefillot recited on Shabbat according to American custom and when visiting Israel, from Erev Shabbat though Motza'ei Shabbat, together with the Torah and Haftara readings. The Hebrew text is laid out in Koren style, in Koren Siddur and Tanakh Fonts, and discreet English instructions throughout. Published in cooperation with the Orthodox Union.

Festive cover by renowned Jerusalem artist Yair Emanuel.

This text is a translation of chapters 17-30 of Arya Nagarjuna's immense "Exegesis on the Great Perfection of Wisdom Sutra" (Mahaprajnaparamita-upadesa). It is a free-standing section of that commentary exclusively devoted to analyzing and explaining the various levels of practice of the bodhisattva's six perfections. In it, Nagarjuna sets forth numerous stories, analogies, and analyses as he reveals the deepest meaning of giving, moral virtue, patience, vigor, meditative discipline, and transcendent wisdom, the six primary qualities cultivated by a bodhisattva in progressing toward buddhahood. The translation is by the American monk, Bhikshu Dharmamitra. This volume includes facing-page source text in both traditional and simplified scripts as well as extensive text-structure outlining provided by the translator.

"The Essentials of Buddhist Meditation" is a classic Buddhist meditation instruction manual deeply rooted in the Indian Buddhist "calming-and-insight" meditation tradition. Within its tradition, it is the universally-acknowledged standard beginning-to-intermediate meditation manual, one which offers perhaps the most reliable, comprehensive, and practically-useful Buddhist meditation instruction currently available in English. The author of "The Essentials" is the sixth-century monk and meditation master, Shramana Zhiyi (Chih-i), one of the most illustrious figures in the history of Chinese Buddhism. Master Zhiyi is famous for his role in the founding of the Tiantai teachings lineage and for his authorship of a quartet of meditation manuals of which this is one. The translator of this volume is the American monk, Bhikshu Dharmamitra, a translator of numerous classic works from the Indian and Chinese Buddhist traditions.