When American explorers crossed the Texas Panhandle, they dubbed it part of the ""Great American Desert."" A ""sea of grass,"" the llano appeared empty, flat, and barely habitable. Contemporary developments - cell phone towers, oil rigs, and wind turbines - have only added to this stereotype. Yet in this lyrical ecomemoir, Shelley Armitage charts a unique rediscovery of the largely unknown land, a journey at once deeply personal and far-reaching in its exploration of the connections between memory, spirit, and place. Armitage begins her narrative with the intention to walk the llano from her family farm thirty meandering miles along the Middle Alamosa Creek to the Canadian River. Along the way, she seeks the connection between her father and one of the area's first settlers, Ysabel Gurule, who built his dugout on the banks of the Canadian. Armitage, who grew up nearby in the small town of Vega, finds this act of walking inseparable from the act of listening and writing. ""What does the land say to us?"" she asks as she witnesses human alterations to the landscape - perhaps most catastrophic the continued drainage of the land's most precious resource, the Ogallala Aquifer. Yet the llano's wonders persist: dynamic mesas and canyons, vast flora and fauna, diverse wildlife, rich histories. Armitage recovers the voices of ancient, Native, and Hispano peoples, their stories interwoven with her own: her father's legacy, her mother's decline, a brother's love. The llano holds not only the beauty of ecological surprises but a renewed realization of kinship in a world ever changing. Reminiscent of the work of Terry Tempest Williams and John McPhee, Walking the Llano is both a celebration of an oft-overlooked region and a soaring testimony to the power of the landscape to draw us into greater understanding of ourselves and others by experiencing a deeper connection with the places we inhabit.

Author Dr. Nelly Maseda often wonders how she became successful, but her brothers didn't. She wonders how she survived a childhood raised by a single Dominican mother on public assistance who suffered from severe mood swings, rage, promiscuous sexual behavior, and cycles of depression. While Maseda pursued her degree at Cornell University, her brothers and cousins entered into a world of substance abuse and its related criminal activities and violence.

In Strangers in the Night, Maseda looks inside the dynamics of a family and describes the life of her mother, Nena-her early years in the Dominican Republic, immigration to the United States in 1959, her new life in New York City, and raising her children against the backdrop of rage, depression, and a questionable home life. She also shares the trajectory of her two brothers' lives to show that lessons can be learned from their experiences.

Maseda tells her mother's story from the perspective of her profession as a pediatrician to communicate to patients and others that we now live in a time where help exists to undo the damage that negative, early life experiences can do to minds and lives.

"One of the least understood and often maligned aspects of the Tokugawa Shogunate is the Ooku, or 'Great Interior, ' the institution within the shogun's palace, administered by and for the upper-class shogunal women and their attendants who resided there. Long the object of titillation and a favorite subject for off-the-wall fantasy in historical TV and film dramas, the actual daily life, practices, cultural roles, and ultimate missions of these women have remained largely in the dark, except for occasional explosions of scandal. In crystal-clear prose that is a pleasure to read, this new book, however, presents the Ooku in a whole new down-to-earth, practical light. After many years of perusing unexamined Ooku documents generated by these women and their associates, the authors have provided not only an overview of the fifteen generations of Shoguns whose lives were lived in residence with this institution, but how shoguns interacted differently with it. Much like recent research on imperial convents, they find not a huddled herd of oppressed women, but on the contrary, women highly motivated to the preservation of their own particular cultural institution. Most important, they have been able to identify "the culture of secrecy" within the Ooku itself to be an important mechanism for preserving the highest value, 'loyalty, ' that essential value to their overall self-interested mission dedicated to the survival of the Shogunate itself." - Barbara Ruch, Columbia University "The aura of power and prestige of the institution known as the ooku-the complex network of women related to the shogun and their living quarters deep within Edo castle-has been a popular subject of Japanese television dramas and movies. Brushing aside myths and fallacies that have long obscured our understanding, this thoroughly researched book provides an intimate look at the lives of the elite female residents of the shogun's elaborate compound. Drawing information from contemporary diaries and other private memoirs, as well as official records, the book gives detailed descriptions of the physical layout of their living quarters, regulations, customs, and even clothing, enabling us to actually visualize this walled-in world that was off limits for most of Japanese society. It also outlines the complex hierarchy of positions, and by shining a light on specific women, gives readers insight into the various factions within the ooku and the scandals that occasionally occurred. Both positive and negative aspects of life in the "great interior" are represented, and one learns how some of these high-ranking women wielded tremendous social as well as political power, at times influencing the decision-making of the ruling shoguns. In sum, this book is the most accurate overview and characterization of the ooku to date, revealing how it developed and changed during the two and a half centuries of Tokugawa rule. A treasure trove of information, it will be a vital source for scholars and students of Japan studies, as well as women's studies, and for general readers who are interested in learning more about this fascinating women's institution and its significance in Japanese history and culture." - Patricia Fister, International Research Center for Japanese Studies, Kyoto

An Encouragement for the Heart
SEE WHAT HAPPENS WHEN GOD CALLS YOUR NAME

You dream of being used by God but think your life has been too rough, you have been through too much, or done too much for yourself.

If you want to find out if God could use you, join with Lorene Kimura to see how he used even the most unsuspecting women. The secret is not in the knowledge you have but being ready every day for the special time for when God calls your name. Describing herself as the "chosen child," Lorene never comprehended the entire meaning of that until much later in life, when God called her and she was ready to listen. Come on a journey, as you discover a fresh approach to a life for God, conquering the attitudes that would hold you back. God doesn't look at your mistakes, lifestyle, or commitments, but by your willingness to say, "Here I am, God. Use me."

Jam-packed with storytelling and Bible teaching, One Ordinary Woman, One Extraordinary God will open your eyes to the many ways God can use you where you are, if only you will let him, illustrating the similarities of biblical and contemporary women.

God has made us what we are. In Christ Jesus, God made us to do good works, which God planned in advance for us to live our lives doing. "(Ephesians 2:10, NCV)"

The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows - the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts. Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.

A common thread runs through the life of those women who leave a lasting impact on others. Resolve. It doesn’t make them perfect women, just purposeful women—women who are intentional about charting the pathway of their lives in the direction of God’s promises.

Living with this kind of intentionality is what this book is all about.

Quickly a New York Times bestseller when it was first published, The Resolution for Women returns in this newly revised edition, updated with ten years’ worth of fresh insights and reflections on what it means to chart a steady course through disruptive, conflicting times.

When Nancy was in her late twenties, she began having blinding headaches, tunnel vision, and dizziness, which led to the discovery of an abnormality on her brain stem. Complications during surgery caused serious brain damage, resulting in partial paralysis of the left side of her body and memory and cognitive problems. Although she was constantly evaluated by her doctors, Nancy's own questions and her distress got little attention in the hospital. Later, despite excellent job performance post-injury, her physical impairments were regarded as an embarrassment to the "perfect" and "beautiful" corporate image of her employer. Many conversations about brain injury are deficit-focused: those with disabilities are typically spoken about by others, as being a problem about which something must be done. In Living with Brain Injury, J. Eric Stewart takes a new approach, offering narratives which highlight those with brain injury as agents of recovery and change in their own lives. Stewart draws on in-depth interviews with ten women with acquired brain injuries to offer an evocative, multi-voiced account of the women's strategies for resisting marginalization and of their process of making sense of new relationships to self, to family and friends, to work, and to community. Bridging psychology, disability studies, and medical sociology, Living with Brain Injury showcases how--and on what terms--the women come to re-author identity, community, and meaning post-injury. In the Qualitative Studies in Psychology series J. Eric Stewart is a Clinical-Community Psychologist and Associate Professor of Interdisciplinary Arts and Sciences at the University of Washington Bothell.