Boccaccio's "On Famous Women" ("De claris mulieribus") is a remarkable work that contains the lives of one hundred and six women in myth and history, ranging from Eve to Boccaccio's contemporary, Queen Giovanna I of Naples. It is the first collection of women's biographies ever written. Boccaccio composed it at Certaldo in 1361/62 and revised it in various stages to the end of his life in 1375. He dedicated it to Andrea Acciaiuoli, countess of Altavilla in the kingdom of Naples and sister of Niccolo Acciaiuoli, the grand seneschal of Queen Giovanna I. In his preface the author states that the biographies of illustrious men had been written often by a number of excellent writers, and he cited his hero Petrarch's "Lives of Famous Men" ("De viris illustribus") as an example. No one, however, had ever done the same for women. Boccaccio therefore presents a wide variety of women from antiquity to his own time, offering their lives as both moral "exempla" and entertaining reading. Boccaccio is best known as the author of the "Decameron" in which he portrayed women among the "lieta brigata" of pleasure-seeking young aristocrats and among the various characters of their tales. But in these biographies we find more serious themes that became standards of the Renaissance: secular and religious life; politics and private life; fame, fortune and earthly power; advantage and adversity; women's character, virtues and vices; their social roles, individual talents and achievements. "On Famous Women" is the earliest source of women's biography in the West and has had a long and distinguished publication career and literary influence. Its impact can be seen in Chaucer's "Canterbury Tales," in Christine de Pizan's Livre de la cite des dames," and in the work of Spencer, Alonso de Cartagena and Thomas Elyot, among many others. Guido A. Guarino's translation is based on the edition of Mathias Apiarius, printed in Bern in 1539. This new edition includes the original woodcut illustrations of the 1539 Apiarius edition, a new bibliography and bibliographical essay. First English translation. 2nd revised edition. Introduction, new bibliography. 310 pages, 14 illustrations.

This is a profound study of how contemporary Arab American women writers who have been marginalized and silenced, especially after 9/11, are pointing out the racism, oppression, and marginalization they experience in the United States and are beginning to uncover the particularities of their own ethnic histories. The book focuses mainly on four works by contemporary Arab American women writers: A Border Passage (1999) by Leila Ahmed, Emails from Scheherazad by Mohja Khaf, West of the Jordan (2003) by Laila Halaby, and Crescent (2003) by Diana Abu-Jaber, examining how each of these works uniquely tackles the idea of having a hyphenated identity--an identity that has been complicated by living in a hostile environment and living in a borderzone. In this book, the author articulately examines how Leila Ahmed, Mohja Khaf, Laila Halaby, and Diana Abu Jaber explore what it means to belong to a nation as it wages war in their Arab homelands, supports the elimination of Palestine, and racializes Arab men as terrorists and Arab women as oppressed victims, while investigating the themes of exile, doubleness, "split vision," and difference. Using postcolonial and feminist literary theories, the author insightfully investigates how these Arab American women writers critique intellectual tendencies that might be understood as making concessions to Western and Orientalist fundamentalist regimes and movements that in effect abandon Arab women to their iron rule.

The woman's novel is a term used to describe fiction which, while immensely popular among educated women readers, sits uneasily between high and low culture. Clare Hanson argues that this hybrid status reflects the ambivalent position of its authors and readers, as educated women caught between identification with the male-gendered intellectual culture and a counter-experience of female embodiment. Through six case studies, the representation of a 'mind/body problem' is explored in the fiction of Rosamond Lehmann, Elizabeth Bowen, Elizabeth Taylor, Margaret Drabble, A.S.Byatt and Anita Brookner.

The Great Recession punished American workers, leaving many underemployedor trapped in jobs that do not provide the income or opportunitythey need. Moreover, the gap between the wealthy and the poor has widenedin past decades as mobility remains stubbornly unchanged. Against thisdeepening economic divide, a dominant cultural narrative has taken root:immobility, especially for the working class, is driven by shifts in demand forlabor. In this context, and with right-to-work policies proliferating nationwide,workers are encouraged to avoid government dependency by armingthemselves with education and training. Drawing on archival material and interviews with African Americanwomen transit workers in the San Francisco Bay area, Katrinell Davis grappleswith our understanding of mobility as it intersects with race and genderin the postindustrial and post-civil rights United States. Consideringthe consequences of declining working conditions within the public transitworkplace of Alameda County, Davis illustrates how worker experience-onand off the job-has been undermined by workplace norms and administrativepractices designed to address flagging worker commitment and morale.Providing a comprehensive account of how political, social, and economicfactors work together to shape the culture of opportunity in a postindustrialworkplace, she shows how government manpower policies, administrativepolicies, and drastic shifts in unionisation have influenced the prospects oflow-skilled workers.

Isolation.

The Alaskan Territory.

In the 1950s Alaska was not yet a state when a young woman, the author Ruth Vincent, accompanied her biologist husband to remote Afognak Island.
The two were alone with short-wave radio and bush pilots as their only connection with the outside world. Months at a time would elapse without Ruth even seeing another woman. Foxes became pets, mail was delivered by bush pilots, snowshoes were essential, and puffin eggs enhanced meals.
"In the Wake of the Frontier" vividly portrays this three-year adventure. Life on Afognak Island included coping without electricity or running water, facing Kodiak brown bears, and dealing with life-threatening situations. At the same time, the stunning Alaskan scenery and idyllic peacefulness were breathtaking. Through the author's eyes, dealing with emergencies, aloneness, and inconveniences all come alive in this engaging historical memoir.

This edited collection addresses the institutional context and social issues in which teaching the women's studies introductory course is embedded and provides readers with practical classroom strategies to meet the challenges raised. The collection serves as a resource and preparatory text for all teachers of the course including experienced teachers, less experienced teachers, new faculty, and graduate student teaching assistants. The collection will also be of interest to educational scholars of feminist and progressive pedagogies and all teachers interested in innovative practices.

The contributors discuss the larger political context in which the course has become a central representative of women's studies to a growing, although less feminist-identified, population. Increased enrollments and changes in student population are noted as a result, in part, of the popularity of Introduction to Women's Studies courses in fulfilling GED and diversity requirements. New forms of student resistance in a climate of backlash and changes in course content in response to internal and external challenges are also discussed. Evidence is provided for an emerging paradigm in the conceptualization of the introductory course as a result of challenges to racism, heterosexism, and classism in women's studies voiced by women of color and others in the 1980s and 1990s. Sensationalist charges that women's studies teachers, including those who teach the Introduction to Women's Studies course, are the academic shock troops of a monolithic feminism are challenged and refuted by the collection's contributors who share their struggles to make possible classrooms in which informed dialogue and disagreement are valued.

"A lot of people in the general public think female bodybuilding is gross and freaky . . . that that's not what a woman is supposed to look like." So says Michelle, a national bodybuilding judge. In fact, athletic women, especially those in sports where strength, muscle, and sweat feature prominently, are typically viewed by the public as being outside the boundaries of appropriate femininity. And perhaps no group of women athletes embodies this gender outlaw status more than female bodybuilders, who by their bulk and sheer strength challenge our very notions of what it means to be a woman. Why would women choose to look like that? And what does it take to get and stay so muscular?

Maria R. Lowe has interviewed more than one hundred people connected with women's bodybuilding, from the bodybuilders themselves, to trainers, family members, spouses, judges, and sponsors. In Women of Steel, Lowe introduces us to a world where size and strength must be balanced with a nod toward grace and femininity. Lowe, who actually worked out with a couple of the bodybuilders she interviewed, gets at the heart of what it is to be a woman bodybuilder. We learn about "paying the price"--doing the necessary exercise, and sometimes drugs--that allows women to rise to the top of their profession. We follow their successes and failures, and discover the benefits-- including increased self-esteem and physical strength--as well as the sometimes unhealthy effects of their training regimen, from dehydration to baldness to rampant acne to high blood pressure. We travel with the women from competition to competition and find that judges' standards seem to vary alarmingly depending on momentary notions of what constitutes "the overall package"--that elusive perfect body that catches judges' eyes and wins competitions.

Above all, Women of Steel is a keenly observant diary of life in women's bodybuilding, a must-read for people interested in sports, competition, physical culture, and gender.

In most countries around the world, women continue to lag behind men in an array of political orientations and activities. Understanding why this is the case and why some countries have been more successful than others at moderating gender gaps in political involvement is imperative for producing stronger and more representative democracies. Cultural, socioeconomic, and political factors explain some of the gender gaps in political involvement, but not all of them. In this book, the authors argue that electoral institutions attenuate gender gaps in mass political engagement and participation by drawing women, an 'undertapped' constituency, into the democratic process. Using cross-national and country-specific analyses, the authors show that electoral institutions play a complementary and significant role in reducing gender gaps in political involvement. The cross-national analyses draw on comparative survey data from a wide range and large number of countries. The case studies draw out the processes underlying changes in political attitudes and behaviors with evidence from four country studies: New Zealand, Russia, France, and Uruguay. All four countries have altered their electoral institutions, either through large-scale reform of the electoral system itself or adopting gender quotas, allowing the authors to examine patterns of political involvement pre- and post-reform. The book finds that inclusive electoral systems that produce more proportional electoral outcomes have larger effects on women's political engagement and participation than on men's. Gender quotas also mediate women's engagement and participation, but to a lesser degree. On the whole, the book concludes that electoral rules designed to promote social inclusion in parliament are critical for promoting social group inclusion among the electorate. Comparative Politics is a series for students, teachers, and researchers of political science that deals with contemporary government and politics. Global in scope, books in the series are characterised by a stress on comparative analysis and strong methodological rigour. The series is published in association with the European Consortium for Political Research. For more information visit: www.ecprnet.eu. The Comparative Politics Series is edited by Professor David M. Farrell, School of Politics and International Relations, University College Dublin, Kenneth Carty, Professor of Political Science, University of British Columbia, and Professor Dirk Berg-Schlosser, Institute of Political Science, Philipps University, Marburg.

The challenges and achievements of female athletes in the U.S. are the focus of this collection of nearly 300 articles and biographies that portray the diversity, depth, and meaning of their sports experiences. Written by prominent experts as well as by the athletes themselves, these articles offer a unique, authoritative perspective on topics ranging from women's earliest involvement in sports through recent events at the 1997 world and national championships.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

COSMO WOMAN

This is one of the few full-length explorations of the 'women's magazine' market. Focussing on Cosmopolitan magazine, Oliver Whitehorne considers every aspect of the women's magazine, from themes and issues to images and style. The feminism in women's magazines is discussed in detail, and is related to second wave feminism and third wave or 'postmodern' feminism.

As well as Cosmopolitan, the author also studies many other magazines in the women's magazine market, and related magazines, such as lifestyle magazines and men's magazines.

The author looks at the use of advertizing and consumerism in women's magazines and other lifestyle and consumer magazines, drawing on many examples of ads which are deconstructed in detail.

EXTRACT FROM CHAPTER TWO, "THE COSMO WOMAN"

Let's start with the typical front page of Cosmopolitan. As with most other women's magazines, Cosmopolitan features a woman, a model, smiling. It's not a movie star, or someone with a name (the model, we see inside, is called 'Rohini'. Models/ supermodels are known by their first names: Naomi, Claudia, Kate). The imagery of the woman is 'positive', 'exuberant', 'young', 'tanned', 'smart', 'in control', 'self-confident'. The photographs on the covers of women's magazines speak of healthy living, clean-washed clothes, where white is truly sparkling white. Teeth are perfect. There are no wrinkles or unsightly flabby bits of skin. The models' skin is blemishless. Jewellery is perfect and there are no 'bad hair' days for cover stars. This woman is nameless but she is also 'Cosmo woman', centrepiece of the image chosen to sell this month's issue of the magazine. The model is selected to portray the mood and aims of the magazine, and to leap out of the other magazines on the racks. She is, of course, also the mirror of the audience, but a stylized, idealized mirror. The cover of Cosmo shows the would-be buyer and audience what they could be like. It is a piece of advertizing, the magazine cover. It invites the browser into the world of the magazine. It has to make a direct and instantaneous appeal to the potential buyer. Booksellers know that the most important aspect of a book's sales potential is its cover. Magazines have developed cover design to a refined artform, and each magazine has its house style, its code of subtle laws that consumers read in a very sophisticated manner. There may not be much to read on the cover, but it takes a while to really explain and understand the significance of every aspect of a cover. Like a movie poster or a burger bar menu, a magazine cover is a highly stylized product (physical details of the magazine cover include type size, shape and colour; size and texture of paper; the sell-lines; the lay-out; it's also crucial where the magazine is displayed - high or low, or next to particular magazines).

Please Mama Please is the story about years spent in an orphan's home, and memories of a broken family. Part I orphan's home. There we were not only separated from our mother, but each other. I was being constantly told, You're nothing but white trash, and in many ways the staff tried to prove it. Physical and mental abuse was the norm. Part II but we are still in reach of the supervisor of the home. Mama is arrested for kidnapping and taken to jail. In court she pleads with the judge to keep her children. The fear of being taken back to the home until I reach eighteen bring haunting nightmares. Part III Moving to Tennessee I struggle to put those nightmares behind me, and then tragedy strikes compounding the nightmares to almost unbearable proportions. Please Mama Please ends with shocking truth of why we were Throw Away Children. Please, Mama, Please is a vivid and moving account of the author's life and will give others insight into the complex, fragile world of children. It will also, let's hope, inspire them to see that children in their own spheres never suffer such trails and tribulations. --Judith McCulloh, Executive Editor, University of Illinois Press

The sovereignty and goodness of GOD, together with the faithfulness of his promises displayed, being a narrative of the captivity and restoration of Mrs. Mary Rowlandson, commended by her, to all that desires to know the Lord's doings to, and dealings with her. Especially to her dear children and relations. The second Addition [sic] Corrected and amended. Written by her own hand for her private use, and now made public at the earnest desire of some friends, and for the benefit of the afflicted. Deut. 32.39. See now that I, even I am he, and there is no god with me, I kill and I make alive, I wound and I heal, neither is there any can deliver out of my hand.

The history of Madeira's women and the writing of women travellers about the island are less well known than they should be. This livret combines a flavour of all these elements for the visitor or armchair traveller.