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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > General
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My Body
(Paperback)
Emily Ratajkowski
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R407
R309
Discovery Miles 3 090
Save R98 (24%)
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Ships in 10 - 15 working days
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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
In the tradition of "The Glass Castle," two sisters confront
schizophrenia in this poignant literary memoir about family and
mental illness. Through stunning prose and original art, "The
Memory Palace" captures the love between mother and daughter, the
complex meaning of truth, and family's capacity for forgiveness.
"People have abandoned their loved ones for much less than you've
been through," Mira Bartok is told at her mother's memorial
service. It is a poignant observation about the relationship
between Mira, her sister, and their mentally ill mother. Before she
was struck with schizophrenia at the age of nineteen, beautiful
piano protege Norma Herr had been the most vibrant personality in
the room. She loved her daughters and did her best to raise them
well, but as her mental state deteriorated, Norma spoke less about
Chopin and more about Nazis and her fear that her daughters would
be kidnapped, murdered, or raped.
When the girls left for college, the harassment escalated--Norma
called them obsessively, appeared at their apartments or jobs,
threatened to kill herself if they did not return home. After a
traumatic encounter, Mira and her sister were left with no choice
but to change their names and sever all contact with Norma in order
to stay safe. But while Mira pursued her career as an
artist--exploring the ancient romance of Florence, the eerie
mysticism of northern Norway, and the raw desert of Israel--the
haunting memories of her mother were never far away.
Then one day, a debilitating car accident changes Mira's life
forever. Struggling to recover from a traumatic brain injury, she
was confronted with a need to recontextualize her life--she had to
relearn how to paint, read, and interact with the outside world. In
her search for a way back to her lost self, Mira reached out to the
homeless shelter where she believed her mother was living and
discovered that Norma was dying.
Mira and her sister traveled to Cleveland, where they shared an
extraordinary reconciliation with their mother that none of them
had thought possible. At the hospital, Mira discovered a set of
keys that opened a storage unit Norma had been keeping for
seventeen years. Filled with family photos, childhood toys, and
ephemera from Norma's life, the storage unit brought back a flood
of previous memories that Mira had thought were lost to her
forever.
'Get your daughters to read this, but only after your partners and
sons have finished it' Jo Brand 'An astute and persuasive
page-turner' Observer
_____________________________________________________ Too often, we
blame women. For walking home alone at night. For not demanding a
seat at the table. For not overcoming the odds that are stacked
against them. This distracts us from the real problem: the failings
and biases of a society that was not built for women. In this
explosive book, feminist writer and activist Laura Bates exposes
the systemic prejudice at the heart of five of our key
institutions. Education Politics Media Policing Criminal justice
Combining stories with shocking evidence, Fix the System, Not the
Women is a blazing examination of sexual injustice and a rallying
cry for reform. ________________________________________________
'Powerful' Sunday Times 'I am in awe of Laura Bates . . . her
writing is nothing short of perfect' Sofie Hagen, author of Happy
Fat 'A blistering manifesto for change' Dr Pragya Agarwal 'Finish
the book furious - before rallying for the next fight' Grazia
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In this ground-breaking Research Handbook, leading international
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Who were the women who fought back at Grunwick and Gate Gourmet?
Striking Women gives a voice to the women involved as they discuss
their lives, their work and their trade unions. Striking Women is
centred on two industrial disputes, the famous Grunwick strike
(1976-78) and the Gate Gourmet dispute that erupted in 2005.
Focusing on these two events, the book explores the nature of South
Asian women's contribution to the struggles for workers' rights in
the UK labour market. The authors examine histories of migration
and settlement of two different groups of women of South Asian
origin, and how this history, their gendered, classed and
racialised inclusion in the labour market, the context of
industrial relations in the UK in the two periods and the nature of
the trade union movement shaped the trajectories and the outcomes
of the two disputes. This is the first account based on the voices
of the women involved. Drawing on life/work history interviews with
thirty-two women who participated in the two disputes, as well as
interviews with trade union officials, archival material and
employment tribunal proceedings, the authors explore the
motivations, experiences and implications of these events for their
political and social identities.
Have you bought the lie? Many of us do. We measure our worth by
what others think of us. We compare and strive, existing mostly for
the approval of others. Pressure rises, anxiety creeps in and we
hustle to keep up. Jesus whispers, I gave my life to set you free.
I gave you purpose. I called you to live in freedom in that
purpose. Yet we still hobble through life, afraid to confess all
the ways we push against this truth, because we can't even believe
it. We continue to grasp for the approval of anyone that will offer
it: whether strangers, friends, or community. Christ doesn't say
you can be or may be or will be free. He says you are free. Dare
you believe it? In You Are Free, Rebekah invites you to: * Overcome
the exhaustion of trying to meet the expectations of others and
rest in the joy God's freedom brings. * Release stress, anxiety and
worry, to uncover the peace that comes from abiding in His
presence. * Find permission to grieve past experiences, confess
areas of brokenness, and receive strength in your journey towards
healing. * Throw off self-condemnation, burn superficial masks and
step boldly into what our good God has for you. * Discover the
courage to begin again and use your newfound freedom to set others
free. Freedom is for everyone who wants it-the lost, the wounded,
and those weary from all of the striving. It's for those who gave
up trying years ago. It's for those angry and hurt, brilliant and
burnt by the Christian song and dance. You are the church, the
people of God. You were meant to be free.
In the past two decades, the consumption of beauty services and
cosmetic surgery in Turkey has developed from an elite phenomenon
to an increasingly common practice, especially among younger and
middle-aged women. Turkey now ranks among the top countries
worldwide with the highest number of cosmetic procedures, and with
its cultural and economic capital, Istanbul has become a regional
center for the beauty and fashion industries. Istanbul Appearances
shows the profound effects of this growing market on urban
residents' body images, gendered norms, and practices. Drawing upon
extensive fieldwork carried out in beauty salons and clinics in
different parts of the city, Liebelt explores how standards of
femininity and female desire have shifted since the consolidation
of power and authoritarian rule of the conservative, pro-Islamic
Justice and Development Party. Arguing that the politics of beauty
are intricately bound up with the politics of race, class, gender,
and sexuality, Liebelt shows that female bodies have become a major
site for the negotiation of citizenship. It is in the numerous
beauty salons and clinics that the heteronormative ideals and
images of gendered bodies become real, embodied in a complex array
of emotional desires of who and what is considered not only
beautiful but also morally proper.
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