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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > General
Law is a multi-dimensional aspect of modern society that constantly shifts and changes over time. In recent years, the practice of therapeutic jurisprudence has increased significantly as a valuable discipline. Therapeutic Jurisprudence and Overcoming Violence Against Women is a comprehensive reference source for the latest scholarly research on the strategic role of jurisprudential practices to benefit women and protect women's rights. Highlighting a range of perspectives on topics such as reproductive rights, workplace safety, and victim-offender overlap, this book is ideally designed for academics, practitioners, policy makers, students, and practitioners seeking research on utilizing the law as a social force in modern times.
Arlette Noirclerc was born with a silver spoon in her mouth and spent her early childhood playing at the royal Chateau de Versailles. Those factors did not, however, lead to the life of leisure and luxury that she might have expected. Growing up in occupied France, Arlette learned early to fear the almighty German army, a fear that she was not released from until she witnessed American soldiers rescue France when they stormed Normandy on D-Day. It was on that day that her interest in America was piqued. Throughout her life, Arlette has always felt guided spiritually. She grew curious about people and their spiritual philosophy and set out on her lifelong career in fashion, seemingly by chance, when a visit to London landed her a short stint as a representative for the House of Dior. Before long, she was offered a long-term position and the chance to live where her dreams carried her-America. Arlette faced a series of peaks and valleys, from fame as a fashion designer and courtship by a Moroccan prince to life-threatening surgery and financial wipeouts. All of these things have contributed to her awakening about the laws of the Universe. In her memoir, Arlette's spiritual journey unfolds, demonstrating how, through it all, she was always able to make things work.
Uncovers the powerful effects of 20th-century Jewish women's social and political activism on contemporary American life Winner of the 2013 National Jewish Book Award, Women's Studies Ballots, Babies, and Banners of Peace explores the social and political activism of American Jewish women from 1890 to the beginnings of World War II. Written in an engaging style, the book demonstrates that no history of the birth control, suffrage, or peace movements in the United States is complete without analyzing the impact of Jewish women's presence. The volume is based on years of extensive primary source research in more than a dozen archives and among hundreds of primary sources, many of which have previously never been seen. Voluminous personal papers and institutional records paint a vivid picture of a world in which both middle-class and working-class American Jewish women were consistently and publicly engaged in all the major issues of their day and worked closely with their non-Jewish counterparts on behalf of activist causes. This extraordinarily well-researched volume makes a unique contribution to the study of modern women's history, modern Jewish history, and the history of American social movements.
Drawing on a lifetime of experiences, author Julie McCulloch Burton shares a compilation of short stories and vignettes that reflect her self-deprecating sense of humor and her positive outlook on life, turning ordinary moments into meaningful lessons. Including personal photographs of a wide range of subjects-food, flowers, animals, people, landscapes, seasons, studies in lines, and studies in water movement-Mediocre also presents a varied collection of writings, many of which originated as e-mails to family and friends. Burton offers narratives relaying the realities and absurdities of humorous, everyday situations; accounts of what it's like to live with multiple sclerosis; favorite family recipes; philosophical thoughts; poetry; and reflections on moments in life when you wish you had thought things through just a little bit more. In "Mediocre," Burton provides enlightenment about an ailment that does not define her, entertains with the humor that does, and teaches that the object of this game is not only to do your best on your best day, but also to do your best on your worst day.
Although women constitute half of the world's population, their participation in the political sphere remains problematic. While existing research on women politicians from the United States, the United Kingdom and Canada sheds light on the challenges and opportunities they face, we still have a very limited understanding of women's political participation in emerging democracies. "Women in Politics and Media: Perspectives From Nations in Transition" is the first collection to de-Westernize the scholarship on women, politics and media by: 1) highlighting the latest research on countries and regions that have not been 'the usual suspects'; 2) featuring a diverse group of scholars, many of non-Western origin; 3) giving voice through personal interviews to politically active women, thus providing the reader with a rare insight into women's agency in the political structures of emerging democracies. Each chapter examines the complex women, politics and media dynamic in a particular nation-state, taking into consideration the specific political, historic and social context. With 23 case studies and interviews from Latin America, sub-Saharan Africa, the Middle East and North Africa, Central and Eastern Europe, Asia, Russia and the former Soviet republics, this volume will be of interest to students, media scholars and policy makers from developed and emerging democracies.
A spiritual and knowledgeable woman once told me that I was a Sacred Prostitute. She explained that a Sacred Prostitute is someone who soothes, nurtures and heals another and then sends them on their way to find their true destiny, a better, more emotionally complete person for the experience. I was initially confused, but eventually relieved and elated by this possibility. I sometimes felt guilty because it wasn't possible for me to ignore a woman who was strong or beautiful or talented or sweet. I had many deep but relatively short lived relationships. I was in love with many of these women. I respected and admired every single one of them. I found them simply amazing. I was never looking for notches on a bedpost, only searching for my one true Love. Many left me and moved on, found another. I was left alone, again and again, wondering...But maybe there was a reason for such an active lovelife. Maybe I really am a Sacred Prostitute After all, very few of the women seemed to hate me when we parted. And most were married shortly after their time spent with me. I can't tell you why I was chosen as a Sacred Prostitute. I can't tell you how to become one yourself. But, in this book, I share the journeys, the thoughts and passions of 89 women that loved one, in their own words.
A volume in Contemporary Research in Education Series Editor: Terry A. Osborn, University of South Florida, Sarasota-Manatee Normalites: The First Professionally Prepared Teachers in the United States is a new original work which explores the experiences of three women, Lydia Stow, Mary Swift and Louisa Harris, who were pioneers in the movement in teacher education as members of the first class of the nation's first state normal school established in Lexington, Massachusetts in 1839. The book is biographical, offering new insights derived from exceptional research into the development of the normal school movement from the perspectives of the students. While studies have provided analysis of the movement as a whole, as well as some of the leaders of the initiative, such as Horace Mann and Henry Barnard, there is a lack of rich, published information about the first groups of students. Understanding their accounts and experiences, however, provides a critical foreground to comprehending not only the complexity of the nineteenth century normal school movement but, more broadly, educational reform during this period. Arranged chronologically and in four parts, this book explores the experiences of Lydia Stow, Mary Swift and Louisa Harris during their normal school studies, their entrance into the world and commencement of their careers, the transitions in their personal and professional lives, and the building of their life work. Throughout these periods, their formal educational experiences, as well as broader moments of transformation, are considered and how life paths were shaped. This book will be of interest to undergraduate and graduate students and faculty connected to teacher preparation programs. More than 100,000 students are currently awarded baccalaureate degrees each year in Education. Over 80,000 of these students are women. Their experiences are rooted in the pioneering efforts of Lydia Stow, Mary Swift, and Louisa Harris at our nation's first state normal school. It is a particularly fitting time to share their experiences as the 175th anniversary of the start of formal, state sponsored teacher education, the normal school movement, will be celebrated in 2014.
Cosmopolitan Sex Workers is a groundbreaking work that examines the phenomenon of non-trafficked women who migrate from one global city to another to perform paid sexual labor in Southeast Asia. Christine Chin offers an innovative theoretical framework that she terms "3C" (city, creativity and cosmopolitanism) in order to show how factors at the local, state, transnational and individual levels work together to shape women's ability to migrate to perform sex work. Chin's book will show that as neoliberal economic restructuring processes create pathways connecting major cities throughout the world, competition and collaboration between cities creates new avenues for the movement of people, services and goods (the "city" portion of the argument). Loosely organized networks of migrant labor grow in tandem with professional-managerial classes, and sex workers migrate to different parts of cities, depending on the location of the clientele to which they cater. But while global cities create economic opportunities for migrants (and survive on the labor they provide), states also react to the presence of migrants with new forms of securitization and surveillance. Migrants therefore need to negotiate between appropriating and subverting the ideas that inform global economic restructuring to maintain agency (the "creativity"). Chin suggests that migration allows women to develop intercultural skills that help them to make these negotiations (the "cosmopolitanism"). Chin's book stands apart from other literature on migrant sex labor not only in that she focuses on non-trafficked women, but also in that she demonstrates the co-dependence between global economic processes, sex work, and women's economic agency. Through original ethnographic research with sex workers in Kuala Lumpur, she shows that migrant sex work can provide women with the means of earning income for families, for education, and even for their own businesses. It also allows women the means to travel the world - a form of cosmopolitanism "from below."
Winner of the 2014 Choice Outstanding Academic Title Award This book comprises contributions from a distinguished group of international researchers who examine the historical development of "new women" and "good wife, wise mother," women's roles in socialist and transitional modernity and the transnational migration of both domestic and sex workers as well as wives.
A collection of fifteen vignettes, "Molecules and Women" takes a journey through the lives of women connected invisibly across time and space. The narratives carry and embody the voices and actions of women, some spoken, some witnessed, some experienced firsthand. They illuminate pivotal moments, some disguised as ordinary events, others where loss and grief are so overwhelming, or surprise and joy so transformative that the well from which wisdom springs forth is revealed. In the title story, "Molecules and Women," Philomena Jackson North, a little girl who goes by the name Willow, surprises her mother, Leona, with her deep thoughts about the world around her. In "The Night the Wave Broke," Carla, on the eve of giving birth in a remote mountain village in Spain, seriously questions her husband's sanity and her and her unborn child's safety. As women come together, the interstices become portals into the deeper chambers of the heart, and questions confronted daily are invited, embraced, and lived. Molecules and Women explores a spiral path of lessons learned, lost, and remembered, into the unfolding landscape of dwelling and discovery.
Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture. Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression. Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women. New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.
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