"Mundane Heterosexualities" provides the reader with a critical overview of feminist thinking on the topic of heterosexuality. It argues that as a social rather than sexual category, heterosexuality can be seen as the organizing principle of our everyday lines. Presenting new data on the making of heterosexual relationships within extended families, it raises profound methodological questions about empirical research into an invisible or unmarked category which have implications for work on the body, emotions, everyday life and masculinity, amongst other issues.

Upon the 25th anniversary of his passing, this collection addresses the wide application of Victor Turner's thought to cultural performance in the early 21st century. From anthropology, sociology, and religious studies to performance, cultural, and media studies, Turner's ideas have had a prodigious interdisciplinary impact. Examining his relevance in studies of performance and popular culture, media, and religion, along with the role of Edith Turner in the Turnerian project, contributors explore how these ideas have been re-engaged, renovated, and repurposed in studies of contemporary cultural performance.

Disorder and instability are matters of continuing public concern. Terrorism, as a threat to global order, has been added to preoccupations with political unrest, deviance and crime. Such considerations have prompted the return to the classic anthropological issues of order and disorder. Examining order within the political and legal spheres and in contrasting local settings, the papers in this volume highlight its complex and contested nature. Elaborate displays of order seem necessary to legitimate the institutionalization of violence by military and legal establishments, yet violent behaviour can be incorporated into the social order by the development of boundaries, rituals and established processes of conflict resolution. Order is said to depend upon justice, yet injustice legitimates disruptive protest. Case studies from Siberia, India, Indonesia, Tibet, West Africa, Morocco and the Ottoman Empire show that local responses are often inconsistent in their valorization, acceptance and condemnation of disorder.

Keebet von Benda-Beckmann is head of the project group 'Legal Pluralism' at the Max Planck Institute for Social Anthropology at Halle, Germany. She is Professor of Anthropology of Law at Erasmus University Rotterdam and Honorary Professor at the universities of Leipzig and Halle. Her research focuses on legal pluralism, disputing, decentralization, social security and natural resources in Indonesia and the Netherlands. Publications include "Changing Properties of Property," co-edited with Franz von Benda-Beckmann and Melanie Wiber (Berghahn 2006).

Fernanda Pirie is Lecturer in Socio-Legal Studies at the University of Oxford. She has carried out research into conflict and its resolution in both Ladakh and among the nomads of Amdo in eastern Tibet. Her writings focus on order and disorder and the relations between law and religion. She is the author of the forthcoming "Peace and conflict in Ladakh: the construction of a fragile web of order" (Brill 2006).

From the medical use of marijuana to organ donations to animal testing, the medical profession is rife with controversial issues. Students and teachers can now use this reference resource to explore all sides of these issues. Narrative chapters, each one devoted to a specific topic, encourage students to consider all the facts surrounding the various controversies. Case studies and first-person accounts bring the issues to life and concluding questions for each chapter challenge students to use their critical thinking skills to draw their own conclusions.This collection provides historical as well as contemporary contexts for an examination of government structures in the United States and the states of the former U.S.S.R. Throughout, the contributors look at federalism at both local and national levels, and they try to assess how and why the two systems developed as they did.

Each of the fifteen chapters analyzes the pro and con arguments and current status of a specific controversy, illuminating the philosophical dilemmas faced by medical professionals as well as their patients and the general public as a whole. The Goldsteins present opposing arguments on the sources and nature of each controversy, providing readers with an understanding of the causes and effects of medical controversies. This basic introduction to these many different issues, including, among others, the arguments surrounding a need for national health insurance, the arguments surrounding the ethics of cloning, the arguments surrounding the needs and dangers of childhood vaccinations, and the arguments surrounding end-of-life issues will provide a starting ground for students interested in researching these topics further, while also encouraging them to begin dialogues with their peers to help them develop their ability to analyze complicated issues.

How do Amazonian native young people perceive, question, and negotiate the new kinds of social and cultural situations in which they find themselves? Virtanen looks at how current power relations constituted by ethnic recognition, new social contacts, and cooperation with different institutions have shaped the current native youth in Amazonia.

This book looks at representations of the male body, sexuality, and power in Mexican literature and the arts. The analysis includes literature, visual art, and cinema produced from the 1870s to the present, focusing on the Porfirian regime, the Post-revolutionary era, and the decadence of the revolutionary state and the emergence of the neo-liberal order in the 1980s to the present.

Dancing at the crossroads used to be young people's opportunity to meet and enjoy themselves on mild summer evenings in the countryside in Ireland--until this practice was banned by law, the Public Dance Halls Act in 1935. Now a key metaphor in Irish cultural and political life, "dancing at the crossroads" also crystallizes the argument of this book: Irish dance, from Riverdance (the commercial show) and competitive dancing to dance theatre, conveys that Ireland is to be found in a crossroads situation with a firm base in a distinctly Irish tradition which is also becoming a prominent part of European modernity. Helena Wulff is Associate Professor of Social Anthropology at Stockholm University. Publications include Twenty Girls (Almqvist & Wiksell International, 1988), Ballet across Borders (Berg, 1998), Youth Cultures (co-edited with Vered Amit-Talai, Routledge, 1995), New Technologies at Work (co-edited with Christina Garsten, Berg, 2003). Her research focusses on dance, visual culture, and Ireland.

Aby Warburg (1866-1929), founder of the Warburg Institute, was one of the most influential cultural historians of the twentieth century. Focusing on the period 1896-1918, this is the first in-depth, book-length study of his response to German political, social and cultural modernism. It analyses Warburg's response to the effects of these phenomena through a study of his involvement with the creation of some of the most important public artworks in Germany. Using a wide array of archival sources, including many of his unpublished working papers and much of his correspondence, the author demonstrates that Warburg's thinking on contemporary art was the product of two important influences: his engagement with Hamburg's civic affairs and his affinity with influential reform movements seeking a greater role for the middle classes in the political, social and cultural leadership of the nation. Thus a lively picture of Hamburg's cultural life emerges as it responded to artistic modernism, animated by private initiative and public discourse, and charged with debate.

Based on three years of extensive fieldwork, this ethnographic study of prostitution in the metropolitan city of Dalian, China, explores the lives of rural migrant women working as karaoke bar hostesses, delving into the interplay of gender politics, nationalism, and power relationships that inhere in practices of birth control, disease control, and control of women's bodies.

Based on long-term medical anthropological research in northern Ghana, the author analyses issues of health and healing, of gender, and of the control and use of money in a changing rural African setting. He describes the culture of medical pluralism, so typical for neo-colonial states, and people's choices of "traditional" (local) medicine (plants and sacrifices), Islamic medicine (charms and various written solutions) and "modern" therapy (biomedicine, in particular western pharmaceuticals). He concludes that the rural-urban divide is a fiction, that demarcations between these areas are frequently blurred, linked by a postcolonial, capitalist discourse of local markets, regional economies and national structures, which frequently emerge in local African settings but often originate in global and multinational markets.

Unlike textbooks that emphasize the memorization of facts, Asking Questions About Cultural Anthropology: A Concise Introduction, Third Edition, teaches students how to think anthropologically, helping them view cultural issues as an anthropologist might. This approach demonstrates how anthropological thinking can be used as a tool for deciphering everyday experiences. The book covers the essential concepts, terms, and history of cultural anthropology, introducing students to the widely accepted fundamentals and providing a foundation that can be enriched by the use of ethnographies, a reader, articles, lectures, field-based activities, and other kinds of supplements. It balances concise coverage of essential content with a commitment to an active, learner-centered pedagogy.

"The book claims that its primary aim is to reconcile unity and diversity by offering an interdisciplinary approach to questions of European identity/identities. Despite the variety of approaches and themes devel-oped, the book successfully bridges this interdisciplinarity and provides a coherent flow of analysis of European identity which, as the title best illustrates, still remains a puzzle to be explored. The book therefore highlights the complexity of constructing European identity from political and cultural means...Overall it intellectually alerts the reader to some of the most significant challenges facing European identity and will be very useful to experts in the field." . Political Studies Review

The twin concepts of "Culture" and "Identity" are inescapable in any discussion of European Integration and yet over the last ten years their meaning has become increasingly contested. By combining an anthropological and political perspective, the authors challenge the traditional boundaries within the issue of the construction of Europe. In the first part, historians and anthropologists from various national traditions discuss the process of the construction of Europe and its implications for cultural identities. The second section examines a number of topics at the core of the process of Europeanization and presents up-to-date information on each of these issues: political parties, regions, football, cities, the Euro, ethnicity, heritage and European cinema. Emphasis is be placed on the political structuring of cultural identities by contrasting top-down and bottom-up processes that define the tensions between the unity and diversity of the European Community.

Marion Demossier is a senior lecturer in French and Anthropology at the University of Bath. She is the co-ordinator of a postgraduate Euromasters and Trans-Atlantic Masters course on 'Culture and identity in Europe' which has provided the material for this book. She has published extensively on the Anthropology of rural France and has recently edited a book on Recollections of France: Memories, Identities and Heritage (Berghahn, 2001). Her first monograph Hommes et Vins, une anthropologie du vignoble bourguignon was published in 1999 (editions universitaires de Dijon) and won a prize. She is currently preparing a monograph on Wine Culture and Consumption in France.

Drawing on cultural anthropology and cultural studies, this book sheds new light on the everyday politics of heritage and memory by illuminating local, everyday engagements with Germanness through heritage fetishism, claims to hometown belonging, and the performative appropriation of cultural property.

Going beyond recent attempts to pigeonhole the information revolution as either the information highway to utopia or the devil's own dystopia, this book cuts through the furor surrounding the Internet and shows how the paradoxical aspects of new media are an expression of the inherent contradictions underlying society as a whole. Andrew Calcutt is an enthusiastic champion of the potential for new communications technology and a trenchant critic of the culture of fear and self-limitation which prevents its realization. At a time when events and social processes are often assumed to be beyond our control, he seeks to accentuate the positive capabilities of human beings and the technologies which we have created.

Nominated for the 2007 Book Prize by the Council on Anthropology and Reproduction (AAA) Reproductive disruptions, such as infertility, pregnancy loss, adoption, and childhood disability, are among the most distressing experiences in people's lives. Based on research by leading medical anthropologists from around the world, this book examines such issues as local practices detrimental to safe pregnancy and birth; conflicting reproductive goals between women and men; miscommunications between pregnant women and their genetic counselors; cultural anxieties over gamete donation and adoption; the contested meanings of abortion; cultural critiques of hormone replacement therapy; and the globalization of new pharmaceutical and assisted reproductive technologies. This breadth - with its explicit move from the "local" to the "global," from the realm of everyday reproductive practice to international programs and policies - illuminates most effectively the workings of power, the tensions between women's and men's reproductive agency, and various cultural and structural inequalities in reproductive health.

This volume explores how the city and the sea converse and converge in creating new forms of everyday urbanity in archipelagic and island Southeast Asia. Drawing inspiration from case studies spanning Indonesia, the Philippines, Singapore, and New Caledonia, the volume rethinks the place of the sea in coastal cities, through a mobility-inspired understanding of urbanity itself. How might conceptualisations of contemporary coastal urbanisms be approached from the sea, in ways that complicate singularly terrestrial, fixed framings of the city? What connections, contradictions, and dissonances can be found between sea change and urban change? While addressing these questions, the authors re-centre more marginal voices of those who dwell and work in islanded metropoles, offering new insights on the futures and contested nature(s) of littoral urban transformation.

This book proposes the alternative explanation on the pattern of ethnic conflict, especially the on-going civil war in Myanmar. Previously, most scholars accepted that narcotics play the crucial role in conflict as the resource of revenues. However, this book dramatically changes what we have ever thought before. It investigated in both field and documentary research by examining the role of narcotics in the ideological formation process and ethnic identification process. Consequently, the so-called ethno-narcotic politics was found in the way that the role of narcotics was able to be used as the source of political mobilization in various ways. Furthermore, the borderland is the appropriated area where the process of anti-ethno-narcotics identification could be emerged and later used as the main identity for the ethnic groups who remain fighting against state's power.

This book conveys a unique, unrivaled, and moving insight into the life of Monty Howell, the little-know eldest son of Leonard Howell, regarded as the Father of Rastafari. Opening several files, over the pages, the man is revealed behind the son. Being both an actor and storyteller of History, Monty Howell blends anecdotes, reflections, and revelations, avoiding no subject, even the most delicate and scorching. With confidence, he takes you through his childhood memories, his conflicts with Jamaica, and his reconciliations on behalf of his father's legacy. With bold, mature, incisive, and provocative assertions, he even reframed the Rasta experiences and the development of Rastafari, altering the terms of the knowledge and the subsequent discourse.

This collection of in-depth ethnographic analysis examines the impact of local and global transformations on the care, or lack of care, older people receive in Sub-Saharan Africa. This volume provides the pan-African evidence and analysis needed to move forward debates about how to address the long term care needs of this vulnerable population. Case studies from different regions of the continent (southern, central, east and west Africa) examine formal and informal care, including inter- and intra-generational care, retirement homes, care in the context of poverty, HIV/AIDS and migration.

Anthropologists who are employed to change the worlds they are researching find themselves in a potentially contradictory position. Combining the various roles and expectations involved in working with Gypsies and local government at the same time as conducting anthropological research, provides the overall perspective of this study. It is an unusual and effective balance of insightful ethnography and anthropological theory with the perspective of someone employed to carry out applied work. An effective and creative use of metaphor structures the entire work and allows complex ideas to be conveyed in an accessible way. Drawing upon traditional anthropological approaches such as kinship and story telling and engaging with the works of major social theorists such as Weber, Bourdieu and Foucault as well as the work of contemporary anthropologists, this work demonstrates the use of anthropology in understanding changing situations and in deciding how best to manage such situations.

The genealogy of racism dates back to 610 AD when Islamic jihadists invented whiteness as a religious justification for deracinating and enslaving African people out of East Africa and into Southeastern Europe for more than 1,300 years. Through a new interdisciplinary research methodology, Ancestorology, a taxonomy of Western cultural and visual productions of history are juxtaposed with the social stratifications of the African Diaspora to arrive at a new interpretation of the historical narrative. Decolonzing Arts-Based Methodologies: Researching the African Diaspora provokes critical analytical thought between the historical narrative and current public discourse in Western societies where people of African descent exist. The importance of this work begins the process of unlearning Western ways of knowing and seeing through hegemonic productions of knowledge and by assigning new values to humanity's collective memory.

Sonic Overload offers a new, music-centered cultural history of the late Soviet Union. It focuses on polystylism in music as a response to the information overload swamping listeners in the Soviet Union during its final decades. It traces the ways in which leading composers Alfred Schnittke and Valentin Silvestrov initially embraced popular sources before ultimately rejecting them. Polystylism first responded to the utopian impulses of Soviet ideology with utopian impulses to encompass all musical styles, from "high" to "low". But these initial all-embracing aspirations were soon followed by retreats to alternate utopias founded on carefully selecting satisfactory borrowings, as familiar hierarchies of culture, taste, and class reasserted themselves. Looking at polystylism in the late USSR tells us about past and present, near and far, as it probes the musical roots of the overloaded, distracted present.A Based on archival research, oral historical interviews, and other overlooked primary materials, as well as close listening and thorough examination of scores and recordings, Sonic Overload presents a multilayered and comprehensive portrait of late-Soviet polystylism and cultural life, and of the music of Silvestrov and Schnittke. Sonic Overload is intended for musicologists and Soviet, Russian, and Ukrainian specialists in history, the arts, film, and literature, as well as readers interested in twentieth- and twenty-first century music; modernism and postmodernism; quotation and collage; the intersections of "high" and "low" cultures; and politics and the arts.