This is the first analysis of periodicals' key role in U.S. feminism's formation as a collective identity and set of political practices in the 1970s. Between 1968 and 1973, more than five hundred different feminist newsletters and newspapers were published in the United States. Agatha Beins shows that the repetition of certain ideas in these periodicals-ideas about gender, race, solidarity, and politics-solidified their centrality to feminism. Beins focuses on five periodicals of that era, comprising almost three hundred different issues: Distaff (New Orleans, Louisiana); Valley Women's Center Newsletter (Northampton, Massachusetts); Female Liberation Newsletter (Cambridge, Massachusetts); Ain't I a Woman? (Iowa City, Iowa); and L.A. Women's Liberation Newsletter, later published as Sister (Los Angeles, California). Together they represent a wide geographic range, including some understudied sites of feminism. Beins examines the discourse of sisterhood, images of women of color, feminist publishing practices, and the production of feminist spaces to demonstrate how repetition shaped dominant themes of feminism's collective identity. Beins also illustrates how local context affected the manifestation of ideas or political values, revealing the complexity and diversity within feminism. With much to say about the study of social movements in general, Liberation in Print shows feminism to be a dynamic and constantly emerging identity that has grown, in part, out of a tension between ideological coherence and diversity. Beins's investigation of repetition offers an innovative approach to analyzing collective identity formation, and her book points to the significance of print culture in activist organizing.

The Parlour and the Suburb challenges stereotypes about domesticity with a reevaluation of women's roles in the 'private' sphere. Classic accounts of modernity have generally ignored or marginalized women, relegating them to the private sphere of home, sexuality and personal relationships. This private sphere has been understood as a gendered space in which a non-modern femininity is opposed to the masculine world of politics, economics, urban life and the workplace. The author argues, however, that home and private life have been crucial spaces in which the interrelations of class and gender have been significant in the formation of modern feminine subjectivitiesFocusing on the first half of the twentieth century, The Parlour and the Suburb examines how women experienced and understood the home and private life in light of modernity. It explores the identities and self-definitions that domesticity inscribed and shows how these were central to women's sense of themselves as 'modern' individuals. The book draws on a range of cultural texts and practices to explore aspects of domestic modernity that have received little attention in most accounts of modern subjectivities. Topics covered include suburbia, consumption practices, domestic service and the wartime figure of the housewife. Texts examined include a range of women's magazines, George Orwell's Coming up for Air, Betty Friedan's The Feminine Mystique, BBC Home Service's 'Help for Housewives' and oral history narratives. 'In this persuasively argued book Giles discusses the highly gendered nature of the concept of modernity which has, to date, marginalized the domestic space and women's traditional role as 'homemakers'.'Stephanie Spencer, Literature & History

Theresa Patnode opens the door to a simpler, more balanced time in America, reflecting upon her life growing up on a farm, vividly reliving her detailed memories as a ten-year-old girl living in the New York State Adirondack Mountains in the 1930s.

Theresa reflects the conflicts of living on a farm in searing poverty with eleven siblings in the cold unforgiving North Country with her guardian angel as a source of comfort. Few today have experienced the many scenarios Patnode relates in a starkly realistic manner. Some of those experiences include family struggles on their Ellenburg, New York farm with inclement weather ruining crops, rodent infestation, snow clogged roads as she helps with barn chores, learns basic catholic ideologies in her local church, dresses freshly killed chickens to eat, helps can fresh tomatoes, goes to school in a one-room schoolhouse without running water and attends fun school picnics.

"In Gratitude to My Guardian Angel" portrays stunning details of a historical time in the United States, a time that was simpler and more basic than the fastpaced, constantly escalating quest for faster and more sophisticated technology in the age of the new millennium.

This edited volume presents research about life in prison for women, discussing both incarcerated women and those working in prisons. It addresses women's paths through the criminal justice system from sentencing through post-incarceration and reintegration into society, highlighting the differences in women's experience of prison compared to their male counterparts and noting both the positive and negative changes implemented for women behind bars. Covering research on stigma, pop culture, motherhood, sexuality and gender, access to healthcare, vocational training, and educational opportunities, this text takes both a local and international view. Women and Prison is a comprehensive volume suitable for criminal justice researchers, mental health professionals, students of criminology, women's studies, sociology and those seeking a career in corrections.

Seductions in Narrative is a highly original, academic study which provides a critical discourse in which desire, narrative, and subjectivity are explored. Through the critical reading of two novels by contemporary English authors, Angela Carter and Jeanette Winterson, the book cleverly assesses the ways in which desire allows the subject to imagine an alternative, utopian location where a narrative of the self, in all its multiplicity and ambiguity, can be effected. This book is unique as general studies on these issues tend to focus on the literature produced over the nineteenth century, but not on contemporary literature. The pieces which examine desire and narrative in contemporary novels tend to do so in the work of post-colonial authors. Specific works on the production of Angela Carter and Jeanette Winterson also tend to focus on a somewhat close reading of their novels, but do not make use of their fiction in order to debate specific, poststructuralist issues, as this book successfully undertakes.

An incisive and deeply candid account that explores autistic women in culture, myth, and society through the prism of the author's own diagnosis. Until the 1980s, autism was regarded as a condition found mostly in boys. Even in our time, autistic girls and women have largely remained invisible. When portrayed in popular culture, women on the spectrum often appear simply as copies of their male counterparts - talented and socially awkward. Yet autistic women exist, and always have. They are varied in their interests and in their experiences. Autism may be relatively new as a term and a diagnosis, but not as a way of being and functioning in the world. It has always been part of the human condition. So who are these women, and what does it mean to see the world through their eyes? In The Autists, Clara Toernvall reclaims the language to describe autism and explores the autistic experience in arts and culture throughout history. From popular culture, films, and photography to literature, opera, and ballet, she dares to ask what it might mean to re-read these works through an autistic lens - what we might discover if we allow perspectives beyond the neurotypical to take centre stage.

Janet and Dick Crawford worked together in their small veterinary practice in Wisconsin for thirty years. They raised five children, grew tons of vegetables, marched for Civil Rights, saw a thousand movies, and traveled to more than fifty countries. The year Dick died was the fifty-sixth year of their marriage- a partnership of opposites, and a honeymoon that lasted through both the rough and smooth years.

In this memoir, author Janet Jackson Crawford narrates the devastating mental and physical experiences of becoming a widow. She describes her odyssey through the "valley of death" and her methods of recovery and rejuvenation. She tells how she learned to feel her emotions, acknowledge her pain, resolve her loss, and live again.

A personal account of the grief and loneliness of surviving the death of a mate, A Widow's Odyssey offers an idea of what to expect when your lifelong partner dies. Crawford provides insight as well as suggestions to help overcome feelings of helplessness, sadness, and loneliness. This memoir helps those left behind cope as they struggle to overcome the heartbreak.

Reid, Kerr, and Miller seek to redress the lack of systematic, generalizable research on women's representation in state and municipal bureaucracies by focusing specifically on the representation of female managers in high-level policy and decision-making positions in their agencies or departments. Their primary interest is in examining the distribution of women and men in state and municipal administrative and professional positions by agency and over time (from 1987 through 1997) in order to determine if, first, agency missions are associated with glass walls and glass ceilings, and, second, whether, relative to white women, African American women and Latinas have made progress in laying claim to a greater share of managerial positions in public-sector agencies. Their analysis reveals a richly textured and complicated set of factors and interrelationships that vary widely across different policy areas, agency contexts, and levels of government. They show continued patterns of underrepresentation in agencies with regulatory and distributive policy commitments while showing some improvements in those agencies that tend to be traditionally populated by women, health, welfare, and social services, for example.

Emma Watson's Our Shared Shelf book club choice New York Times bestseller 'Fascinating.' Sunday Times 'Thrilling.' Mail on Sunday All they wanted was the chance to shine. Be careful what you wish for... 'The first thing we asked was, "Does this stuff hurt you?" And they said, "No." The company said that it wasn't dangerous, that we didn't need to be afraid.' As the First World War spread across the world, young American women flocked to work in factories, painting clocks, watches and military dials with a special luminous substance made from radium. It was a fun job, lucrative and glamorous - the girls shone brightly in the dark, covered head to toe in dust from the paint. However, as the years passed, the women began to suffer from mysterious and crippling illnesses. It turned out that the very thing that had made them feel alive - their work - was slowly killing them: the radium paint was poisonous. Their employers denied all responsibility, but these courageous women - in the face of unimaginable suffering - refused to accept their fate quietly, and instead became determined to fight for justice. Drawing on previously unpublished diaries, letters and interviews, The Radium Girls is an intimate narrative of an unforgettable true story. It is the powerful tale of a group of ordinary women from the Roaring Twenties, who themselves learned how to roar. Further praise for The Radium Girls 'The importance of the brave and blighted dial-painters cannot be overstated.' Sunday Times 'A perfect blend of the historical, the scientific and the personal.' Bustle 'Thrilling and carefully crafted.' Mail on Sunday

The Lamaze method is virtually synonymous with natural childbirth in America. In the 1970s, taking Lamaze classes was a common rite of passage to parenthood. The conscious relaxation and patterned breathing techniques touted as a natural and empowering path to the alleviation of pain in childbirth resonated with the feminist and countercultural values of the era. In Lamaze, historian Paula Michaels tells the surprising story of the Lamaze method from its origins in the Soviet Union in the 1940s, to its popularization in France in the 1950s, and then to its heyday in the 1960s and 1970s in the US. Michaels shows how, for different reasons, in disparate national contexts, this technique for managing the pain of childbirth without resort to drugs found a following. The Soviet government embraced this method as a panacea to childbirth pain in the face of the material and fiscal shortages that followed World War II. Heated and sometimes ideologically inflected debates surrounded the Lamaze method as it moved from East to West amid the Cold War. Physicians in France sympathetic to the communist cause helped to export it across the Iron Curtain, but politics alone fails to explain why French women embraced this approach. Arriving on American shores around 1960, the Lamaze method took on new meanings. Initially it offered a path to a safer and more satisfying birth experience, but overtly political considerations came to the fore once again as feminists appropriated it as a way to resist the patriarchal authority of male obstetricians. Drawing on a wealth of archival evidence, Michaels pieces together this complex and fascinating story at the crossroads of the history of politics, medicine, and women. The story of Lamaze illuminates the many contentious issues that swirl around birthing practices in America and Europe. Brimming with insight, Michaels' engaging history offers an instructive intervention in the debate about how to achieve humane, empowering, and safe maternity care for all women.

"Lure of the Trade Winds: Two Women Sailing the Pacific Ocean" transports readers to a place where few have gone before: aboard a thirty-four-foot boat, cruising the Pacific Ocean. Join author Jeannine Talley, as she and her sailing partner, Joy Smith, embark on the journey of a lifetime.

Each day is a new adventure aboard the Banshee. Talley and her partner are stranded on a reef in Vanuatu, contract malaria, rescue a wrecked boat, visit a skull site in the Solomon Islands, and journey to remote islands whose inhabitants still bear the scars of a brutal colonial past. When their electronic navigational equipment is lost in a storm, they must use sextant navigation, depending entirely on sun sights, to make a long passage north from the South Pacifi c to Micronesia.

In "Lure of the Trade Winds," the two women travel to some of the most remote areas of the world and interact with the inhabitants within their social settings. They unravel some of the world's mysteries, plunge into the unknown, and come face to face with some of the darker aspects of legacy of colonialism. The tale of their travels proves once again that the spirit of adventure knows no bounds.

Susanna Klein never meant to insist on silence. But after the shy and sensitive little girl entered school and rarely spoke out loud, she was labeled as "the girl who doesn't talk." Helplessly trapped within her quiet world, Susanna taught herself how to talk without moving her lips. Sadly, no one understood her suffering or her condition: selective mutism.

In her compelling memoir, Susanna shares not only her powerful life story, but also her painful yet authentic journey inside her innermost thoughts as she details how her profound shyness permeated every area of her life and held her back from many of life's best experiences. As she embarks on a coming-of-age journey into adulthood, Susanna soon realizes she is stuck, unable to move on in her relationships or career. Desperate for answers but without any idea of where to turn, Susanna has no idea she is about to be saved by a sunny, golden little boy.

"The Girl Who Doesn't Talk" offers a touching, informative look at one woman's journey to redeem her painful past as she gains the understanding, self-acceptance, and peace that finally allows her to walk confidently into her future.