The First World War was a turning point for modern globalised warfare. It involved the inclusion of women in 'war efforts', the homefront becoming the warzone, and produced millions of wounded and disabled men. At the same time, it incited an extraordinary arsenal of gendered discourses, practices and beliefs in the service of militarism, power structures and personal agency. This insightful collection of interdisciplinary essays, by a wide-ranging team of experts, draws out critical themes emanating from 1914. Spanning the First and Second World Wars, through to the Vietnam War, the 'War on Terror' and the wars in Iraq and Afghanistan, the volume asks what has changed and what has continued? Ana Carden-Coyne demonstrates adeptly how understanding gender during periods of conflict has ongoing relevance across the twentieth and twenty-first centuries.

Brave New Collection Honors Women's Spirit Worldwide
"No Ocean Here" bears moving accounts of women and girls in certain developing and underdeveloped countries. The book raises concern, and chronicles the socio-cultural conditions of women in parts of Asia, Africa, and the Middle East. The stories, either based on personal interviews or inspired by true stories, are factual, visceral, haunting, and bold narratives, presented in the form of poems.
"Sweta Srivastava Vikram is no ordinary poet. The 44 poems in this slim volume carry the weight of unspeakable horrors and injustices against women. Sweta's words span the globe. Her spare and evocative phrases weave a dark tapestry of oppressive conventions that in the telling and in our reading and hearing, she helps to unravel."
-- Kay Chernush, Founder/Director, ArtWorks for Freedom
About the Author
Sweta Srivastava Vikram is an award-winning writer, two times Pushcart Prize nominated-poet, novelist, author, essayist, columnist, and educator whose musings have translated into four chapbooks of poetry, two collaborative collections of poetry, a novel, and a non-fiction book of prose and poems. Her work has appeared in several anthologies, literary journals, and online publications across six countries in three continents. A graduate of Columbia University, she reads her work, teaches creative writing workshops, and gives talks at universities and schools across the globe. Sweta lives in New York City with her husband.
Available in hardcover, paperback, and eBook editions
Learn more at www.SwetaVikram.com
From the World Voices Series at Modern History Press www.ModernHistoryPress.com
POE005060 Poetry: American - Asian American
SOC028000 Social Science: Women's Studies - General
FAM001000 Family & Relationships: Abuse - General

This transnational and transcultural study intimately investigates the theatre making practices of Indigenous women playwrights from Australia, Aotearoa, and Turtle Island. It offers a new perspective in Performance Studies employing an Indigenous standpoint, specifically an Indigenous woman's standpoint to privilege the practices and knowledges of Maori, First Nations, and Aboriginal women playwrights. Written in the style of ethnographic narrative the author affords the reader a ringside seat in providing personal insights on the process of negotiating access to rehearsals in each specific cultural context, detailed descriptions of each rehearsal location, and describing the visceral experiences of observing Indigenous theatre makers from inside the rehearsal room. The Indigenous scholar and theatre maker draws on Rehearsal Studies as an approach to documenting the day-to-day working practices of Indigenous theatre makers and considers an Indigenous Standpoint as a valid framework for investigating contemporary Indigenous theatre practices in a colonised context.

This book investigates early modern women's interventions in politics and the public sphere during times of civil war in England and France. Taking this transcultural and comparative perspective, and the period designation "early modern" expansively, Antigone's Example identifies a canon of women's civil-war writings; it elucidates their historical specificity as well as the transhistorical context of civil war, a context which, it argues, enabled women's participation in political thought.

Ruth Silver's young life was challenged in ways most of us will never know. A silent, frightened child with undiagnosed vision loss, her world was one of limited vision that ultimately became one of total darkness. Once the situation had a name-retinitis pigmentosa (RP), a progressive eye disease-she at least knew what she was dealing with. As she grew, her other contact with the world-sound-was also taken from her. Where others might have given up, Ruth refused to surrender to the darkness and silence.

As Ruth Silver's world shrank around her, her heart and ambition grew. She never stopped looking for ways to add meaning to her life. Inspired by her own experiences and challenges, she founded the Center for Deaf-Blind Persons in Milwaukee, a nonprofit agency dedicated to helping others living with the double disability of deaf-blindness.

Ruth's story demonstrates how a resilient spirit can propel a profoundly disabled person forward toward a happy, productive life. A charming young man by the name of Marv was destined to change her life even more; their enduring love story is one of hope, patience, and acceptance.

"Invisible" dispels myths, suggests useful teaching procedures, gives hope to people who are disabled and their families, and offers reassurance through her example that a person with profound disabilities can live a full, rich life.

This book begins with an examination of the numbers of women in physics in English-speaking countries, moving on to examine factors that affect girls and their decision to continue in science, right through to education and on into the problems that women in physics careers face. Looking at all of these topics with one eye on the progress that the field has made in the past few years, and another on those things that we have yet to address, the book surveys the most current research as it tries to identify strategies and topics that have significant impact on issues that women have in the field.

Women often forget they are the result of a long line of nurturing mothers who have survived overwhelming odds just to be here today. By realizing the thriving significance of this linear heritage, a woman can learn more about herself, her world, and even the meaning of human existence.In "The Linear Heritage of Women, " scientists Heidi and Adrian Arvin present a comprehensive study of women that focuses on a female's innate closeness with nature and explains why modern women have shied away from this much-needed intimacy. While offering an in-depth examination of the conflict women undergo during hormonal changes, this exploration shares scientific, religious, and historical evidence that confirms that women are carriers of a special consciousness imperative to maintaining the linear organism called life. After detailing the ways the psyche is interrelated to breath, spirit, and soul, the Arvins describe past goddesses, reintroduce the LifeConscious concept, reveal the many faces of linear heritage, and share personal experiences-all with the intent of presenting an alternative theory to evolution and creationism."The Linear Heritage of Women" provides an innovative way of looking at women, proving that females are complex, fascinating creatures who serve an important purpose in the world.

This book discusses the role of women in jihadi organizations. It explores the critical puzzle of why, despite the traditional restrictive views of Islamic jurisprudence on women's social activities, the level of women's incorporation into some jihadi organizations is growing rapidly both in numbers and roles around the world. The author argues that the increasing incorporation of women and their diversity of roles reflect a strategic logic -jihadi groups integrate women to enhance organizational success. To explain the structural metamorphosis of jihadi organizations and to provide insight into the strategic logic of women in jihadi groups, the book develops a new continuum typology, dividing jihadi groups into operation-based and state-building jihadi organizations. The book uses multiple methods, including empirical fieldwork and the conceptual framework of fragile states to explain the expanding role of women within organizations such as ISIS. Addressing a much-overlooked gap in contemporary studies of women's association with militant jihadi organizations, this book will be of interest to scholars in the field of gender and international security, think tanks working on the Middle East security affairs, activists, policy-makers, as well as undergraduate and postgraduate students undertaking study or research associated with gender and militant non-state actors.

Here's your invitation to join a literary as well as a personal relationship with the deeply insightful and profoundly expressive perspectives of Regina Diane Jemison. As you encounter these soul-stirring pieces, you may imagine listening to one of God's own trombones. The poetry, prose and personality in "Soul Clothes," may rub up on a curious and compassionate place within you, a place of stark reality drenched in divine hope. Imagine a John Coltrane solo, with words instead of tenor sax.
Acclaim for "Soul Clothes"
""Soul Clothes" dances naked and unabashed across the page. Jemison's poetry connects spirit to spirit, stripping away masks and guiding us to divine adornments of grace, truth, faith."
--Aundria Sheppard Morgan, author "Cross My Heart and Hope to Die"
""Soul Clothes" is one poet's passionate expression of what it is to be human. Her poems encompass a vast expanse of emotions, from suffering and grief to love and celebration. While being real about the human experiences we all share, many of these poems also exalt the divine within us."
--Valerie Jean, author of "Woman Writing a Letter"
""Soul Clothes" reveals a collection of compelling, compassionate, daring, devoted, honest and unafraid poems with a spiritual undertone."
--Sweta Srivastava Vikram, author of "Kaleidoscope: An Asian Journey of Colors"
For more information see www.ReginaJemison.com
From the Reflections of America Series at Modern History Press
Poetry: African-American