A Stunning NRSVue Bible that Reflects the Beauty of Scripture and Faith Exquisite from the inside out, the NRSVue Artisan Collection Bible invites you to journal or draw alongside Scripture while delighting in the beauty of the cover, which features a unique expressionist art piece by painter Leslie Vann. The carefully composed interior features the exclusive Zondervan NRSVue Comfort Print (R) typeface in a double-column typesetting, allowing you to carry this Bible wherever you go. Skillfully crafted for the New Revised Standard Version, Updated Edition (NRSVue) text, Zondervan's exclusive Comfort Print (R) typeface provides a smooth reading experience that complements the foremost Bible translation vetted by Protestant, Catholic, Orthodox, Evangelical, and Jewish scholars. Continuing the legacy of the NRSV, the NRSVue aims to faithfully serve the church in personal spiritual formation, in the liturgy, and in the academy. With revisions based on new textual evidence, historical insights, and linguistic precision, this updated edition delivers a translation of Scripture based on meticulous care for accuracy and readability. Features: The full text of the New Revised Standard Version, Updated Edition (66-book Protestant canon), vetted by an ecumenical pool of Christian academics and renowned for its beautiful balance of scholarship and readability Stunning cover and interior design Lined, wide margins for journaling, notes, and art Two satin ribbon markers Exclusive Zondervan NRSVue Comfort Print typeface 8.5-point print size About the Artist: Leslie Kehl Vann is an abstract expressionist painter whose compositions explore the mysterious relationship between spontaneity and structure as well as the inherent significance of the creative process itself. She draws inspiration from the study of God's Word and the peace of soul it provides. Her paintings seek to visually interpret this journey through a method she likes to call "painting by the Spirit," where the overflow of her dependent, Spirit-filled heart comes through the expression of her surrendered hands with the intention of truly blessing those who view her work. She and her husband, Adrian, live in Georgia with their three fur babies.

In 1981, a group of women marched from Cardiff to the Greenham Common RAF base in Newbury to protest the siting of US nuclear missiles on British soil. They formed what became the Greenham Common Women's Peace Camp and stayed there for almost twenty years, in what would become the largest, most effective woman-led protest since the Suffrage campaign. Out of the Darkness reunites the women of Greenham to share their recollections of the highs and lows of camp life, explore how they organised, and uncover the non-violent ways they challenged military, police and cultural forces, all in the name of peace. Whether freeing MoD geese or dancing on silos, whether composing songs to put their cases across in court or kissing in the face of advancing police, this is the story of the power of creativity, wit and courage, and the sisterhood the Greenham women created. This book celebrates the Greenham pioneers of peaceful protest and hopes to inspire a new generation of activists.

From the authors of Beautifully Said, Grit & Grace, and Bravely, comes Signed & Sealed, a charming gift book that captures the wit, heart, whimsy, drama, and brilliance of correspondence between iconic and little-known pairs both past and present. Inside, readers will find quotations from these exchanges-highlighting the openings and closings penned by their authors-alongside intriguing stories that reveal the who, what, when, and where behind each carefully selected passage. With chapter themes like "with a wink," "with a swoon," and "with an agenda," this clever, rigorously researched collection delivers wisdom and inspiration drawn from the private words of public pairs. Quoted segments of these correspondences are drawn from letters of all sorts-from fan mail and love letters to sage advice and fond farewells. The featured quotations-and the back stories that accompany them-are perfectly suited for bibliophiles, history buffs, pen pals, stationery fans, and letter lovers of all ages. The 100 featured correspondents include friends, colleagues, lovers, family members, and professional admirers, among them Frida Kahlo and Georgia O'Keefe, John Adams and Abigail Smith, Duke Ellington and Ella Fitzgerald, Elizabeth Taylor and Andy Warhol, Nelson Mandela and his young daughters, plus many more. This unique collection was meticulously researched and curated with care by Quotabelle, a start-up that elevates women's voices through the power of words. It's bound to inspire today's letter writers to create their own new "signatures." Signed & Sealed is a perfect pairing with Quotabelle's Salutations & Signoffs notecards, both designed to revive the lost art of letter-writing, one line at a time.

This book explores 50 years of Irish women's prison writing, 1960s-2010s, connecting the work of women leaders and writers in Northern Ireland during the Troubles. This volume analyzes political communiques, petitions, news coverage, prison files, personal letters, poetry and short prose, and memoirs, highlighting the personal correspondence, auto/biographical narratives, and poetry of the following key women: Bernadette McAliskey, Eileen Hickey, Mairead Farrell, Sile Darragh, Ella O'Dwyer, Martina Anderson, Dolours Price, Marian McGlinchey (formerly Marian Price), Aine and Eibhlin Nic Giolla Easpaig (Ann and Eileen Gillespie), Roseleen Walsh, and Margaretta D'Arcy. This text builds on different fields and discourses to reimagine gender and genre as central to an interdisciplinary and intersectional prison archive. Centering Irish women's prison writings, in order to challenge canonization in history and literature, this volume argues that women's lives and words offer a different view of gender and nation as well as offer a fuller and more inclusive archive of Irish history and literature. Additionally, this book will point to the ways in which their politics of everyday life and their cultural work is a form of anti-colonial civil rights feminism, for it speaks truth to power in a world in which compliance and silence are valued. Overall, this text focuses on rethinking and recasting women's voices and words in order to document and promote the ongoing Irish freedom struggle from an abolitionist feminist perspective.

Motherhood, Respectability and Baby-Farming in Victorian and Edwardian London explores a largely obscured marketplace of motherhood that provided ways for women to manage the stigma of illegitimacy and their respectable identities within Victorian and Edwardian society. It focuses on the extent of women's 'dirty work', when maternal problem management was fundamental to the general maintenance of respectability and, by extension, to Empire and Civilisation. Despite its intrigue, history has struggled to understand and represent an uncomfortable but significant artefact of Western modernising society: 'baby-farming'. During a period when ideologies of respectability and civilisation arguably mattered most, the 'right' kind of parenthood - especially motherhood - became paramount. As the 'wrong' offspring could jeopardise a woman's chances of being respectable, a wholesale, informal, and somewhat clandestine marketplace emerged that catered to various maternal difficulties. Within this marketplace, a pregnancy or newborn child who may have compromised a woman's respectability could be 'disposed' of through different means, for a fee. From the Victorian period to the present, the commercialised maternal practices associated with baby-farming have become firmly established within collective consciousness as being synonymous with child murder, female pathology, and 'infanticide for hire'. This book provides a revised, far more complex, and nuanced narrative history which reveals all that was associated with baby-farming - including all possible outcomes - to be entirely natural, rational, and even necessary products of their time; an understandable outcome of the period's 'civilising offensive'. Motherhood, Respectability and Baby-Farming in Victorian and Edwardian London will be of great interest to students and scholars of criminology, sociology, history, and gender studies.

Everyone loves a good fairy tale and Island Girl: A Triumph of the Spirit, from author Norma Joyce Dougherty, fits the bill. Norma shares how in 1970, God led her, a poor, young farm girl from Prince Edward Island, Canada to live out a real-life fairy tale on the world stage. "I became a world traveler and overnight success as Miss Dominion of Canada and contestant in the Miss World, Miss Universe, Queen of the Pacific, and semi-finalist in Miss International. She found fame and fortune," but adds, "I lost my home, my self, and a sense of belonging. It took many years to find `me' again." Women of every age will relate with her identity crisis-a crisis that is all too common in this post-modern era due to the bombardment of direct marketing campaigns designed to focus our goals on looking, acting, and being someone we're not. Norma Joyce recounts her story in a lively "fairy-tale" theme as she shares the long journey from a world where lies and deception prevail to one where the truth of Jesus Christ is her power source, her light, radiance, beauty, peace, joy and her triumph.

This book stems from a simple 'feminist curiosity' that can be succinctly summed up into a single question: what happens to combatant women after the war? Based on in-depth interviews with 40 research participants, mostly former combatants within the Irish Republican Army (IRA), this book offers a critical exploration of republican women and conflict transition in the North of Ireland. Drawing on the feminist theory of a continuum of violence, this book finds that the dichotomous separation of war and peace within conventional approaches represents a gendered fiction. Despite undertaking wartime roles that were empowering, agentic, and subversive, this book finds that the 'post-conflict moment' as experienced by female combatants represents not peace and security, but a continuity of gender discrimination, violence, injustice, and insecurity. The experiences and perspectives contained in this book challenge the discursive deployment of terms such as post-conflict, peace, and security, and moreover, shed light on the many forms of post-war activism undertaken by combatant women in pursuit of peace, equality, and security. The book represents an important intervention in the field of gender, political violence, and peace, and more specifically, female combatants and conflict transition. It is analytically significant in its exploration of the ways in which gender operates within non-state military movements emerging from conflict, and will be of interest to students and scholars alike.

Nineteen Arab women journalists speak out about what it's like to report on their changing homelands in this first-of-its-kind essay collection, with a foreword by CNN chief international correspondent Christiane Amanpour "A stirring, provocative and well-made new anthology . . . that rewrites the hoary rules of the foreign correspondent playbook, deactivating the old cliches." -Dwight Garner, The New York Times A growing number of intrepid Arab and Middle Eastern sahafiyat-female journalists-are working tirelessly to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. From sexual harassment on the streets of Cairo to the difficulty of traveling without a male relative in Yemen, their challenges are unique-as are their advantages, such as being able to speak candidly with other women at a Syrian medical clinic or with men on Whatsapp who will go on to become ISIS fighters, rebels, or pro-regime soldiers. In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it's like to report on conflicts that (quite literally) hit close to home. Their daring and heartfelt stories, told here for the first time, shatter stereotypes about the region's women and provide an urgently needed perspective on a part of the world that is frequently misunderstood. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

The first biography of a pioneering scientist who made significant contributions to our understanding of dark matter and championed the advancement of women in science. One of the great lingering mysteries of the universe is dark matter. Scientists are not sure what it is, but most believe it's out there, and in abundance. The astronomer who finally convinced many of them was Vera Rubin. When Rubin died in 2016, she was regarded as one of the most influential astronomers of her era. Her research on the rotation of spiral galaxies was groundbreaking, and her observations contributed significantly to the confirmation of dark matter, a most notable achievement. In Vera Rubin: A Life, prolific science writers Jacqueline Mitton and Simon Mitton provide a detailed, accessible overview of Rubin's work, showing how she leveraged immense curiosity, profound intelligence, and novel technologies to help transform our understanding of the cosmos. But Rubin's impact was not limited to her contributions to scientific knowledge. She also helped to transform scientific practice by promoting the careers of women researchers. Not content to be an inspiration, Rubin was a mentor and a champion. She advocated for hiring women faculty, inviting women speakers to major conferences, and honoring women with awards that were historically the exclusive province of men. Rubin's papers and correspondence yield vivid insights into her life and work, as she faced down gender discrimination and met the demands of family and research throughout a long and influential career. Deftly written, with both scientific experts and general readers in mind, Vera Rubin is a portrait of a woman with insatiable curiosity about the universe who never stopped asking questions and encouraging other women to do the same.

Drawing on original empirical research from Singapore and Hong Kong, Gendered Labour, Everyday Security and Migration interrogates women migrant domestic workers' experiences of work and workplace exploitation. It examines the ways in which these women negotiate everyday security and safe work against the backdrop of affective employment relations and institutional structures of labour and migration law. It challenges the current emphasis on the language of exploitation and legal approaches to identifying, understanding and rectifying poor employment conditions for women migrant domestic workers. This book addresses the limited research literature that examines the extent to which regulatory or criminal justice responses are relevant to, and utilised by, women migrant domestic workers in their everyday negotiation of safe work and offers a unique contribution to the field. An accessible and compelling read, it will be of interest to researchers from across the fields of criminology, sociology, labour migration studies and women's studies.

It provides an in-depth analysis of a universally popular film that is also a great critical success. It situates the film in the genre of youth movies and in feminist film practice, making it ideal for students and researchers looking at wider dialogues and discourses about feminism, philosophy, gender and independent filmmaking. It is written by an expert on American independent cinema and the dynamics of World Cinema and it combines contextual analysis with a keen sense of film form and a deep knowledge of American culture, literature and philosophy.

'One of the key feminist texts' Guardian The Descent of Woman is a pioneering work, the first to argue for the equal role of women in human evolution. On its first publication in 1972 it sparked an international debate and became a rallying-point for feminism, changing the terminology of anthropologists forever. Starting with her demolition of the Biblical myth that woman was an afterthought to the creation of man, Elaine Morgan rewrites human history and evolution.

Empower yourself and the latest generation of girls with this collection of inspiring reflections from notable, highly accomplished women in politics, academia, athletics, the arts, and business, including Madeleine Albright, Ruth Bader Ginsburg, and more. In What I Told My Daughter, a powerful, diverse group of women reflect on the best advice and counsel they have given their daughters either by example, throughout their lives, or in character-building, teachable moments between parent and child. One of the country's only female police chiefs teaches her daughter the meaning of courage, how to respond to danger but more importantly how not to let fear stop her from experiencing all that life has to offer. A bestselling writer, who has deliberated for years on empowering girls, wonders if we're unintentionally leading them to believe they can never make mistakes, when "resiliency is more important than perfection." In a time when childhood seems at once more fraught and more precious than ever, What I Told My Daughter is a book anyone who wishes to connect with a young girl cannot afford to miss.

This book is dedicated to improving the practice of the policing of domestic abuse. Its objective is to help inform those working in policing about the dynamics of how domestic abuse occurs, how best to respond to and investigate it, and in the longer term how to prevent it. Divided into thematic areas, the book uses recent research findings to update some of the theoretical analysis and to highlight areas of good practice: 'what works and why'. An effective investigation and the prosecution of offenders are considered, as well as an evaluation of the success of current treatment options. Policing domestic abuse can only be dealt with through an effective partnership response. The responsibilities of each agency and the statutory processes in place when policy is not adhered to are outlined. Core content includes: A critique of definitions and theoretical approaches to domestic abuse, including coverage of the myths surrounding domestic abuse and their impact on policing. An exploration on the challenges of collecting data on domestic abuse, looking at police data and the role of health and victim support services. A critical review of different forms of abuse, different perpetrators and victims, and risk assessment tools used by the police. A critical examination of the law relating to domestic abuse; how police resources are deployed to respond to and manage it; and best practice in investigation, gathering evidence, and prosecution Key perspectives on preventing domestic abuse, protecting victims, and reducing harm. Written with the student and budding practitioner in mind, this book is filled with case studies, current research, reports, and media examples, as well as a variety of reflective questions and a glossary of key terms, to help shed light on the challenges of policing domestic violence and the links between academic research and best practice.

Five nights a week, Maria Elena Salinas looks into a television camera and delivers the news to millions of television viewers. But when the newscast is over, she is like so many other women across the country: a wife and a mother, struggling to find balance between her personal and professional life. When Maria Elena accidentally discovers her recently deceased father had once been a Catholic priest, all she knew was suddenly thrown into question. Turning her investigative eye on herself for the first time, she begins a long, arduous journey for answers.

In I Am My Father's Daughter, Maria Elena tells the amazing story of her journey to the top amid her struggle to come to terms with family secrets. From her childhood in a poverty-stricken neighborhood of Los Angeles and her adolescent years spent working in a sweatshop, to her astonishing break into network television, along with her coverage of some of the world's major events and disasters, Salinas frames her life behind the camera in the same warm and straightforward tone that is her on-air trademark.

Rich in historical events and colorfully written, this fascinating account of women in the church spans nearly two thousand years of church history. It tells of events and aspirations, determination and disappointment, patience and achievement that mark the history of daughters of the church from the time of Jesus to the present. The authors have endeavored to present an objective story. The very fact that readers may find themselves surprised now and again by the prominent role of women in certain events and movements proves an inequality that historical narrative has often been guilty of. This is a book about women. It is a setting straight off the record -- a restoring of balance to history that has repeatedly played down the significance of the contributions of women to the theology, the witness, the movements, and the growth of the church. An exegetical study of relevant Scripture passages offers stimulating thought for discussion and for serious reevaluation of historical givens. This volume is enriched by pictures, appendixes, bibliography, and indexes. Like many of the women whose stories it tells, this book has a subdued strength that should not be underestimated.

- Topic timely and important: connects established and emerging journalism practices to changing discourses about sexual violence.. - Diverse range of perspectives, international in scope. Including contributions from authors situated in: Australia, US, Denmark, Sweden, Japan, India, Norway, Israel. - No other academic book on the market which explores sexual violence in the hashtag era of #metoo, #blacklivesmatter, #SayHerName from an intersectional lens

This book explores the kinds of Christian service or diaconia that develop in non-institutionalized practices for supporting survivors of indigenous ritual servitude or Trokosi in Africa. Drawing on empirical research from Ghana, it examines the possibilities of freedom, equality, and dignity for liberated Trokosi and the manner in which these women's experiences constitute a repudiation of dominant patriarchal family systems. With close attention to the work of indigenous parachurches - which function outside of institutionalized churches - in challenging the contemporary practice of ritual slavery and offering its survivors a lived space in which they need not remain "hidden" as they seek restoration and integration into wider society, Ritual Servitudes and Christian Social Practices in Ghana will appeal to scholars of sociology, theology, and religion with interests in gender, contemporary ministries and African religion.

Examines a variety of texts from late Enlightenment Germany to provide a nuanced rethinking of women's roles as wives, mothers, and housekeepers, creators of the cultural spaces of the home. Domesticity, a set of practices, emotions, and values culminating in a nourishing emotional and physical ambience - the "feel" of being at home and belonging - connects one's subjective experience to the material environment. In late Enlightenment Germany, writers from Joachim Heinrich Campe and Theodor von Hippel to Sophie La Roche imagined the home as a space where true "humanity" would be realized. The high-stakes cultural formation of domesticity was part of a complex discourse on the pursuit of happiness as a life well lived. As domesticity became a surrogate for the lost religious certainties of the vanishing pre-modern world, an obsessive anxiety concerning its delineation in discourse suggested its importance but also its fragility and the consequences of its failure. Karin A. Wurst examines didactic novels by female authors, autobiographical texts, popular philosophy, advice literature, periodicals, pedagogical tracts, and household manuals in pursuit of a nuanced rethinking of the relationship between women's roles as wives, mothers, and housekeepers and as creators of the cultural spaces of the home. She finds that the high-value imaginary of domesticity encouraged women's agency insofar as they were tasked with turning theoretical ideals into everyday practice. At the same time, her book shows the under-illuminated contribution of women's work to social and political change from within the patriarchal structures of eighteenth-century Germany.

From the powerhouse author of? The Memo, the essential self-help book for women of color to heal-and thrive-in the workplace In workplaces nationwide, women of color need frank talk and honest advice on how to deal with microaggressions, heal from racialized trauma, and find relief from invisible workplace burdens. Filled with Minda Harts's signature wit and warmth,?Right Within?offers strategies for women of color to speak up during racialized moments with managers and clients, work through past triggers they may not even know still cause pain, and reframe past career disappointments as opportunities to grow into a new path. Through action points, exercises, and clear-eyed coaching, Harts encourages women to summon hidden reserves of strength and courage. She includes advice from therapists and faith leaders of color on a full range of ways to heal. Right Within?will help women of color strengthen their resolve across corporate America, ensuring that we can all, finally, rise together.

The killing took place outside a busy coffee bar in Naples in broad daylight. Pupetta was eighteen years old and six months pregnant when she pulled the gun from her bag. The victim? A man known as Big Tony who had ordered the hit on her husband just months earlier... In this unputdownable expose of women in the Mafia, investigative journalist Barbie Latza Nadeau tells the stories of the women who have risen to prominence in the Italian mob, beginning with the first documented female boss, the infamous Pupetta Maresca. Through personal interviews and groundbreaking research, Nadeau gives us a jaw-dropping 360-degree view of the dark underbelly of Italian society, taking us deeper into the Mafia and its complex realities than ever before. 'Takes the reader into the little-known role of the women that underpin Italy's most ruthless mob families' Sara Gay Forden, author of House of Gucci 'An unflinching portrait of one the original divas of organised crime' Clare Longrigg, author of Mafia Women 'A must for true-crime fans' Publishers Weekly

This volume combines new collections by established authors Deirdre Brennan and Maighread Medbh with a collection by emerging author Nuala Ni Chonchuir. The diversity of their work reveals much skill and insight with astute observations-sometimes comical, sometimes sad-on the human condition and the world around us.