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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > General
The Status of Women in Classical Economic Thought is the first volume to explore how the classical economists explained the status of women in society. As the essays show, the focus of the classical school was not nearly as limited to the activities of men as conventional wisdom has supposed. The contributors explore their insights and how they illuminate contemporary economic debates regarding women's status. The classical school specified a number of fundamental research themes which have since dominated how economists approach this topic. A sophisticated response was developed to the question: why is it that in all human societies women have suffered a lower status than that enjoyed by men? Those who theorized on the question are covered here and include: Poulain de la Barre, John Locke, Montesquieu, Adam Smith, Nicolas and Sophie de Condorcet, Jeremy Bentham, Priscilla Wakefield, Jean-Baptiste Say, Nassau Senior, John Stuart Mill and Harriet Taylor Mill, Harriet Martineau, William Thompson and Anna Wheeler. Economists interested in the history of their discipline as well as women's studies scholars from history, philosophy and politics will find this an enlightening volume. Non-technical in nature, it will also appeal to anyone interested in how economists have explained the economic and social status of women.
Revealing Bodies turns to the eighteenth century to ask a question with continuing relevance: what kinds of knowledge condition our understanding of our own bodies? Focusing on the tension between particularity and generality that inheres in intellectual discourse about the body, Revealing Bodies explores the disconnection between the body understood as a general form available to knowledge and the body experienced as particularly one's own. Erin Goss locates this division in contemporary bodily exhibits, such as Gunther von Hagens' Body Worlds, and in eighteenth-century anatomical discourse. Her readings of the corporeal aesthetics of Edmund Burke's Philosophical Enquiry, William Blake's cosmological depiction of the body's origin in such works as The [First] Book of Urizen, and Mary Tighe's reflection on the relation between love and the soul in Psyche; or, The Legend of Love demonstrate that the idea of the body that grounds knowledge in an understanding of anatomy emerges not as fact but as fiction. Ultimately, Revealing Bodies describes how thinkers in the eighteenth and nineteenth centuries and bodily exhibitions in the twentieth and twenty-first call upon allegorized figurations of the body to conceal the absence of any other available means to understand that which is uniquely our own: our existence as bodies in the world.
This volume gathers brand new essays from some of the most respected scholars of ancient history, archaeology, and physical anthropology to create an engaging overview of the lives of women in antiquity. The book is divided into ten sections, nine focusing on a particular area, and also includes almost 200 images, maps, and charts. The sections cover Mesopotamia, Egypt, Anatolia, Cyprus, the Levant, the Aegean, Italy, and Western Europe, and include many lesser-known cultures such as the Celts, Iberia, Carthage, the Black Sea region, and Scandinavia. Women's experiences are explored, from ordinary daily life to religious ritual and practice, to motherhood, childbirth, sex, and building a career. Forensic evidence is also treated for the actual bodies of ancient women. Women in Antiquity is edited by two experts in the field, and is an invaluable resource to students of the ancient world, gender studies, and women's roles throughout history.
A spiritual and knowledgeable woman once told me that I was a Sacred Prostitute. She explained that a Sacred Prostitute is someone who soothes, nurtures and heals another and then sends them on their way to find their true destiny, a better, more emotionally complete person for the experience. I was initially confused, but eventually relieved and elated by this possibility. I sometimes felt guilty because it wasn't possible for me to ignore a woman who was strong or beautiful or talented or sweet. I had many deep but relatively short lived relationships. I was in love with many of these women. I respected and admired every single one of them. I found them simply amazing. I was never looking for notches on a bedpost, only searching for my one true Love. Many left me and moved on, found another. I was left alone, again and again, wondering...But maybe there was a reason for such an active lovelife. Maybe I really am a Sacred Prostitute After all, very few of the women seemed to hate me when we parted. And most were married shortly after their time spent with me. I can't tell you why I was chosen as a Sacred Prostitute. I can't tell you how to become one yourself. But, in this book, I share the journeys, the thoughts and passions of 89 women that loved one, in their own words.
IT'S COMPLICATED.
Cosmopolitan Sex Workers is a groundbreaking work that examines the phenomenon of non-trafficked women who migrate from one global city to another to perform paid sexual labor in Southeast Asia. Christine Chin offers an innovative theoretical framework that she terms "3C" (city, creativity and cosmopolitanism) in order to show how factors at the local, state, transnational and individual levels work together to shape women's ability to migrate to perform sex work. Chin's book will show that as neoliberal economic restructuring processes create pathways connecting major cities throughout the world, competition and collaboration between cities creates new avenues for the movement of people, services and goods (the "city" portion of the argument). Loosely organized networks of migrant labor grow in tandem with professional-managerial classes, and sex workers migrate to different parts of cities, depending on the location of the clientele to which they cater. But while global cities create economic opportunities for migrants (and survive on the labor they provide), states also react to the presence of migrants with new forms of securitization and surveillance. Migrants therefore need to negotiate between appropriating and subverting the ideas that inform global economic restructuring to maintain agency (the "creativity"). Chin suggests that migration allows women to develop intercultural skills that help them to make these negotiations (the "cosmopolitanism"). Chin's book stands apart from other literature on migrant sex labor not only in that she focuses on non-trafficked women, but also in that she demonstrates the co-dependence between global economic processes, sex work, and women's economic agency. Through original ethnographic research with sex workers in Kuala Lumpur, she shows that migrant sex work can provide women with the means of earning income for families, for education, and even for their own businesses. It also allows women the means to travel the world - a form of cosmopolitanism "from below."
A collection of fifteen vignettes, "Molecules and Women" takes a journey through the lives of women connected invisibly across time and space. The narratives carry and embody the voices and actions of women, some spoken, some witnessed, some experienced firsthand. They illuminate pivotal moments, some disguised as ordinary events, others where loss and grief are so overwhelming, or surprise and joy so transformative that the well from which wisdom springs forth is revealed. In the title story, "Molecules and Women," Philomena Jackson North, a little girl who goes by the name Willow, surprises her mother, Leona, with her deep thoughts about the world around her. In "The Night the Wave Broke," Carla, on the eve of giving birth in a remote mountain village in Spain, seriously questions her husband's sanity and her and her unborn child's safety. As women come together, the interstices become portals into the deeper chambers of the heart, and questions confronted daily are invited, embraced, and lived. Molecules and Women explores a spiral path of lessons learned, lost, and remembered, into the unfolding landscape of dwelling and discovery.
This book documents the progress that managerial and professional women have made in advancing their careers, and the challenges and opportunities that remain. In the context of increasing numbers of women entering the workplace and indeed pursuing professional and managerial careers, it examines why so few women occupy the top positions in corporations. The editors maintain that whilst the benefits of employing women in executive roles is now being recognised, and efforts are being made to ensure career advancement, female employees do still face a struggle against male bias and the proverbial 'glass ceiling'. In order to build upon the progress that has been made, the book advocates more successful role models for women, an increased commitment from corporations to look at the opportunities for leadership that women present, and extended research into the strengths and failings of organisations in this regard. A broad range of issues are explored, including ongoing challenges of work-family integration, perceptions of gender, leadership and career development, the ethics of office romances, and women at mid-life. Best practices for supporting women's career advancement are then illustrated using the efforts of award wining companies as case studies. The cutting-edge contributions to this book provide an outstanding review of the literature. As such, it will be invaluable to both academics and practitioners with an interest in business, management and human resources.
Women often forget they are the result of a long line of nurturing mothers who have survived overwhelming odds just to be here today. By realizing the thriving significance of this linear heritage, a woman can learn more about herself, her world, and even the meaning of human existence.In "The Linear Heritage of Women, " scientists Heidi and Adrian Arvin present a comprehensive study of women that focuses on a female's innate closeness with nature and explains why modern women have shied away from this much-needed intimacy. While offering an in-depth examination of the conflict women undergo during hormonal changes, this exploration shares scientific, religious, and historical evidence that confirms that women are carriers of a special consciousness imperative to maintaining the linear organism called life. After detailing the ways the psyche is interrelated to breath, spirit, and soul, the Arvins describe past goddesses, reintroduce the LifeConscious concept, reveal the many faces of linear heritage, and share personal experiences-all with the intent of presenting an alternative theory to evolution and creationism."The Linear Heritage of Women" provides an innovative way of looking at women, proving that females are complex, fascinating creatures who serve an important purpose in the world.
The First World War was a turning point for modern globalised warfare. It involved the inclusion of women in 'war efforts', the homefront becoming the warzone, and produced millions of wounded and disabled men. At the same time, it incited an extraordinary arsenal of gendered discourses, practices and beliefs in the service of militarism, power structures and personal agency. This insightful collection of interdisciplinary essays, by a wide-ranging team of experts, draws out critical themes emanating from 1914. Spanning the First and Second World Wars, through to the Vietnam War, the 'War on Terror' and the wars in Iraq and Afghanistan, the volume asks what has changed and what has continued? Ana Carden-Coyne demonstrates adeptly how understanding gender during periods of conflict has ongoing relevance across the twentieth and twenty-first centuries.
Twenty-three countries currently allow women to serve in front-line combat positions and others with a high likelihood of direct enemy contact. This book examines how these decisions did or did not evolve in 47 countries. This timely and fascinating book explores how different countries have determined to allow women in the military to take on combat roles-whether out of a need for personnel, a desire for the military to reflect the values of the society, or the opinion that women improve military effectiveness-or, in contrast, have disallowed such a move on behalf of the state. In addition, many countries have insurgent or dissident factions, in that have led armed resistance to state authority in which women have been present, requiring national militaries and peacekeepers to engage them, incorporate them, or disarm and deradicalize them. This country-by country analysis of the role of women in conflicts includes insightful essays on such countries as Afghanistan, China, Germany, Iraq, Israel, Russia, and the United States. Each essay provides important background information to help readers to understand the cultural and political contexts in which women have been integrated into their countries' militaries, have engaged in combat during the course of conflict, and have come to positions of political power that affect military decisions. Delineates the ways in which women are incorporated into national militaries in both the United States and countries around the world Offers in each entry the distinct national context in which countries have decided to employ women in warfare Reveals how different nations choose to include or exclude women from the military, providing key insight into each nation's values and priorities Examines how governments treat women serving in combat: battlefield experience can "earn" a woman citizenship or be cause for shunning her, depending on the state
Global Women Leaders transports the reader into the fascinating lives of trailblazers in four very different countries. All were change-makers in their professions, and all of them confronted the challenges women everywhere will recognize as their own. How they succeeded, despite roadblocks, is both inspiring and instructive. Each gives us sound advice on a range of familiar hurdles from those associated with work and family to lack of confidence and sexism. If you want to know how to achieve authentic leadership, this is the book for you.' - Melanne Verveer, Georgetown University, US Global Women Leaders showcases narratives of women in business, nonprofit organizations and the public sector who have achieved leadership positions despite cultural obstacles and gender bias. Featuring leaders from India, Japan, Jordan and the United Kingdom, the book examines how these women have overcome challenges and served as role models in their professions. Regina Wentzel Wolfe and Patricia H. Werhane present stories of these women leaders within their unique cultural contexts. Standout features include models of feminist leadership behaviors and interrogations of the dominant paradigm of male leadership. Challenges for women in the workplace, systems thinking and various female leadership styles are also explored. The successes of the leaders featured in this book will be of interest to those in public, private and nonprofit sector organizations as well as academics and students teaching and studying feminist leadership, MBA students and entrepreneurs.
Applied Theatre: Women and the Criminal Justice System offers unprecedented access to international theatre and performance practice in carceral contexts and the material and political conditions that shape this work. Each of the twelve essays and interviews by international practitioners and scholars reveal a panoply of practice: from cross-arts projects shaped by autobiographical narratives through to fantasy-informed cabaret; from radio plays to film; from popular participatory performance to work staged in commercial theatres. Extracts of performance texts, developed with Clean Break theatre company, are interwoven through the collection. Television and film images of women in prison are repeatedly painted from a limited palette of stereotypes - 'bad girls', 'monsters', 'babes behind bars'. To attend to theatre with and about women with experience of the criminal justice system is to attend to intersectional injustices that shape women's criminalization and the personal and political implications of this. The theatre and performance practices in this collection disrupt, expand and reframe representational vocabularies of criminalized women for audiences within and beyond prison walls. They expose the role of incarceration as a mechanism of state punishment, the impact of neoliberalism on ideologies of punishment and the inequalities and violence that shape the lives of many incarcerated women. In a context where criminalized women are often dismissed as unreliable or untrustworthy, the collection engages with theatre practices which facilitate an economy of credibility, where women with experience of the criminal justice system are represented as expert witnesses.
The day Jessica Hamel-Akré discovered the ideas of George C heyne - an
eighteenthcentury polymath and London society figure known as 'Dr Diet'
- it sparked an intellectual obsession, a ten-year study of women's
appetite and a personal unravelling.
Ruth Silver's young life was challenged in ways most of us will never know. A silent, frightened child with undiagnosed vision loss, her world was one of limited vision that ultimately became one of total darkness. Once the situation had a name-retinitis pigmentosa (RP), a progressive eye disease-she at least knew what she was dealing with. As she grew, her other contact with the world-sound-was also taken from her. Where others might have given up, Ruth refused to surrender to the darkness and silence. As Ruth Silver's world shrank around her, her heart and ambition grew. She never stopped looking for ways to add meaning to her life. Inspired by her own experiences and challenges, she founded the Center for Deaf-Blind Persons in Milwaukee, a nonprofit agency dedicated to helping others living with the double disability of deaf-blindness. Ruth's story demonstrates how a resilient spirit can propel a profoundly disabled person forward toward a happy, productive life. A charming young man by the name of Marv was destined to change her life even more; their enduring love story is one of hope, patience, and acceptance. "Invisible" dispels myths, suggests useful teaching procedures, gives hope to people who are disabled and their families, and offers reassurance through her example that a person with profound disabilities can live a full, rich life.
In Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature, author Jenna Grace Sciuto analyzes literary depictions of sexual policing of the color line across multiple spaces with diverse colonial histories: Mississippi through William Faulkner's work, Louisiana through Ernest Gaines's novels, Haiti through the work of Marie Chauvet and Edwidge Danticat, and the Dominican Republic through writing by Julia Alvarez, Junot Diaz, and Nelly Rosario. This literature exposes the continuing coloniality that links depictions of US democracy with Caribbean dictatorships in the twentieth century, revealing a set of interrelated features characterizing the transformation of colonial forms of racial and sexual control into neocolonial reconfigurations. A result of systemic inequality and large-scale historical events, the patterns explored herein reveal the ways in which private relations can reflect national occurrences and the intimate can be brought under public scrutiny. Acknowledging the widespread effects of racial and sexual policing that persist in current legal, economic, and political infrastructures across the circum-Caribbean can in turn bring to light permutations of resistance to the violent discriminations of the status quo. By drawing on colonial documents, such as early law systems like the 1685 French Code Noir instated in Haiti, the 1724 Code Noir in Louisiana, and the 1865 Black Code in Mississippi, in tandem with examples from twentieth-century literature, Policing Intimacy humanizes the effects of legal histories and leaves space for local particularities. By focusing on literary texts and variances in form and aesthetics, Sciuto demonstrates the necessity of incorporating multiple stories, histories, and traumas into accounts of the past.
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