Engagement with the Muslim world and Muslim people is inevitable for Christians. After all, Islam is the fastest-growing religion in the United States. But what does the Qur'an really say about things like Jesus, war, and non-Muslims? What does the Bible say on these matters? If Christians are to engage in informed, loving conversation with their Muslim neighbors, they need to be equipped with more than the often-specious talking points they glean from the news or email forwards.
"Comparing the Qur'an and the Bible "offers readers an unprecedented collection of Scriptures and doctrines of both faiths presented side by side for easy study and comparison, covering such key issues as
Jesus
Abraham
creation
angels/jinn
jihad
the fall of humankind
predestination
ransom for sin/sacrifice
grace
rebirth
God/Allah
women
marriage and divorce
homosexuality
suicide
resurrection
judgment
Paradise
prayer
A brief explanation of each passage in the Qur'an and the Bible is given, as well as biblical answers to Islamic teaching. The book also motivates readers to have hearts for Muslims and seek to bring them to Christ, offering "door openers" to sharing the Good News. This indispensible collection will be treasured by anyone seeking to understand and engage their Muslim neighbors.

The essays in this compendium examine Late-Biblical writings dating from the Hellenistic period that relate to religion and society. A focus is placed on threat scenarios and on the drawing of differences to the Hellenistic environment and the question of identity for believers during the pre-Christian centuries.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

"The Book of Virata" details the Pandavas' 13th year in exile, when they live disguised in King Virata's court. They suffer the humiliation of becoming servants; a topic explored both through comedy and pathos. Having maintained their disguise until the very end of the year, then their troubles really begin. Bhima is forced to come to Draupadi's rescue when King Virata's general, Kichaka, sets his sights on her. Duryodhana and the Tri-gartas decide to invade the defeated Virata's kingdom, unaware the Pandavas are hidden there. In the ensuing battles the Pandavas play a crucial role, save Virata and reveal their true identities. The book ends in celebration, with the Pandavas ready to return from exile and reclaim their kingdom. However, the battles in "Virata" foreshadow the war to come, proving it will not be easy.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the ClaySanskrit series, please visit http: //www.claysanskritlibrary.org

This book challenges the dominant scholarly notion that the Qur'an must be interpreted through the medieval commentaries shaped by the biography of the prophet Muhammad, arguing instead that the text is best read in light of Christian and Jewish scripture. The Qur'an, in its use of allusions, depends on the Biblical knowledge of its audience. However, medieval Muslim commentators, working in a context of religious rivalry, developed stories that separate Qur'an and Bible, which this book brings back together. In a series of studies involving the devil, Adam, Abraham, Jonah, Mary, and Muhammad among others, Reynolds shows how modern translators of the Qur'an have followed medieval Muslim commentary and demonstrates how an appreciation of the Qur'an's Biblical subtext uncovers the richness of the Qur'an's discourse. Presenting unique interpretations of 13 different sections of the Qur'an based on studies of earlier Jewish and Christian literature, the author substantially re-evaluates Muslim exegetical literature. Thus The Qur'an and Its Biblical Subtext, a work based on a profound regard for the Qur'an's literary structure and rhetorical strategy, poses a substantial challenge to the standard scholarship of Qur'anic Studies. With an approach that bridges early Christian history and Islamic origins, the book will appeal not only to students of the Qur'an but of the Bible, religious studies and Islamic history.

"Major Themes of the Qur'an" is Fazlur Rahman's introduction to one of the richest texts in the history of religious thought. In this classic work, Rahman unravels the Qur'an's complexities on themes such as God, society, revelation, and prophecy with the deep attachment of a Muslim educated in Islamic schools and the clarity of a scholar who taught for decades in the West.

"Generations of scholars have profited from Rahman's] pioneering scholarly work by taking the questions he raised and the directions he outlined to new destinations."--Ebrahim Moosa, from his new foreword

"The religious future of Islam and the future of interfaith relationship . . . will be livelier and saner for the sort of Quranic centrality which "Major Themes of the Qur'an" exemplifies and serves."--Kenneth Cragg, "Middle East"" Journal"

"There shines through a] rare combination of balanced scholarly judgment and profound personal commitment. . . . Rahman is] eager to open up the mysteries of the Qur'an to a shrinking world sorely in need of both moral regeneration and better mutual understanding."--Patrick D. Gaffney, "Journal of Religion"

"I can't think of any book more important, still, than "Major Themes of the Qur'an.""--Michael Sells, author of "Approaching the Qur'an"

"This book is nothing less than the definitive study of a text long considered central to understanding the Renaissance and its place in Western culture." -James Hankins, Harvard University Pico della Mirandola died in 1494 at the age of thirty-one. During his brief and extraordinary life, he invented Christian Kabbalah in a book that was banned by the Catholic Church after he offered to debate his ideas on religion and philosophy with anyone who challenged him. Today he is best known for a short speech, the Oration on the Dignity of Man, written in 1486 but never delivered. Sometimes called a "Manifesto of the Renaissance," this text has been regarded as the foundation of humanism and a triumph of secular rationality over medieval mysticism. Brian Copenhaver upends our understanding of Pico's masterwork by re-examining this key document of modernity. An eminent historian of philosophy, Copenhaver shows that the Oration is not about human dignity. In fact, Pico never wrote an Oration on the Dignity of Man and never heard of that title. Instead he promoted ascetic mysticism, insisting that Christians need help from Jews to find the path to heaven-a journey whose final stages are magic and Kabbalah. Through a rigorous philological reading of this much-studied text, Copenhaver transforms the history of the idea of dignity and reveals how Pico came to be misunderstood over the course of five centuries. Magic and the Dignity of Man is a seismic shift in the study of one of the most remarkable thinkers of the Renaissance.

Among the many challenges of translating the Qur'an are its unpredictable complexity, evocative associativity, and polysemy. For these reasons, as well as more demanding theological ones, most translations cut, compress, paraphrase, and invent freely. In this meticulously crafted translation of the Qur'an, A.J. Droge takes a different approach by revealing the Qur'an's distinctive idiom in a rendition that strives to remain as close as possible to the way it was expressed in Arabic. His goal has been to make the translation literal to the point of transparency, as well as to maintain consistency in the rendering of words and phrases, and even to mimic word order wherever possible. Originally published in 2013 in an edition with annotations, commentary and other scholarly apparatus, Droge's widely praised translation is presented here as a stand-alone text, with a new introduction, ideal for students and general readers alike.

The depiction of Christ as divine is often assumed to be the categorical difference between early Jewish messianism and New Testament Christology. Despite the prolific accomplishments of recent scholarship on Second Temple messianism and on the origin and development of "high" Christology, research has largely treated these as two separate lines of inquiry. As an unintended result, earliest Christianity appears not as an organic outgrowth of ancient Judaism, but as something of an anomaly. Ruben A. Buhner calls this line of thinking into question in Messianic High Christology. Through a curated set of exegetical comparisons, each between a christological text and one or two messianic texts, Buhner reveals to what extent Second Temple messianism is indeed the primary context for the high Christologies of the New Testament: most New Testament concepts of Christ's divinity are to be understood precisely as part of contemporary discourse within early Jewish messianism. While early understandings of Christ are not simply identical with some other Jewish messianic expectations, they should be understood as deliberate developments in acceptance of and in dialogue with the wider Jewish discourse produced by some Jewish subgroups. As Buhner argues, it was not until the second and subsequent centuries that Jews as well as non-Jewish followers of Christ began to consider the divinity of the messiah as the decisive criterion by which to distinguish between what later would develop into two separate religions. With Messianic High Christology, Buhner brings the New Testament Christologies closer to their first-century Jewish context. In doing so, he augments our understanding of the correlation between early devotion to Christ and early Jewish thought and practice more broadly, and challenges current historical reconstructions.

In 1946 the first of the Dead Sea Scroll discoveries was made near the site of Qumran, at the northern end of the Dead Sea. Despite the much publicized delays in the publication and editing of the Scrolls, practically all of them had been made public by the time of the fiftieth anniversary of the first discovery. That occasion was marked by a spate of major publications that attempted to sum up the state of scholarship at the end of the twentieth century, including The Encyclopedia of the Dead Sea Scrolls (OUP 2000). These publications produced an authoritative synthesis to which the majority of scholars in the field subscribed, granted disagreements in detail.
A decade or so later, The Oxford Handbook of the Dead Sea Scrolls has a different objective and character. It seeks to probe the main disputed issues in the study of the Scrolls. Lively debate continues over the archaeology and history of the site, the nature and identity of the sect, and its relation to the broader world of Second Temple Judaism and to later Jewish and Christian tradition. It is the Handbook's intention here to reflect on diverse opinions and viewpoints, highlight the points of disagreement, and point to promising directions for future research.

This book offers new translations of the Tiruppavai and Nacciyar Tirumoli, composed by the ninth-century Tamil mystic and poetess Kotai. Two of the most significant compositions by a female mystic, the Tiruppavai and Nacciyar Tirumoli give expression to her powerful experiences through the use of a vibrant and bold sensuality, in which Visnu is her awesome, mesmerizing, and sometimes cruel lover. Kotai's poetry is characterized by a richness of language in which words are imbued with polyvalence and even the most mundane experiences are infused with the spirit of the divine. Her Tiruppavai and Nacciyar Tirumoli are garlands of words, redolent with meanings waiting to be discovered. Today Kotai is revered as a goddess, and as a testament to the enduring relevance of her poetry, her Tiruppavai and Nacciyar Tirumoli continue to be celebrated in South Indian ritual, music, dance, and the visual arts.
This book aims to capture the lyricism, beauty, and power of Kotai's original works. In addition, detailed notes based on traditional commentaries, and discussions of the ritual and performative lives of the Tiruppavai and Nacciyar Tirumoli highlight the importance of this ninth-century poet and her two poems over the past one thousand years.

The Steinsaltz Talmud is the most accessible edition available of the Talmud, the nearly 2,000-year-old, central text of the Jewish people. Translated from the Aramaic to modern Hebrew, with explanations and commentary by one of the great Talmud scholars of all time, Rabbi Adin Steinsaltz, The Steinsaltz Talmud fosters deep and creative engagement with the text. The Steinsaltz Talmud offers solutions to linguistic and contextual issues in the text, removes obstacles stemming from the its non-linear construction, and provides succinct commentaries, pertinent Halachic rulings, explanatory notes to Rashi and other commentators, detailed indexes, and background from the sciences, history and the humanities.The Steinsaltz Talmud enables both beginning and seasoned students to participate in the living Talmudic conversation.

Rabbi Adin Even-Israel Steinsaltz's Reference Guide to the Talmud is the original Talmud study aid. An indispensable resource for students of all levels, this fully revised, English-language edition of the Reference Guide clearly and concisely explains the Talmud's fundamental structure, concepts, terminology, assumptions, and inner logic; provides essential historical and biographical information; and includes appendixes, a key to abbreviations, and a comprehensive index.

For improved usability, this completely updated volume has a number of new features: topical organization instead of by Hebrew alphabet, re-edited and revised text to coordinate with the language used in the Koren Talmud Bavli, an index of Hebrew terms to enable one seeking a Hebrew term to locate the relevant entry. An excellent companion for anyone studying any edition of the Talmud.

Drawing on the great progress in Talmudic scholarship over the last century, The Stabilization of Rabbinic Culture is both an introduction to a close reading of rabbinic literature and a demonstration of the development of rabbinic thought on education in the first centuries of the Common Era. In Roman Palestine and Sasanid Persia, a small group of approximately two thousand Jewish scholars and rabbis sustained a thriving national and educational culture. They procured loyalty to the national language and oversaw the retention of a national identity. This accomplishment was unique in the Roman Near East, and few physical artifacts remain. The scope of oral teaching, however, was vast and was committed to writing only in the high Middle Ages. The content of this oral tradition remains the staple of Jewish learning through modern times.
Though oral learning was common in many ancient cultures, the Jewish approach has a different theoretical basis and different aims. Marc Hirshman explores the evolution and institutionalization of Jewish culture in both Babylonian and Palestinian sources. At its core, he argues, the Jewish cultural thrust in the first centuries of the Common Era was a sustained effort to preserve the language of its culture in its most pristine form. Hirshman traces and outlines the ideals and practices of rabbinic learning as presented in the relatively few extensive discussions of the subject in late antique rabbinic sources. The Stabilization of Rabbinic Culture is a pioneering attempt to characterize the unique approach to learning developed by the rabbinic leadership in late antiquity.

Most scholars believe that the numerous similarities between the Covenant Code (Exodus 20:23-23:19) and Mesopotamian law collections, especially the Laws of Hammurabi, which date to around 1750 BCE, are due to oral tradition that extended from the second to the first millennium. This book offers a fundamentally new understanding of the Covenant Code, arguing that it depends directly and primarily upon the Laws of Hammurabi and that the use of this source text occurred during the Neo-Assyrian period, sometime between 740-640 BCE, when Mesopotamia exerted strong and continuous political and cultural influence over the kingdoms of Israel and Judah and a time when the Laws of Hammurabi were actively copied in Mesopotamia as a literary-canonical text. The study offers significant new evidence demonstrating that a model of literary dependence is the only viable explanation for the work. It further examines the compositional logic used in transforming the source text to produce the Covenant Code, thus providing a commentary to the biblical composition from the new theoretical perspective. This analysis shows that the Covenant Code is primarily a creative academic work rather than a repository of laws practiced by Israelites or Judeans over the course of their history. The Covenant Code, too, is an ideological work, which transformed a paradigmatic and prestigious legal text of Israel's and Judah's imperial overlords into a statement symbolically countering foreign hegemony. The study goes further to study the relationship of the Covenant Code to the narrative of the book of Exodus and explores how this may relate to the development of the Pentateuch as a whole.

From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

This book explores the story of the Israelites' worship of the Golden Calf in its Jewish, Christian, and Muslim contexts, from ancient Israel to the emergence of Islam. It focuses in particular on the Qur'an's presentation of the narrative and its background in Jewish and Christian retellings of the episode from Late Antiquity. Across the centuries, the interpretation of the Calf episode underwent major changes reflecting the varying cultural, religious, and ideological contexts in which various communities used the story to legitimate their own tradition, challenge the claims of others, and delineate the boundaries between self and other. The book contributes to the ongoing reevaluation of the relationship between Bible and Qur'an, arguing for the necessity of understanding the Qur'an and Islamic interpretations of the history and narratives of ancient Israel as part of the broader biblical tradition. The Calf narrative in the Qur'an, central to the qur'anic conception of the legacy of Israel and the status of the Jews of its own time, reflects a profound engagement with the biblical account in Exodus, as well as being informed by exegetical and parascriptural traditions in circulation in the Qur'an's milieu in Late Antiquity. The book also addresses the issue of Western approaches to the Qur'an, arguing that the historical reliance of scholars and translators on classical Muslim exegesis of scripture has led to misleading conclusions about the meaning of qur'anic episodes.

The life and times of an enduring work of Jewish spirituality The Babylonian Talmud, a postbiblical Jewish text that is part scripture and part commentary, is an unlikely bestseller. Written in a hybrid of Hebrew and Aramaic, it is often ambiguous to the point of incomprehension, and its subject matter reflects a narrow scholasticism that should hardly have broad appeal. Yet the Talmud has remained in print for centuries and is more popular today than ever. Barry Scott Wimpfheimer tells the remarkable story of this ancient Jewish book, explaining why the Talmud is at once a received source of traditional teachings, a touchstone of cultural authority, and a powerful symbol of Jewishness for supporters and critics alike.

This book seeks to understand the major mythological role models that mark the moral landscape navigated by young Hindu women. Traditionally, the goddess Sita, faithful consort of the god Rama, is regarded as the most important positive role model for women. The case of Radha, who is mostly portrayed as a clandestine lover of the god Krishna, seems to challenge some of the norms the example of Sita has set. That these role models are just as relevant today as they have been in the past is witnessed by the popularity of the televised versions of their stories, and the many allusions to them in popular culture. Taking the case of Sita as main point of reference, but comparing throughout with Radha, Pauwels studies the messages sent to Hindu women at different points in time. She compares how these role models are portrayed in the most authoritative versions of the story. She traces the ancient, Sanskrit sources, the medieval vernacular retellings of the stories and the contemporary TV versions as well. This comparative analysis identifies some surprising conclusions about the messages sent to Indian women today, which belie the expectations one might have of the portrayals in the latest, more liberal versions. The newer messages turn out to be more conservative in many subtle ways. Significantly, it does not remain limited to the religious domain. By analyzing several popular recent and classical hit movies that use Sita and Radha tropes, Pauwels shows how these moral messages spill into the domain of popular culture for commercial consumption.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

The Pandavas believe they have completed the terms of their exile, though Duryodhana claims that they did not live unknown for the full thirteenth year, since Arjuna was recognised in the battle at the end of the preceding book, aVirata.a While the Pandavas and Kurus make their preparations for war they organise a series of embassies to negotiate peace. This volume constantly highlights the inevitability of conflict and the futility of negotiation. Most characters are concerned that war between family cannot fail to be sinful. Contained herein is the aSanat-sujatiya, a a philosophical passage to rival the aBhagavad-gita.a Like the aBhagavad-gita, a the aSanat-sujatiyaa tells that karma will not chain one in the cycle of rebirth, if one refrains from desire. Through understanding the truth of non-duality, that the world is mere illusion, one is subsumed into eternal existence with Brahman.

Co-published by New York University Press andthe JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org