Drawing on a lifetime of experiences, author Julie McCulloch Burton shares a compilation of short stories and vignettes that reflect her self-deprecating sense of humor and her positive outlook on life, turning ordinary moments into meaningful lessons.

Including personal photographs of a wide range of subjects-food, flowers, animals, people, landscapes, seasons, studies in lines, and studies in water movement-Mediocre also presents a varied collection of writings, many of which originated as e-mails to family and friends. Burton offers narratives relaying the realities and absurdities of humorous, everyday situations; accounts of what it's like to live with multiple sclerosis; favorite family recipes; philosophical thoughts; poetry; and reflections on moments in life when you wish you had thought things through just a little bit more.

In "Mediocre," Burton provides enlightenment about an ailment that does not define her, entertains with the humor that does, and teaches that the object of this game is not only to do your best on your best day, but also to do your best on your worst day.

Each time she knelt to "catch" another wriggling baby -- nearly three thousand times during her remarkable career -- California midwife Peggy Vincent paid homage to the moment when pain bows to joy and the world makes way for one more. With every birth, she encounters another woman-turned-goddess: Catherine rides out her labor in a car careening down a mountain road. Sofia spends hers trying to keep her hyper doctor-father from burning down the house. Susannah gives birth so quietly that neither husband nor midwife notice until there's a baby in the room.

More than a collection of birth stories, however, Baby Catcher is a provocative account of the difficulties that midwives face in the United States. With vivid portraits of courage, perseverance, and love, this is an impassioned call to rethink technological hospital births in favor of more individualized and profound experiences in which mothers and fathers take center stage in the timeless drama of birth.

Economic Imperatives for Women's Writing in Early Modern Europe delves into the early modern history of women's authorship and literary production in Europe taking a material turn. The case studies included in the volume represent women writers from various European countries and comparatively reflect the nuances of their participation in a burgeoning commercial market for authors while profiting as much from patronage. From self-representation as professional writers to literary reception, the challenges of reputation, financial hardships, and relationships with editors and colleagues, the essays in this collection show from different theoretical standpoints and linguistic areas that gender biases played a far less limiting role in women's literary writing than is commonly assumed, while they determined the relationship between moneymaking, self-representation, and publishing strategies.

Women and Resistance in the Early Rastafari Movement is a pioneering study of women's resistance in the emergent Rastafari movement in colonial Jamaica. As D. A. Dunkley demonstrates, Rastafari women had to contend not only with the various attempts made by the government and nonmembers to suppress the movement, but also with oppression and silencing from among their own ranks. Dunkley examines the lives and experiences of a group of Rastafari women between the movement's inception in the 1930s and Jamaica's independence from Britain in the 1960s, uncovering their sense of agency and resistance against both male domination and societal opposition to their Rastafari identity. Countering many years of scholarship that privilege the stories of Rastafari men, Women and Resistance in the Early Rastafari Movement reclaims the voices and narratives of early Rastafari women in the history of the Black liberation struggle.

A fascinating look at the lives of women who bore the heat of day in Christian mission, but who were often forgotten by history until now.