"A major contribution to this subject. She is thorough, practical, compassionate, and authoritative. It is a reading must."--Phyllis Chesler

Another Mother gives voice to women who become mothers through the routes of adoption, surrogacy and egg donation, and their silent partners - the birth mothers, surrogate mothers and egg donors - who make motherhood possible for them. Exploring experiences of motherhood beyond the biological mother raising her child, Everington draws on interviews and a range of interdisciplinary approaches to produce illuminating personal testimonies which expand our understanding of what it means to be a mother. The life writing narratives also examine the unique and hidden relationships that exist between adopters and birth mothers, egg donors and women who become mothers through egg donation, and surrogates and women who become mothers through surrogacy. Offering a fresh approach in life writing, using hybrid form encompassing edited interview, re-imagined scenes, poetry, personal essay and quotation collage, this topical book is recommended for anyone interested in motherhood studies, gender and women's studies, life writing studies, the sociology of reproduction, creative non-fiction writing approaches, oral history, and ethnography studies.

UPDATED, WITH NEW MATERIAL BY THE AUTHOR"WOMEN WHO RUN WITH THE WOLVES isn't just another book. It is a gift of profound insight, wisdom, and love. An oracle from one who knows."--Alice WalkerWithin every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. In WOMEN WHO RUN WITH THE WOLVES, Dr. Estés unfolds rich intercultural myths, fairy tales, and stories, many from her own family, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman and hold her against our deep psyches as one who is both magic and medicine. Dr. Estés has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul."This volume reminds us that we are nature for all our sophistication, that we are still wild, and the recovery of that vitality will itself set us right in the world."--Thomas Moore Author of Care of the Soul"I am grateful to WOMEN WHO RUN WITH THE WOLVES and to Dr. Clarissa Pinkola Estés. The work shows the reader how glorious it is to be daring, to be caring, and to be women. Everyone who can read should read this book."--Maya Angelou"An inspiring book, the 'vitamins for the soul' [for] women who are cut off from their intuitive nature."--San Francisco Chronicle"Stands out from the pack . . . A joy and sparkle in [the] prose . . . This book will become a bible for women interested in doing deep work. . . . It is a road map of all the pitfalls, those familiar and those horrifically unexpected, that a woman encounters on the way back to her instinctual self. Wolves . . . is a gift."--Los Angeles Times"A mesmerizing voice . . . Dramatic storytelling she learned at the knees of her [immigrant] aunts."--Newsweek

Discover New Passion and Purpose after the Kids Leave Home Many women approaching their empty-nest years do so with mixed emotions--feeling grief for what is no more but also excitement for what lies ahead. Barbara Rainey and Susan Yates are seasoned empty nesters, and they know firsthand the ups and downs, the uncertainty and challenges that accompany this new stage of life. Although Mom is a lifelong role, the job description changes significantly when the kids are grown. Questions abound: Who am I now? How do I relate to my kids? How will my marriage be affected? Where am I needed? Every woman in this stage needs to determine her own redefined role as wife, mother, friend, and more. Offering practical advice and biblical guidance, along with inspiring personal stories of women who have discovered how to live a meaningful life during the "second half," Barbara and Susan help you work out how to flourish and thrive in your own empty nests.

This comprehensive Handbook presents specially commissioned original essays on the societal roles and contexts facing women in business and management, the specific career and work-life issues of women in these fields, organizational processes affecting women, and the role of women as leaders in business and management. The essays shed light on the extant structures and practices of society and organizations that constrain or facilitate women's representation, treatment, quality of life, and success. Despite decades of ongoing inquiry and increasing interest, research on women in business and management remains a specialized field without mainstream acceptance within business and management disciplines. The Handbook presents the current state of knowledge about women in business and management and specifies the directions for future research likely to be most constructive for advancing the representation, treatment, quality of life, and success of women who work in these fields. It provides the foundations for improved societal and organizational structures, policies, and relational practices affecting all in business and management. Thus, by enhancing the knowledge base that improves the work and life situations of women, it suggests ways to elevate the societal and organizational systems for all. The Handbook will be an essential reference source for recent advances in research and theory, informing both scholars of organization studies, gender, diversity, and feminism; human resource specialists; and educators of and consultants to business organizations and management.

This monograph uses the life and work of ground-breaking female classicist, Wilmer Cave Wright, to examine several questions about the rise of women in that discipline. First, what went into the creation of a classics scholar under circumstances that would seem to preclude that? Second, why was it arguably Wright's time in Chicago that was her formative experience and period? Third, why did Wright want so desperately to leave Bryn Mawr, and then stay and pour herself into her students? Fourth, through what lens did she approach the evidence of classical literature, and did it make a difference? Fifth, how did Wright survive the Thomas years at Bryn Mawr? Sixth, why did she abruptly abandon her long-term project on Libanius of Antioch? Seventh, what led her to suddenly switch from classical Greek literature to translating medieval Latin medical texts? Wright's journey from Mason College to Girton College, Cambridge, the University of Chicago, and Bryn Mawr College is placed into historical context. Throughout, the significance of Wright's work, particularly on the life of the Emperor Julian, is assessed. The author is a research fellow at the University of St Andrews, and the author of Julian and Christianity (Cornell) as well as numerous articles in Harvard Studies in Classical Philology, Classical Quarterly, and Classical Philology.

Glamorous, fun and packed with scandalous anecdotes, Never Shaken, Never Stirred tells the story of two extraordinary sisters, Ann and Laura Charteris, who made marrying well an art form. While Laura eventually became the Duchess of Marlborough, Ann became Mrs Ian Fleming, and the antics and attitudes of the two women inspired the writer to create the famous 'Bond Girl'. Along the way there were marriages, and affairs, with some of the biggest names of the twentieth century. Counting seven marriages between them, the sisters' collective husbands included a duke, four peers, Jackie Kennedy's brother-in-law and the alleged illegitimate son of the Queen's uncle. There were also passionate affairs with two Labour leaders, two press barons and a cluster of film stars. Indeed, the lives of the Charteris sisters are almost too extraordinary to believe, as they bagged husbands, bedded men, threw parties and travelled to some of the most glamorous destinations in the world, all at a time when such behaviour by aristocratic society women was unthinkable.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Extraordinary Leaders, Activists & Protesters you will read about women who fought against colonialism and oppression. Here are the stories of women heroes through history, whose stories are connected because of a shared passion for equality and justice.

"For many of us, it is Eve's sin that defines her... Truly when the church focuses the entire problem of sin and the destruction of relationships on women, we have a problem."

As a woman, do you sometimes feel inferior, resigned to a self-image that seems second-best? Do you feel strong in your faith but wonder, how does God see me? Do you look around and realize you don't fit into a typical mold? Every daughter of Eve faces an identity crisis at some time in her life. And many of us wonder where we fit in on a regular basis.

The authors set out to discover what scripture says about every woman's identity. What they uncovered will help women, no matter their stage in life, find freedom to become all they can be in God's kingdom.

Whether the reader feels discouraged and damaged or desire a greater understanding of his or her spiritual condition, this book will help readers embrace their identity as people reclaimed by Jesus Christ.

This is an extremely insightful book on an important and timely topic - how to get women on to corporate boards. I am proud to have been a part of the discussion and processes presented in this book, and I am impressed by how the editors have put together a systematic and comprehensive overview of the snowball effects of the Norwegian gender balance law. This book will definitely be influential when policy-makers and politicians in various countries are considering voluntary actions or legal regulations to empower women in corporate life.' - Kjell Magne Bondevik, Director, Oslo Centre for Peace and Human Rights and Former Prime Minister of Norway (1997-2000 and 2001-2005)'This book provides significant and important insight into the continuing challenge in getting more women on to corporate boards globally. Catalyst has always believed that competing in a global economy requires that companies leverage the talents of both men and women leaders. This book's evidence-based reflections about gender balance in the boardroom, from Norway and beyond, help further the dialogue on this important business issue.' - Ilene H. Lang, President and CEO, Catalyst This book provides unique insights into how the idea of quota laws to get women on to corporate boards gained international momentum from its origins in Norway. Invaluable insights are gained through the stories of actors involved in shaping the discourse and practice on women of boards. In exploring political contexts, the role of the advocacy movement, experiences of women directors themselves and latest research findings, the contributors provide a comprehensive overview of the rationales, processes and outcomes of formal approaches to gender diversity on boards. Drawing on insights from political, business and academic actors, the book discusses how and why the Norwegian law on gender equality on corporate boards is turning into a blueprint for action internationally. Getting Women on to Corporate Boards will prove an invaluable resource for policy-makers, principle-setters, practitioners and students interested in the international lessons from Norway, as well as for current and potential female directors. Contributors: K. Bergsto, H. Bjorkhaug, A. Bolso, M. Brogi, A.D. Buhrmann, L. Davoy, C. Finocchi Mahne, H. Foust-Cummings, K. Hansen, V. Heidenreich, E. Hurvenes, M. Huse, G. Ladegard, M. Lutken, S. Machold, D.P. Moore, I.R. Myhre, N.H. Nergaard, V. Reding, M. Schulz-Strelow, R. Sealy, C. Seierstad, S.O. Sorensen, E.G. Standal, M. Torchia, S. Vinnicombe, D. Weber-Rey, C. Wetli, T. Widvey

*THE NEW YORK TIMES BESTSELLER* - November 2021 A deeply honest investigation of what it means to be a woman and a commodity from Emily Ratajkowski, the archetypal, multi-hyphenate celebrity of our time. _______________ 'This is the book for every woman trying to place their body on the map of consumption vs control, and every woman who wants to better understand her impulses. It left me much changed' - Lena Dunham 'I read these pages, breathless with recognition, and the thrill of reading a new voice telling it like it is' - Dani Shapiro 'Emily Ratajkowski's first essay collection needs to be read by everyone [...] both page-turning and moving as hell' - Amy Schumer 'A slow, complicated indictment of a profession and the people who propel it [...] it will deliver a more nuanced and introspective rendering of her interior than those who come to it with those surface interests might expect' - Vogue 'Dazzling' - Observer 'Ratajkowski brings nuanced insight to questions about empowerment versus commodification of women's bodies and sexuality. Blending cultural criticism and personal stories, My Body is smart and powerful' - Time Magazine 'Raw, nuanced and beautifully written. A moving and enlightening experience to join a woman openly exploring such deep parts of her physical self via the written word. A truly impressive debut' - Emma Gannon 'Excellent [...] Ratajkowski writes with curiosity, intellect and acute awareness' - Harper's Bazaar 'Superb [...] it feels revolutionary' - Telegraph 'I admire and envy her artistry' - Guardian _______________ Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age twenty-one, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture's commodification of women is the subject of this book. My Body is a profoundly personal exploration of feminism, sexuality, and power, of men's treatment of women and women's rationalizations for accepting that treatment. These essays chronicle moments from Ratajkowski's life while investigating the culture's fetishization of girls and female beauty, its obsession with and contempt for women's sexuality, the perverse dynamics of the fashion and film industries, and the grey area between consent and abuse. Nuanced, unflinching, and incisive, My Body marks the debut of a fierce writer brimming with courage and intelligence.

Sensitive account of growing up female and Chinese-American in a California laundry.

A "beautifully written" (Kirkus Reviews, starred review) memoir-manifesto from the first female director of the National Science Foundation about the entrenched sexism in science, the elaborate detours women have take to bypass the problem, and how to fix the system. If you think sexism thrives only on Wall Street or Hollywood, you haven't visited a lab, a science department, a research foundation, or a biotech firm. Rita Colwell is one of the top scientists in America: the groundbreaking microbiologist who discovered how cholera survives between epidemics and the former head of the National Science Foundation. But when she first applied for a graduate fellowship in bacteriology, she was told, "We don't waste fellowships on women." A lack of support from some male superiors would lead her to change her area of study six times before completing her PhD. A Lab of One's Own is an "engaging" (Booklist) book that documents all Colwell has seen and heard over her six decades in science, from sexual harassment in the lab to obscure systems blocking women from leading professional organizations or publishing their work. Along the way, she encounters other women pushing back against the status quo, including a group at MIT who revolt when they discover their labs are a fraction of the size of their male colleagues. Resistance gave female scientists special gifts: forced to change specialties so many times, they came to see things in a more interdisciplinary way, which turned out to be key to making new discoveries in the 20th and 21st centuries. Colwell would also witness the advances that could be made when men and women worked together--often under her direction, such as when she headed a team that helped to uncover the source of anthrax used in the 2001 letter attacks. A Lab of One's Own is "an inspiring read for women embarking on a career or experiencing career challenges" (Library Journal, starred review) that shares the sheer joy a scientist feels when moving toward a breakthrough, and the thrill of uncovering a whole new generation of female pioneers. It is the science book for the #MeToo era, offering an astute diagnosis of how to fix the problem of sexism in science--and a celebration of women pushing back.

The third volume in Marina Amaral and Dan Jones's bestselling Histories in Colour series.

A Woman's World explores the many roles – domestic, social, cultural and professional – played by women across the world from 1850–1960, before second-wave feminism took hold. Using Marina's colorized images and Dan Jones's words, this survey shines a light on the varied pursuits of women both celebrated and ordinary, whether in the home or the science lab, protesting on the streets or performing on stage, fighting in the trenches or exploring the wild.

Each chapter is introduced by a woman who works in that field, offering insights into their job and experiences. The book includes photographs of Queen Victoria, Edith Cavell, Josephine Baker, Mildred Burke, Eva Peron, Eleanor Roosevelt, Virginia Woolf, Clara Schumann, Martha Gellhorn, Simone de Beauvoir, Agatha Christie, Frida Kahlo, Emmeline Pankhurst, Harriet Tubman, Florence Nightingale, Hattie McDaniel and Gertrude Bell; as well as revolutionaries from China to Cuba, Geishas in Japan, protestors on the Salt March, teachers and pilots, nurses and soldiers.

This vivid and unique history brings to life and full color the female experience in a century of extraordinary change.

Imbokodo: Women Who Shape Us is a groundbreaking series of books which introduces you to the powerful stories of South African women who have all made their mark and cleared a path for women and girls. These books recognise, acknowledge and honour our heroines and elders from the past and the present. South African women are silent no more on the roles that we have played in advancing our lives as artists, storytellers, writers, politicians and educationists. The title 'Imbokodo' was been chosen as it is a Zulu word that means "rock" and is often used in the saying 'Wathint' Abafazi, Wathint' Imbokodo!', which means "You Strike a Women, You Strike a Rock!" These books were made possible with the support of Biblionef and funding from the National Arts Council. In 10 Curious Inventors, Healers & Creators you will read about the women who shape our world through education, science and maths. You will read about women who became teachers, nurses, social workers, scientists and community workers, overcame obstacles and through their work fought for social change.

In June 2014, Abu Bakr al-Baghdadi declared an Islamic State in Iraq and Syria and called for Muslims around the world to migrate there. Over the next five years, around 150 women left the UK to heed this invitation, and the so- called 'jihadi brides' were rarely out of the news. This book traces the media fascination with those who joined the 'caliphate', including Sally Jones, Aqsa Mahmood and Shamima Begum. Through an analysis of the media that presented the 'brides' for public consumption, Leonie B. Jackson reveals the gendered dualistic construction of IS women as either monstrous or vulnerable. Just as the monstrous woman was sensationalised as irredeemably evil, the vulnerable girl was represented as groomed and naive. Both subjects were constructed in such a way that women's involvement in jihadism was detached from men's, scrutinised more closely, and explained through gender stereotypes that both erased the agency of female extremists and neglected their stated motivations. As Jackson demonstrates, these media representations also contributed to the development of new norms for dealing with the 'brides', including targeted killing and the revocation of citizenship. While the vulnerable girl was potentially redeemable, the monstrous woman was increasingly considered expendable.