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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > General
When Delores Savage was eight years old, she moved with her
family from the hills and the cotton fields of Oak City, North
Carolina, to the big city streets of Philadelphia, Pennsylvania. In
"My Savage Journey," she tells the story of her life in both North
Carolina and Philadelphia. She describes going to school and
getting her first job at the Robinson Department store. Later, she
would spend ten years working at Wanamaker's Department Store, long
considered to be the first department store in the United States;
now she shares stories of customers-good and bad.
She recalls the story of her mother's unhappy marriage to her
father in North Carolina and of her mother's rape at age twelve by
their pastor-an event that produced her daughter, Annabelle.
Because of the times, though, this fact was not shared with anyone
outside their family for fear of reprisal from the pastor. Delores
also takes us through her life and the birth of her five children.
She has lived a life full of ups and downs, love and challenges,
but she takes pride in her accomplishments.
"My Savage Journey" is the biography of a strong, faithful woman
who is devoted to her remaining family. It's a life story you won't
soon forget.
Growing up in Poland in the 1930s, Rita Braun had many hopes and
dreams for the future. When she was nine years old, however, World
War II touched her once-idyllic life, transforming paradise on
earth into an indescribable hell. In Fragments of my Life, Braun
tells her story--from her birth in 1930 to living in Brazil today,
where she works to ensure no one forgets the more than six million
Jewish people who lost their lives during the Holocaust.
Including many photos, Fragments of my Life provides firsthand
insight into the horrors of the war. As a nine-year old on her
school vacation, Braun watched as military aircraft streaked across
the skies above her parents' farm. She never imagined they would
leave behind much more than a trail of smoke. This memoir details
what she experienced as a Jewish girl trying to stay alive during
World War II. Braun describes watching the selection process and
deportation of friends and family, living under both Russian and
German rule, using a fake identity, surviving in a gated and
guarded ghetto, escaping and hiding for her life, and witnessing
the many tragedies of war.
Candid and detailed, Fragments of my Life chronicles one
survivor's experiences from a woman of the final generation who can
say, "I lived through the Holocaust."
Women Activists between War and Peace employs a comparative
approach in exploring women's political and social activism across
the European continent in the years that followed the First World
War. It brings together leading scholars in the field to discuss
the contribution of women's movements in, and individual female
activists from, Austria, Bulgaria, Finland, France, Germany, Great
Britain, Hungary, Russia and the United States. The book contains
an introduction that helpfully outlines key concepts and broader,
European-wide issues and concerns, such as peace, democracy and the
role of the national and international in constructing the new,
post-war political order. It then proceeds to examine the nature of
women's activism through the prism of five pivotal topics: *
Suffrage and nationalism * Pacifism and internationalism *
Revolution and socialism * Journalism and print media * War and the
body A timeline and illustrations are also included in the book,
along with a useful guide to further reading. This is a vitally
important text for all students of women's history,
twentieth-century Europe and the legacy of the First World War.
The Civil War divided the nation, communities, and families. The
town of Batesville, Arkansas, found itself occupied three times by
the Union army. This compelling book gives a unique perspective on
the war's western edge through the diary of Mary Adelia Byers
(1847-1918), who began recording her thoughts and observations
during the Union occupation of Batesville in 1862.
Only fifteen when she starts her diary, Mary is beyond her years in
maturity, as revealed by her acute observations of the world around
her. At the same time, she appears very much a child of her era.
Having lost her father at a young age, she and her family depend on
the financial support of her Uncle William, a slaveowner and
Confederate sympathizer. Through Mary's eyes we are given
surprising insights into local society during a national crisis. On
the one hand, we see her flirting with Confederate soldiers in the
Batesville town square and, on the other, facing the grim reality
of war by "setting up" through the night with dying soldiers. Her
journal ends in March 1865, shortly before the war comes to a
close.
"Torn by War "reveals the conflicts faced by an agricultural social
elite economically dependent on slavery but situated on the fringes
of the conflict between North and South. On a more personal level,
it also shows how resilient and perceptive young people can be
during times of crisis. Enhanced by extensive photographs, maps,
and informative annotation, the volume is a valuable contribution
to the growing body of literature on civilian life during the Civil
War.
Italian Women Writers, 1800-2000: Boundaries, Borders, and
Transgression investigates narrative, autobiography, and poetry by
Italian women writers from the nineteenth century to today,
focusing on topics of spatial and cultural boundaries, border
identities, and expressions of excluded identities. This book
discusses works by known and less-known writers as well as by some
new writers: Sibilla Aleramo, La Marchesa Colombi, Giuliana
Morandini, Elsa Morante, Neera, Matilde Serao, Ribka Sibhatu,
Patrizia Valduga, Annie Vivanti, Laila Waida, among others; writers
who in their works have manifested transgression to confinement and
entrapment, either social, cultural, or professional; or who have
given significance to national and transnational borders, or have
employed particular narrative strategies to give voice to what
often exceeds expression. Through its contributions, the volume
demonstrates how Italian women writers have negotiated material as
well as social and cultural boundaries, and how their literary
imagination has created dimensions of boundary-crossing.
This interdisciplinary study explores how US Mexicana and Chicana
authors and artists across different historical periods and regions
use domestic space to actively claim their own histories. Through
"negotiation"-a concept that accounts for artistic practices
outside the duality of resistance/accommodation-and
"self-fashioning," Marci R. McMahon demonstrates how the very sites
of domesticity are used to engage the many political and recurring
debates about race, gender, and immigration affecting Mexicanas and
Chicanas from the early twentieth century to today. Domestic
Negotiations covers a range of archival sources and cultural
productions, including the self-fashioning of the "chili queens" of
San Antonio, Texas, Jovita Gonzalez's romance novel Caballero , the
home economics career and cookbooks of Fabiola Cabeza de Baca,
Sandra Cisneros's "purple house controversy" and her acclaimed text
The House on Mango Street , Patssi Valdez's self-fashioning and
performance of domestic space in Asco and as a solo artist, Diane
Rodriguez's performance of domesticity in Hollywood television and
direction of domestic roles in theater, and Alma Lopez's digital
prints of domestic labor in Los Angeles. With intimate close
readings, McMahon shows how Mexicanas and Chicanas shape domestic
space to construct identities outside of gendered, racialized, and
xenophobic rhetoric.
Throughout history certain forms and styles of dress have been
deemed appropriate - or more significantly, inappropriate - for
people as they age. Older women in particular have long been
subject to social pressure to tone down, to adopt self-effacing,
covered-up styles. But increasingly there are signs of change, as
older women aspire to younger, more mainstream, styles, and
retailers realize the potential of the 'grey market'. Fashion and
Age is the first study to systematically explore the links between
clothing and age, drawing on fashion theory and cultural
gerontology to examine the changing ways in which age is imagined,
experienced and understood in modern culture through the medium of
dress. Clothes lie between the body and its social expression, and
the book explores the significance of embodiment in dress and in
the cultural constitution of age. Drawing on the views of older
women, journalists and fashion editors, and clothing designers and
retailers, it aims to widen the agenda of fashion studies to
encompass the everyday dress of the majority, shifting the debate
about age away from its current preoccupation with dependency,
towards a fuller account of the lived experience of age. Fashion
and Age will be of great interest to students of fashion, material
culture, sociology, sociology of age, history of dress and to
clothing designers.
Between 1922 and 1996, over 10,000 girls and women were imprisoned
in Magdalene Laundries, including those considered 'promiscuous', a
burden to their families or the state, those who had been sexually
abused or raised in the care of the Church and State, and unmarried
mothers. These girls and women were subjected to forced labour as
well as psychological and physical maltreatment. Using the Irish
State's own report into the Magdalene institutions, as well as
testimonies from survivors and independent witnesses, this book
gives a detailed account of life behind the high walls of Ireland's
Magdalene institutions. The book offers an overview of the social,
cultural and political contexts of institutional survivor activism,
the Irish State's response culminating in the McAleese Report, and
the formation of the Justice for Magdalenes campaign, a
volunteer-run survivor advocacy group. Ireland and the Magdalene
Laundries documents the ongoing work carried out by the Justice for
Magdalenes group in advancing public knowledge and research into
Magdalene Laundries, and how the Irish State continues to evade its
responsibilities not just to survivors of the Magdalenes but also
in providing a truthful account of what happened. Drawing from a
variety of primary sources, this book reveals the fundamental flaws
in the state's investigation and how the treatment of the burials,
exhumation and cremation of former Magdalene women remains a deeply
troubling issue today, emblematic of the system of torture and
studious official neglect in which the Magdalene women lived their
lives. The Authors are donating all royalties in the name of the
women who were held in the Magdalenes to EPIC (Empowering People in
Care).
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Consent
- A Memoir
(Paperback)
Vanessa Springora; Translated by Natasha Lehrer
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R371
R343
Discovery Miles 3 430
Save R28 (8%)
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Much has been written in Canada and South Africa about sexual
violence in the context of colonial legacies, particularly for
Indigenous girls and young women. While both countries have
attempted to deal with the past through Truth and Reconciliation
Commissions and Canada has embarked upon its National Inquiry on
Missing and Murdered Indigenous Women and Girls, there remains a
great deal left to do. Across the two countries, history,
legislation and the lived experiences of young people, and
especially girls and young women point to a deeply rooted situation
of marginalization. Violence on girls' and women's bodies also
reflects violence on the land and especially issues of
dispossession. What approaches and methods would make it possible
for girls and young women, as knowers and actors, especially those
who are the most marginalized, to influence social policy and
social change in the context of sexual violence? Taken as a whole,
the chapters in Disrupting Shameful Legacies: Girls and Young Women
Speaking Back through the Arts to Address Sexual Violence which
come out of a transnational study on sexual violence suggest a new
legacy, one that is based on methodologies that seek to disrupt
colonial legacies, by privileging speaking up and speaking back
through the arts and visual practice to challenge the situation of
sexual violence. At the same time, the fact that so many of the
authors of the various chapters are themselves Indigenous young
people from either Canada or South Africa also suggests a new
legacy of leadership for change.
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