The "extensive wilderness" of Zambia's central Luangwa Valley is the homeland of the Valley Bisa whose cultural practices have enriched this environment for centuries. Beginning with the intrusions of warlords and later British colonials, successive generations have experienced the callousness and challenges of colonialism. Their homeland, a slender corridor surrounded by three national parks and an escarpment, is a microcosm of the political, economic and cultural battlefields surrounding most African protected areas today. The story of the Valley Bisa diverges from the myths that conservationists, administrators, and philanthropists, tell about Africa's environmental and wildlife crises.

Despite the wide interest in material culture, art, and aesthetics, few studies have considered them in light of the importance of the social imagination - the complex ways in which we conceptualize our social surroundings. This collection engages the "material turn" in the arts, humanities, and social sciences through a range of original contributions on creativity in diverse global and contemporary social settings. The authors engage with everyday objects, art, rituals, and ethnographic exhibitions to analyze the relationship between material culture and the social imagination. What results is a better understanding of how the material embodies and influences our idea of the social world.

American anthropologists have long advocated cultural anthropology as a tool for cultural critique, yet seldom has that approach been employed in discussions of major events and cultural productions that impact the lives of tens of millions of Americans. This collection of essays aims to refashion cultural analysis into a hard-edged tool for the study of American society and culture, addressing topics including the 9/11 terrorist attacks, abortion, sports doping, and the Jonestown massacre-suicides. Grounded in the thought of Friedrich Nietzsche, the essays advance an inquiry into the nature of culture in American society.

The Gwich'in Natives of Arctic Village, Alaska, have experienced intense social and economic changes for more than a century. In the late 20th century, new transportation and communication technologies introduced radically new value systems; while some of these changes may be seen as socially beneficial, others suggest a weakening of what was once a strong and vibrant Native community. Using quantitative and qualitative data gathered since the turn of the millennium, this volume offers an interdisciplinary evaluation of the developments that have occurred in the community over the past several decades.

In this book, an international team of urban anthropologists, sociologists, and ethnographers argue that politics, intergroup relations, and development in cities cannot be understood without reference to the local contexts that endow each city with specific characteristics. They also show how local urban economic, social, and cultural lives are influenced by powerful external forces. In these 'glocal' regards, the authors demonstrate how city images, borders, and social processes such as migration, tourism, and local development must be seen in broader contexts. The contributors examine them through the lenses of foreign investment, migration, and history. The volume takes an interdisciplinary approach and employs a range of theoretical perspectives and methodological approaches. Contributors' multidisciplinary expertise and insights about spaces and places are applied to nine unique cities across three continents.

This book presents a challenging view of the adoption and co-option of multiculturalism in Latin America from six scholars with extensive experience of grassroots movements and intellectual debates. It raises serious questions of theory, method, and interpretation for both social scientists and policymakers on the basis of cases in Mexico, Brazil, Argentina, Bolivia, and Ecuador. Multicultural policies have enabled people to recover the land of their ancestors, administer justice in accordance with their traditions, provide recognition as full citizens of the nation, and promote affirmative action to enable them to take the place in society which is theirs by right. The message of this book is that while the multicultural response has done much to raise the symbolic recognition of indigenous and Afro-descendant peoples nationally and internationally, its application calls for a profound reappraisal in spheres such as land, gender, institutional design, and equal opportunities. Written by scholars with long-term and in-depth engagement in Latin America, the chapters show that multicultural theories and policies, which assume racial and cultural boundaries to be clear-cut, overlook the pervasive reality of racial and cultural mixture and place excessive confidence in identity politics.

For the Orang Rimba of Sumatra - and tropical foragers in general - life in the forest engenders a kind of "connectedness" that is contingent not only on harmonious relations between people, but also between people and the non-human environment, including those supernatural agencies of the forest that people depend on for their spiritual and emotional wellbeing. Exploring this world, anthropologist Ramsey Elkholy treats embodied action and perception as the basis of shared experience and shows how various forms of embodied experience constitute the very foundations of human culture. In a unique methodological contribution, Elkholy adopts a set of body-centered approaches that reflect and capture the day-to-day, moment-to-moment ways in which people engage with the world. Being and Becoming is an important contribution to phenomenological anthropology, hunter-gatherer studies, and to Southeast Asian ethnography more generally.

This book deals with the concept of leisure and the everyday leisure practices of a group of diverse single women in an urban setting-Mannheim, Germany. Vania Sandoval focuses on how social structure and individual choices relate to each other in the local context. Initially, the book considers the women as a relatively homogenous group, analyzing how they conceive, organize and experience their leisure in a similar manner with individual nuances. It then proceeds to highlight some of the processes that lead, in this particular case, to migration-based differences in their leisure practices.

This is the first book to consider the major implications for culture of the new science of biosemiotics. The volume is mainly aimed at an audience outside biosemiotics and semiotics, in the humanities and social sciences principally, who will welcome elucidation of the possible benefits to their subject area from a relatively new field. The book is therefore devoted to illuminating the extent to which biosemiotics constitutes an 'epistemological break' with 'modern' modes of conceptualizing culture. It shows biosemiotics to be a significant departure from those modes of thought that neglect to acknowledge continuity across nature, modes which install culture and the vicissitudes of the polis at the centre of their deliberations. The volume exposes the untenability of the 'culture/nature' division, presenting a challenge to the many approaches that can only produce an understanding of culture as a realm autonomous and divorced from nature.

Lipsi is a small Greek island in the southeast Aegean Sea. There, the local oral tradition weaves the island's history from the mythical Calypso to this day, relating stories of people from a distant past and of those who are still leaving their mark, until the day they become memories and stories as well. This eternal time of an endless repetition, as perceived by today's inhabitants, is projected onto space making a narrative landscape through material constructions, collective bodily movements, and supernatural apparitions. The result of long-term ethnographic fieldwork, this book refers to the community of Lipsi as an example of the correlations between popular cosmologies, official religion, and the development of a symbolic landscape, along with the formation of collective identities and representations in the context of a "cultural and social experience of the world."

Over time, the role of nature in anthropology has evolved from being a mere backdrop for social and cultural diversity to being viewed as an integral part of the ontological entanglement of human and nonhuman agents. This transformation of the role of nature offers important insight into the relationships between diverse anthropological traditions. By highlighting natural-cultural worlds alongside these traditions, Multiple Nature-Cultures, Diverse Anthropologies explores the potential for creating more sophisticated conjunctions of anthropological knowledge and practice.

This book explores the cultural and economic conditions fuelling the popularity of the polarizing Paleo diet in Australia. Based on ethnographic research in Melbourne and Sydney, Catie Gressier recounts the compelling narratives of individuals struggling with illness and weight issues. She argues that 'going Paleo' provides a sense of agency and means of resistance to the neoliberal policies and practices underpinning the growing prevalence of lifestyle diseases. From its nostalgic constructions of the past, to the rise of anti-elite sentiments inherent in new forms of health populism, Gressier provides a nuanced understanding of the Paleo diet's contemporary appeal.

This book recounts the author's fieldwork among the trans and gender-variant communities in Naples. This is where a gender-variant figure, the femminiello, has found a safe environment within the city's historical poorest neighborhoods, the so-called "quartieri popolari", which were and continue to be culturally and socially connoted. The femminielli, who can be read as "suspended" figures between the feminine and the masculine, provide the background for a discourse on the meanings that genders and sexualities have assumed in modern Naples. This is done with significant openings to theoretical reasoning that is both extraterritorial and multidisciplinary. Starting from the micro context, the aim of the book is to explore the breadth and complexity of the gender variant and trans experience, with particular reference to the changing meanings of the body, which are also tied to the collective images of beauty in contemporary times.

Armed with cheap digital technologies and a fiercely independent spirit, millions of young people from around the world have taken cultural production into their own hands, crafting their own clothing lines, launching their own record labels, and forging a vast, collaborative network of impassioned amateurs more interested in making than consuming.
"DIY Style" tells the story of this international do-it-yourself (DIY) movement through a major case study of one of its biggest, but least known contingents: the "indie" music and fashion scene of the predominantly Muslim Southeast Asian island nation of Indonesia. Through rich ethnographic detail, in-depth historical analysis, and cutting-edge social theory, the book chronicles the rise of DIY culture in Indonesia, and also explores the phenomenon in Europe and the United States, painting an evocative portrait of vibrant communities who are not only making and distributing popular culture on their own terms, but working to tear down the barriers between production and consumption, third and first world, global and local. What emerges from the book is a cautiously optimistic view of the future of global capitalism - a creative, collectivist alternative built from the ground up.
This exciting and original study is essential reading for students and scholars of anthropology, fashion, media studies, cultural studies and sociology.

Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.

The Primeiro Comando do Capital (PCC) is a Sao Paulo prison gang thatsince the 1990s has expanded into the most powerful criminal network inBrazil. Karina Biondi's rich ethnography of the PCC is uniquely informedby her insider-outsider status. Prior to his acquittal, Biondi's husband wasincarcerated in a PCC-dominated prison for several years. During the periodof Biondi's intense and intimate visits with her husband and her extensivefieldwork in prisons and on the streets of Sao Paulo, the PCC effectively controlledmore than 90 percent of Sao Paulo's 147 prison facilities. Available for the first time in English, Biondi's riveting portrait of thePCC illuminates how the organisation operates inside and outside of prison,creatively elaborating on a decentered, non-hierarchical, and far-reachingcommand system. This system challenges both the police forces againstwhich the PCC has declared war and the methods and analytic concepts traditionallyemployed by social scientists concerned with crime, incarceration,and policing. Biondi posits that the PCC embodies a "politics of transcendence,"a group identity that is braided together with, but also autonomousfrom, its decentralized parts. Biondi also situates the PCC in relation toredemocratization and rampant socioeconomic inequality in Brazil, as wellas to counter-state movements, crime, and punishment in the Americas.

Pursues the hypothesis that fictional literature has been instrumental in the development and dissemination of European anti-Americanism from the early 1800s to today. Focusing on Britain, France and Germany, it offers analyses of a range of canonical literary works in which resentful hostility towards the United States is a predominant feature.

This study analyzes American, Vietnamese, and Japanese personal values, attempting to understand how it can be ethnographers find large differences in values between cultures, yet empirical surveys find relatively small differences in personal values between cultures. D'Andrade argues that people live in two distinct value worlds; the world of "personal values" and the world of "institutionalized values." Assessing these value worlds, D'Andrade is able to explain the contrast between ethnography and survey data, while making vital commentary on American, Vietnamese, and Japanese culture. With insight and precision, this book contributes to the important debate that the Culture, Mind, and Society series has initiated.

This study argues that the defining feature of contemporary advertising is the interconnectedness between consumer participation and calculative media platforms. It critically investigates how audience participation unfolds in an algorithmic media infrastructure in which brands develop media devices to codify, process and modulate human capacities and actions. With the shift from a broadcast to an interactive media system, advertisers have reinvented themselves as the strategic interface between computational media systems and the lived experience and living bodies of consumers. Where once advertising relied predominantly on symbolic appeals to affect consumers, it now centres on the use of computational devices that codify, monitor, analyse and control their behaviours. Advertisers have worked to stimulate and harness consumer participation for several generations. Consumers undertook the productive work of making brands a part of their cultural identities and practices. With the emergence of a computational mode of advertising consumer participation extends beyond the expressive activity of creating and circulating meaning. It now involves making the lived experience and the living body available to the experimental capacities of media platforms and devices. In this mode of advertising brands become techno-cultural processes that integrate calculative and cultural functions. Brand Machines, Sensory Media and Calculative Culture conceptualises and theorises these significant changes in advertising. It takes consumer participation and its interconnectedness with calculative media platforms as the fundamental aspect of contemporary advertising and critically investigates how advertising, consumer participation and technology are interrelated in creating and facilitating lived experiences that create value for brands.

Over time, the role of nature in anthropology has evolved from being a mere backdrop for social and cultural diversity to being viewed as an integral part of the ontological entanglement of human and nonhuman agents. This transformation of the role of nature offers important insight into the relationships between diverse anthropological traditions. By highlighting natural-cultural worlds alongside these traditions, Multiple Nature-Cultures, Diverse Anthropologies explores the potential for creating more sophisticated conjunctions of anthropological knowledge and practice.

"This is a very good book which will certainly become one of the essential works of reference for the jazz enthusiast. It covers the ragtime to swing period by way of 250 LPs, each of which is afforded full discographical information on dates, titles, and personnels. . . . The quality of the writing is extemely high, as indeed one has a right to expect from authors of this calibre. . . . Harrison, Fox, and Thacker have produced some beautifully composed essays on artistes such as Billie Holliday, Roy Eldridge, Duke Ellington, etc. . . . It is a book which needs to be dipped into frequently, a volume to keep close to one's record collection. . . . It will increase immeasurably anyone's knowledge of, and appreciation for, jazz." The Gramophone

Jean Muteba Rahier examines the cultural politics of Afro-Ecuadorian populations within the context of the Andean region's recent pivotal history and the Latin American 'multicultural turn" of the past two decades, bringing contemporary political trends together with questions of race, space, and sexuality. Organized around eight ethnographic vignettes, the book looks at race and Ecuadorian popular culture; Afro-Ecuadorian cultural politics, cultural traditions, and political activism; "mestizaje" and the non-inclusion of blackness in official imaginations of national identity ('the ideological biology of national identity'); race, gender relations, and anti-black racism; stereotypes of black female hypersexuality and sexual self-constructions; blackness and beauty contest politics; the passage from 'monocultural "mestizaje"' to multiculturalism in the 1990s, which got a second life following the "revolucion ciudadana" (citizen revolution) and the election of Rafael Correa to the Ecuadorian presidency in late 2006; and blackness, racism, sports, and national pride in multicultural Ecuador.

This volume is concerned with the hitherto neglected role of the humanities in the histories of the idea of race. Its aim is to begin to fill in this significant lacuna. If, in the decades following World War II and the Holocaust - years that witnessed European decolonization and the African-American civil rights movement - the concept of 'race' slowly but surely lost its legitimacy as a cultural, political and scientific category, for much of the nineteenth and the first half of the twentieth century concepts of race enjoyed widespread currency in numerous fields of knowledge such as the history of art, history, musicology, or philosophy. Bringing together some of the most distinguished scholars in their respective fields, this is the first collective attempt to address the history of notions of race in the humanities as a whole.