Rich and real, BMom is one woman's mosaic of love, life and loss, and of being found among the pieces. No one piece is a whole, yet all are precious, together a masterpiece, and each a gem. It's God restoring the shattered pieces of my life and my soul. His fingerprints are all over it. The reader will laugh and the reader will cry, and in that, we will become friends. BMom begins with my relinquishing my infant son into the hands of parents I couldn't know. It moves through the intervening years until he found me, on to our reunion, and beyond. Not only was I reunited with my son, I was reunited with myself. Interspersed are various interludes that speak of lessons learned, feelings finally understood and felt, and poetry written as part of my journey. BMom is entertaining and engaging, while occasionally making a point, to be taken or not, as the reader chooses. BMom is, above all else, a good read.

We are all still here, so our garden of memories will continue to grow. While we have lived very different lives for the past six or seven decades and seldom have the occasion to visit, we need only be together for a minute to know we are sisters who still love one another and we are still Mary's girls.

Dr. May East here explores the set of symbiotic relationships between women and the cities they live and work in. She considers how cities would look if they were designed by women, and how that design (or redesign) could help to achieve the dream of regenerative urban neighbourhoods.

What if Women Designed the City? offers a fresh perspective on urban development by giving voice to local women from many different countries and backgrounds and it reveals multiple untapped potentials rooted in the uniqueness of their neighbourhoods. The book builds on the core assumption that women can contribute significantly more to urban planning decisions and implementation, and in doing so enrich and add value to urban environments and specifically to their own neighbourhoods.

Drawing on in-depth walking interviews with 274 women, May East identifies 33 leverage points that can enable urban planners, policy-makers, practitioners, and communities to intervene in urban planning systems so that cities can be greener, more inclusive, more liveable, and even poetic!

Imagine beginning your life no longer than a table knife in a hospital that lacks even an incubator. Your premature body decides it has had enough, and your heart stops beating. Then a nurse breaths life back into you. Through the birthing process, a brain injury causes cerebral palsy, and normal body movements do not develop. Life is hard, and help is difficult to find. That is how Gail Johnson's life began in 1932. Her life is littered with miracles that came from decisions made by strong, passionate people. Through a combination of those decisions, surgeries, training, and perseverance, Gail has lived a full life. No Time to Quit takes you on a journey through many of the major challenges and events of her life. It shows that there truly is no time to quit.

I give all the glory to God, who helped me overcome abuse, divorce, depression, and loneliness. My story, similar to many other moms' stories, tells of how I struggled through rage, anxiety attacks, rejection, and isolation. God led me through it all to be the happy, content, and peaceful woman I am now. God helped me to forgive my ex and write this book, so that whoever reads it will be blessed.

This Handbook presents the current research, practice and future directions in the field of gendered careers in management. Expert contributors discuss pertinent issues impacting three key areas of career development:- The beginning of gendered managerial careers (Getting In) such as education and recruitment - The progress of gendered managerial careers (Getting On) such as career phases and succession planning - What comes after gendered managerial careers (Getting Out) such as recalibration of career patterns and retirement. The theoretical and practical insights presented are transferable across all management career sectors and offer an original perspective into gendered employment within business and management. Students, researchers and policy makers alike will find this Handbook to be a fundamental reference point for gaining insight into current practice and theory encompassing gendered employment in management. Contributors: S.M. Adams, M.D. Agars, D.A. Anderson, R.A. August, M. Barrett, Y. Baruch, J.C. Beier, R. Bendl, Y.D. Billing, S. Braun, A.M. Broadbridge, P. Bryans, L.L. Carli, S. De Simone, D.L. Decker, H. Eberherr, S.L. Fielden, J.L. Fowler, V. Gupta , E. Hanappi-Egger, S. Hass, M.E. Heilman, C. Holgersson, V. Holton, K. Huppatz, U. Hytti, J.L. Kottke, S. Kumra, L.A. Levin, P. Lewis, L. Lord, F. Manzi, M. Mattis, S. Mavin, S. Maxfield, A. Moulettes, W.M. Murphy, L.D. Paris, N. Patterson, V. (Cinzia) Priola, J. Redshaw, C. Reis, A. Ross-Smith, A. Schmidt, M. Shapiro, A. Sheridan, R. Simpson, P. Smith, E. Swan, J. Tienari, A. Tsentides, S. Vinnicombe CBE, E.H. Volpe, J. Williams, H.M. Woolnough

Applied Theatre: Women and the Criminal Justice System offers unprecedented access to international theatre and performance practice in carceral contexts and the material and political conditions that shape this work. Each of the twelve essays and interviews by international practitioners and scholars reveal a panoply of practice: from cross-arts projects shaped by autobiographical narratives through to fantasy-informed cabaret; from radio plays to film; from popular participatory performance to work staged in commercial theatres. Extracts of performance texts, developed with Clean Break theatre company, are interwoven through the collection. Television and film images of women in prison are repeatedly painted from a limited palette of stereotypes - 'bad girls', 'monsters', 'babes behind bars'. To attend to theatre with and about women with experience of the criminal justice system is to attend to intersectional injustices that shape women's criminalization and the personal and political implications of this. The theatre and performance practices in this collection disrupt, expand and reframe representational vocabularies of criminalized women for audiences within and beyond prison walls. They expose the role of incarceration as a mechanism of state punishment, the impact of neoliberalism on ideologies of punishment and the inequalities and violence that shape the lives of many incarcerated women. In a context where criminalized women are often dismissed as unreliable or untrustworthy, the collection engages with theatre practices which facilitate an economy of credibility, where women with experience of the criminal justice system are represented as expert witnesses.

In Dilemmas of Adulthood, Nancy Rosenberger investigates the nature of long-term resistance in a longitudinal study of more than fifty Japanese women over two decades. Between 25 and 35 years of age when first interviewed in 1993, the women represent a generation straddling the stable roles of post-war modernity and the risky but exciting possibilities of late modernity. By exploring the challenges they pose to cultural codes, Rosenberger builds a conceptual framework of long-term resistance that undergirds the struggles and successes of modern Japanese women. Her findings resonate with broader anthropological questions about how change happens in our global-local era and suggests a useful model with which to analyse ordinary lives in the late modern world. Rosenberger's analysis establishes long-term resistance as a vital type of social change in late modernity where the sway of media, global ideas, and friends vies strongly with the influence of family, school, and work. Women are at the nexus of these contradictions, dissatisfied with post-war normative roles in family, work, and leisure and yet-in Japan as elsewhere-committed to a search for self that shifts uneasily between self-actualization and selfishness. The women's rich narratives and conversations recount their ambivalent defiance of social norms and attempts to live diverse lives as acceptable adults. In an epilogue, their experiences are framed by the aftermath of the 2011 earthquake and tsunami, which is already shaping the future of their long-term resistance. Drawing on such theorists as Ortner, Ueno, the Comaroffs, Melucci, and Bourdieu, Rosenberger posits that long-term resistance is a process of tense, irregular, but insistent change that is characteristic of our era, hammered out in the in-between of local and global, past and future, the old virtues of womanhood and the new virtues of self-actualization. Her book is essential for anyone wishing to understand how Japanese women have manoeuvred their lives in the economic decline and pushed for individuation in the 1990s and 2000s.

"I'm glad I'm alive."

Doris Louise Bailey, a teen in the Prohibition era, writes this sentiment over and over in her diaries as she struggles with a life-threatening bout of scarlet fever. But it's also an apt summation of how she lived in the years following her brush with death. Reaching for the Moon: More Diaries of a Roaring Twenties Teen (1927-1929) contains Doris's true-life adventures as she flirts with boys, sneaks sips of whiskey and bets on racehorses - breaking rules and hearts along the way. In Portland, Oregon, she's the belle of the ball, enjoying the attention of several handsome gents. In Arizona, she rides a wild strawberry roan, winning races and kissing cowboys. From hospital wards and petting parties to rodeos and boarding school, this older, more complex Doris faces the dawning of the Depression and her own emergence as a young adult with even more humor, passion and love of life than she showed in her earlier diaries. Readers of all ages will relate to her pursuit of true love, freedom, and adventure in her own time and on her own terms.

Hope appears to be a typical young Christian woman at a Christian college, but behind the door of her dorm lies a secret life of past abuse, depression, eating disorders and self-mutilation. When her secrets become known, the past and present collide, and Hope finds her life spiraling out of control. Disowned and homeless, Hope realizes that, while she's known about God her entire life, she has never really understood unconditional love. Determined, and with a new-found faith, Hope returns home, attempting to reconcile with her family, and embarks on a journey of learning to find hope through life's roughest storms. Can Hope find acceptance and love? Can she sort through the lies she's learned, and find the truth of who she is, and who God is? Will the scars of past hurts ever fade, and allow her to have peace? From the mirror in her college dorm, to the mirror in her home today, follow Hope's journey of self-discovery, as she realizes her own strength, and allows her heart to heal.

What Is Driving Women to Drug Use is about pretreatment relapse triggers among women addicted to street drugs, prescription drugs, and alcohol. Women are affected by different pretreatment relapse triggers, contributing to repeated relapse. Dr. Richard Corker-Caulker provides insight for personal understanding into why women relapse and what you can do to help. Dr. Corker-Caulker describes women's pretreatment relapse triggers, as well as how to assess the triggers, identify, analyze, and take appropriate response to help through a qualitative therapy approach that he developed. This guide is a very useful tool to help respond to any person or love ones with addiction problems. Therapists, psychologists, doctors, drug courts, colleges, clinics, policy makers, and program managers working with addiction clients can learn how to focus treatment on pretreatment relapse triggers to prevent repeated relapse. Pretreatment relapse triggers using qualitative therapy approach for assessment, analysis, and planning intervention is a new direction in addiction treatment.

This book examines the relationship between words and images in various life-writing works produced by nineteenth to twenty-first century American and British women. It addresses the politics of images in women's life writing, contending that the presence or absence of images is often strategic. Including a range of different forms of life writing, chapters draw on traditional (auto)biographies, travel narratives, memoirs, diaries, autofiction, cancer narratives, graphic memoirs, artistic installations, quilts and online performances, as life writing moves from page to screen and other media. The book explores a wide range of women who have crossed the boundary between text and image: painters who have become writers, novelists who have become painters, writers who hesitate between images and words, models who seize the camera, and artists who use the frame as a page.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Extraordinary Leaders, Activists & Protesters you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.

Global Women Leaders transports the reader into the fascinating lives of trailblazers in four very different countries. All were change-makers in their professions, and all of them confronted the challenges women everywhere will recognize as their own. How they succeeded, despite roadblocks, is both inspiring and instructive. Each gives us sound advice on a range of familiar hurdles from those associated with work and family to lack of confidence and sexism. If you want to know how to achieve authentic leadership, this is the book for you.' - Melanne Verveer, Georgetown University, US Global Women Leaders showcases narratives of women in business, nonprofit organizations and the public sector who have achieved leadership positions despite cultural obstacles and gender bias. Featuring leaders from India, Japan, Jordan and the United Kingdom, the book examines how these women have overcome challenges and served as role models in their professions. Regina Wentzel Wolfe and Patricia H. Werhane present stories of these women leaders within their unique cultural contexts. Standout features include models of feminist leadership behaviors and interrogations of the dominant paradigm of male leadership. Challenges for women in the workplace, systems thinking and various female leadership styles are also explored. The successes of the leaders featured in this book will be of interest to those in public, private and nonprofit sector organizations as well as academics and students teaching and studying feminist leadership, MBA students and entrepreneurs.

Lombard Street is Walter Bagehot's famous explanation of the England central banking system established during the 19th century. At the time Bagehot wrote, the United Kingdom was at the peak of its influence. The Bank of England in London, was one of the most powerful institutions in the world. Working as an economist at the time, Walter Bagehot sets about explaining how the British government and the Bank of England interact. Leading on from this, he explains how the Bank of England and other banks - the Joint-Stock and Private banking companies - do the business of finance. Bagehot is not afraid to admit that life at the bank is usually quite boring, albeit punctuated by short periods of sudden excitement. The sudden boom of a market, or sudden fluctuations in the credit system, can create an excited demand for money. The eruption of an economic depression, which Bagehot aptly notes is rapidly contagious around different sectors of the economy, can also make working in the bank a lot less tedious.