Writing Ambition: Literary Engagements between Women in France analyzes pairs of women writing in French. Through examining pairs of writers, ranging from Colette and Anne de Pene to Nancy Huston and Leila Sebbar, Katharine Ann Jensen assesses how their literary ambitions affected their engagements with each other. Focused on the psychological aspects of the women's relationships, the author combines close readings of their works with attention to historical and biographical contexts to consider how and why one or both women in the pair express contradictory or anxious feelings about literary ambition.

While the world often categorizes women in reductive false binaries—careerist versus mother, feminine versus fierce—romance novels, a unique form of the love story, offer an imaginative space of mingled alternatives for a heroine on her journey to selfhood. In Creating Identity, Jayashree Kamblé examines the romance genre, with its sensile flexibility in retaining what audiences find desirable and discarding what is not, by asking an important question: "Who is the romance heroine, and what does she want?" To find the answer, Kamblé explores how heroines in ten novels reject societal labels and instead remake themselves on their own terms with their own agency. Using a truly intersectional approach, Kamblé combines gender and sexuality, Marxism, critical race theory, and literary criticism to survey various aspects of heroines' identities, such as sexuality, gender, work, citizenship, and race. Ideal for readers interested in gender studies and literary criticism, Creating Identity highlights a genre in which heroines do not accept that independence and strong, loving relationships are mutually exclusive but instead demand both, echoing the call from the very readers who have made this genre so popular.

The book provides an overview and analysis of the witch trials in the Scottish Borders in the 17th century. The 17th century was a time of upheaval in Scottish and British history, with a civil war, the abolition of the monarchy, the plague and the reformation all influencing the social context at the time. This book explores the social, political, geographical, religious and legal structures that led to the increased amount of witch trials and executions in the Scottish Borders. As well as looking at specific trials the book also explores the role of women, both as accuser and as accused.

This is one of the first book-length English translations of Nazik Al-Mala'ika's Arabic poetry. One of the most influential Iraqi poets of the twentieth century, Nazik Al-Mala'ika pioneered the modern Arabic verse movement when she broke away from the formalistic classical modes of Arabic poetry that had prevailed for more than fifteen centuries. Along with 'Abdulwahhab Al-Bayyati and Badre Shakir Al-Sayyab, she paved the way for the birth of a new modernist poetic movement in the Arab world. Until now, very little of Al-Mala'ika's poetry has been translated into English. Listen to the Mourners contains forty of her most significant poems selected from six published volumes, including Life Tragedy and a Song for Man, The Woman in Love with the Night, Sparks and Ashes, The Wave's Nadir, The Moon Tree, and The Sea Alters Its Colours. These poems show the beginning of her development from the late romantic orientation in Arabic poetry toward a more psychological approach. Her poetic form shows a significant liberation from the traditional two-hemistich line in traditional Arabic poetry, which adheres to the traditional Arabic measures of prosody and rhyme. 'Abdulwahid Lu'lu'a's introduction functions as a critical analysis of the liberated verse movement of the era and situates the poet among her Arab and Western counterparts. This accessible, beautifully rendered, and long overdue translation fills a gap in modern Arabic poetry in translation and will interest students and scholars of Iraqi literature, Middle East studies, women's studies, and comparative literature.