This book is the first historical analysis of those parts of Islamic legal theory that deal with the language of revelation, and a milestone in reconstructing the missing history of legal theory in the ninth and tenth centuries. It offers a fresh interpretation of al-Shafii's seminal thought, and traces the development of four different responses to his hermeneutic, culminating in the works of Ibn Hazm, Abd al-Jabbar, al-Baqillani, and Abu Yala Ibn al-Farra. It reveals startling connections between rationalism and literalism, and documents how the remarkable diversity that characterized even traditionalist schools of law was eclipsed in the fifth/eleventh century by a pragmatic hermeneutic that gave jurists the interpretive power and flexibility they needed to claim revealed status for their legal doctrines. More than a detailed and richly documented history, this book opens new avenues for the comparative study of legal and hermeneutical theories, and offers new insights into unstated premises that shape and restrict Muslim legal discourse today. The book is of interest to all occupied with classical Islam, the development of Islamic law, and comparative hermeneutical research.

Though considered one of the most important informants about Judaism in the first century CE, the Jewish historian Flavius Josephus's testimony is often overlooked or downplayed. Jonathan Klawans's Josephus and the Theologies of Ancient Judaism reexamines Josephus's descriptions of sectarian disagreements concerning determinism and free will, the afterlife, and scriptural authority. In each case, Josephus's testimony is analyzed in light of his works' general concerns as well as relevant biblical, rabbinic, and Dead Sea texts. Many scholars today argue that ancient Jewish sectarian disputes revolved primarily or even exclusively around matters of ritual law, such as calendar, cultic practices, or priestly succession. Josephus, however, indicates that the Pharisees, Sadducees, and Essenes disagreed about matters of theology, such as afterlife and determinism. Similarly, many scholars today argue that ancient Judaism was thrust into a theological crisis in the wake of the destruction of the second temple in 70 CE, yet Josephus's works indicate that Jews were readily able to make sense of the catastrophe in light of biblical precedents and contemporary beliefs. Without denying the importance of Jewish law-and recognizing Josephus's embellishments and exaggerations-Josephus and the Theologies of Ancient Judaism calls for a renewed focus on Josephus's testimony, and models an approach to ancient Judaism that gives theological questions a deserved place alongside matters of legal concern. Ancient Jewish theology was indeed significant, diverse, and sufficiently robust to respond to the crisis of its day.

This book examines literary analogies in Christian and Jewish sources, culminating in an in-depth analysis of striking parallels and connections between Christian monastic texts (the Apophthegmata Patrum or 'The Sayings of the Desert Fathers') and Babylonian Talmudic traditions. The importance of the monastic movement in the Persian Empire, during the time of the composition and redaction of the Babylonian Talmud, fostered a literary connection between the two religious populations. The shared literary elements in the literatures of these two elite religious communities sheds new light on the surprisingly inclusive nature of the Talmudic corpora and on the non-polemical nature of elite Jewish-Christian literary relations in late antique Persia.

The rise, fall, and modern resurgence of an enigmatic book revered by yoga enthusiasts around the world Consisting of fewer than two hundred verses written in an obscure if not impenetrable language and style, Patanjali's Yoga Sutra is extolled by the yoga establishment as a perennial classic and guide to yoga practice-except it isn't. Virtually forgotten in India for hundreds of years and maligned when it was first discovered in the West, the Yoga Sutra has been elevated to its present iconic status only in the course of the past forty years. David Gordon White retraces the strange and circuitous journey of this confounding work from its ancient origins to today, bringing to life the improbable cast of characters whose interpretations and misappropriations of the Yoga Sutra led to its revered place in contemporary popular culture.

When we encounter a text, whether ancient or modern, we typically start at the beginning and work our way toward the end. In Tracking the Master Scribe, Sara J. Milstein demonstrates that for biblical and Mesopotamian literature, this habit can yield misleading results. In the ancient Near East, "master scribes"-those who had the authority to produce and revise literature-regularly modified their texts in the course of transmission. One of the most effective techniques for change was to add something to the front-what Milstein calls "revision through introduction." This method allowed scribes to preserve their received material while simultaneously recasting it. As a result, numerous biblical and Mesopotamian texts manifest multiple and even competing viewpoints. Due to the primary position of these additions, such reworked texts are often read solely through the lens of their final contributions. This is true not only for biblical and cuneiform texts in their final forms, but also for Mesopotamian texts that are known from multiple versions: first impressions carry weight. Rather than "nail down every piece of the puzzle," Tracking the Master Scribe demonstrates what is to be gained when engaging questions of textual transmission with attention to how scribes actually worked. Working from the two earliest corpora that allow us to track large-scale change, the book provides broad overviews of evidence available for revision through introduction, as well as a set of detailed case studies that offer fresh insight into well-known biblical and Mesopotamian literary texts. The result is the first comprehensive and comparative profile of this key scribal method: one that was not only ubiquitous in the ancient Near East but also epitomizes the attitudes of the master scribes toward the literature that they produced.

The Treasury of the True Dharma Eye (Shobogenzo) is the masterwork of Dogen (1200-1253), founder of the Soto Zen Buddhist sect in Kamakura-era Japan. It is one of the most important Zen Buddhist collections, composed during a period of remarkable religious diversity and experimentation. The text is complex and compelling, famed for its eloquent yet perplexing manner of expressing the core precepts of Zen teachings and practice. This book is a comprehensive introduction to this essential Zen text, offering a textual, historical, literary, and philosophical examination of Dogen's treatise. Steven Heine explores the religious and cultural context in which the Treasury was composed and provides a detailed study of the various versions of the medieval text that have been compiled over the centuries. He includes nuanced readings of Dogen's use of inventive rhetorical flourishes and the range of East Asian Buddhist textual and cultural influences that shaped the work. Heine explicates the philosophical implications of Dogen's views on contemplative experience and attaining and sustaining enlightenment, showing the depth of his distinctive understanding of spiritual awakening. Readings of Dogen's Treasury of the True Dharma Eye will give students and other readers a full understanding of this fundamental work of world religious literature.

This is the second volume of a translation of India's most beloved and influential epic saga, the monumental R?m?ya?a of V?lm?ki. Of the seven sections of this great Sanskrit masterpiece, the Ayodhyak???a is the most human, and it remains one of the best introductions to the social and political values of traditional India. This readable translation is accompanied by commentary that elucidates the various problems of the text--philological, aesthetic, and cultural. The annotations make extensive use of the numerous commentaries on the R?m?ya?a composed in medieval India. The substantial introduction supplies a historical context for the poem and a critical reading that explores its literary and ideological components.

Printed editions of midrashim, rabbinic expositions of the Bible, flooded the market for Hebrew books in the sixteenth century. First published by Iberian immigrants to the Ottoman Empire, they were later reprinted in large numbers at the famous Hebrew presses of Venice. This study seeks to shed light on who read these new books and how they did so by turning to the many commentaries on midrash written during the sixteenth century. These innovative works reveal how their authors studied rabbinic Bible interpretation and how they anticipated their readers would do so. Benjamin WIlliams focuses particularly on the work of Abraham ben Asher of Safed, the Or ha-Sekhel (Venice, 1567), an elucidation of midrash Genesis Rabba which contains both the author's own interpretations and also the commentary he mistakenly attributed to the most celebrated medieval commentator Rashi. Williams examines what is known of Abraham ben Asher's life, his place among the Jewish scholars of Safed, and the publication of his book in Venice. By analysing selected passages of his commentary, this study assesses how he shed light on rabbinic interpretation of Genesis and guided readers to correct interpretations of the words of the sages. A consideration of why Abraham ben Asher published a commentary attributed to Rashi shows that he sought to lend authority to his programme of studying midrash by including interpretations ascribed to the most famous commentator alongside his own. By analysing the production and reception of the Or ha-Sekhel, therefore, this work illuminates the popularity of midrash in the early modern period and the origins of a practice which is now well-established-the study of rabbinic Bible interpretation with the guidance of commentaries.

The thirteenth-century Jewish mystical classic Sefer ha-Zohar (The Book of Splendor), commonly known as the Zohar, took shape against a backdrop of rising anti-Judaism in Spain. Mystical Resistance reveals that in addition to the Zohar's role as a theological masterpiece, its kabbalistic teachings offer passionate and knowledgeable critiques of Christian majority culture. During the Zohar's development, Christian friars implemented new missionizing strategies, forced Jewish attendance at religious disputations, and seized and censored Jewish books. In response, the kabbalists who composed the Zohar crafted strategically subversive narratives aimed at diminishing Christian authority. Hidden between the lines of its fascinating stories, the Zohar makes daring assertions that challenge themes important to medieval Christianity, including Christ's Passion and ascension, the mendicant friars' new missionizing strategies, and Gothic art's claims of Christian dominion. These assertions rely on an intimate and complex knowledge of Christianity gleaned from rabbinic sources, polemic literature, public Church art, and encounters between Christians and Jews. Much of the kabbalists' subversive discourse reflects language employed by writers under oppressive political regimes, treading a delicate line between public and private, power and powerlessness, subservience and defiance. By placing the Zohar in its thirteenth-century context, Haskell opens this text as a rich and fruitful source of Jewish cultural testimony produced at the epicenter of sweeping changes in the relationship between medieval Western Europe's Christian majority and its Jewish minority.

The Oxford Handbook of the Apocrypha addresses the Old Testament Apocrypha, known to be important early Jewish texts that have become deutero-canonical for some Christian churches, non-canonical for other churches, and that are of lasting cultural significance. In addition to the place given to the classical literary, historical, and tradition-historical introductory questions, essays focus on the major social and theological themes of each individual book. With contributions from leading scholars from around the world, the Handbook acts as an authoritative reference work on the current state of Apocrypha research, and at the same time carves out future directions of study. This Handbook offers an overview of the various Apocrypha and relevant topics related to them by presenting updated research on each individual apocryphal text in historical context, from the late Persian and early Hellenistic periods to the early Roman era. The essays provided here examine the place of the Apocrypha in the context of Early Judaism, the relationship between the Apocrypha and texts that came to be canonized, the relationship between the Apocrypha and the Septuagint, Qumran, the Pseudepigrapha, and the New Testament, as well as their reception history in the Western world. Several chapters address overarching themes, such as genre and historicity, Jewish practices and beliefs, theology and ethics, gender and the role of women, and sexual ethics.

This is the first full-length study of Ecclesiastes using methods of philosophical exegesis, specifically those of the modern French philosophers Levinas and Blanchot. T. A. Perry opens up new horizons in the philosophical understanding of the Hebrew Bible, offering a series of meditations on its general spiritual outlook. Perry breaks down Ecclesiastes' motto 'all is vanity' and returns 'vanity' to its original concrete meaning of 'breath', the breath of life. This central and forgotten teaching of Ecclesiastes leads to new areas of breath research related both to environmentalism and breath control.

Rumi's great book of wisdom-infused poetry contain myriad lessons on the importance of faith, with the culture and lessons of spiritual, Biblical and Islamic teachings featuring strongly. In authoring his masterwork, Rumi quoted the Qu'ran, the Bible and several spiritual forebears. Wishing to align his poetry in order to tell tales of man and man's place in the world, Rumi drew upon a variety of religious and spiritual sources to create a poetic compendium of supreme profundity and depth. The Masnavi was praised as one of the finest works of mystical literature ever seen. It is in the Masnavi that Persia's place between the spiritual cultures of Asia and the Middle East is evidenced. Rumi himself, while undoubtedly an Islamic scholar of great ability, did not feel confined to the faith; he saw spiritual value in a range of disciplines, and asserted that the light of Mohammed's prophecy does not leave faithful Christians, Jews, Zoroastrians or other denominations behind.

For countless generations families have lived in isolated communities in the Godavari Delta of coastal Andhra Pradesh, learning and reciting their legacy of Vedas, performing daily offerings and occasional sacrifices. They are the virtually unrecognized survivors of a 3,700-year-old heritage, the last in India who perform the ancient animal and soma sacrifices according to Vedic tradition. In Vedic Voices, David M. Knipe offers for the first time, an opportunity for them to speak about their lives, ancestral lineages, personal choices as pandits, wives, children, and ways of coping with an avalanche of changes in modern India. He presents a study of four generations of ten families, from those born at the outset of the twentieth century down to their great-grandsons who are just beginning, at the age of seven, the task of memorizing their Veda, the Taittiriya Samhita, a feat that will require eight to twelve years of daily recitations. After successful examinations these young men will reside with the Veda family girls they married as children years before, take their places in the oral transmission of a three-thousand-year Vedic heritage, teach the Taittiriya collection of texts to their own sons, and undertake with their wives the major and minor sacrifices performed by their ancestors for some three millennia. Coastal Andhra, famed for bountiful rice and coconut plantations, has received scant attention from historians of religion and anthropologists despite a wealth of cultural traditions. Vedic Voices describes in captivating prose the geography, cultural history, pilgrimage traditions, and celebrated persons of the region. Here unfolds a remarkable story of Vedic pandits and their wives, one scarcely known in India and not at all to the outside world.

The Upanishads represent for the Hindu approximately what the New Testament represents for the Christian.

The earliest of these spiritual treatises, which vary greatly in length, were put down in Sanskrit between 800 and 400 BC. This selection from twelve Upanishads, with its illuminating introduction by Juan Mascaró, whose translation of the Bhagavad Gita is also in the Penguin Classics, reveals the paradoxical variety and unity, the great questions and simple answers, the spiritual wisdom and romantic imagination of these ‘Himalayas of the Soul’.

Neelima Shukla-Bhatt offers an illuminating study of Narsinha Mehta, one of the most renowned saint-poets of medieval India and the most celebrated bhakti (devotion) poet from Gujarat, whose songs and sacred biography formed a vital source of moral inspiration for Gandhi. Exploring manuscripts, medieval texts, Gandhi's more obscure writings, and performances in multiple religious and non-religious contexts, including modern popular media, Shukla-Bhatt shows that the songs and sacred narratives associated with the saint-poet have been sculpted by performers and audiences into a popular source of moral inspiration.
Drawing on the Indian concept of bhakti-rasa (devotion as nectar), Narasinha Mehta of Gujarat reveals that the sustained popularity of the songs and narratives over five centuries, often across religious boundaries and now beyond devotional contexts in modern media, is the result of their combination of inclusive religious messages and aesthetic appeal in performance. Taking as an example Gandhi's perception of the songs and stories as vital cultural resources for social reconstruction, the book suggests that when religion acquires the form of popular culture, it becomes a widely accessible platform for communication among diverse groups. Shukla-Bhatt expands upon the scholarship on the embodied and public dimension of bhakti through detailed analysis of multiple public venues of performance and commentary, including YouTube videos.
This study provides a vivid picture of the Narasinha tradition, and will be a crucial resource for anyone seeking to understand the power of religious performative traditions in popular media.

Originally published in 1914, this book contains a transcription of leaves from three Arabic Qurans, purchased in Egypt in 1895. Lewis and Mingana date the sections to pre-Othmanic Islam, and each reveal surprising variations in the original Quranic texts. This book, which was controversial at the time of its first publication, will be of value to anyone with an interest in early Quranic palimpsests and Islamic history.

This volume contains selected papers from a 2006 symposium that complemented an exhibition of early Bible manuscripts at the Freer Gallery and Sackler Gallery of Art. The book considers the manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.

Written in the early eighth century, the "Kojiki" is considered Japan's first literary and historical work. A compilation of myths, legends, songs, and genealogies, it recounts the birth of Japan's islands, reflecting the origins of Japanese civilization and future Shinto practice. The "Kojiki" provides insight into the lifestyle, religious beliefs, politics, and history of early Japan, and for centuries has shaped the nation's view of its past. This innovative rendition conveys the rich appeal of the "Kojiki" to a general readership by translating the names of characters to clarify their contribution to the narrative while also translating place names to give a vivid sense of the landscape the characters inhabit, as well as an understanding of where such places are today. Gustav Heldt's expert organization reflects the text's original sentence structure and repetitive rhythms, enhancing the reader's appreciation for its sophisticated style of storytelling.

In Reclaiming Jihad: A Qur'anic Critique of Terrorism, ElSayed Amin presents a detailed critique of institutional and legal definitions of terrorism. He engages the Qur'an exegetical tradition, both classical and contemporary, to critique key verses of the Qur'an that have been misread to establish violence as a relational norm between Muslims and non-Muslims. This pioneering work is a sustained scholarly attempt to separate Islamic jihad, as well as the notion of armed deterrence, from modern terrorism through the examination of the 9/11 terrorism attacks, and it proposes legal proscriptions for terrorism from the Qur'an, on the basis of its political, social and psychological impacts.

Systematically reading Jewish exegesis in light of Homeric scholarship, this book argues that more than 2000 years ago Alexandrian Jews developed critical and literary methods of Bible interpretation which are still extremely relevant today. Maren R. Niehoff provides a detailed analysis of Alexandrian Bible interpretation, from the second century BCE through newly discovered fragments to the exegetical work done by Philo. Niehoff shows that Alexandrian Jews responded in a great variety of ways to the Homeric scholarship developed at the Museum. Some Jewish scholars used the methods of their Greek colleagues to investigate whether their Scripture contained myths shared by other nations, while others insisted that significant differences existed between Judaism and other cultures. This book is vital for any student of ancient Judaism, early Christianity and Hellenistic culture.