Marian Alexander Spencer was born in 1920 in the Ohio River town of Gallipolis, Ohio, one year after the "Red Summer" of 1919 that saw an upsurge in race riots and lynchings. Following the example of her grandfather, an ex-slave and community leader, Marian joined the NAACP at thirteen and grew up to achieve not only a number of civic leadership firsts in her adopted home city of Cincinnati, but a legacy of lasting civil rights victories. Of these, the best known is the desegregation of Cincinnati's Coney Island amusement park. She also fought to desegregate Cincinnati schools and to stop the introduction of observers in black voting precincts in Ohio. Her campaign to raise awareness of industrial toxic-waste practices in minority neighborhoods was later adapted into national Superfund legislation. In 2012, Marian's friend and colleague Dot Christenson sat down with her to record her memories. The resulting biography not only gives us the life story of remarkable leader but encapsulates many of the twentieth century's greatest struggles and advances. Spencer's story will prove inspirational and instructive to citizens and students alike.

Women in Uzbekistan have been labeled as victims of patriarchy and submissive, voiceless bodies who lack agency and decision-making power. They are also often symbolized as preservers of rituals and culture and also the victims of socio-economic transformations. During the years of land tenure changes from collectivization to de-collectivization, World War II and the five-year plan economy, women played a vital role in pursuing a diverse range of livelihood opportunities to sustain their families and communities. But what kind of livelihood activities do women pursue in rural areas in Uzbekistan? What do they think about themselves? Do they exercise agency? What are their values, desires, dreams, and inspirations in the post-Soviet period in Uzbekistan? Women's Lives and Livelihoods in Post-Soviet Uzbekistan presents women's voices and their experiences of carrying out livelihood activities such as farming, trading, baking, sewing, building greenhouses, and establishing furniture workshops. In a major contribution to the study of post-Soviet transformations, Zulfiya Tursunova demonstrates how women exercise multi-dimensional empowerment by joining social and economic saving networks such as gap and chernaya kassa. These networks represent a collective movement and action against economic dependency of women on men and the state micro-loan bank system. The networks that do not require external donor interventions have been able to empower women for social justice, knowledge, redistribution of resources, and conflict resolution in ways that are vital to community development. Tursunova provides accounts of such ceremonies as mavlud, ihson, Bibi Seshanba, and Mushkul Kushod. These ceremonies show the ways the conflict resolution practices of women are woven into their everyday life, and function autonomously from the hierarchical elite-driven Women's Committees and state court systems established in the Soviet times. Many local healers and otins (religious teachers) use their discursive knowledge, based on Islam, Sufism, shamanism, and animism to challenge and transform women's subordination, abuse, and other practices that impinge on women's needs and rights. These female religious leaders, through different ceremonial practices, create space for raising the critical consciousness of women and transform the social order for maintaining peace in the communities.

It is July of 1925 when, on a whim, fifteen-year-old Doris Bailey decides to keep a diary-a place where she can openly confide her dreams, hopes, and ambitions. Doris is flirtatious, untamed, and romantic, imagining herself in and out of love with each passing day.

In this first volume of Th e Doris Diaries, her great-niece, Julia Park Tracey, shares Doris's journals capturing a year in the life of a precocious teenager in the rapidly changing world of the mid-1920s. Doris chats on the telephone and dances to records on the Victrola. Not only does she flirt, kiss, and ride in cars with boys, but she also sneaks out, cuts school, and chops off her hair. While Doris constantly pushes the boundaries of acceptable behavior for a young girl, she retells juicy gossip from St. Helen's Hall, a military academy dance, and an Oregon dude ranch-sharing an unforgettable glimpse into a treasure trove of authentic American life in the Northwest.

"I've Got Some Lovin' to Do," with commentary, footnotes, and photographs, presents an entertaining portrayal of an American girl brimming with curiosity, a zest for life, and a hunger to experience love for the first time.

In The Feminine Mystique, Jewish-raised Betty Friedan struck out against a postwar American culture that pressured women to play the role of subservient housewives. However, Friedan never acknowledged that many American women refused to retreat from public life during these years. Now, A Jewish Feminine Mystique? examines how Jewish women sought opportunities and created images that defied the stereotypes and prescriptive ideology of the "feminine mystique." As workers with or without pay, social justice activists, community builders, entertainers, and businesswomen, most Jewish women championed responsibilities outside their homes. Jewishness played a role in shaping their choices, shattering Friedan's assumptions about how middle-class women lived in the postwar years. Focusing on ordinary Jewish women as well as prominent figures such as Judy Holliday, Jennie Grossinger, and Herman Wouk's fictional Marjorie Morningstar, leading scholars from a variety of disciplines explore here the wide canvas upon which American Jewish women made their mark after the Second World War.

‘Feminism is hated because women are hated’

Why do some women support Right-wing movements, even though they curtail their freedoms? Andrea Dworkin’s timeless, visionary analysis goes to the heart of this contradiction, exploring the Right’s positions on abortion, sexuality, racism and antifeminism, and showing how it attempts both to exploit and to quiet women’s deepest fears of male violence. The Right-wing woman, Dworkin contends, acquiesces to male authority for protection and some semblance of power: because ‘survival depends on it’.

Volume 1 of "Mississippi Women" enriched our understanding of women's roles in the state's history through profiles of notable, though often neglected, individuals. Volume 2 explores the historical forces that have shaped women's lives in Mississippi. Covering an expanse of time from early European settlement through the course of the twentieth century, the essays in the second volume acknowledge the state's diverse cultural and physical landscapes as they discuss how issues of race, gender, and class affected women's lives in various private and public spheres.

Essays on the state's early history focus on such topics as Choctaw and Chickasaw women's influence on Native American society and tribal councils, daily life for free black women in slaveholding Natchez, and the efforts of white Protestant women to establish churches on the frontier. Several essays cast new light on legal concerns, including two on the pivotal Married Women's Property Act of 1839, while other essays examine the impact of the Civil War and Reconstruction on women's lives.

The boundaries of race and gender in Jim Crow Mississippi are explored through an essay on the women of the mixed-race Knight family, notably the educator, nurse, and missionary Anna Knight. Women's experiences with rural electrification, consumerism, civil rights activism, social and service clubs, and feminism are among the other twentieth-century topics addressed in the essays. Volume 2 concludes with an essay on storytelling and remembrance that centers on the family of Pulitzer Prize-winning columnist (and Mississippi native) William Raspberry.

Praise for My Songs of Now and Then

""This is a smart, moving and unpretentious memoir of a long life lived with vigor and strength. The biographical narrative touches on important 20th century events in Europe but the real story is the author's humanity, her womanhood, and her connection to others as she made a life in America.

At a number of points, I stopped reading to shed a tear. When I was done, I wished, most of all, to have the same kind of equanimity and grace in old age."" Joan Jacobs Brumberg, Prof. emerita, Cornell University Author of the award winning books: Fasting Girls: The Emergence of Anorexia Nervosa as a Modern Disease, and The Body Project: An Intimate History of American Girls.

The essays in this book are fragments of my truth, to share with loved ones, perhaps to make you laugh, or cry, to let you glimpse into my life, my family, my memories, my dreams and my accomplishments. I write of how it all got started, of belonging and not belonging; the journeys of my life, journeys in space and in personal development, growing up and growing old and older yet. I explore my Jewish identity as it evolves through the seasons of life, beginning with family wanderings in pre-war Western Europe, becoming an American Jewish mother and grandmother, embracing a mid-life career in psychotherapy, and examining the joys and challenges of late life, all leading to my Ethical Will.

Family recollections and photographs are interspersed with brief poems.

From the moment she was born, Margaret Vizinau faced enormous obstacles. Despite them all-including being born blind after her pregnant mother contracted German measles-Margaret grew up to be a woman of great faith who dedicated her life to the Lord. Her family migrated to the San Francisco Bay Area in the late 1940s to escape the rampant discrimination in the South, and in 1950, Margaret entered an interracial marriage with a nonbeliever. But after six years and the birth of two sons, Dexter and Hank, the marriage ended in a painful divorce. Margaret supported her boys by playing the piano and singing for local churches, but she faced countless challenges as a blind, African American single parent. None of them stopped her from lovingly guiding her sons through the changing times of the civil rights movement, their burgeoning pubescence, and the lure of drugs and violence on the streets. Written by Margaret's older son, "Shine on Me" delivers a fascinating look into the life of a strong, inspirational woman and mother whose unwavering faith in God carried her through life's struggles.

This book offers an overview of the contributions of author Nora Roberts to the popular literary market. Nora Roberts's captivating biography and extensive canon are explored in this comprehensive reader's guide, including coverage on her early works, critical successes, trilogies and quartets, short stories and novellas, futuristic mysteries written as J.D. Robb, and titles under other pseudonyms. Reading Nora Roberts shows how this remarkable author expands the limits of the genres in which she writes, exploring feminist ideas, Celtic and Western settings, psychological and religious themes, and Gothic and supernatural elements. The book also highlights Roberts's willingness to have her characters face serious real-world issues, including sexism and racism, gun violence, abortion, suicide, corporate greed, and career burnout. Details models of dialogue, slang, and humor, illustrating Nora Roberts's intuitive replication of human quandaries and compromises Includes a timeline of Nora Roberts's life and career, which began in 1979 with a novel and magazine story and advanced to story anthologies, novellas, romances, sagas, trilogies and quartets, Gothic romance, and futuristic thrillers

This book investigates early modern women's interventions in politics and the public sphere during times of civil war in England and France. Taking this transcultural and comparative perspective, and the period designation "early modern" expansively, Antigone's Example identifies a canon of women's civil-war writings; it elucidates their historical specificity as well as the transhistorical context of civil war, a context which, it argues, enabled women's participation in political thought.

The surreal life and bizarre times of a college-educated career call girl. A brave new look at the oldest profession, A Roaring Girl is, without a doubt, the most unusual book of its kind ever written. Part edgy, x-rated memoir; part sex-positive, pro-prostitution polemic, H. A. Carson's 400-plus page interview with an anonymous "escort" known as "The Thinking Man's Hooker," is an unflinchingly honest presentation of one woman's professional life and Weltanshaung in all its sordid/surreal, gonzo/glamorous glory. From start to finish, the book is, much like the subject herself, intelligent, outrageous, relentlessly "in your face," and utterly unique. A Roaring Girl presents a prostitute who is neither gilded angel nor fallen victim nor pseudo-sexy, "nymphomaniacal" sophisticate. She is the sex worker as female outlaw/entrepreneur; the prostitute as world-class iconoclast. Perhaps most intriguing of all, A Roaring Girl lays bare the surreal world of pay-for-play psychopathia sexualis with humor and compassion as well as the unflinchingly analytical insight of a "happy hooker" swapping stories with Kinsey or Havelock Ellis. Raw, irreverent, visceral, disturbing, and funny, A Roaring Girl is, above all, a "roaring" good read It is astonishingly literate, unabashedly erotic; flawlessly analytical; shockingly explicit, and surprisingly (and often darkly) humorous. Carson's mystery woman turns a phrase as effortlessly and as expertly as she formerly turned tricks. Whatever else can be said of her, the whore can write. A Roaring Girl is a revolutionary work. It is also fascinating, You will try, unsuccessfully, to put it down.

In this provocative new book, Shritha Vasudevan argues that feminist international relations (IR) theory has inadvertently resulted in a biased worldview, the very opposite of what feminist IR set out to try to rectify. This book contests theoretical presumptions of Western feminist IR and attempts to reformulate it in contexts of non-Western cultures. Vasudevan deftly utilizes the theoretical constructs of IR to explore the ramifications for India. This hypothesis argues that the Convention on the Elimination of all forms of Discrimination Against Women (CEDAW) has predictive validity and is not a top-down norm but derived from the material and contingent experiences of nation states. This book enters the debate between feminist qualitative and quantitative IR through the lens of gender-based violence (GBV) under the CEDAW.

"Treasures in the Attic: Gifts from a Woman of Faith "is the true story of author Dell Anne Hines Afzal's grandmother, Lois Annie, and the treasures she left their family. It is documented in memory of her love and strength and shows the trials and tribulations of how she lived her life. It also shows an extremely hard-working, honest, and loving woman who would not allow those heartaches she suffered in her life to limit or taint her examples to her children, grandchildren, and great-grandchildren.

Learning of her tragedies and hardships and how she survived them has given Afzal a sense of purpose and a belief that she can do all things through faith and hard work.

Her purpose in sharing her grandmother's life with the reader is to offer comfort and hope to those who are suffering. She offers her prayers and absolute faith in the understanding that whatever pitfalls may be thrown our way, we must never give up and we are not alone.

The treasures found in her attic on the day she moved from her treasured home of over fifty years offer a glimpse of true caring and respect she left for those she loves. The miracle of the recovery of those gifts and a lost member of the family will open your heart and soul to the true miracles of life.

A "Washington Post Book World" Best Book of the Year
When her carriage first crossed over from her native Austria into France, fourteen-year-old Marie Antoinette was taken out, stripped naked before an entourage, and dressed in French attire to please the court of her new king. For a short while, the young girl played the part.
But by the time she took the throne, everything had changed. In "Queen of Fashion, " Caroline Weber tells of the radical restyling that transformed the young queen into an icon and shaped the future of the nation. With her riding gear, her white furs, her pouf hairstyles, and her intricate ballroom disguises, Marie Antoinette came to embody--gloriously and tragically--all the extravagance of the monarchy.

For the first two years of her life she feels love, but suddenly her protector is gone She's too young to even know her Mother is gone. From the innocence of childhood, to the growing sickness and abuse in her life, she is confused and full of fear

How will she ever make it when there is no time to wonder-only time to survive?
She wants to be the "good little girl," and please her family; she wants to be loved
She wants to be right with God

The confusion, pain, and abuse are unbearable The family sickness is more than one can comprehend

What she is asked to do is impossible-for the sake of her siblings-she MUST do it, but is she strong enough?

Walk through the journey with her from her earthly father to her heavenly Father.