Maria Graham's story is as remarkable as her work, and this biography not only narrates her life but also delves into the representation she made of herself in her published and unpublished journals, diaries, memoirs, and letters. The result of her endeavours is a literary persona that appears far removed from the controversial woman that she actually was. Who is the woman behind the texts? How did she conceive them? Was she simply one of many other adventurous and articulate female authors of the nineteenth century, or did she for some reason stand apart? This book shows how she manufactured her identity at times by conforming to, challenging, or ignoring the rules of society regarding women's behaviour. She was a child of the Enlightenment in that she valued knowledge above all things, yet she flavoured her discoveries with a taste of romanticism. Her search took her to distant lands where she captured for her readers foreign cultural manifestations, exotic landscapes, and obscure religious rites; yet a reading of her work generates the impression that despite the dramatic descriptions of peoples and places, Graham's subject was, simply, herself. What we know of her story comes mainly from her own narratives, although there are significant letters to, from, and about her that round up the analysis. This biography reconstructs Maria Graham's literary image by means of significant passages of her work, memoirs, diaries, journals, and letters. The chosen texts are meant to illustrate salient features of her style and of her interaction with the prevalent ideologies of her time. The intention is to display a groundbreaking female intellectual who captured for her readers the ancientculture of India as deftly as she represented bloodthirsty bandits in the north of Italy or nascent countries in South America.

In the early 1900s, Sarah, a single mother of six children, is trapped in the bloody upheaval marking the death of Czarist Russia and the birth of the Soviet Union. Facing bigotry, poverty, and bloody revolution, Sarah determines to escape the catastrophe engulfing her and her family. She vows to bring them to America.

In this memoir, author Isabelle Stamler traces her family's roots back to the small Belarussian hamlet of Vashisht, telling their story of the journey from Russia to a new life in New York City. From the Great Depression through World War II and beyond, "Sarah's Ten Fingers" narrates the trials and tribulations faced by this determined mother seeking a better existence for her family.

"Sarah's Ten Fingers" recalls Sarah's tenacity, strength, and intelligence-traits that have been replicated in her progeny, who are now teachers, lawyers, doctors, accountants, business owners, and writers. It portrays fifty years in the lives of a family that was brought out of hell by a pious Jewish woman seeking to attain the Golden Land.

THERE IS RESTORATION AFTER GREAT LOSS. A broken heart can be mended. And lost dreams can become the greatest source of hope. But there is so much more to the story of Ruth.

Ruth was not afraid to step out of her comfort zone and embrace new possibilites. She ventured past cultural limitations to discover a life of fulfillment. She was willing to risk it all and be stretched.

For those who feel an affinity to this woman of God, it's time to break boundaries and conquer new territories. This is the core of The Ruth Anointing: a courageous, bold, faith-filled, and resolute pioneering spirit.

MICHELLE McCLAIN-WALTERS SHOWS HOW OPERATING IN AN ANOINTING SIMILAR TO RUTH'S WILL REVEAL THE REDEMPTIVE WORK OF JESUS ALL OVER THE WORLD.

Reading Contemporary African American Literature focuses on the subject of contemporary African American popular fiction by women. Bragg's study addresses why such work should be the subject of scholarly examination, describes the events and attitudes which account for the critical neglect of this body of work, and models a critical approach to such narratives that demonstrates the distinctive ways in which this literature captures the complexities of post-civil rights era black experiences. In making her arguments regarding the value of popular writing, Bragg argues that black women's popular fiction foregrounds gender in ways that are frequently missing from other modes of narrative production. They exhibit a responsiveness and timeliness to the shifting social terrain which is reflected in the rapidly shifting styles and themes which characterize popular fiction. In doing so, they extend the historical function of African American literature by continuing to engage the black body as a symbol of political meaning in the social context of the United States. In popular literature Beauty Bragg locates a space from which black women engage a variety of public discourses.

What was it like for a 10-year old Jewish girl to experience the Nazi Holocaust in 1945? Or, to face suicide, adjusting to a new life in America, an unhappy marriage, epilepsy, and losing 7 of 8 children? The author has coaxed out all the heart-wrenching stories from Ursula Caffey in explicit detail, and on this journey you will discover the secret to her survival grit and conquering spirit. This is a story of unbelievable pain replaced by hope, redemption, and victory.

Lindsey Salloway presented her husband, Tosh, with a wonderful gift for their fifth anniversary: two pink lines.. Finally pregnant after months of trying, Lindsey and Tosh were thrilled. The planning started that night-what they would name the baby, how they would decorate the nursery, and when the baby's due date would be. Lindsey and Tosh, like every other pregnant couple, look forward to kissing their tiny baby's face and counting fingers and toes. For Lindsey and Tosh, however, that dream would not come true.

In her poignant memoir, Lindsey shares the story of her journey through three miscarriages in a span of ten months - from the ecstatic moments after she learned she was first pregnant to the heartbreaking instant when she realized she had lost each baby. As she recalls each experience, Lindsey provides a realistic look into the darkness of the pain and suffering as well as the light of hope and healing as she faced the complicated emotions that accompany miscarriage.

"Our Beautiful Babies Dear" shares one woman's story of loss, endurance, and hope as she endures the pain of miscarriage and finds strength in survival.

Weaving Women's Spheres in Vietnam offers an in-depth study of the status of women in Vietnamese society through an examination of their roles in the context of family, religious and local community life from anthropological, historical and sociological perspectives. Unlike previous works on gender issues relating to Vietnam which focus on women as passive subjects and are restricted to specific spheres such as family, this book, through a series of case studies and life stories, not only examines the suppressive gender structure of the Vietnamese family, but also demonstrates Vietnamese women's agency in appropriating that structure and creating alternative spheres for women which they have interwoven in between the dominant realms of public and private spheres in the areas of family, religious practice, community organizations, and politics, including their participation in the (re)construction of national identity. Accordingly, this volume is expected to become an important new benchmark relating to gender issues in Asian societies, especially in the context of so-called 'transitional' societies, such as China and Vietnam. Contributors include: Kirsten W. Endres, Ito Mariko, Ito Miho, Kato Atsufumi , Hy V. Luong, Miyazawa Chihiro, Thien-Huong T. Ninh, Tran Thi Minh Thi.

From the moment she was born, Margaret Vizinau faced enormous obstacles. Despite them all-including being born blind after her pregnant mother contracted German measles-Margaret grew up to be a woman of great faith who dedicated her life to the Lord. Her family migrated to the San Francisco Bay Area in the late 1940s to escape the rampant discrimination in the South, and in 1950, Margaret entered an interracial marriage with a nonbeliever. But after six years and the birth of two sons, Dexter and Hank, the marriage ended in a painful divorce. Margaret supported her boys by playing the piano and singing for local churches, but she faced countless challenges as a blind, African American single parent. None of them stopped her from lovingly guiding her sons through the changing times of the civil rights movement, their burgeoning pubescence, and the lure of drugs and violence on the streets. Written by Margaret's older son, "Shine on Me" delivers a fascinating look into the life of a strong, inspirational woman and mother whose unwavering faith in God carried her through life's struggles.

Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the "imperial grammars of blackness." This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late-Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on "the other side of terror", which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.

Moving chronologically from the colonial period to the present, this collection of seventeen biographical essays provides a window into the social, cultural, and geographic milieu of women's lives in the state. Within the context of the historical forces that have shaped Louisiana, the contributors look at ways in which the women they profile either abided by prevailing gender norms or negotiated new models of behaviour for themselves and other women. Louisiana Women concludes with an essay that examines women's active responses to problems that emerged in New Orleans after Hurricane Katrina. The women whose absorbing life stories are collected here include Marie Therese Coincoin, who was born a slave but later became a successful entrepreneur, and Oretha Castle Haley, civil rights activist and leader of the New Orleans chapter of CORE. From such well-known figures as author Kate Chopin and Voudou priestess Marie Laveau, to lesser known women such as Cajun musician Cleoma Breaux Falcon, this volume reveals a compelling cross section of historical figures. The women profiled vary by race, class, political affiliation, and religious persuasion, but they all share an unusual grit and determination that allowed them to turn trying circumstances into opportunity. Lively yet rigorous, these essays introduce readers to the courageous, dedicated, and inventive women who have been an essential part of Louisiana's history.

This is an unrivalled collection of source material on women in the ancient Greek world including literary, rhetorical, philosophical and legal sources, and papyri and inscriptions. The study of women in the ancient Mediterranean world is a topic of growing interest among classicists and ancient historians, and also students of history, sociology and women's studies. This volume is an essential resource supplying a compilation of source material in translation, with contextual commentaries, a glossary of key terms and an annotated bibliography. Texts come from literary, rhetorical, philosophical and legal sources, as well as papyri and inscriptions, and each text will be placed into the cultural mosaic to which it belongs. Ranging geographically from the ancient Near East through Egypt and Greece to Rome and its wider empire, the volume follows a clear chronological structure. Beginning in the eighth century BCE the coverage continues through archaic and Classical Athens, Etruscan Italy and the Roman Republic, concluding with the late Roman Empire and the advent of Christianity. "The Continuum Sources in Ancient History" series presents a definitive collection of source material in translation, combined with expert contextual commentary and annotation to provide a comprehensive survey of each volume's subject. Material is drawn from literary, as well as epigraphic, legal and religious, sources. Aimed primarily at undergraduate students, the series will also be invaluable for researchers, and faculty devising and teaching courses.

"Treasures in the Attic: Gifts from a Woman of Faith "is the true story of author Dell Anne Hines Afzal's grandmother, Lois Annie, and the treasures she left their family. It is documented in memory of her love and strength and shows the trials and tribulations of how she lived her life. It also shows an extremely hard-working, honest, and loving woman who would not allow those heartaches she suffered in her life to limit or taint her examples to her children, grandchildren, and great-grandchildren.

Learning of her tragedies and hardships and how she survived them has given Afzal a sense of purpose and a belief that she can do all things through faith and hard work.

Her purpose in sharing her grandmother's life with the reader is to offer comfort and hope to those who are suffering. She offers her prayers and absolute faith in the understanding that whatever pitfalls may be thrown our way, we must never give up and we are not alone.

The treasures found in her attic on the day she moved from her treasured home of over fifty years offer a glimpse of true caring and respect she left for those she loves. The miracle of the recovery of those gifts and a lost member of the family will open your heart and soul to the true miracles of life.