This is an accessible and up-to-date account of the Jews during the millennium following Alexander the Great's conquest of the East. Unusually, it acknowledges the problems involved in constructing a narrative from fragmentary yet complex evidence and is, implicitly, an exploration of how this might be accomplished. Moreover, unlike most other introductions to the subject, it concentrates primarily on the people rather than issues of theology and adopts a resolutely unsentimental approach to the subject. Professor Schwartz particularly demonstrates the importance of studying Jewish history, texts and artefacts to the broader community of ancient historians because of what they can contribute to wider themes such as Roman imperialism. The book serves as an excellent introduction for students and scholars of Jewish history and of ancient history.

Jews under Moroccan Skies tells the story of Jewish life in Morocco, describing in realistic detail how Jews and Muslims interweaved their lives in peace for centuries. The authors give us the rich history of Berber Jews, the Moroccan tzadikim, and Jewish mysticism in the country. They also describe the cultural differences between the Judeo-Spanish communities of the North, the Francophone urban Jews, and the Judeo-Arabic and Judeo-Berber traditions. "No chapter in the long history of the Jewish people has more power and more relevance to our contemporary world than Moroccan Jewry. And it is the least known, by far This wonderful book will draw you into its mystery, captivating and capturing your imagination. If you don't want to be tempted to travel, don't read this book. You will never be satisfied until you see it with you own eyes accompanied by the unparalleled teacher and guide, Raphael David Elmaleh People all over the world have been waiting for Raphy to put his words down on paper. This magnificent book is the result. It is a gem " -- Peter A. Geffen, Founder and Executive Director KIVUNIM Founder, The Abraham Joshua Heschel School, New York

Objects of worship are an aspect of the material dimension of lived religion in South Asia. The omnipresence of these objects and their use is a theme which cuts across the religious traditions in the pluralistic religious culture of the region. Divine power becomes manifest in the objects and for the devotees they may represent power regardless of religious identity. This book looks at how objects of worship dominate the religious landscape of South Asia, and in what ways they are of significance not just from religious perspectives but also for the social life of the region. The contributions to the book show how these objects are shaped by traditions of religious aesthetics and have become conceptual devices woven into webs of religious and social meaning. They demonstrate how the objects have a social relationship with those who use them, sometimes even treated as being alive. The book discusses how devotees relate to such objects in a number of ways, and even if the objects belong to various traditions they may attract people from different communities and can also be contested in various ways. By analysing the specific qualities that make objects eligible for a status and identity as living objects of worship, the book contributes to an understanding of the central significance of these objects in the religious and social life of South Asia. It will be of interest to students and scholars of Religious Studies and South Asian Religion, Culture and Society.

This pioneering study examines the process of reasoning in Islamic law. Some of the key questions addressed here include whether sacred law operates differently from secular law, why laws change or stay the same and how different cultural and historical settings impact the development of legal rulings. In order to explore these questions, the author examines the decisions of thirty jurists from the largest legal tradition in Islam: the Hanafi school of law. He traces their rulings on the question of women and communal prayer across a very broad period of time - from the eighth to the eighteenth century - to demonstrate how jurists interpreted the law and reconciled their decisions with the scripture and the sayings of the Prophet. The result is a fascinating overview of how Islamic law has evolved and the thinking behind individual rulings.

The nineteenth-century writer and Masonic scholar Kenneth R. H. Mackenzie (1833 86) studied occultism with Frederick Hockley, and met the famous French occultist Eliphas Levi in 1861. He was also involved in the foundation of the Hermetic Order of the Golden Dawn. This extensive encyclopaedia, first published in 1877, is considered to be a classic Masonic reference work. It includes detailed information on the symbols, rites, legends, terms, people and places associated with Freemasonry. Some of the symbols are illustrated and lists of rankings are given, including a 'traditional' list of Grand Masters of England that includes Sts Swithin and Dunstan, Alfred the Great, Sir Christopher Wren (twice) and Charles II. Mackenzie aims in his entries to be critical when relevant: as he says in the Preface, freemasonry has 'received a willing tribute' in his book, but he hints at difficulties encountered in publishing material about a famously secretive society.

It is the story of an ancient people--a story of oppression and darkness, of judgment and wrath... and ultimately, a story of freedom. The account of Israel's redemptive rebirth not only reminds us of how the God of Abraham, Isaac and Jacob delivered His chosen nation, but how He has made a Way of Salvation for all peoples... "Behold The Lamb of God who is taking away the sin of the world " Behold the Lamb is an untraditional, modern, Messianic Passover Haggadah that tells the Passover story like no other: with Scripture. Approximately ninety percent of the Behold the Lamb 'avodah (Hebrew: "service" or "ceremony") is nothing more than a compilation of relevant passages from the Word, resulting in a unique and dramatic alternative to the customary Passover seder. Can there be a meaningful remembrance of the Passover without seder plates and afikomen? Is the Word of God sufficient to bring the Passover to life in the hearts and minds of our children? Find out in this Scriptural journey memorializing the Feast of freedom and faithfulness--a celebration of the Lamb, by whose sacrifice we are redeemed. Behold The Messiah Yeshua... our Pesach (Revised edition includes supplementary teaching material, matzah recipes and more.)

Counting the Omer is a Kabbalistic meditation guide to understand the in-depth meanings of each of the forty-nine days between Pesach (Passover) and the Shavuot celebration of the revealing of the Torah. Rabbi Kantrowitz follows Kabbalistic guidelines to show how the unique values of the sephirot interact each day, giving the reader insight into the strengths of the day. Through this guide the reader is led to meditate on the mystical qualities of life and self.

Originally published in 1923, this edition of The Travels of Fa-hsien was translated into English by H. A. Giles (1845-1935), a scholar of Chinese language and culture who helped popularize the Wade-Giles system for the Romanization of the Chinese languages. The Travels relates the story of Fa-hsien's journey from Central China across the Gobi Desert, over the Hindu Kush, and through India down to the mouth of the Hoogly, where he took a ship and returned to China by sea, bringing with him the books of the Buddhist Canon and images of Buddhist deities. This is a fascinating text that will be of value to anyone with an interest in Buddhism and Chinese literature.

The British explorer Sir Richard F. Burton (1821 90) was a colourful and often controversial character. A talented linguist and keen ethnologist, he worked in India during the 1840s as an interpreter and intelligence officer for General Sir Charles Napier, and published several books about his experiences in 1851 2. He first gained celebrity, however, for his adventurous 1853 trip to Mecca, under the disguise of a pilgrim, which is described in this lively three-volume publication (1855 6). Few Europeans had ever visited the Muslim holy places; one of them was John Lewis Burckhardt, whose 1829 account is also reissued in this series. Volume 1 of Burton's book describes his arrival in Egypt, the weeks he spent in Alexandria and Cairo polishing his linguistic and cultural skills, and how, at the end of Ramadan, he travelled to Suez by camel, and from there by boat to Yanbu al-Bahr.

The British explorer Sir Richard F. Burton (1821 90) was a colourful and often controversial character. A talented linguist and keen ethnologist, he worked in India during the 1840s as an interpreter and intelligence officer for General Sir Charles Napier, and published several books about his experiences in 1851 2. He first gained celebrity, however, for his adventurous 1853 trip to Mecca, under the disguise of a pilgrim, which is described in this lively three-volume publication (1855 6). Few Europeans had ever visited the Muslim holy places; one of them was John Lewis Burckhardt, whose 1829 account is also reissued in this series. Volume 2 of Burton's book vividly describes the heat and dangers of the journey to Medina, the behaviour and conversation of the pilgrims from many different tribes and nations, and the mosques, tombs and other sights of the bustling city, complete with traders and beggars.

The British explorer Sir Richard F. Burton (1821-90) was a colourful and often controversial character. A talented linguist and keen ethnologist, he worked in India during the 1840s as an interpreter and intelligence officer for General Sir Charles Napier, and published several books about his experiences in 1851-2. He first gained celebrity, however, for his adventurous 1853 trip to Mecca, under the disguise of a pilgrim, which is described in this lively three-volume publication (1855-6). Few Europeans had ever visited the Muslim holy places; one of them was John Lewis Burckhardt, whose 1829 account is also reissued in this series. Volume 3 of Burton's book vividly describes the pilgrims' journey from Medina to Mecca, with catering including coffee, rice and 'occasionally ... tough mutton and indigestible goat', crowded camp-sites and all-night prayers and singing. Finally he arrives at the Kaabah and witnesses the culminating ceremonies of the hajj.

Eliphas Levi, born Alphonse Louis Constant, (1810-75) was instrumental in the revival of Western occultism in the nineteenth century, and published several influential books on magic that are also reissued in this series. This posthumous publication (1896) is a translation by William Wynn Westcott, co-founder of the 'Hermetic Order of the Golden Dawn', of an unpublished French manuscript by Levi, then owned by the spiritualist Edward Maitland. It includes eight of the author's drawings. Each short chapter outlines the meaning of one of the twenty-two tarot trumps and is followed by a brief editor's note describing the card's iconography and summarising interpretations (sometimes deliberately misleading) given in Levi's earlier publications. The book ends with Kabbalistic prayers and rituals, praise of Jesus Christ as the great initiate, and a surprising assertion that Christianity has superseded ancient magic, revealing the life-long tension between Catholicism and magic in Levi's personality and thought.

The purpose of this book, published in 1813 by Thomas Duer Broughton (1778 1835), is to provide an English audience with an accurate description of 'the character, manners, domestic habits and religious ceremonies of the Mahrattas'. Broughton, an army officer in the East India Company, first arrived in India while serving as a cadet in the Bengal establishment in 1795, and eventually rose to the positions of captain in 1805, major in 1816 and colonel in 1829. The book consists of a series of thirty-two letters addressed to his brother, and most of the letters describe the events and the environment of the Rajputana region, beginning with an account of a journey from Agra to Kerowli. The letters which follow all contain fascinating descriptions of festivals and other events, and cultural encounters of all kinds, painting a vivid portrait of life for the British in early nineteenth-century India.

Although there is an obvious association between pilgrimage and place, relatively little research has centred directly on the role of architecture. Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond synthesizes the work of a distinguished international group of scholars. It takes a broad view of architecture, to include cities, routes, ritual topographies and human interaction with the natural environment, as well as specific buildings and shrines, and considers how these were perceived, represented and remembered. The essays explore both the ways in which the physical embodiment of pilgrimage cultures is shared, and what we can learn from the differences. The chosen period reflects the flowering of medieval and early modern pilgrimage. The perspective is that of the pilgrim journeying within - or embarking from - Southern Europe, with a particular emphasis on Italy. The book pursues the connections between pilgrimage and architecture through the investigation of such issues as theology, liturgy, patronage, miracles and healing, relics, and individual and communal memory. Moreover, it explores how pilgrimage may be regarded on various levels, from a physical journey towards a holy site to a more symbolic and internalized idea of pilgrimage of the soul.

The study of pilgrimage often centres itself around miracles and spontaneous populist activities. While some of these activities and stories may play an important role in the emergence of potential pilgrimage sites and in helping create wider interest in them, this book demonstrates that the dynamics of the marketplace, including marketing and promotional activities by priests and secular interest groups, create the very consumerist markets through which pilgrimages become established and successful - and through which the 'sacred' as a category can be sustained. By drawing on examples from several contexts, including Japan, India, China, Vietnam, Europe, and the Muslim world, author Ian Reader evaluates how pilgrimages may be invented, shaped, and promoted by various interest groups. In so doing he draws attention to the competitive nature of the pilgrimage market, revealing that there are rivalries, borrowed ideas, and alliances with commercial and civil agencies to promote pilgrimages. The importance of consumerism is demonstrated, both in terms of consumer goods/souvenirs and pilgrimage site selection, rather than the usual depictions of consumerism as tawdry disjunctions on the 'sacred.' As such this book reorients studies of pilgrimage by highlighting not just the pilgrims who so often dominate the literature, but also the various other interest groups and agencies without whom pilgrimage as a phenomenon would not exist.

The Origins of Theater in Ancient Greece and Beyond examines the evidence for the pre-history and origin of drama. The belief that drama developed from religious ritual has been commonplace since the time of Aristotle but there is little agreement on just how this happened. Recently, scholars have even challenged the historical connection between drama and ritual. This volume is the most thorough examination on the origins of Greek drama to date. It brings together seventeen essays by leading scholars in a variety of fields, including classical archaeology, iconography, cultural history, theater history, philosophy, and religion. Though it primarily focuses up on ancient Greece, the volume includes comparative studies of ritual drama from ancient Egypt, Japan, and medieval Europe. Collectively, the essays show how the relationship of drama to ritual is one of the most controversial, complex, and multi-faceted questions of modern times.

The Mosque in Madinah, which houses the tomb of the Prophet Mohammed himself, is second only to Mecca as the holiest point of pilgrimage in the Islamic world. The Prophet was born in Mecca and died in Madinah in the seventh century. The great Mosque has grown around his tomb and continues to spread at the heart of the city. For centuries the tomb has been watched over by a group of Guardians, brought originally from Abyssinia. The Guardians form their own closed society and exercise authority throughout the Mosque. They carry the keys to the tomb. The current generation of Guardians will be the last. They will have no successors and a tradition almost as old as Islam itself will be replaced by modern forms of administration. Adel Alquraishi, a Saudi photographer from Riyadh, began his extraordinary document by making portraits of the Guardians. These photographs, printed on a large scale, received acclaim outside Saudi Arabia as well as recognition within the kingdom. After making the portraits he was able to persuade the Guardians to allow him to photograph the keys. Finally, he was able to photograph through the enclosing iron grill into the chamber itself. This was unprecedented. The publication is of great historical significance.

Religious icons have been a contested terrain across the world. Their implications and understanding travel further than the artistic or the aesthetic and inform contemporary preoccupations.This book traces the lives of religious sculptures beyond the moment of their creation. It lays bare their purpose and evolution by contextualising them in their original architectural or ritual setting while also following their displacement. The work examines how these images may have moved during different spates of temple renovation and acquired new identities by being relocated either within sacred precincts or in private collections and museums, art markets or even desecrated and lost. The book highlights contentious issues in Indian archaeology such as renegotiating identities of religious images, reuse and sharing of sacred space by adherents of different faiths, rebuilding of temples and consequent reinvention of these sites. The author also engages with postcolonial debates surrounding history writing and knowledge creation in British India and how colonial archaeology, archival practices, official surveys and institutionalisation of museums has influenced the current understanding of religion, sacred space and religious icons. In doing so it bridges the historiographical divide between the ancient and the modern as well as socio-religious practices and their institutional memory and preservation. Drawn from a wide-ranging and interdisciplinary study of religious sculptures, classical texts, colonial archival records, British travelogues, official correspondences and fieldwork, the book will interest scholars and researchers of history, archaeology, religion, art history, museums studies, South Asian studies and Buddhist studies.

Although temples have been important in South Indian society and history, there have been few attempts to study them within an integrated anthropological framework. Professor Appadurai develops such a framework in this ethnohistorical case study, in which he interprets the politics of worship in the Sri Partasarati Svami Temple, a famous ancient Sri Vaisnava shrine in India. The author uses the methods and concepts of both cultural anthropology and social history to construct a model of institutional change in South Asia under colonial rule. Focusing on the problem of authority as a cultural concept and as a managerial reality, Professor Appadurai considers some classic problems of South Asian anthropology: problems of deference, sumptuary symbolism, and religious organization. In addition, he addresses such issues as the nature of conflict under a hybrid colonial legal system, the political implications of sumptuary disputes, and the structure of relations between polity and religion in pre-modern South Asia. These aspects of the study should interest a broad range of scholars.

The Origins of Theater in Ancient Greece and Beyond examines the evidence for the pre-history and origin of drama. The belief that drama developed from religious ritual has been commonplace since the time of Aristotle but there is little agreement on just how this happened. Recently, scholars have even challenged the historical connection between drama and ritual. This volume is the most thorough examination on the origins of Greek drama to date. It brings together seventeen essays by leading scholars in a variety of fields, including classical archaeology, iconography, cultural history, theater history, philosophy, and religion. Though it primarily focuses up on ancient Greece, the volume includes comparative studies of ritual drama from ancient Egypt, Japan, and medieval Europe. Collectively, the essays show how the relationship of drama to ritual is one of the most controversial, complex, and multi-faceted questions of modern times.

The comprehensive 2005 study of rituals in early modern Europe argues that between about 1400 and 1700 a revolution in ritual theory took place that utterly transformed concepts about time, the body, and the presence of spiritual forces in the world. Edward Muir draws on extensive historical research to emphasize the persistence of traditional Christian ritual practices even as educated elites attempted to privilege reason over passion, textual interpretation over ritual action, and moral rectitude over gaining access to supernatural powers. Edward Muir discusses wide ranging themes such as rites of passage, carnivalesque festivity, the rise of manners, Protestant and Catholic Reformations, the alleged anti-Christian rituals of Jews and witches. This edition examines the impact on the European understanding of ritual from the discoveries of new civilizations in the Americas and missionary efforts in China and adds more material about rituals peculiar to women.

In this groundbreaking study, the authors

make an unsettling claim: Anabaptist churches

of the Global South have more in common

with the church of the first three centuries

than they do with contemporary churches

in Europe and North America that claim the

Anabaptist name. With data from eighteen

thousand church members in ten countries,

they show how historical patterns of church

renewal are repeating themselves today in the

Asia, Africa, and Latin America. The study

does more than crunch statistics; it probes the

sources and nature of the renewal and growth.

And it pushes readers to ask what these trends

can teach the churches of the North in their

own quest for faithfulness and vitality.

A groundbreaking anthropological analysis of Islam as experienced by Muslims, "By Noon Prayer" builds a conceptual model of Islam as a whole, while traveling along a comparative path of biblical, Egyptological, ethnographic, poetic, scriptural, and visual materials. Grounded in long-term observation of Arabo-Islamic culture and society, this study captures the rhythm of Islam weaving through the lives of Muslim women and men. Examples of the rhythmic nature of Islam can be seen in all aspects of Muslims' everyday lives. Muslims break their Ramadan fast upon the sun setting, and they receive Ramadan by sighting the new moon. Prayer for their dead is by noon and burial is before sunset. This is space and time in Islam--moon, sun, dawn and sunset are all part of a unique and unified rhythm, interweaving the sacred and the ordinary, nature and culture in a pattern that is characteristically Islamic.

A groundbreaking anthropological analysis of Islam as experienced by Muslims, "By Noon Prayer" builds a conceptual model of Islam as a whole, while traveling along a comparative path of biblical, Egyptological, ethnographic, poetic, scriptural, and visual materials. Grounded in long-term observation of Arabo-Islamic culture and society, this study captures the rhythm of Islam weaving through the lives of Muslim women and men. Examples of the rhythmic nature of Islam can be seen in all aspects of Muslims' everyday lives. Muslims break their Ramadan fast upon the sun setting, and they receive Ramadan by sighting the new moon. Prayer for their dead is by noon and burial is before sunset. This is space and time in Islam--moon, sun, dawn and sunset are all part of a unique and unified rhythm, interweaving the sacred and the ordinary, nature and culture in a pattern that is characteristically Islamic.