Sociology has taken a recent and unexpected theological turn that has radical implications for reflexivity. This original study explores these in four areas: visual aspects of reflexivity and theology; Simmel and Mauss on prayer as a form of spiritual capital; identity and the constitution of character; and finally, and most controversially, a reflection on sociological expectations of theology. This is one of the few works that explores a new terrain with profound implications for sociology and theology.

Mythologies and narratives of victimization pervade contemporary Croatia, set against the backdrop of militarized notions of masculinity and the political mobilization of religion and nationhood. Based on extensive ethnographic fieldwork in rural Dalmatia in the Croatian-Bosnian border region, this book provides a unique account of the politics of ambiguous Europeanness from the perspective of those living at Europe's margins. Examining phenomena such as Marian apparitions, a historic knights tournament, the symbolic re-signification of a massacre site, and the desolate social situation of Croatian war veterans, Narrating Victimhood traces the complex mechanisms of political radicalization in a post-war scenario. This book provides a new perspective for understanding the ongoing processes of transformation in Southeastern Europe and the Balkans.

In 1908, Arthur Maurice Hocart and William Halse Rivers Rivers conducted fieldwork in the Solomon Islands and elsewhere in Island Melanesia that served as the turning point in the development of modern anthropology. The work of these two anthropological pioneers on the small island of Simbo brought about the development of participant observation as a methodological hallmark of social anthropology. This would have implications for Rivers' later work in psychiatry and psychology, and Hocart's work as a comparativist, for which both would largely be remembered despite the novelty of that independent fieldwork on remote Pacific islands in the early years of the 20th Century. Contributors to this volume-who have all carried out fieldwork in those Melanesian locations where Hocart and Rivers worked-give a critical examination of the research that took place in 1908, situating those efforts in the broadest possible contexts of colonial history, imperialism, the history of ideas and scholarly practice within and beyond anthropology.

This encyclopedia provides detailed information about the historical, cultural, social, religious, economic, and scientific significance of gold, across the globe and throughout history. Gold has been an intrinsic part of human culture and society throughout the world, both in ancient times and in the modern era. This precious metal has also played a central role in economics and politics throughout history. In fact, the value of gold remains a topic of debate amid the current upheavals of economic conditions and attendant reevaluations of modern financial principles. Gold: A Cultural Encyclopedia consists of more than 130 entries that encompass every aspect of gold, ranging from the ancient metallurgical arts to contemporary economies. The connections between these interdisciplinary subjects are explored and analyzed to highlight the many ways humankind's fascination with gold reflects historical, cultural, economic, and geographic developments. While the majority of the works related to gold focus on economic theory, this text goes beyond that to take a more sociocultural approach to the subject. Contains more than 130 A-Z entries on the significance of gold worldwide, from antiquity to the present, from an interdisciplinary perspective, as well as sidebar entries Provides unique details and remarkable scope of facts in each entry along with direct references to and examples of primary source materials Photographs and illustrations of the use and significance of gold as varied as Ca' d'Oro in Venice, royal crowns, filigree, Italian florin coin, Hatshepsut, Rumpelstiltskin, Wat Traimit, and modern "bling" Extensive bibliography including monographs, scholarly articles, newspaper and magazine articles, primary source documents, and online resources Detailed subject index as well as list of entries and guide to related topics

Examines the making and remaking of Nairobi, one of Africa's most fragmented, vibrant cities, contributing to debates on urban anthropology, the politics of the past and postcolonial materialities. What does it mean to make a life in an African city today? How do ordinary Africans, surrounded by collapsing urban infrastructures and amid fantastical promises of hypermodern, globalised futures, try to ensure a place for themselves in the city's future? Exploring the relationship between the remains of empire and the global city, and themes of urban belonging and exclusion, housing and security, Constance Smith examines the making and remaking of one ofAfrica's most fragmented, vibrant cities. Nairobi is on the cusp of radical urban change. As in other capital cities across Africa, the Kenyan government has launched "Vision 2030", an urban megaproject that envisions the capital as a "world class metropolis", a spectacular new node in a network of global cities. Yet as a city born of British colonialism, Nairobians also live amongst the dilapidated vestiges of imperial urban planning; spaces designed to regulate urban subjects. Based on extensive ethnographic research in a dilapidated, colonial-era public housing project built as a model urban neighbourhood but which is now slated for demolition, Smith explores how projects of self-making and city-making are entwined. She traces how it is through residents' everyday lives - in the mundane, incremental work of home maintenance, in the accumulation of stories about the past, in ordinary people's aspirations for the future - that urban landscapes are formed, imaginatively, materially and unpredictably, across time. Nairobi emerges as a place of pathways and plans, obstructions and aspirations, residues and endurances, thatinflect the way that ordinary people produce the city, generating practices of historymaking, ideas about urban belonging and attempts to refashion "Vision 2030" into a future more meaningful and inclusive to ordinary city dwellers. Published in association with the British Institute in Eastern Africa. Kenya, Uganda, Tanzania,Rwanda: Twaweza Communications

Over several generations villagers of Dominica have been shifting from Patwa, an Afro-French creole, to English, the official language. Despite government efforts at Patwa revitalization and cultural heritage tourism, rural caregivers and teachers prohibit children from speaking Patwa in their presence. Drawing on detailed ethnographic fieldwork and analysis of video-recorded social interaction in naturalistic home, school, village and urban settings, the study explores this paradox and examines the role of children and their social worlds. It offers much-needed insights into the study of language socialization, language shift and Caribbean children's agency and social lives, contributing to the burgeoning interdisciplinary study of children's cultures. Further, it demonstrates the critical role played by children in the transmission and transformation of linguistic practices, which ultimately may determine the fate of a language.

Drawing on 15 years of research in Bahia, Rio de Janeiro, Suriname, and the Netherlands, Sansone explores the very different ways that race and ethnicity are constructed in Brazil and the rest of Latin America. He compares Latin American conceptions of race to US and European notions of race that are defined by clearly identifiable black-white ethnicities. Sansone argues that understanding more complex, ambiguous notions of culture and identity will expand international discourse on race and move it away from American definitions that inadequately describe racial difference. He also explores the effects of globalization on constructions of race.

Coming of Age in Times of Crisis is an anthropological study of the intersecting roles of gender and schooling in the lives of rural Venezuelan youth as they make the transition to adulthood during times of national political and economic crisis. Strongly grounded in local detail while speaking to larger comparative issues and the crises that surround globalization, the study enables us to see how gender roles and social class are reproduced in a culture experiencing profound upheaval, and to see how rural Venezuelans have managed to reproduce and change their culture in these circumstances. This book is based on two-and-a-half years of ethnographic field research Hurtig conducted in the Andean region of Venezuela between 1991 and 1993, and again briefly in 1996.

The collection of original contributions in this volume of "Research in Economic Anthropology" addresses two recurrent themes in economic anthropology. These are the process of economic development and the basis on which economic integration takes place. The development theme is divided between papers that are concerned with the social and demographic impact of development, and those that examine the recent post-socialist transition. The integration theme is represented by articles that examine the symbolic foundations of economic integration, and by contributions that focus on the moral basis of integration and continuity. With respect to both themes theoretical issues are discussed, and detailed ethnographic cases are drawn from Asia, Europe, Russia, Latin America, and the U.S.

Encountering evidence of postmortem examinations - dissection or autopsy in historic skeletal collections is relatively rare, but recently there has been an increase in the number of reported instances. And much of what has been evaluated has been largely descriptive and historical. The Bioarchaeology of Dissection and Autopsy brings together in a single volume the skeletal evidence of postmortem examination in the United States. Ranging from the early colonial period to the early 1900's, from a coffeehouse at Colonial Williamsburg to a Quaker burial vault in lower Manhattan, the contributions to this volume demonstrate the interpretive significance of a historically and theoretically contextualized bioarchaeology. The authors employ a wide range of perspectives, demonstrating how bioarchaeological evidence can be used to address a wide range of themes including social identity and marginalization, racialization, the nature of the body and fragmentation, and the emergence of medical practice and authority in the United States.

Political anthropology has long been among the most vibrant subdisciplines within anthropology, and work done in this area has been instrumental in exploring some of the most significant issues of the late twentieth and early twenty-first centuries, including (post)colonialism, development and underdevelopment, identity politics, nationalism/transnationalism, and political violence. In"The Anthropology of Politics: A Reader in Ethnography, Theory, and Critique "readers will find a remarkable collection of classic and contemporary articles on the subject.

Following on from her landmark book on politics and anthropology, in this volume Joan Vincent provides a sweeping historical and theoretical introduction to the field. Selected readings from figures such as E. E. Evans-Pritchard, Edmund Leach, Victor Turner, Eric Wolf, Benedict Anderson, Talal Asad, Michael Taussig, Jean and John Comaroff, and Gayatri Chakravorty Spivak are enriched by Vincent's headnotes and suggestions for further reading. "The Anthropology of Politics "will prove an indispensable resource for students, scholars, and instructors alike.

Inspired by existential thought, but using ethnographic methods, Jackson explores a variety of compelling topics, including 9/11, episodes from the war in Sierra Leone and its aftermath, the marginalization of indigenous Australians, the application of new technologies, mundane forms of ritualization, the magical use of language, the sociality of violence, the prose of suffering, and the discourse of human rights. Throughout this compelling work, Jackson demonstrates that existentialism, far from being a philosophy of individual being, enables us to explore issues of social existence and coexistence in new ways, and to theorise events as the sites of a dynamic interplay between the finite possibilities of the situations in which human beings find themselves and the capacities they yet possess for creating viable forms of social life.

Maroon Cosmopolitics: Personhood, Creativity and Incorporation sheds further light on the contemporary modes of Maroon circulation and presence in Suriname and in the French Guiana. The contributors assembled in the volume look to describe Maroon ways of inhabiting, transforming and circulating through different localities in the Guianas, as well as their modes of creating and incorporating knowledge and artefacts into their social relations and spaces. By bringing together authors with diverse perspectives on the situation of the Guianese Maroon at the twenty-first century, the volume contributes to the anthropological literature on Maroon societies, providing ethnographic, and historical depth and legitimacy to the contemporary lives of the descendants of those who fled from slavery in the Americas.

With studies of China, India, West Africa, South America and Europe, this book provides a global perspective on food consumption in the modern world. Combing ethnographic, historical and comparative analyses, the volume celebrates the contributions of Jack Goody to the anthropology of food.

This book explores the paradoxes of Self-Other relations in the field of tourism. It particularly focuses on the 'power' of different forms of 'Otherness' to seduce and to disrupt, and, eventually, also to renew the social and cosmological orders of 'modern' culture and everyday life. Drawing on a series of ethnographic case studies, the contributors investigate the production, socialisation and symbolic encompassment of different 'Others' as a political and also an economic resource to govern social life in the present. The volume provides a comparative inductive study on the modernist philosophical concepts of time, 'Otherness', and the self in practice, and relates it to contemporary tourism and mobility.

Venezuela, one of the least-known countries in Latin America, is brilliantly spotlighted in "Culture and Customs of Venezuela." This oil-rich nation sustained a stable democracy until the economic downturn in the 1980s, and changes in the social and political spheres will bring the country under increasing scrutiny from the outside world. Dinneen captures the sharp contrasts and immense variety of modern Venezuela. Students and interested readers will find engaging and authoritative overviews of the land, people, and history; religions; social customs; media; cinema; literature; performing arts; and art and architecture.

This work successfully portrays the country's cultural richness and diversity. Influences from the United States are inescapable, especially in Caracas, but many distinctive traditions are continued throughout the country, varying from region to region. Religious rituals and numerous festivals that take place in towns and villages and the vibrant music scene, all major expressions of the nation's social and cultural life, are just some of the highlights found herein. Numerous photos give witness to Venezuela's diverse culture and a chronology, and glossary supplement the text.

A lost sketch book on a Portuguese castle rampart left Manuel Joao Ramos bereft, and the impulse to draw deserted him - but his first trip to Ethiopia reawakened this pleasure, so long denied. Drawing obsessively and free from care, his rapidly caught impressions convey the rough edges of the intensely lived experiences that are fundamental to the desire to travel. For the travel sketch is more than a record or register of attendance (`been there, seen that'): it holds invisibly within itself the remnant of a look, the hint of a memory and a trace of an osmosis of feelings between the sketcher and the person or objects sketched. Less intrusive than using a camera, Ramos argues drawing comprises a less imperialist, more benign way of researching: his sketchbook becomes a means of communication between himself and the world in which he travels, rendering him more human to those around him. As he journeys through the Ethiopian Central Highlands, collecting historical legends of the power struggles surrounding the arrival of the first Europeans in the mid-sixteenth century, he is drawn to the Portuguese legacy of castles, palaces and churches, near ruins now, though echoes of their lost splendour are retained in oral accounts. Excerpts from his diary, as well as journalistic pieces, share the conviviality of his encounters with the priests, elders and historians who act as custodians of the Amhara oral tradition. Their tales are interwoven with improvised, yet assured, drawings, and this informality of structure successfully retains the immediacy and pleasure of his discovery of Ethiopia. It also suggests the potential for drawing to play a more active part in anthropological production, as a means of creating new narratives and expositional forms in ethnography, bringing it closer to travel writing or the graphic novel.

Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, European agencies used the performing arts as a tool in diplomacy. This had a profound impact on choreographic production and arts markets throughout Africa. In Senegal, choreographic performers have taken to contemporary dance, while continuing to engage with neo-traditional performance, regional genres like the sabar, and the popular dances they grew up with. A historically informed ethnography of creativity, agency, and the fashioning of selves through the different life stages in urban Senegal, this book explores the significance of this multiple engagement with dance in a context of economic uncertainty and rising concerns over morality in the public space.

Analyzing a wide body of cultural texts, including literature, film, and other visual arts, Gender, Empire, and Postcolony: Luso-Afro-Brazilian Intersections is a diverse collection of essays on gender in Portuguese colonialism and Lusophone postcolonialism.

In this volume Massimo Canevacci draws on ethnographic fieldworkcarried out together with Bororo of the Mato Grosso (Brazil), in particular Kleber Meritororeu, to examine the tensions, conflicts and exchanges between transformation and tradition. The practical as well as political keyword in his approach is self-representation. From this follows the incorporation of Bororo subjectivities into the text, and the focus on the emotional, philosophical and sacred aspects of their famous funeral ritual, in which their status as both performers and the interpreters is emphasized by their use of the digital camera. The book takes its name from the line of dust laid down by a mestre dos cantos (master of chants), Jos Carlos Kuguri, between the anthropologist and himself: both a representation of an immaterial boundary, and a syncretic challenge to understand the transfiguration from a dead individual corpse to a living ancestral skull, an arara. Canevacci's answer is an assemblage of different narratives, in which an 'astonished' methodology of sensorial concepts, emotional photos and innovative logics traverses the entire Bororo funeral. He finds there is no dualism to life and death for the Bororo, but rather a porous, continuous transit and mixing of body and corpse, of humans and animals, of plants and deities; and that their sacred cosmology is time and again created and recreated via their wailing songs and circular dances, skin scarifications and bone painting. Their rituals are no mere repetition of tradition. They are also an attempt to respond to the changes inside and outside their aldeia (village), and to reenact their shifting cultures, subjectivities and identities. Massimo Canevacci is Professor of Cultural Anthropology, Digital Arts and Culture at the University of Rome 'La Sapienza' and Visiting Professor at the Institute of Advanced Study of the University S o Paulo (IEA-USP). In 1995 he received 'The National Order of the Cruzeiro do Sul' (Southern Cross) from the President of the Federal Republic of Brazil for his research.

In northwest Namibia, peopleOCOs political imagination offers a powerful insight into the post-apartheid state. Based on extensive anthropological fieldwork, this book focuses on the former South African apartheid regime and the present democratic government; it compares the perceptions and practices of state and customary forms of judicial administration, reflects upon the historical trajectory of a chieftaincy dispute in relation to the rooting of state power and examines everyday forms of belonging in the independent Namibian State. By elucidating the State through a focus on the social, historical and cultural processes that help constitute it, this study helps chart new territory for anthropology, and it contributes an ethnographic perspective to a wider set of interdisciplinary debates on the State and state processes."

The movement of people from small towns and villages of India to places outside the country raises a number of questions- about the networks that enable their mobility, the aspirations that motivate them, what they give back to their home regions, and how their provincial home worlds engage with and absorb the consequent transnational flows of money, ideas, influence and care. This book analyzes the social consequences of the transmission of migrant resources to provincial places in India. Bringing together case studies from four regions, it demonstrates that these flows are very diverse, are inflected by regional histories of mobility and development, and may reinforce local power structures or instigate social change in unexpected ways. The chapters collected in this volume examine conflicts over migrant-funded education or rural development projects, how migrants from Dalit, Muslim and other marginalized groups use their new wealth to promote social progress or equality in their home regions, and why migrants invest in property in provincial India or return regularly to their ancestral homes to revitalize ritual traditions. These studies also demonstrate that diaspora philanthropy is routed largely through social networks based on caste, community or kinship ties, thereby extending them spatially, and illustrate how migrant efforts to 'develop' their home regions may become entangled in local politics or influence state policies. This collection of eight original ethnographic field studies develops new theoretical insights into the diverse outcomes of international migration and the influences of regional diasporas within India. These collected studies illustrate the various ways in which migrants remain socially, economical and politically influential in their home regions. The book develops a fresh perspective on the connections between transnational migration and processes of development, revealing how provincial India has become deeply globalized. It will be of interest to academics and students in the fields of anthropology, geography, transnational and diaspora studies, and South Asian studies.

This text explores why it is white ethnicity has been rendered invisible, arguing that contemporary people's conceptions of themselves are conditioned by, and derive from, the unknown and forgotten legacy of a colonial past that cannot be confined to the past.