Looking at women, business and finance in the long nineteenth century, this book challenges our traditional understanding of 'separate spheres'--whereby men operated in the public world of work and women in the private realm of the domestic. Drawing on case studies throughout Europe, the authors reveal that there was much greater diversity in women's economic experience across all social strata than has previously been understood. International contributors take a new look at women's roles in finance and investment, family-owned businesses, retailing, service activities, and the artisanal trades. They reveal that elite and middle-class women often manipulated financial resources in a highly sophisticated manner. Family-owned businesses and retail trade geared to women, such as grocery and fashion, also offered women opportunities. Throughout, the authors consider the impact of industrialization on women's economic agency. We learn about women in the accommodation business in London, female entrepreneurs in Italy, prostitutes in Germany, family businesses in Sweden, women in publishing in Spain and much more.

Cuddled in God's Hands is a magnificent inspirational autobiographical journey of a woman whose life is filled with a mixture of joy, pain, tragedy, euphoria, and supernatural visions. This memoir portrays the author's upbringing in Greenwood, Mississippi, during the pinnacle of the Civil Rights movement. During this turbulent segregated period in history, the author gives an in-depth look at her life and how, as a teenager, she and her family coped. The book chronicles the author's spiritual growth and shares stories of her extraordinary supernatural visions and encounters with angels. Her most amazing story of all is revealed when she is on the edge of despair after a horrible breakup with her husband, and God came to her and lifted her out of her darkness and brought her into the light. This transformed her life forever and gave her enormous faith as she juggled the many commitments of teaching, the uplifting yet critical demands of motherhood, and the resolve to triumph no matter what obstacles lay waiting.

Research and statistics support the view that current programmes are failing to keep women in the ICT field. Currently, there exist very few solutions to this growing problem. Women in IT in the New Social Era: A Critical Evidence-Based Review of Gender Inequality and the Potential for Change aims to bring this topic to the forefront of discussion about what can be done to correct this lopsided gender distribution. This reference work will be an essential guide for government professionals, students, and researchers in the ICT field looking to develop a solution to equalise the retention rate of women in these related fields.

Imagine that murdered primatologist Dr. Dian Fossey of Gorillas in the Mist fame were alive today and able to reflect upon her death as well as her legacy. This is the impetus behind author Georgianne Nienaber's compelling work, Gorilla Dreams: The Legacy of Dian Fossey. At the beginning of Gorilla Dreams, Fossey attends her own funeral and watches her murdered gorillas interacting with the graveside bystanders. She establishes a new relationship with the slain gorilla Digit, who acts as her guide after death as she carefully reviews her life, its challenges, successes, hardships, and the ultimate closure of her murder. Although Fossey's death is officially unsolved, recently released documents obtained through the Freedom of Information Act, as well as testimony from the International War Crimes Tribunal proceedings, offer new suspects, motives, and opportunities. Every fact about Fossey's life is meticulously annotated. However, the setting of her conversations with the murdered gorillas is obviously fictional, yet steeped in African tradition. the famed primatologist's life that honors the African belief that the dead live on in spiritual form.

This first book-length treatment of the life and work of Christine Frederick (1883-1970) reveals an important dilemma that faced educated women of the early twentieth century. Contrary to her professional role as home efficiency expert, advertising consultant, and consumer advocate, Christine Frederick espoused the nineteenth-century ideal of preserving the virtuous home--and a woman's place in it. In an effort to reconcile her desire to succeed in the public sphere of modernization and consumerism with the knowledge that most middle-class Americans still held traditional beliefs about gender roles, Frederick fashioned a career for herself that encouraged other women to remain at home. With the rise of home economics and scientific management, Frederick--college-educated but confined to the drudgery of housework--devised a plan for bringing the public sphere into the domestic. Her home would become her factory. She learned how to standardize tasks by observing labor-saving devices in industry and then applied this knowledge to housework. She standardized dishwashing, for example, by breaking the job into three separate operations: scraping and stacking, washing, and drying and putting away. Determined to train women to become proficient homemakers and efficient managers, Frederick secured a job writing articles for the Ladies' Home Journal. A professional career as home efficiency expert later expanded to include advertising consultant and consumer advocate. Frederick assured male advertisers that she knew women well and promised to help them sell to ""Mrs. Consumer."" While Frederick sought the power and influence available only to men, she promoted a division of labor by gender and therefore served the fall of the early-twentieth-century wave of feminism. Rutherford's engaging account of Christine Frederick's life reflects a dilemma that continues to affect women today--whether to seek professional gratification or adhere to traditional family values.

Maya Angelou's seven volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination and extreme poverty, but also hope, joy,achievement and celebration. In this first volume of her six books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. She learns the power of the white folks at the other end of town and suffers the terrible trauma of rape by her mother's lover.

Politics constructs gender and gender constructs politics: this is a central theme in this collection of essays which seek not only to write a history that focus on women's experiences but seeks also to analyse those dynamic forces that have shaped that history.It examines the 'making' of the other half of the working class - women - as workers, trade unionists and political activists, and seeks to weave together intricate relationship between class and gender, particular within the process of industrialization. It is because the class/gender relationship has often been either ignored or misunderstood that it has been possible to write general histories of the labour movement in which women are hardly mentioned. Featuring contributions from leading and up-and-coming women labour historians, essays are in three sections: the labour market/work (typical and atypical); trade unions; and politics

When your life is in crisis, it won't last forever.

A compelling investigation of the Jewish communitys reaction or nonreaction to domestic violence. In a congregation of devoted worshippers gathered for Shabbat services at the local synagogue, it may be difficult to accept how many wives go home with their husbands to ongoing physical and emotional abuse. In Sins of Omission, author Carol Goodman Kaufman offers a compelling investigation of the Jewish communitys reaction or nonreaction to domestic violence. Concerned with the sins of the community more than the sins of the abuser, Goodman Kaufman finds that the Orthodox, Conservative, and Reform rabbis and community leaders are not doing enough and are not informed enough to help the abused women in their congregations get the support, protection, and guidance they need. Through her many insightful interviews with survivors of abuse, rabbis, and lay community leaders, the author takes a hard look at the Jewish community, its rules, regulations, and followers, and discovers the ways in which it helps and hinders victims of abuse.

"A fascinating biography of a fascinating woman." - Booklist, starred review "This definitive look at a remarkable figure delivers the goods." - Publishers Weekly, starred review "A brilliant analysis." - Jericho Brown, Pulitzer Prize winner Featured in Ms. Magazine's "Most Anticipated Reads for the Rest of Us 2022" (books by or about historically excluded groups) Born in New Orleans in 1875 to a mother who was formerly enslaved and a father of questionable identity, Alice Dunbar-Nelson was a pioneering activist, writer, suffragist, and educator. Until now, Dunbar-Nelson has largely been viewed only in relation to her abusive ex-husband, the poet Paul Laurence Dunbar. This is the first book-length look at this major figure in Black women's history, covering her life from the post-reconstruction era through the Harlem Renaissance. Tara T. Green builds on Black feminist, sexuality, historical and cultural studies to create a literary biography that examines Dunbar-Nelson's life and legacy as a respectable activist - a woman who navigated complex challenges associated with resisting racism and sexism, and who defined her sexual identity and sexual agency within the confines of respectability politics. It's a book about the past, but it's also a book about the present that nods to the future.

"A Thesaurus of Women: From Cherry Blossoms to Cell Phones" offers a social presentation of history linking places with the unfamiliar female faces traced to their creation. The places, both of long ago and today, are familiar, famous, and global.

This collection unmasks the hidden faces of the real women linked to Lady Liberty, Lady Godiva, greenspace, outer space, refrigeration, relativity, a bus boycott, computer language, and more. Mysteries of her histories are hacked open for you to learn of the women linked to the DNA in your body, OSHA in your workplace, Social Security in your future, a bridge in Brooklyn, the Civil Rights March in Washington, cherry blossoms in DC, and the cell phone in your hand.

A Thesaurus of Women seeks to provide expansive information in a minimal amount of time in respect to our busy lifestyles. With complete citations for further reference, this is the perfect historical teaser for those who want to build a base knowledge of women's roles in the de ning moments and discoveries of history as well as those who want to stay sharp on what they already know. From politics to athletics, from Wall Street to Hollywood, women have been vital, if unrecognized, pioneers and innovators throughout history. Learn some of their stories in "A Thesaurus of Women From Cherry Blossoms to Cell Phones."

Music and the Commedia dell'Arte narrates the story of the most famous commedia dell'arte troupe of the late Renaissance, focusing in particular on the representation of women on stage and on the role of music-making in their craft. It provides a rich context for the study of musical-theatrical performance before the advent of opera and re-defines our perceptions of women, music and theatre in the Renaissance.

What is 'fun' about the Hollywood version of girlhood? Through re-evaluating notions of pleasure and fun, The Aesthetic Pleasures of Girl Teen Film forms a study of Hollywood girl teen films between 2000-2010. By tracing the aesthetic connections between films such as Mean Girls (Waters, 2004), Hairspray (Shankman, 2007), and Easy A (Gluck, 2010), the book articulates the specific types of pleasure these films offer as a means to understand how Hollywood creates gendered ideas of fun. Rather than condemn these films as 'guilty pleasures' this book sets out to understand how they are designed to create experiences that feel as though they express desires, memories, or fantasies that girls supposedly share in common. Providing a practical model for a new approach to cinematic pleasures The Aesthetic Pleasures of Girl Teen Film proposes that these films offer a limited version of girlhood that feels like potential and promise but is restricted within prescribed parameters.

Confronting entrenched social inequality and inadequate access to resources, women across Africa are working with determination and imagination to improve their material conditions and to blaze a clear path for their daughters and granddaughters. The thirty-one African-born contributors to this book move beyond the linked dichotomies of victim/oppressor and victim/heroine to present their experiences of resistance in full complexity: they are at the forward edge of the tide of women's empowerment that, at the start of the twenty-first century, is moving across the African continent. Contributions illuminate the effect on women of women's poverty and lack of access to education, health care, credit, and political power; HIV/AIDS; female genital cutting; Sharia law; armed conflict and rape as a weapon of war; displacement and exile; women's oppressions within heterosexual relationships; resistant sexualities; intergenerational conflict and tensions between tradition and modernity.

Julia Alvarez made her mark on the American literary horizon with the 1991 publication of her debut novel "How the Garc DEGREESD'ia Girls Lost Their Accents," a story based on her own family's bicultural experiences. Readers and critics alike quickly discovered the writer's penchant for extracting humor from hardship, and weaving personal history into vivid prose. Within a decade, Alvarez had published three more highly acclaimed novels, including " Yo " (1997), a delightful sequel to her first novel. This Critical Companion introduces readers to the life and works of Dominican American writer Alvarez and examines the thematic and cultural concerns that run through her novels. Full literary analysis is provided for each, including historical context for the factually based works, "In the Time of the Butterflies "(1994) and "In the Name of Salome" (2000). A brief biography and a chapter on the Latino novel help students to understand the personal and literary influences in Alvarez's writing.

This first full-length treatment of Julia Alvarez discusses her entire canon of writings including her poetry, short stories, children's fiction and nonfiction. The four novels are analyzed fully, each discussed in its own chapter with sections on plot, character development, literary device, thematic issues and narrative structure. Cultural and historical contexts of the work are also considered, and alternate critical perspectives are given for each novel. A select bibliography makes this volume a valuable research tool for students, educators and anyone interested in Latino literature.

"Deviant and Useful Citizens" explores the conditions of women and perceptions of the female body in the eighteenth century throughout the Viceroyalty of Peru, which until 1776 comprised modern-day Peru, Bolivia, Chile, Argentina, Uruguay, and Paraguay. Mariselle Melendez introduces the reader to a female rebel, Micaela Bastidas, whose brutal punishment became a particularly harsh example of state response to women who challenged the system. She explores the cultural representation of women depicted as economically productive and vital to the health of the culture at large. The role of women in religious orders provides still another window into the vital need to sustain the image of women as loyal and devout -- and to deal with women who refused to comply.

The book focuses on the different ways male authorities, as well as female subjects, conceived the female body as deeply connected to notions of what constituted a useful or deviant citizen within the Viceroyalty. Using eighteenth-century legal documents, illustrated chronicles, religious texts, and newspapers, Mariselle Melendez explores in depth the representation of the female body in periods of political, economic, and religious crisis to determine how it was conceived within certain contexts.

"Deviant and Useful Citizens" presents a highly complex society that relied on representations of utility and productivity to understand the female body, as it reveals the surprisingly large stake that colonial authorities had in defining the status of women during a crucial time in South American history.

On March 14, 2012, Kim Rideout heard the words that one in every nine women will hear in her lifetime: she had breast cancer. Taken To My Knees is a candid memoir written from the daily journals she kept as she underwent surgery, chemotherapy, and radiation treatments to deal with the IDC Stage IIB breast cancer she had been diagnosed with. Rideout recounts how scared she was in those early days with a brutal honesty. She takes her audience along with her as she makes daily attempts to reconcile her "new normal" with the gut-wrenching fear that a cancer diagnosis brings. In sharing her story, Rideout demonstrates how important it is to be surrounded with love, family, and friendship and how a positive attitude can be just as important in the healing process as any medication. This poignant book will provide a firsthand insight to family, friends, and caregivers of any breast cancer patient as well as give hope and strength to fellow warrior survivors.