The definitive story of the international modeling business--and its evil twin, legalized flesh peddling--"Model" is a tale of beautiful women empowered and subjugated; of vast sums of money; of sex and drugs, obsession and tragic death; and of the most unholy combination in commerce: stunning young women and rich, lascivious men.

Investigative journalist Michael Gross takes us into the private studios and hidden villas where models play and are preyed upon, and tears down modeling's carefully constructed faCade of glamour to reveal the untold truths of an ugly trade.

Here's your invitation to join a literary as well as a personal relationship with the deeply insightful and profoundly expressive perspectives of Regina Diane Jemison. As you encounter these soul-stirring pieces, you may imagine listening to one of God's own trombones. The poetry, prose and personality in "Soul Clothes," may rub up on a curious and compassionate place within you, a place of stark reality drenched in divine hope. Imagine a John Coltrane solo, with words instead of tenor sax.
Acclaim for "Soul Clothes"
""Soul Clothes" dances naked and unabashed across the page. Jemison's poetry connects spirit to spirit, stripping away masks and guiding us to divine adornments of grace, truth, faith."
--Aundria Sheppard Morgan, author "Cross My Heart and Hope to Die"
""Soul Clothes" is one poet's passionate expression of what it is to be human. Her poems encompass a vast expanse of emotions, from suffering and grief to love and celebration. While being real about the human experiences we all share, many of these poems also exalt the divine within us."
--Valerie Jean, author of "Woman Writing a Letter"
""Soul Clothes" reveals a collection of compelling, compassionate, daring, devoted, honest and unafraid poems with a spiritual undertone."
--Sweta Srivastava Vikram, author of "Kaleidoscope: An Asian Journey of Colors"
For more information see www.ReginaJemison.com
From the Reflections of America Series at Modern History Press
Poetry: African-American

Brave New Collection Honors Women's Spirit Worldwide
"No Ocean Here" bears moving accounts of women and girls in certain developing and underdeveloped countries. The book raises concern, and chronicles the socio-cultural conditions of women in parts of Asia, Africa, and the Middle East. The stories, either based on personal interviews or inspired by true stories, are factual, visceral, haunting, and bold narratives, presented in the form of poems.
"Sweta Srivastava Vikram is no ordinary poet. The 44 poems in this slim volume carry the weight of unspeakable horrors and injustices against women. Sweta's words span the globe. Her spare and evocative phrases weave a dark tapestry of oppressive conventions that in the telling and in our reading and hearing, she helps to unravel."
-- Kay Chernush, Founder/Director, ArtWorks for Freedom
About the Author
Sweta Srivastava Vikram is an award-winning writer, two times Pushcart Prize nominated-poet, novelist, author, essayist, columnist, and educator whose musings have translated into four chapbooks of poetry, two collaborative collections of poetry, a novel, and a non-fiction book of prose and poems. Her work has appeared in several anthologies, literary journals, and online publications across six countries in three continents. A graduate of Columbia University, she reads her work, teaches creative writing workshops, and gives talks at universities and schools across the globe. Sweta lives in New York City with her husband.
Available in hardcover, paperback, and eBook editions
Learn more at www.SwetaVikram.com
From the World Voices Series at Modern History Press www.ModernHistoryPress.com
POE005060 Poetry: American - Asian American
SOC028000 Social Science: Women's Studies - General
FAM001000 Family & Relationships: Abuse - General

Examines how women's histories are explored and explained around the world Making Women's Histories showcases the transformations that the intellectual and political production of women's history has engendered across time and space. It considers the difference women's and gender history has made to and within national fields of study, and to what extent the wider historiography has integrated this new knowledge. What are the accomplishments of women's and gender history? What are its shortcomings? What is its future? The contributors discuss their discovery of women's histories, the multiple turns the field has taken, and how place affected the course of this scholarship. Noted scholars of women's and gender history, they stand atop such historiographically-defined vantage points as Tsarist Russia, the British Empire in Egypt and India, Qing-dynasty China, and the U.S. roiling through the 1960s. From these and other peaks they gaze out at the world around them, surveying trajectories in the creation of women's histories in recent and distant pasts and envisioning their futures.

Unconditional Praise is a book that will bring you into the realization of what authentic praise and worship really should be and it will put your thinking in line with the word of God concerning praise and worship. This book feeds your spirit man and challenges your character. Can you stand to praise God no matter what condition you are in? This book unlocks answers to praise and worship that will help you in a closer walk with God and trusting God.

Applied Theatre: Women and the Criminal Justice System offers unprecedented access to international theatre and performance practice in carceral contexts and the material and political conditions that shape this work. Each of the twelve essays and interviews by international practitioners and scholars reveal a panoply of practice: from cross-arts projects shaped by autobiographical narratives through to fantasy-informed cabaret; from radio plays to film; from popular participatory performance to work staged in commercial theatres. Extracts of performance texts, developed with Clean Break theatre company, are interwoven through the collection. Television and film images of women in prison are repeatedly painted from a limited palette of stereotypes - 'bad girls', 'monsters', 'babes behind bars'. To attend to theatre with and about women with experience of the criminal justice system is to attend to intersectional injustices that shape women's criminalization and the personal and political implications of this. The theatre and performance practices in this collection disrupt, expand and reframe representational vocabularies of criminalized women for audiences within and beyond prison walls. They expose the role of incarceration as a mechanism of state punishment, the impact of neoliberalism on ideologies of punishment and the inequalities and violence that shape the lives of many incarcerated women. In a context where criminalized women are often dismissed as unreliable or untrustworthy, the collection engages with theatre practices which facilitate an economy of credibility, where women with experience of the criminal justice system are represented as expert witnesses.

In Frontiers of Gender Equality, editor Rebecca Cook enlarges the chorus of voices to introduce new and different discourses about the wrongs of gender discrimination and to explain the multiple dimensions of gender equality. This volume demonstrates that the wrongs of discrimination can best be understood from the perspective of the discriminated, and that gender discrimination persists and grows in new and different contexts, widening the gap between the principle of gender equality and its realization, particularly for subgroups of women and LGBTQ+ peoples. Frontiers of Gender Equality provides retrospective views of the struggles to eliminate gender discrimination in national courts and international human rights treaties. Focusing on gender equality enables comparisons and contrasts among these regimes to better understand how they reinforce gender equality norms. Different regional and international treaties are examined, those in the forefront of advancing gender equality, those that are promising but little known, and those whose focus includes economic, social, and cultural rights, to explore why some struggles were successful and others less so. The book illustrates how gender discrimination continues to be normalized and camouflaged, and how it intersects with other axes of subordination, such as indigeneity, religion, and poverty, to create new forms of intersectional discrimination. With the benefit of hindsight, the book's contributors reconstruct gender equalities in concrete situations. Given the increasingly porous exchanges between domestic and international law, various national, regional, and international decisions and texts are examined to determine how better to breathe life into equality from the perspectives, for instance, of Indigenous and Muslim women, those who were violated sexually and physically, and those needing access to necessary health care, including abortion. The conclusion suggests areas of future research, including how to translate the concept of intersectionality into normative and institutional settings, which will assist in promoting the goals of gender equality.

This book begins with an examination of the numbers of women in physics in English-speaking countries, moving on to examine factors that affect girls and their decision to continue in science, right through to education and on into the problems that women in physics careers face. Looking at all of these topics with one eye on the progress that the field has made in the past few years, and another on those things that we have yet to address, the book surveys the most current research as it tries to identify strategies and topics that have significant impact on issues that women have in the field.

Beverly has been called Poochie by her family that her father occasionally forgets her real name. She grew up in Nairn Centre, Ontario, a small community where everyone knew almost everything going on in everyone else's household. Even so, she still managed to have secrets. In this memoir, she tells the story of her youth, from her childhood through her teenage years.

She shares her wealth of exciting and embarrassing moments from her life as a child, trying to learn how to be herself in a constantly changing world. She was a child obsessively dependent on her mother, to the point of having suicidal thoughts when she believes she has lost her mother's respect.

With an open and honest mind, Poochie shares each childhood turmoil as it gets conquered and turned into a stepping stone for the next adventure in "Poochie's Changing Daze"-a story of the love and strength that a family gets from having each other.

Women all over the world are still facing numerous challenges and obstacles in the business domain. A gender-equal workplace is still a dream to pursue for a brighter and better future. To change how women are seen, perceived, and treated in the business world, the overall mindset of women in the workplace needs to change. Management education plays a critical role in changing these perceptions of women in business. Gender equal curricula and gender equal teaching materials are a way that universities can begin to challenge those preconceived beliefs that business is a male only domain. More teaching materials discussing and presenting women in the workplace is needed in management education, including women's problems and challenges, their stories of overcoming adversity, and the ways in which they have handled touch situations. This book presents real life stories of women in business, specifically focusing on how they overcame challenges and broke the glass ceiling. These stories will serve as proper teaching materials to be used in different courses of management education and as a means to increasing the awareness of gender quality in business. It will also be of use to lecturers, professors, administrators, librarians, researchers, scholars, practitioners, and students.

Women were leading actors in twentieth-century developments in Georgia, yet most histories minimize their contributions. The essays in the second volume of "Georgia Women," edited by Ann Short Chirhart and Kathleen Ann Clark, vividly portray a wide array of Georgia women who played an important role in the state's history, from little-known Progressive Era activists to famous present-day figures such as Pulitzer Prize-winning author Alice Walker and former First Lady Rosalynn Carter.

Georgia women were instrumental to state and national politics even before they achieved suffrage, and as essays on Lillian Smith, Frances Pauley, Coretta Scott King, and others demonstrate, they played a key role in twentieth-century struggles over civil rights, gender equality, and the proper size and reach of government. Georgia women's contributions have been wide ranging in the arena of arts and culture and include the works of renowned blues singer Gertrude "Ma" Rainey and such nationally prominent literary figures as Margaret Mitchell, Carson McCullers, and Flannery O'Connor, as well as Walker.

While many of the volume's essays take a fresh look at relatively well-known figures, readers will also have the opportunity to discover women who were vital to Georgia's history yet remain relatively obscure today, such as Atlanta educator and activist Lugenia Burns Hope, World War II aviator Hazel Raines, entrepreneur and carpet manufacturer Catherine Evans Whitener, and rural activist and author Vara A. Majette. Collectively, the life stories portrayed in this volume deepen our understanding of the multifaceted history of not only Georgia women but also the state itself.

Published with the generous support of the Honorable Dr. M. Louise McBee

Ruth Silver's young life was challenged in ways most of us will never know. A silent, frightened child with undiagnosed vision loss, her world was one of limited vision that ultimately became one of total darkness. Once the situation had a name-retinitis pigmentosa (RP), a progressive eye disease-she at least knew what she was dealing with. As she grew, her other contact with the world-sound-was also taken from her. Where others might have given up, Ruth refused to surrender to the darkness and silence.

As Ruth Silver's world shrank around her, her heart and ambition grew. She never stopped looking for ways to add meaning to her life. Inspired by her own experiences and challenges, she founded the Center for Deaf-Blind Persons in Milwaukee, a nonprofit agency dedicated to helping others living with the double disability of deaf-blindness.

Ruth's story demonstrates how a resilient spirit can propel a profoundly disabled person forward toward a happy, productive life. A charming young man by the name of Marv was destined to change her life even more; their enduring love story is one of hope, patience, and acceptance.

"Invisible" dispels myths, suggests useful teaching procedures, gives hope to people who are disabled and their families, and offers reassurance through her example that a person with profound disabilities can live a full, rich life.