Through the voices and perspectives of the members of an extended Hawaiian family, or `ohana, this book tells the story of North American imperialism in Hawai`i from the Great Depression to the new millennium. The family members offer their versions of being "Native Hawaiian" in an American state, detailing the ways in which US laws, policies, and institutions made, and continue to make, an impact on their daily lives. The book traces the ways that Hawaiian values adapted to changing conditions under a Territorial regime and then after statehood. These conditions involved claims for land for Native Hawaiian Homesteads, education in American public schools, military service, and participation in the Hawaiian cultural renaissance. Based on fieldwork observations, kitchen table conversations, and talk-stories, or mo`olelo, this book is a unique blend of biography, history, and anthropological analysis.

European thought is often said to be a gift to the rest of the world, but what if there is no gift as such? What if there is only an economy where every giving is also a taking, and every taking is also a giving? This book extends the question of economies by making a case for an 'economy of thought' and a 'political economy.' It argues that all thinking and doing presupposes taking, and therefore giving, as the price to pay for taking; or that there exists a 'cost of living, ' which renders the idea of free thinking and living untenable. The argument is developed against the Enlightenment directive to think for oneself as the means of becoming autonomous and shows that this 'light, ' given to the rest of the world as a gift, turns out to be nothin

A "comprehensive...fascinating" (The New York Times Book Review) history of Asian Americans and their role in American life, by one of the nation's preeminent scholars on the subject, with a new afterword about the recent hate crimes against Asian Americans. In the past fifty years, Asian Americans have helped change the face of America and are now the fastest growing group in the United States. But much of their long history has been forgotten. "In her sweeping, powerful new book, Erika Lee considers the rich, complicated, and sometimes invisible histories of Asians in the United States" (Huffington Post). The Making of Asian America shows how generations of Asian immigrants and their American-born descendants have made and remade Asian American life, from sailors who came on the first trans-Pacific ships in the 1500 to the Japanese Americans incarcerated during World War II. Over the past fifty years, a new Asian America has emerged out of community activism and the arrival of new immigrants and refugees. But as Lee shows, Asian Americans have continued to struggle as both "despised minorities" and "model minorities," revealing all the ways that racism has persisted in their lives and in the life of the country. Published fifty years after the passage of the United States' Immigration and Nationality Act of 1965, these "powerful Asian American stories...are inspiring, and Lee herself does them justice in a book that is long overdue" (Los Angeles Times). But more than that, The Making of Asian America is an "epic and eye-opening" (Minneapolis Star-Tribune) new way of understanding America itself, its complicated histories of race and immigration, and its place in the world today.

The concept of cultural transmission is central to much contemporary anthropological theory, since successful human reproduction through social systems is essential for effective survival and for enhancing the adaptiveness of individual humans and local populations. Yet, what is understood by the phrase and how it might best be studied is highly contested. This book brings together contributions that reflect the current diversity of approaches - from the fields of biology, primatology, palaeoanthropology, psychology, social anthropology, ethnobiology, and archaeology - to examine social and cultural transmission from a range of perspectives and at different scales of generalization. The comprehensive introduction explores some of the problems and connections. Overall, the book provides a timely synthesis of current accounts of cultural transmission in relation to cognitive process, practical action, and local socio-ecological context, while linking these with explanations of longer-term evolutionary trajectories.

For some time now the body has been a central topic across a range of social science disciplines. Similarly, there has been a growing interest in the cultural meaning of clothing. But curiously, even though people are nearly always clothed, the relationship between dress and the body has been relatively unexplored until now.
Dress is a crucial aspect of embodiment, shaping the self physically and psychologically. From dressing up to dressing down, this book exposes the complex ways that fashions and costumes render the body presentable in a vast range of social situations. It investigates the varied ways in which western and non-western clothes operate to give the body meaning and situate it within culture. The authors consider different approaches to the relationship between fashion, dress and the body, and present new theoretical models for their future study. They demonstrate the importance of the concept of ‘embodiment’ to dress and fashion studies.
Exploring gender, photography, cultural history and modernity, this book deals with a vast range of questions inherent in dressing up the body. From fashion photography in the 1960s to contemporary queer fashion and the history of the masquerade, this is a fascinating and far-reaching collection. Its breadth and depth make it essential reading for anyone interested in style, costume, the body, gender or history.

Often, violent behavior or harassment from a soldier is dismissed by the military as unacceptable acts by individuals termed, "rotten apples." In this study, the author argues that this dismissal is unsatisfactory and that there is an urgent need to look at the (mis)behavior of soldiers from a structural point of view. When soldiers serve as an occupational force, they find themselves in a particular situation influenced by structural circumstances that heavily influence their behavior and moral decision-making. This study focuses on young Israeli men and their experiences as combat soldiers in the Israeli Defense Forces (IDF), particularly those who served in the "Occupied Palestinian Territories" (OPT) during the "Al Aqsa Intifada," which broke out in 2000. In describing the soldiers' circumstances, especially focusing on space, the study shows how processes of numbing on different levels influence the (moral) behavior of these soldiers.

Tongan women living outside of their island homeland create and use hand-made, sometimes hybridized, textiles to maintain and rework their cultural traditions in diaspora. Central to these traditions is an ancient concept of homeland or nation-- fonua--which Tongans retain as an anchor for modern nation-building. Utilizing the concept of the "multi-territorial nation," the author questions the notion that living in diaspora is mutually exclusive with authentic cultural production and identity. The globalized nation the women build through gifting their barkcloth and fine mats, challenges the normative idea that nations are always geographically bounded or spatially contiguous. The work suggests that, contrary to prevalent understandings of globalization, global resource flows do not always primarily involve commodities. Focusing on first-generation Tongans in New Zealand and the relationships they forge across generations and throughout the diaspora, the book examines how these communities centralize the diaspora by innovating and adapting traditional cultural forms in unprecedented ways.

Pakistani migrant families in Denmark find themselves in a specific ethno-national, post-9/11 environment where Muslim immigrants are subjected to processes of non-recognition, exclusion and securitization. This ethnographic study explores how, why, and at what costs notions of relatedness, identity, and belonging are being renegotiated within local families and transnational kinship networks. Each entry point concerns the destructive-productive constitution of family life, where neglected responsibilities, obligations, and trust lead not only to broken relationships, but also, and inevitably, to the innovative creation of new ones. By connecting the micro-politics of the migrant family with the macro-politics of the nation state and global conjunctures in general, the book argues that securitization and suspicion-launched in the name of "integration"-escalate internal community dynamics and processes of family upheaval in unpredicted ways.

The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), 'failed states' (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination.

Recently considerable interest has developed about the degree to which anthropological approaches to kinship can be used for the study of the long-term development of European history. From the late middle ages to the dawn of the twentieth century, kinship - rather than declining, as is often assumed - was twice reconfigured in dramatic ways and became increasingly significant as a force in historical change, with remarkable similarities across European society. Applying interdisciplinary approaches from social and cultural history and literature and focusing on sibling relationships, this volume takes up the challenge of examining the systemic and structural development of kinship over the long term by looking at the close inner-familial dynamics of ruling families (the Hohenzollerns), cultural leaders (the Mendelssohns), business and professional classes, and political figures (the Gladstones)in France, Italy, Germany, and England. It offers insight into the current issues in kinship studies and draws from a wide range of personal documents: letters, autobiographies, testaments, memoirs, as well as genealogies and works of art.

Since 1994 South Africa has undergone a steady erosion of its indigenous built environment, with a concomitant loss of indigenous building technology and its specialised terminology. This glossary is based on the premise that you cannot understand the culture of a people unless you have a grasp of the nuances and hidden meanings of their language and brings together in one single volume the terminologies that are used by southern Africa's rural builders. It covers the terminology used by indigenous builders as well as subsequent colonial white settlers including buildings of the so-called Cape Dutch, English Georgian, Victorian and Indian Traditions. The text is set out in alphabetical order. It comprises of each term in its original language, its translation where appropriate into isiZulu, and its definition in English and isiZulu. One of the strengths of this book is its visual component of accompanying sketches that expertly illustrate the terms. This book is designed not only to assist in the teaching of architecture, but also to aid others who are interested in the field. Researchers and practitioners in disciplines such as anthropology, archaeology, culture studies and building science will find it a valuable addition to their libraries.

The genocide of Neanderthals is the Big Bang of world culture. Like the "Expanding Universe" of heavenly bodies, we live in an expanding culture universe composed of the basic themes begun in Europe some 35,000 to 30,000 years ago. Sophisticated language and organized warfare, for example, took shape during this time. Humanity began to redefine itself as distinct from other earthly creatures by its power of speech. Once the pre-religious rituals for the slaughter of large mammals ran out of Neanderthals, more than a dozen species, such as the great Elk, the giant Sloth, cave bear, and woolly Mammoth, also fell victim to humanity's blood lust - a lust learned during the genocide of Neanderthals. Why did our ancestors do these dastardly deeds? Perhaps more importantly, how can anyone know even that these things were done, much less why they were done? Using the new tools of empathic science, Dr. Kelleher answers these, and many other questions, about the human mind and its motivations. In the course of this adventure, the reader will learn how the first true humans lived from the time the Human Genome emerged, about 150,000 years ago, through the genocide of Neanderthal, which ended around 30,000 years ago. Throughout this long period, humanity was, and continues to be, driven to search for a way to heal its Human Birth Defect. That will be described with anatomical precision. Dr. Kelleher's writing is so clear and entertaining that no reader will be able to put down this book before it is finished.

Queer Commoditiesis the first book-length analysis of same-sexuality and consumer capitalism in contemporary US fiction. Moving beyond the critical tendencies to identify gay and lesbian subcultures as either hopelessly immersed in consumer capitalism or heroically resistant to it, Guy Davidson argues that while these subcultures are necessarily commodified, they also provide means of subversively negotiating aspects of life under capitalism.

The Wyandot were born of two Wendat peoples encountered by the French in the first half of the seventeenth century--the otherwise named Petun and Huron--and their history is fragmented by their dispersal between Quebec, Michigan, Kansas, and Oklahoma. This book weaves these fragmented histories together, with a focus on the mid-eighteenth century.

Author John Steckley claims that the key to consolidating the stories of the scattered Wyandot lies in their clan structure. Beginning with the half century of their initial diaspora, as interpreted through the political strategies of five clan leaders, and continuing through the eighteenth century and their shared residency with Jesuit missionaries--notably, the distinct relationships different clans established with them--Steckley reveals the resilience of the Wyandot clan structure. He draws upon rich but previously ignored sources--including baptismal, marriage, and mortuary records, and a detailed house-to-house census compiled in 1747, featuring a list of male and female elders--to illustrate the social structure of the people, including a study of both male and female leadership patterns. A record of the 1747 census and translated copies of letters sent between the Wyandot and the French are included in appendices.

Babies are not simply born-they are made through cultural and social practices. Based on rich empirical work, this book examines the everyday experiences that mark pregnancy in the US today, such as reading pregnancy advice books, showing ultrasound "baby pictures" to friends and co-workers, and decorating the nursery in anticipation of the new arrival. These ordinary practices of pregnancy, the author argues, are significant and revealing creative activities that produce babies. They are the activities through which babies are made important and meaningful in the lives of the women and men awaiting the child's birth. This book brings into focus a topic that has been overlooked in the scholarship on reproduction and will be of interest to professionals and expectant parents alike.

Just like Scheherazade, undercover agents talk to save their lives. If they put in a poor performance, they don't see the curtain rise again. ART OF DARKNESS pries open the virtuoso identity techniques practiced by undercover operatives, fugitives, disguise artists, pranksters, con artists, and federally protected witnesses. It draws on original interviews with undercover operators in order to show how identity artists on both sides of the law obtain fake ID, develop a disguise, build a cover story, maintain believability in street performances, and deal with threats to their identities-all without formal acting training. ART OF DARKNESS inhabits the grey areas of morality as it exposes identity roleplays at the borders of lawfulness. In it you'll find stories of: law-enforcement workers who adopt the techniques of criminals in order to catch them but somehow get caught up in their own trick identities; self-defined artists whose work also has a criminal dimension; criminal informants who masterfully play sides and roles against each other; and hoaxsters and impersonators who may perform trick identities primarily for gain but do so with tremendous inventiveness and a directorial consciousness. This book may explode any remaining notion you harbor that you are not at some level a member of the intelligence community, discerning who is "for real" and who is presenting a self for personal gain.

Twenty-first century Cuba is a cultural stew. Tommy Hilfiger and socialism. Nike products and poverty in Africa. The New York Yankees and the meaning of ""blackness."" The quest for American consumer goods and the struggle in Africa for political and cultural independence inform the daily life of Cubans at every cultural level, as anthropologist Paul Ryer argues in Beyond Cuban Waters. Focusing on the everyday world of ordinary Cubans, this book examines Cuban understandings of the world and of Cuba's place in it, especially as illuminated by two contrasting notions: ""La Yuma,"" a distinctly Cuban concept of the American experience, and ""Aacute;frica,"" the ideological understanding of that continent's experience. Ryer takes us into the homes of Cuban families, onto the streets and nightlife of bustling cities, and on boat journeys that reach beyond the typical destinations, all to better understand the nature of the cultural life of a nation. This pursuit of Western status symbols represents a uniquely Cuban experience, set apart from other cultures pursuing the same things. In the Cuban case, this represents neither an acceptance nor rejection of the American cultural influence, but rather a co-opting or ""Yumanizing"" of these influences.

Since 1990, direct sales have attracted over two million recruits in Mexico and are characterized by a belief in the power of positive thinking. Through an ethnographic portrait, Cahn demonstrates that the quasi-religious commission of self-empowerment--more than any economic commission--accounts for the explosive growth of commission-based sales in the developing world.

aThe Chicana/o Cultural Studies Forum conveys all the lucidity, passion, dynamism, and insightfulness of the field over several generations of scholars. The book captures the deeply collective character that Chicana/o cultural studies has exemplified since its beginnings.a
--Mary Louise Pratt, New York University

The Chicana/o Cultural Studies Forum brings together a diverse group of scholars whose work spans the interdisciplinary fields of Chicana/o studies and cultural studies. Editor Angie Chabram-Dernersesian provides an overview of current debates, locating Chicana/o cultural criticism at the intersections of these fields. She then acts as moderator of a virtual roundtable of critics, including Frances Aparicio, Lisa Lowe, George Lipsitz, Wahneema Lubiano, Renato Rosaldo, Jose David Saldivar, and Sonia Saldivar-Hull.

This highly collaborative and deeply interdisciplinary project addresses the questions: What is the relationship between Chicana/o studies and cultural studies? How do we do cultural studies from within Chicana/o cultural studies? How do Chicana/o cultural studies formations (hemispheric, borderland, and feminist) intermingle? The lively conversations documented here attest to the vitality and spirit of Chicana/o cultural studies today and track the movements between disciplines that share an interest in the study of culture, power relations, identity, and representation.

This book offers a unique resource for understanding not just the development of Chicana/o cultural studies, but how new social movements and epistemologies travel and affiliate with progressive forms of social inquiry in the global era.

The study of dance and movement as cultural phenomena frequently utilizes ethnography as a research strategy, yet no single text draws together the various fields of the social sciences. Written by leading exponents in dance ethnography from the disciplines of anthropology, ethnology, folklore studies and sociology, this international collection of essays addresses theoretical and methodological issues alongside considerations of documentary techniques and matters of politics and ethics.

Folklore has long explored food as a core component of life, linked to identity, aesthetics, and community and connecting individuals to larger contexts of history, culture and power. It recognizes that we gather together to eat, define class, gender, and race by food production, preparation, and consumption, celebrate holidays and religious beliefs with food, attach meaning to the most mundane of foods, and evoke memories and emotions through our food selections and presentations. "The Food and Folklore Reader "is the first comprehensive introduction to folklore methods and concepts relevant to food, spanning the entire discipline with key sources drawn from around the globe. Whilst folklore approaches have long permeated food studies, this is the first dedicated reader to introduce those ideas and to encourage students of food to explore them in their own work.Internationally respected editor Lucy M. Long offers expert commentary and rich learning features to aid teaching. Definitive in scale and scope, the reader covers the history of food in folklore scholarship whilst also highlighting food studies approaches and concepts for folklore readers.From seminal works on identity and aesthetics to innovative scholarship on contemporary food issues such as culinary tourism and food security, this will be an essential resource for food studies, folklore studies and anthropology.

Every company wants their business to have a strong, loyal following, but achieving this feat can be a challenge. Examining the growth of fandom popularity in modern culture can provide insights into consumer trends and patterns. Exploring the Rise of Fandom in Contemporary Consumer Culture is an innovative scholarly resource that offers an in-depth discussion on the soaring popularity of fan communities and how these followers serve a larger purpose in a consumer-driven society. Highlighting applicable topics that include brand loyalty, fan perceptions, social media, and virtual realities, this publication is ideal for business managers, academicians, students, professionals, and researchers that are interested in learning more about how fan behavior can impact the economic environment.

New York Jews, so visible and integral to the culture, economy and politics of America's greatest city, has eluded the grasp of historians for decades. Surprisingly, no comprehensive history of New York Jews has ever been written. City of Promises: A History of the Jews of New York, a three volume set of original research, pioneers a path-breaking interpretation of a Jewish urban community at once the largest in Jewish history and most important in the modern world. Volume III, Jews in Gotham, by historian Jeffrey S. Gurock, highlights neighborhood life as the city's distinctive feature. New York retained its preeminence as the capital of American Jews because of deep roots in local worlds that supported vigorous political, religious, and economic diversity. Each volume includes a visual essay by art historian Diana Linden interpreting aspects of life for New York's Jews from their arrival until today. These illustrated sections, many in color, illuminate Jewish material culture and feature reproductions of early colonial portraits, art, architecture, as well as everyday culture and community. Overseen by noted scholar Deborah Dash Moore, City of Promises offers the largest Jewish city in the world, in the United States, and in Jewish history its first comprehensive account.

In investigating both customary and modern Pacific art, these collected essays present a wide-ranging view across time and space, taking the reader from antiquities to contemporary art and travelling across the region from Australia, Papua New Guinea, Solomon Islands, New Zealand to Samoa. Studies of artefacts and traditions, such as self-portraiture, wood carvings, shields, tapa, dance and masks, use a variety of approaches, some deriving from museum studies while others are based on field investigation. Together they reveal the oppositional tensions between tradition and innovation, and the inspiration this provides for contemporary artistic practice, either through conscious implementation or through rejection of past definitions. Engagement with these cultural performances and objects provide new possibilities for the creation of current identities. The drafting of antiquities legislation, the tortuous journeys objects have taken to find a place in galleries, the use of exhibitions in cultural exchange, framed by the architecture of museums, as well as the role of film and photography in appropriating Pacific art culture for emerging nationalisms, all of these are considered here to enhance our understanding of indigenous art's place in the world today. These historical perspectives provide the framework in which to explore contemporary acquisition and outreach work with Pacific communities that seeks to reconnect people with objects taken away from the places and intentions of their makers. Questions of how identity is maintained and expressed through art are considered for both individuals and groups. What role does the transformations of objects play in this process? What impacts have been made by colonialism, modernism and the great migrations of people between Pacific countries, and from rural to urban environments? Ultimately, how is 'Pacific Islander' defined and by whom? In Repositioning Pacific Art, artists, curators and academics, including Maori and other Islanders, bring fresh approaches to Oceanic Art History and raise questions of relevance not only to scholars of indigenous art in the region but also in other parts of world.

During the last 15 years Latin American governments reformed their constitutions to recognize indigenous rights. The contributors to this book argue that these changes pose fundamental challenges to accepted notions of democracy, citizenship, and development in the region. Using case studies from Mexico, Guatemala, Bolivia, and Peru, they analyze the ways in which new legal frameworks have been implemented, appropriated and contested within a wider context of accelerating economic and legal globalization, highlighting the key implications for social policy, human rights, and social justice.