The surreal life and bizarre times of a college-educated career call girl. A brave new look at the oldest profession, A Roaring Girl is, without a doubt, the most unusual book of its kind ever written. Part edgy, x-rated memoir; part sex-positive, pro-prostitution polemic, H. A. Carson's 400-plus page interview with an anonymous "escort" known as "The Thinking Man's Hooker," is an unflinchingly honest presentation of one woman's professional life and Weltanshaung in all its sordid/surreal, gonzo/glamorous glory. From start to finish, the book is, much like the subject herself, intelligent, outrageous, relentlessly "in your face," and utterly unique. A Roaring Girl presents a prostitute who is neither gilded angel nor fallen victim nor pseudo-sexy, "nymphomaniacal" sophisticate. She is the sex worker as female outlaw/entrepreneur; the prostitute as world-class iconoclast. Perhaps most intriguing of all, A Roaring Girl lays bare the surreal world of pay-for-play psychopathia sexualis with humor and compassion as well as the unflinchingly analytical insight of a "happy hooker" swapping stories with Kinsey or Havelock Ellis. Raw, irreverent, visceral, disturbing, and funny, A Roaring Girl is, above all, a "roaring" good read It is astonishingly literate, unabashedly erotic; flawlessly analytical; shockingly explicit, and surprisingly (and often darkly) humorous. Carson's mystery woman turns a phrase as effortlessly and as expertly as she formerly turned tricks. Whatever else can be said of her, the whore can write. A Roaring Girl is a revolutionary work. It is also fascinating, You will try, unsuccessfully, to put it down.

Forced from her downtown Manhattan apartment by the terrorist attack of September 11, journalist Wendy Bounds was delivered to Guinan's doorstep -- a legendary Irish drinking hole and country store nestled along the banks of the Hudson River in the small town of Garrison, New York -- by a friend.

Captivated by the bar's charismatic but ailing owner and his charming, motley clientele, Bounds uprooted herself permanently and moved to tiny Garrison, the picturesque river town they all call home. There she became one of the rare female regulars at the old pub and was quickly swept up into its rhythm, heartbeat, and grand history -- as related by Jim Guinan himself, the stubborn high priest of this little chapel. Surrounded by a crew of endearing, delightfully colorful characters who were now her neighbors and friends, she slowly finds her own way home.

Beautifully written, deeply personal, and brilliantly insightful, "Little Chapel on the River" is a love story about a place -- and the people who bring it to life.

For the first two years of her life she feels love, but suddenly her protector is gone She's too young to even know her Mother is gone. From the innocence of childhood, to the growing sickness and abuse in her life, she is confused and full of fear

How will she ever make it when there is no time to wonder-only time to survive?
She wants to be the "good little girl," and please her family; she wants to be loved
She wants to be right with God

The confusion, pain, and abuse are unbearable The family sickness is more than one can comprehend

What she is asked to do is impossible-for the sake of her siblings-she MUST do it, but is she strong enough?

Walk through the journey with her from her earthly father to her heavenly Father.

A "Washington Post Book World" Best Book of the Year
When her carriage first crossed over from her native Austria into France, fourteen-year-old Marie Antoinette was taken out, stripped naked before an entourage, and dressed in French attire to please the court of her new king. For a short while, the young girl played the part.
But by the time she took the throne, everything had changed. In "Queen of Fashion, " Caroline Weber tells of the radical restyling that transformed the young queen into an icon and shaped the future of the nation. With her riding gear, her white furs, her pouf hairstyles, and her intricate ballroom disguises, Marie Antoinette came to embody--gloriously and tragically--all the extravagance of the monarchy.

Seguramente, una nueva mama se siente preparada con guias, manuales, conferencias y cursos. Pero quiza aun asi, los cambios que llegaran a su vida la tomaran por sorpresa. Ha cambiado su papel en el mundo, y tambien lo que el mundo espera de ella y eso es lo que no te dicen en los otros libros sobre la maternidad: al convertirse en madre, la mujer pasa de ser hija, hermana, esposa, amiga o companera para volverse la cuidadora del bienestar no solo de un bebe, sino de toda la familia. Que ocurre entonces con la persona que eras antes? Este es un libro de compania, con los testimonios de muchas mujeres que nos cuentan sus experiencias, en un momento en el que probablemente vas a necesitar compania, comprension y por supuesto, reirte un poco.

"You are about to embark on a journey that will take you places you've never been before and you will learn much about things you don't even know exist." The words flowed out of Patricia Beirne's hand and onto the paper in front of her. Subsequent sessions of automatic writing encouraged her and gave suggestions. "I never felt alone again," she says about the beginning of her extraordinary voyage of discovery.

To the outside world, Patricia seemed to have it all: an athletic, successful husband, two beautiful daughters, and a home in the San Diego area. Raised with rigid ideas about what women should be, she worked to be the perfect wife, hostess, mother, and homemaker. But as the years went by, Patricia could no longer ignore the growing restlessness and unsettling dreams stirring inside her. She knew she was being called to discover the meaning of her life ... but what was it?

Within a five-year period, both daughters were in serious car accidents, one struggled with drug use, and the other fought depression and a mysterious illness that took her to the hospital-all while Patricia's marriage deteriorated. It was then that she discovered she had a gift. She could trust the divine, loving Voice that directed her, and she could use her gift to help her daughters as well as others. Her story is a testament to what can happen when we listen, trust, and open ourselves to new ways of hearing and healing.

The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows - the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts. Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.

This collection of papers explores the facets of gender and sex in history, language and society of Altaic cultures, reflecting the unique interdisciplinary approach of the PIAC. It examines the position of women in contemporary Central Asia at large, the expression of gender in linguistic terms in Mongolian, Manju, Tibetan and Turkic languages, and gender aspects presented in historical literary monuments as well as in contemporary sources.

A humorous yet poignant take on the issues and attitudes that encumber today's women. "Divalution" is full of quips and short stories based on the author's personal experiences and observations, some are funny, others sad, all will touch you. Deborah shares her insight on how women have failed themselves and each other. She offers "The Divalution" as a way to unite and grow. It is a must read if you have ever had a mother, raised a child, had a friend or been in a relationship.

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"The result of Miller's information lode is aa]sometimes uplifting book. It is possible for government and private-sector programs to alleviate the violence against females, Miller believes--but not if those in charge lack the will and refuse to allocate the resources."
--"St. Louis Post Dispatch"

aMiller gives us a detailed examination of the violence experienced by Black inner city girls whose victimization is based on multiple dimensions of their lives: because they are Black, because they live in extremely disadvantaged neighborhoods, and because they are women. Milleras careful, rich, detailed field work documents and analyzes the complex realities of these young womenas lives that set the context for the struggles they routinely contend with. The voices of these young people have been ignored for too long. Getting Played has given them an opportunity to be heard that is long overdue.a
--Robert Crutchfield, University of Washington

aGetting Played shows powerfully how gender, class, and race inequality expose girls in disadvantaged urban communities to violent and sexual victimization, both in neighborhoods and in schools. Miller expertly analyzes how extreme social and economic disadvantage combine with pervasive normative codes to create a context in which girls face high risks of victimization at the hands of boys and men. Getting Played is masterful.a
--Karen Heimer, co-editor of "Gender and Crime: Patterns in Victimization and Offending"

aBy giving us a better understanding of how the neighborhoods and the peer culture of poor African American youth increase the risk of agendered victimization, a GettingPlayed challenges both academics and policymakers to face the role of structured discrimination in the perpetuation of violence toward women.a
--Candace Kruttschnitt, co-author of "Marking Time in the Golden State: Womenas Imprisonment in California"

aThis is a significant and timely book. Miller has taken on a vitally important, but understudied, topic--violence against young Black girls in economically depressed urban settings.a
--Dana M. Britton, author of "At Work in the Iron Cage: The Prison as Gendered Organization"

aMiller grabs readers' attention with the stark reality of the widespread occurrence of violent victimization among the girls she studies.a
--From the Foreword by Ruth D. Peterson, Distinguished Professor of Social and Behavioral Sciences, The Ohio State University

Much has been written about the challenges that face urban African American young men, but less is said about the harsh realities for African American young women in disadvantaged communities. Sexual harassment, sexual assault, dating violence, and even gang rape are not uncommon experiences. In Getting Played, sociologist Jody Miller presents a compelling picture of this dire social problem and explores how inextricably, and tragically, linked violence is to their daily lives in poor urban neighborhoods.

Drawing from richly textured interviews with adolescent girls and boys, Miller brings a keen eye to the troubling realities of a world infused with danger and gender-based violence. These girls are isolated, ignored, and often victimized by those considered family and friends. Community institutions such as the police and schools that are meant to protect them often turn a blind eye, leaving girls to fend for themselves. Miller draws a vivid picture of the race and gender inequalities that harm these communities--and how these result in deeply and dangerously engrained beliefs about gender that teach youths to see such violence--rather than the result of broader social inequalities--as deserved due to individual girlsa flawed characters, i.e., ashe deserved it.a

Through Milleras careful analysis of these engaging, often unsettling stories, Getting Played shows us not only how these young women are victimized, but how, despite vastly inadequate social support and opportunities, they struggle to navigate this dangerous terrain.

Each morning we establish an image and an identity for ourselves through the simple act of getting dressed. Why Women Wear What they Wear presents an intimate ethnography of clothing choice. The book uses real women's lives and clothing decisions-observed and discussed at the moment of getting dressed - to illustrate theories of clothing, the body, and identity. Woodward pieces together what women actually think about clothing, dress and the body in a world where popular media and culture presents an increasingly extreme and distorted view of femininity and the ideal body. Immediately accessible to all those who have stood in front of a mirror and wondered 'does my bum look big in this?', 'is this skirt really me?' or 'does this jacket match?', Why Women Wear What they Wear provides students of anthropology and fashion with a fresh perspective on the social issues and constraints we are all consciously or unconsciously negotiating when we get dressed.