With studies of China, India, West Africa, South America and Europe, this book provides a global perspective on food consumption in the modern world. Combing ethnographic, historical and comparative analyses, the volume celebrates the contributions of Jack Goody to the anthropology of food.

This book explores the paradoxes of Self-Other relations in the field of tourism. It particularly focuses on the 'power' of different forms of 'Otherness' to seduce and to disrupt, and, eventually, also to renew the social and cosmological orders of 'modern' culture and everyday life. Drawing on a series of ethnographic case studies, the contributors investigate the production, socialisation and symbolic encompassment of different 'Others' as a political and also an economic resource to govern social life in the present. The volume provides a comparative inductive study on the modernist philosophical concepts of time, 'Otherness', and the self in practice, and relates it to contemporary tourism and mobility.

Venezuela, one of the least-known countries in Latin America, is brilliantly spotlighted in "Culture and Customs of Venezuela." This oil-rich nation sustained a stable democracy until the economic downturn in the 1980s, and changes in the social and political spheres will bring the country under increasing scrutiny from the outside world. Dinneen captures the sharp contrasts and immense variety of modern Venezuela. Students and interested readers will find engaging and authoritative overviews of the land, people, and history; religions; social customs; media; cinema; literature; performing arts; and art and architecture.

This work successfully portrays the country's cultural richness and diversity. Influences from the United States are inescapable, especially in Caracas, but many distinctive traditions are continued throughout the country, varying from region to region. Religious rituals and numerous festivals that take place in towns and villages and the vibrant music scene, all major expressions of the nation's social and cultural life, are just some of the highlights found herein. Numerous photos give witness to Venezuela's diverse culture and a chronology, and glossary supplement the text.

A lost sketch book on a Portuguese castle rampart left Manuel Joao Ramos bereft, and the impulse to draw deserted him - but his first trip to Ethiopia reawakened this pleasure, so long denied. Drawing obsessively and free from care, his rapidly caught impressions convey the rough edges of the intensely lived experiences that are fundamental to the desire to travel. For the travel sketch is more than a record or register of attendance (`been there, seen that'): it holds invisibly within itself the remnant of a look, the hint of a memory and a trace of an osmosis of feelings between the sketcher and the person or objects sketched. Less intrusive than using a camera, Ramos argues drawing comprises a less imperialist, more benign way of researching: his sketchbook becomes a means of communication between himself and the world in which he travels, rendering him more human to those around him. As he journeys through the Ethiopian Central Highlands, collecting historical legends of the power struggles surrounding the arrival of the first Europeans in the mid-sixteenth century, he is drawn to the Portuguese legacy of castles, palaces and churches, near ruins now, though echoes of their lost splendour are retained in oral accounts. Excerpts from his diary, as well as journalistic pieces, share the conviviality of his encounters with the priests, elders and historians who act as custodians of the Amhara oral tradition. Their tales are interwoven with improvised, yet assured, drawings, and this informality of structure successfully retains the immediacy and pleasure of his discovery of Ethiopia. It also suggests the potential for drawing to play a more active part in anthropological production, as a means of creating new narratives and expositional forms in ethnography, bringing it closer to travel writing or the graphic novel.

Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, European agencies used the performing arts as a tool in diplomacy. This had a profound impact on choreographic production and arts markets throughout Africa. In Senegal, choreographic performers have taken to contemporary dance, while continuing to engage with neo-traditional performance, regional genres like the sabar, and the popular dances they grew up with. A historically informed ethnography of creativity, agency, and the fashioning of selves through the different life stages in urban Senegal, this book explores the significance of this multiple engagement with dance in a context of economic uncertainty and rising concerns over morality in the public space.

Analyzing a wide body of cultural texts, including literature, film, and other visual arts, Gender, Empire, and Postcolony: Luso-Afro-Brazilian Intersections is a diverse collection of essays on gender in Portuguese colonialism and Lusophone postcolonialism.

In this volume Massimo Canevacci draws on ethnographic fieldworkcarried out together with Bororo of the Mato Grosso (Brazil), in particular Kleber Meritororeu, to examine the tensions, conflicts and exchanges between transformation and tradition. The practical as well as political keyword in his approach is self-representation. From this follows the incorporation of Bororo subjectivities into the text, and the focus on the emotional, philosophical and sacred aspects of their famous funeral ritual, in which their status as both performers and the interpreters is emphasized by their use of the digital camera. The book takes its name from the line of dust laid down by a mestre dos cantos (master of chants), Jos Carlos Kuguri, between the anthropologist and himself: both a representation of an immaterial boundary, and a syncretic challenge to understand the transfiguration from a dead individual corpse to a living ancestral skull, an arara. Canevacci's answer is an assemblage of different narratives, in which an 'astonished' methodology of sensorial concepts, emotional photos and innovative logics traverses the entire Bororo funeral. He finds there is no dualism to life and death for the Bororo, but rather a porous, continuous transit and mixing of body and corpse, of humans and animals, of plants and deities; and that their sacred cosmology is time and again created and recreated via their wailing songs and circular dances, skin scarifications and bone painting. Their rituals are no mere repetition of tradition. They are also an attempt to respond to the changes inside and outside their aldeia (village), and to reenact their shifting cultures, subjectivities and identities. Massimo Canevacci is Professor of Cultural Anthropology, Digital Arts and Culture at the University of Rome 'La Sapienza' and Visiting Professor at the Institute of Advanced Study of the University S o Paulo (IEA-USP). In 1995 he received 'The National Order of the Cruzeiro do Sul' (Southern Cross) from the President of the Federal Republic of Brazil for his research.

In northwest Namibia, peopleOCOs political imagination offers a powerful insight into the post-apartheid state. Based on extensive anthropological fieldwork, this book focuses on the former South African apartheid regime and the present democratic government; it compares the perceptions and practices of state and customary forms of judicial administration, reflects upon the historical trajectory of a chieftaincy dispute in relation to the rooting of state power and examines everyday forms of belonging in the independent Namibian State. By elucidating the State through a focus on the social, historical and cultural processes that help constitute it, this study helps chart new territory for anthropology, and it contributes an ethnographic perspective to a wider set of interdisciplinary debates on the State and state processes."

The movement of people from small towns and villages of India to places outside the country raises a number of questions- about the networks that enable their mobility, the aspirations that motivate them, what they give back to their home regions, and how their provincial home worlds engage with and absorb the consequent transnational flows of money, ideas, influence and care. This book analyzes the social consequences of the transmission of migrant resources to provincial places in India. Bringing together case studies from four regions, it demonstrates that these flows are very diverse, are inflected by regional histories of mobility and development, and may reinforce local power structures or instigate social change in unexpected ways. The chapters collected in this volume examine conflicts over migrant-funded education or rural development projects, how migrants from Dalit, Muslim and other marginalized groups use their new wealth to promote social progress or equality in their home regions, and why migrants invest in property in provincial India or return regularly to their ancestral homes to revitalize ritual traditions. These studies also demonstrate that diaspora philanthropy is routed largely through social networks based on caste, community or kinship ties, thereby extending them spatially, and illustrate how migrant efforts to 'develop' their home regions may become entangled in local politics or influence state policies. This collection of eight original ethnographic field studies develops new theoretical insights into the diverse outcomes of international migration and the influences of regional diasporas within India. These collected studies illustrate the various ways in which migrants remain socially, economical and politically influential in their home regions. The book develops a fresh perspective on the connections between transnational migration and processes of development, revealing how provincial India has become deeply globalized. It will be of interest to academics and students in the fields of anthropology, geography, transnational and diaspora studies, and South Asian studies.

This text explores why it is white ethnicity has been rendered invisible, arguing that contemporary people's conceptions of themselves are conditioned by, and derive from, the unknown and forgotten legacy of a colonial past that cannot be confined to the past.

Governance failure and corruption are increasingly identified as key causes of tropical deforestation. In Nigeria's Edo State, once the showcase of scientific forestry in West Africa, large-scale forest conversion and the virtual depletion of timber stocks are invariably attributed to recent failures in forest management, and are seen as yet another instance of how "things fall apart" in Nigeria. Through an in-depth historical and ethnographic study of forestry in Edo State, this book challenges this routine linking of political and ecological crisis narratives. It shows that the roots of many of today's problems lie in scientific forest management itself, rather than its recent abandonment, and moreover that many "illegal" local practices improve rather than reduce biodiversity and forest cover. The book therefore challenges preconceptions about contemporary Nigeria and highlights the need to reevaluate current understandings of what constitutes "good governance" in tropical forestry.

Pauline von Hellermann is Lecturer in Anthropology at Goldsmiths, University of London. She has conducted research on landscapes and politics in Nigeria and Tanzania and is editor of "Multisited Ethnography: Problems and Possibilities in the Translocation of Research Methods" (with Simon Coleman, Routledge, 2011).

Through the voices and perspectives of the members of an extended Hawaiian family, or `ohana, this book tells the story of North American imperialism in Hawai`i from the Great Depression to the new millennium. The family members offer their versions of being "Native Hawaiian" in an American state, detailing the ways in which US laws, policies, and institutions made, and continue to make, an impact on their daily lives. The book traces the ways that Hawaiian values adapted to changing conditions under a Territorial regime and then after statehood. These conditions involved claims for land for Native Hawaiian Homesteads, education in American public schools, military service, and participation in the Hawaiian cultural renaissance. Based on fieldwork observations, kitchen table conversations, and talk-stories, or mo`olelo, this book is a unique blend of biography, history, and anthropological analysis.

European thought is often said to be a gift to the rest of the world, but what if there is no gift as such? What if there is only an economy where every giving is also a taking, and every taking is also a giving? This book extends the question of economies by making a case for an 'economy of thought' and a 'political economy.' It argues that all thinking and doing presupposes taking, and therefore giving, as the price to pay for taking; or that there exists a 'cost of living, ' which renders the idea of free thinking and living untenable. The argument is developed against the Enlightenment directive to think for oneself as the means of becoming autonomous and shows that this 'light, ' given to the rest of the world as a gift, turns out to be nothin

The concept of cultural transmission is central to much contemporary anthropological theory, since successful human reproduction through social systems is essential for effective survival and for enhancing the adaptiveness of individual humans and local populations. Yet, what is understood by the phrase and how it might best be studied is highly contested. This book brings together contributions that reflect the current diversity of approaches - from the fields of biology, primatology, palaeoanthropology, psychology, social anthropology, ethnobiology, and archaeology - to examine social and cultural transmission from a range of perspectives and at different scales of generalization. The comprehensive introduction explores some of the problems and connections. Overall, the book provides a timely synthesis of current accounts of cultural transmission in relation to cognitive process, practical action, and local socio-ecological context, while linking these with explanations of longer-term evolutionary trajectories.

For some time now the body has been a central topic across a range of social science disciplines. Similarly, there has been a growing interest in the cultural meaning of clothing. But curiously, even though people are nearly always clothed, the relationship between dress and the body has been relatively unexplored until now.
Dress is a crucial aspect of embodiment, shaping the self physically and psychologically. From dressing up to dressing down, this book exposes the complex ways that fashions and costumes render the body presentable in a vast range of social situations. It investigates the varied ways in which western and non-western clothes operate to give the body meaning and situate it within culture. The authors consider different approaches to the relationship between fashion, dress and the body, and present new theoretical models for their future study. They demonstrate the importance of the concept of ‘embodiment’ to dress and fashion studies.
Exploring gender, photography, cultural history and modernity, this book deals with a vast range of questions inherent in dressing up the body. From fashion photography in the 1960s to contemporary queer fashion and the history of the masquerade, this is a fascinating and far-reaching collection. Its breadth and depth make it essential reading for anyone interested in style, costume, the body, gender or history.

Often, violent behavior or harassment from a soldier is dismissed by the military as unacceptable acts by individuals termed, "rotten apples." In this study, the author argues that this dismissal is unsatisfactory and that there is an urgent need to look at the (mis)behavior of soldiers from a structural point of view. When soldiers serve as an occupational force, they find themselves in a particular situation influenced by structural circumstances that heavily influence their behavior and moral decision-making. This study focuses on young Israeli men and their experiences as combat soldiers in the Israeli Defense Forces (IDF), particularly those who served in the "Occupied Palestinian Territories" (OPT) during the "Al Aqsa Intifada," which broke out in 2000. In describing the soldiers' circumstances, especially focusing on space, the study shows how processes of numbing on different levels influence the (moral) behavior of these soldiers.

Tongan women living outside of their island homeland create and use hand-made, sometimes hybridized, textiles to maintain and rework their cultural traditions in diaspora. Central to these traditions is an ancient concept of homeland or nation-- fonua--which Tongans retain as an anchor for modern nation-building. Utilizing the concept of the "multi-territorial nation," the author questions the notion that living in diaspora is mutually exclusive with authentic cultural production and identity. The globalized nation the women build through gifting their barkcloth and fine mats, challenges the normative idea that nations are always geographically bounded or spatially contiguous. The work suggests that, contrary to prevalent understandings of globalization, global resource flows do not always primarily involve commodities. Focusing on first-generation Tongans in New Zealand and the relationships they forge across generations and throughout the diaspora, the book examines how these communities centralize the diaspora by innovating and adapting traditional cultural forms in unprecedented ways.

Pakistani migrant families in Denmark find themselves in a specific ethno-national, post-9/11 environment where Muslim immigrants are subjected to processes of non-recognition, exclusion and securitization. This ethnographic study explores how, why, and at what costs notions of relatedness, identity, and belonging are being renegotiated within local families and transnational kinship networks. Each entry point concerns the destructive-productive constitution of family life, where neglected responsibilities, obligations, and trust lead not only to broken relationships, but also, and inevitably, to the innovative creation of new ones. By connecting the micro-politics of the migrant family with the macro-politics of the nation state and global conjunctures in general, the book argues that securitization and suspicion-launched in the name of "integration"-escalate internal community dynamics and processes of family upheaval in unpredicted ways.

The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), 'failed states' (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination.

Recently considerable interest has developed about the degree to which anthropological approaches to kinship can be used for the study of the long-term development of European history. From the late middle ages to the dawn of the twentieth century, kinship - rather than declining, as is often assumed - was twice reconfigured in dramatic ways and became increasingly significant as a force in historical change, with remarkable similarities across European society. Applying interdisciplinary approaches from social and cultural history and literature and focusing on sibling relationships, this volume takes up the challenge of examining the systemic and structural development of kinship over the long term by looking at the close inner-familial dynamics of ruling families (the Hohenzollerns), cultural leaders (the Mendelssohns), business and professional classes, and political figures (the Gladstones)in France, Italy, Germany, and England. It offers insight into the current issues in kinship studies and draws from a wide range of personal documents: letters, autobiographies, testaments, memoirs, as well as genealogies and works of art.

The genocide of Neanderthals is the Big Bang of world culture. Like the "Expanding Universe" of heavenly bodies, we live in an expanding culture universe composed of the basic themes begun in Europe some 35,000 to 30,000 years ago. Sophisticated language and organized warfare, for example, took shape during this time. Humanity began to redefine itself as distinct from other earthly creatures by its power of speech. Once the pre-religious rituals for the slaughter of large mammals ran out of Neanderthals, more than a dozen species, such as the great Elk, the giant Sloth, cave bear, and woolly Mammoth, also fell victim to humanity's blood lust - a lust learned during the genocide of Neanderthals. Why did our ancestors do these dastardly deeds? Perhaps more importantly, how can anyone know even that these things were done, much less why they were done? Using the new tools of empathic science, Dr. Kelleher answers these, and many other questions, about the human mind and its motivations. In the course of this adventure, the reader will learn how the first true humans lived from the time the Human Genome emerged, about 150,000 years ago, through the genocide of Neanderthal, which ended around 30,000 years ago. Throughout this long period, humanity was, and continues to be, driven to search for a way to heal its Human Birth Defect. That will be described with anatomical precision. Dr. Kelleher's writing is so clear and entertaining that no reader will be able to put down this book before it is finished.

Queer Commoditiesis the first book-length analysis of same-sexuality and consumer capitalism in contemporary US fiction. Moving beyond the critical tendencies to identify gay and lesbian subcultures as either hopelessly immersed in consumer capitalism or heroically resistant to it, Guy Davidson argues that while these subcultures are necessarily commodified, they also provide means of subversively negotiating aspects of life under capitalism.

Since 1994 South Africa has undergone a steady erosion of its indigenous built environment, with a concomitant loss of indigenous building technology and its specialised terminology. This glossary is based on the premise that you cannot understand the culture of a people unless you have a grasp of the nuances and hidden meanings of their language and brings together in one single volume the terminologies that are used by southern Africa's rural builders. It covers the terminology used by indigenous builders as well as subsequent colonial white settlers including buildings of the so-called Cape Dutch, English Georgian, Victorian and Indian Traditions. The text is set out in alphabetical order. It comprises of each term in its original language, its translation where appropriate into isiZulu, and its definition in English and isiZulu. One of the strengths of this book is its visual component of accompanying sketches that expertly illustrate the terms. This book is designed not only to assist in the teaching of architecture, but also to aid others who are interested in the field. Researchers and practitioners in disciplines such as anthropology, archaeology, culture studies and building science will find it a valuable addition to their libraries.

Babies are not simply born-they are made through cultural and social practices. Based on rich empirical work, this book examines the everyday experiences that mark pregnancy in the US today, such as reading pregnancy advice books, showing ultrasound "baby pictures" to friends and co-workers, and decorating the nursery in anticipation of the new arrival. These ordinary practices of pregnancy, the author argues, are significant and revealing creative activities that produce babies. They are the activities through which babies are made important and meaningful in the lives of the women and men awaiting the child's birth. This book brings into focus a topic that has been overlooked in the scholarship on reproduction and will be of interest to professionals and expectant parents alike.