Unpunished is a story about, love, abuse, sex, betrayal, deceit, mental illness, murder and the unknown. It's NOT a pretty story, however it is one woman's true story. Donna was on her way home from work one afternoon when she stopped to pick up her mail. She tore excitedly into a package that she assumed was from her mother; instead photographs from her past tumbled onto her lap. She is thrown into the memories of her past, memories that are unwanted and of deeds that went unpunished

IT'S COMPLICATED.
We've read the scandalous headlines, watched her sexy breakout performances in "Starship Troopers "and "Wild Things," and seen her many public faces on her reality television show--the beautiful vixen, the devoted mother, the hard-working entertainer, and the fun-loving friend. But how well do we really know Denise Richards?
Like so many small-town girls, she dreamed of making it big in Hollywood. But following a painful, high-profile divorce from Charlie Sheen, she found herself raising their two young daughters alone as her mother was dying of cancer. Denise writes openly and honestly about these experiences and more: she lets you in on her childhood dreams, her fated move to Hollywood with her close-knit family, her rise to fame, the pressures of living in the spotlight, and the controversy surrounding her relationships. Through it all, she managed to keep her sense of humor and optimism.
She offers an up-close and personal look at her most intimate battle scars and the lessons she's learned as she's healed and grown. Denise's story will resonate with anyone who has had to look within herself to find strength and courage when life is throwing curveballs.
Inspiring and uplifting, raw and revealing, Denise finally lets her fans in on the resilient woman behind the bombshell persona, the person her friends and family already know: "The Real Girl Next Door."

Lombard Street is Walter Bagehot's famous explanation of the England central banking system established during the 19th century. At the time Bagehot wrote, the United Kingdom was at the peak of its influence. The Bank of England in London, was one of the most powerful institutions in the world. Working as an economist at the time, Walter Bagehot sets about explaining how the British government and the Bank of England interact. Leading on from this, he explains how the Bank of England and other banks - the Joint-Stock and Private banking companies - do the business of finance. Bagehot is not afraid to admit that life at the bank is usually quite boring, albeit punctuated by short periods of sudden excitement. The sudden boom of a market, or sudden fluctuations in the credit system, can create an excited demand for money. The eruption of an economic depression, which Bagehot aptly notes is rapidly contagious around different sectors of the economy, can also make working in the bank a lot less tedious.

No Small Lives: Handbook of North American Early Women Adult Educators, 1925-1950 contains the stories of 26 North American women who were active in the field of adult education sometime between the years of 1925 and 1950. Generally, women's contributions have been omitted from the field's histories. No Small Lives is designed to address this gap and restore women to their rightful place in the history of adult education in North America. The primary audience for this book is adult education professors and their graduate students. This book can be used in courses including history and sociology of adult education, the adult learner, courses specific to exploring women's contributions and activities. The secondary audience is the broader fields of women's studies, feminist history, sociology and psychology or those fields that include an examination of women in the early twentieth century. It could also be useful to those focusing on more specific topics such as gender and race studies, prejudice, marginalization, power, how women were sometimes portrayed as invisible or as central figures, and women in leadership and policy making.

Female philanthropy was at the heart of transformative thinking about society and the role of individuals in the interwar period. In Britain, in the aftermath of the First World War, professionalization; the authority of the social sciences; mass democracy; internationalism; and new media sounded the future and, for many, the death knell of elite practices of benevolence. Eve Colpus tells a new story about a world in which female philanthropists reshaped personal models of charity for modern projects of social connectedness, and new forms of cultural and political encounter. Centering the stories of four remarkable British-born women - Evangeline Booth; Lettice Fisher; Emily Kinnaird; and Muriel Paget - Colpus recaptures the breadth of the social, cultural and political influence of women's philanthropy upon practices of social activism. Female Philanthropy in the Interwar World is not only a new history of women's civic agency in the interwar period, but also a study of how female philanthropists explored approaches to identification and cultural difference that emphasized friendship in relation to interwar modernity. Richly detailed, the book's perspective on women's social interventionism offers a new reading of the centrality of personal relationships to philanthropy that can inform alternative models of giving today.

The First World War was a turning point for modern globalised warfare. It involved the inclusion of women in 'war efforts', the homefront becoming the warzone, and produced millions of wounded and disabled men. At the same time, it incited an extraordinary arsenal of gendered discourses, practices and beliefs in the service of militarism, power structures and personal agency. This insightful collection of interdisciplinary essays, by a wide-ranging team of experts, draws out critical themes emanating from 1914. Spanning the First and Second World Wars, through to the Vietnam War, the 'War on Terror' and the wars in Iraq and Afghanistan, the volume asks what has changed and what has continued? Ana Carden-Coyne demonstrates adeptly how understanding gender during periods of conflict has ongoing relevance across the twentieth and twenty-first centuries.

Before the advent of e-mail and cell phones, there was the art of letter writing to communicate with one another. In "Mishaps, Mayhem, and Menopause, " author Carolyn Hendricks Wood shares a series of personal letters written to her sister Shirley during a seventeen-year-period, from 1980 to 1997. Separated by eight hundred miles, Wood kept Shirley updated with stories about special friends and family through her letters. Humorous and insightful, the letters recall events from childhood, confess embarrassing moments, bemoan the passing of youth and memory, and make growing old seem almost fun. "Mishaps, Mayhem, and Menopause" takes a lighthearted look at aging, menopause, and family life as Shirley shares her experiences, observances, and thoughts.While musing over the consequences of growing older, this collection of heartfelt letters provides reassurance to women everywhere that they are not alone in their battles against both the physical and mental effects of aging and menopause.

Imagine a world where your phone is too big for your hand, where your doctor prescribes a drug that is wrong for your body, where in a car accident you are 47% more likely to be seriously injured, where every week the countless hours of work you do are not recognised or valued.

If any of this sounds familiar, chances are that you're a woman.

Invisible Women shows us how, in a world largely built for and by men, we are systematically ignoring half the population. It exposes the gender data gap – a gap in our knowledge that is at the root of perpetual, systemic discrimination against women, and that has created a pervasive but invisible bias with a profound effect on women’s lives.

From government policy and medical research, to technology, workplaces, urban planning and the media, Invisible Women reveals the biased data that excludes women.

Award-winning campaigner and writer Caroline Criado Perez brings together for the first time an impressive range of case studies, stories and new research from across the world that illustrate the hidden ways in which women are forgotten, and the impact this has on their health and well-being. In making the case for change, this powerful and provocative book will make you see the world anew.

Jewish Feeling brings together affect theory and Jewish Studies to trace Jewish difference in literary works by nineteenth-century Anglo-Jewish authors. Dwor argues that midrash, a classical rabbinic interpretive form, is a site of Jewish feeling and that literary works underpinned by midrashic concepts engage affect in a distinctly Jewish way. The book thus emphasises the theological function of literature and also the new opportunities afforded by nineteenth-century literary forms for Jewish women's theological expression. For authors such as Grace Aguilar (1816-1847) and Amy Levy (1861-1889), feeling is a complex and overlapping category that facilitates the transmission of Jewish ways of thinking into English literary forms. Dwor reads them alongside George Eliot, herself deeply engaged with issues of contemporary Jewish identity. This sheds new light on Eliot by positioning her works in a nexus of Jewish forms and concerns. Ultimately, and despite considerable differences in style and outlook, Aguilar and Levy are shown to deploy Jewish feeling in their ethics of futurity, resistance to conversion and closure, and in their foregrounding of a model of reading with feeling.

Women play an essential role in the transport workforce worldwide, working in formal and informal jobs in public transport, road freight and logistics, rail, maritime and aviation sectors, in ports and in active travel. Women, Work and Transport is an international collection that brings together researchers with global expertise in gender and transport work to provide original evidence of the experiences of women working in all transport modes across countries in the Global North and the Global South. The 21 chapters reveal the everyday challenges faced by women working in highly masculinised environments, including gender stereotypes about women's lack of suitability for transport work, gender-based violence and harassment, limited opportunities for promotion and progression, inflexible work patterns, poor working conditions, and lack of gender-specific facilities. The transport sector has also been severely affected by the coronavirus pandemic, resulting in widespread furlough and redundancies. The effect of the pandemic on women's work in transport is addressed, while other chapters also reveal how women have succeeded in transport occupations, with the support of mentoring schemes, leadership programmes and trade unions, highlighting new emerging opportunities to challenge occupational gender segregation as the transport sector transforms through automation, digitisation, and the transition to low-carbon technologies. The Transport and Sustainability series addresses the important nexus between transport and sustainability containing volumes dealing with a wide range of issues relating to transport, its impact in economic, social and environmental spheres, and its interaction with other policy sectors.

The definitive story of the international modeling business--and its evil twin, legalized flesh peddling--"Model" is a tale of beautiful women empowered and subjugated; of vast sums of money; of sex and drugs, obsession and tragic death; and of the most unholy combination in commerce: stunning young women and rich, lascivious men.

Investigative journalist Michael Gross takes us into the private studios and hidden villas where models play and are preyed upon, and tears down modeling's carefully constructed faCade of glamour to reveal the untold truths of an ugly trade.

Here's your invitation to join a literary as well as a personal relationship with the deeply insightful and profoundly expressive perspectives of Regina Diane Jemison. As you encounter these soul-stirring pieces, you may imagine listening to one of God's own trombones. The poetry, prose and personality in "Soul Clothes," may rub up on a curious and compassionate place within you, a place of stark reality drenched in divine hope. Imagine a John Coltrane solo, with words instead of tenor sax.
Acclaim for "Soul Clothes"
""Soul Clothes" dances naked and unabashed across the page. Jemison's poetry connects spirit to spirit, stripping away masks and guiding us to divine adornments of grace, truth, faith."
--Aundria Sheppard Morgan, author "Cross My Heart and Hope to Die"
""Soul Clothes" is one poet's passionate expression of what it is to be human. Her poems encompass a vast expanse of emotions, from suffering and grief to love and celebration. While being real about the human experiences we all share, many of these poems also exalt the divine within us."
--Valerie Jean, author of "Woman Writing a Letter"
""Soul Clothes" reveals a collection of compelling, compassionate, daring, devoted, honest and unafraid poems with a spiritual undertone."
--Sweta Srivastava Vikram, author of "Kaleidoscope: An Asian Journey of Colors"
For more information see www.ReginaJemison.com
From the Reflections of America Series at Modern History Press
Poetry: African-American