"Murderous Mothers is both an homage to and a critical reflection on the multiple Medea figures that populate late twentieth-century German literature. Claire Scott artfully demonstrates how feminist politics and women's issues - from abstract questions about the power of women's bodies and voices, to concrete matters like abortion and sexual violence - speak through this ancient myth, transforming it into something vital and urgent. Scott's own voice is crystal clear throughout, which allows the layers of productive critique to shine through. With its sophisticated literary analyses, its deep engagement with feminist and postcolonial theory, and its lucid and accessible style, Murderous Mothers will interest and provoke a range of readers and critics." (Kata Gellen, Duke University) "Murderous Mothers explores the ambiguities of literary Medea adaptations in beautifully written, engaging prose. For anyone interested in the aesthetics and politics of contemporary literature, this book offers brilliant examples of how literary adaptations of classical myths can contribute to contemporary political discourses on motherhood, reproductive rights, gender, and rage." (Maria Stehle, University of Tennessee, Knoxville) This book explores German-language Medea adaptations from the late twentieth century and their relationship to feminist theory and politics. Close readings of novels and plays by Ursula Haas, Christa Wolf, Dagmar Nick, Dea Loher, and Elfriede Jelinek reveal the promise and the pitfalls of using gendered depictions of violence to process inequity and oppression. The figure of Medea has been called many things: a witch, a barbarian, a monster, a goddess, a feminist heroine, a healer, and, finally, a murderous mother. This book considers Medea in all her complexity, thereby reframing our understanding of identity as it relates to feminism and to mythological storytelling. This book project was the Joint Winner of the 2020 Peter Lang Young Scholars Competition for German Studies in America.

Socialist Women and the Great War: Protest, Revolution and Commemoration, an open access book, is the first transnational study of left-wing women and socialist revolution during the First World War and its aftermath. Through a discussion of the key themes related to women and revolution, such as anti-militarism and violence, democracy and citizenship, and experience and life-writing, this book sheds new and necessary light on the everyday lives of socialist women in the early 20th century. The participants of the 1918-1919 revolutions in Europe, and the accompanying outbreaks of social unrest elsewhere in the world, have typically been portrayed as war-weary soldiers and suited committee delegates-in other words, as men. Exceptions like Rosa Luxemburg exist, but ordinary women are often cast as passive recipients of the vote. This is not true; rather, women were pivotal actors in the making, imagining, and remembering of the social and political upheavals of this time. From wartime strikes, to revolutionary violence, to issues of suffrage, this book reveals how women constructed their own revolutionary selves in order to bring about lasting social change and provides a fresh comparative approach to women's socialist activism. As such, this is a vitally important resource for all postgraduates and advanced undergraduates interested in gender studies, international relations, and the history and legacy of World War I. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollection.com. Open access was funded by Knowledge Unlatched.

Women and Positive Aging: An International Perspective presents the noted research in the fields of psychology, gerontology, and gender studies, reflecting the increasingly popular and pervasive positive aging issues of women in today's society from different cohorts, backgrounds, and life situations. Each section describes a bridge between the theoretical aspects and practical applications of the theory that is consistent with the scientist-practitioner training model in psychology, including case studies and associated intervention strategies with older women in each chapter. In addition to incorporating current research on aging women's issues, each section provides the reader with background about the topic to give context and perspective.

Two women share how they overcame feelings of spiritual inadequacy

Both Heather and Hazel are married to high-achieving Christian leaders, with agendas to change the world. When they first met they recognized in each other the same symptoms: a need to don masks of coping and efficiency to hide their feelings of inadequacy and fear.

From their first meeting, they quickly developed a friendship that allowed each to recover the self that God had intended. This book chronicles their journey. Written in a conversational style, each author reveals her feelings and thoughts regarding the change both were experiencing. Realizing that the situation they faced was a daily reality for millions of Christian women, and that it is much easier to spot potential in another than in one's self, they felt called to found a training and mentoring program for women.

Now in its sixth year, this program helps women to discover and develop their own potential, and also helps them with time management, creativity, consistency of character, accountability, and the skills for lifelong discipleship.

This book is the winner of the 2020 Joseph Levenson Pre-1900 Book Prize, awarded by the Association for Asian Studies. In Song Dynasty Figures of Longing and Desire, Lara Blanchard analyzes images of women in painting and poetry of China's middle imperial period, focusing on works that represent female figures as preoccupied with romance. She discusses examples of visual and literary culture in regard to their authorship and audience, examining the role of interiority in constructions of gender, exploring the rhetorical functions of romantic images, and considering connections between subjectivity and representation. The paintings in particular have sometimes been interpreted as simple representations of the daily lives of women, or as straightforward artifacts of heteroerotic desire; Blanchard proposes that such works could additionally be interpreted as political allegories, representations of the artist's or patron's interiorities, or models of idealized femininity.

In a world historically dominated by male rulers, the women who have sat on thrones of their own shine out brightly. Some queens and empresses were born to greatness, while others fought their way to power. Queens ranges from the ancient world to the present day, telling the stories of these women who ruled, from murderous former courtesan Wu Zetian in 7th century China to Elizabeth I, the 'Virgin Queen' of England. In 6th century Constantinople, Empress Theodora, who had been a street performer before catching the eye of Emperor Justinian, extended rights for women, passing laws that allowed them to divorce and own property and made rape a crime punishable by death. In 12th century Europe, Eleanor of Aquitaine first married the king of France and then the king of England. At the Mughal court in Lahore in the early 17th century, Nur Jahan, wife of the Mughal Emperor Jahangir, was the political powerhouse behind the throne. In more recent history, the book explores the reigns of Catherine the Great, revealing how a minor German aristocrat came to rule and expand the Russian Empire, Queen Victoria, whose family dominated the world in the early 20th centuty, and her more recent descendent, Elizabeth II, the longest-ruling queen in history. Female rulers are often described as ambitious rather than bold, as devious rather than diplomatically astute and as intriguers and meddlers, all characterizations that are destructive to the reality of women's lives in the world's monarchies. Even genealogies still often leave out the women of royal families, overlooking their genuine contributions. To some extent, we will never know these great women of history as well as we know their menfolk; the sources simply leave too many gaps. However, we can and will do better in giving the women rulers of history the recognition they deserve Carefully researched, superbly entertaining and illustrated throughout with more than 180 photographs and artworks, Queens highlights the true personalities and real lives of the women who became monarchs and empresses.

George R.R. Martin's acclaimed seven-book fantasy series A Song of Ice and Fire is unique for its strong and multi-faceted female protagonists, from teen queen Daenerys, scheming Queen Cersei, child avenger Arya, knight Brienne, Red Witch Melisandre, and many more. The Game of Thrones universe challenges, exploits, yet also changes how we think of women and gender, not only in fantasy, but in Western culture in general. Divided into three sections addressing questions of adaptation from novel to television, female characters, and politics and female audience engagement within the GoT universe, the interdisciplinary and international lineup of contributors analyze gender in relation to female characters and topics such as genre, sex, violence, adaptation, as well as fan reviews. The genre of fantasy was once considered a primarily male territory with male heroes. Women of Ice and Fire shows how the GoT universe challenges, exploits, and reimagines gender and why it holds strong appeal to female readers, audiences, and online participants.