Set against a volatile political landscape, Irish republican culture has struggled to maintain continuity with the past, affirm legitimacy in the present, and generate a sense of community for the future. Lullabies and Battle Cries explores the relationship between music, emotion, memory, and identity in republican parading bands, with a focus on how this music continues to be utilized in a post-conflict climate. As author Jaime Rollins shows, rebel parade music provides a foundational idiom of national and republican expression, acting as a critical medium for shaping new political identities within continually shifting dynamics of republican culture.

The Iranian city experienced a major transformation when the Pahlavi Dynasty initiated a project of modernization in the 1920s. The Rite of Urban Passage investigates this process by focusing on the spatial dynamics of Muharram processions, a ritual that commemorates the tragic massacre of Hussein and his companions in 680 CE. In doing so, this volume offers not only an alternative approach to understanding the process of urban transformation, but also a spatial genealogy of Muharram rituals that provides a platform for developing a fresh spatial approach to ritual studies.

At once a social history and anthropological study of the world's oldest voluntary collective farms, All or None is a story of how landless laborers joined together in Ravenna, Italy to acquire land, sometimes by occupying private land in what they called a "strike in reverse," and how they developed sophisticated land use plans, based not only on the goal of profit, but on the human value of providing work where none was available. It addresses the question of the viability of cooperative enterprise as a potential solution for displaced workers, and as a more humane alternative to capitalist agribusiness.

Anthropology is changing. Traditionally seen as the comparative study of cultural diversity, Anthropology now faces an increasingly globalised world, a world in which societies are not discrete or unique but are all, to some degree, connected. The role of the anthropologist is now less the comparative study of specific cultures than the study of the flow of goods, persons and ideas in the contemporary world. The World of the Anthropologist is a guide to this changing world, revealing what Anthropology is today and what anthropologists do now. This book explains what remains of a traditional Anthropology - such as the anthropological construction of kinship, politics, religion and economics as well as the continuing centrality of fieldwork -- and also explores the newer territory which Anthropology is studying, such as performance, science, sexuality, media, ethics, and visual culture. Clearly explaining the key ideas and methods which underpin the subject -- from fieldwork through to the construction of knowledge itself - The World of the Anthropologist offers a fascinating insight into and overview of Anthropology today.

This is an ethno-historical study of Chinese from West Kalimantan, Indonesia that, unlike other Chinese Diasporic studies, takes its departure from the "away" position. The study aims to interrogate how, where, and in what terms "home" is defined for the stranger. Through examining historical events such as the Japanese Occupation, the repatriation of overseas Chinese to China, and ethnic and state violence in West Kalimantan, this study highlights the plight of the Chinese as political orphans in search of a home that eludes them, whether in Indonesia or China. Through a rich array of different kinds of data, including oral histories and memoirs of the Communist underground, this book offers novel perspectives on the role of history in subject formation.

Introduces new approaches, theoretical trends, and understudied topics in Latinx Studies This groundbreaking work offers a multidisciplinary, social-science oriented perspective on Latinx studies, including the social histories and contemporary lives of a diverse range of Latina and Latino populations. Editors Ana Y. Ramos-Zayas and Merida M. Rua have crafted an anthology that is unique in both form and content. The book combines previously published canonical pieces with original, cutting-edge works created for this volume. The sections of the text are arranged thematically as critical dialogues, each with a brief preface that provides context and a conceptual direction for the scholarly conversation that ensues. The editors frame the volume around the "humanistic social sciences," using the term to highlight the historical and social contexts under which expressive cultural forms and archival records are created. Critical Dialogues in Latinx Studies masterfully sheds light on the diversity and complexity of the everyday lives of Latinx populations, the political economic structures that shape enduring racialization and cultural stereotyping, and the continuing efforts to carve out new lives as diasporic, transnational, global, and colonial subjects.

Umhlonyane, also known as Artemisia afra, is one of the oldest and best-documented indigenous medicines in South Africa. This bush, which grows wild throughout the sub-Saharan region, smells and tastes like "medicine," thus easily making its way into people's lives and becoming the choice of everyday healing for Xhosa healer-diviners and Rastafarian herbalists. This "natural" remedy has recently sparked curiosity as scientists search for new molecules against a tuberculosis pandemic while hoping to recognize indigenous medicine. Laplante follows umhlonyane on its trails and trials of becoming a biopharmaceutical - from the "open air" to controlled environments - learning from the plant and from the people who use it with hopes in healing.

"You don't have to use the exact same words.... But it has to mean exactly what I said." Thus began the ten-year collaboration between Innu elder and activist Tshaukuesh Elizabeth Penashue and Memorial University professor Elizabeth Yeoman that produced the celebrated Nitinikiau Innusi: I Keep the Land Alive, an English-language edition of Penashue's journals, originally written in Innu-aimun during her decades of struggle for Innu sovereignty.Exactly What I Said: Translating Words and Worlds reflects on that collaboration and what Yeoman learned from it. It is about naming, mapping, and storytelling; about photographs, collaborative authorship, and voice; about walking together on the land and what can be learned along the way. Combining theory with personal narrative, Yeoman weaves together ideas, memories, and experiences--of home and place, of stories and songs, of looking and listening--to interrogate the challenges and ethics of translation. Examining what it means to relate whole worlds across the boundaries of language, culture, and history, Exactly What I Said offers an accessible, engaging reflection on respectful and responsible translation and collaboration.

This distinctive text makes social theory accessible to and usable by students. Whereas social theory is often seen as abstract, esoteric and separate from our understanding of the social world, here it is shown to be a flexible and practical resource for anyone wanting to explain social phenomena. This expanded and updated second edition actively encourages readers to develop and practice their own capacities for social explanation: - Providing readers with a powerful 'tool kit' of five social theoretical concepts - Individuals, Nature, Culture, Action and Social Structure - that are fundamental to social explanation; - Drawing on a historically and geographically wide range of examples of social phenomena to show how these theoretical concepts operate and why they're important; - Offering end of chapter questions that enable readers to put theory into practice and begin theorising for themselves. Explaining Social Life is ideal for anyone interested in social theory, including students of sociology, anthropology and related social sciences - both those engaging with social theory for the first time, and more advanced students looking to build upon their understanding.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1959.

Astana, the capital city of the post-Soviet Kazakhstan, has often been admired for the design and planning of its futuristic cityscape. This anthropological study of the development of the city focuses on every-day practices, official ideologies and representations alongside the memories and dreams of the city's longstanding residents and recent migrants. Critically examining a range of approaches to place and space in anthropology, geography and other disciplines, the book argues for an understanding of space as inextricably material-and-imaginary, and unceasingly dynamic - allowing for a plurality of incompatible pasts and futures materialized in spatial form.

China is emerging front and center on the global economic stage as a new member of the World Trade Organization (WTO) and the World Health Organization (WHO). Beijing will host the 2008 Summer Olympics and Shanghai will host Expo 2010. Moreover, China is becoming a major trading nation. Is Western culture ready to respect a country known primarily for population control and communism?

"Chinese Culture, Western Culture" asserts that as these events unfold, the Western world will naturally want to know more about China. People will have to filter through an excessive supply of information, and in some cases, misinformation, to understand a culture that has traditionally held so little of the Western world's attention.

A primer that explores the complementary aspects of Chinese and Western cultures, this book demonstrates how we can learn from both in order to establish a dynamic balance in this new era of globalization and rapid technological advancement. By discovering new ways of thinking, we can transform how we do business, how we treat our environment, and how we interact with others as we face future challenges.

This volume revisits the notions of Orientalism, Occidentalism and, to a certain extent, Reverse Orientalism/Occidentalism in the 21st century, adopting post-modern, constructionist and potentially non-essentialising approaches. The representations of the 'cultural Other' in education, literature and the arts are examined by scholars working in Australia, France, Hong Kong, Japan, Malaysia, Singapore and the USA. Vinyl compilations, TV series, novels, institutional discourses and surveys, amongst others, are examined so as to better understand how people construct their identity in relation to an imagined and idealised Other. This book will appeal to all researchers and students interested in cultural identity and stereotypes of the 'East' and the 'West', in particular in the fields of academic mobility, cultural studies, intercultural education, postcolonial literature and media studies.

From the twins Osugi and Peeco to longstanding icon Miwa Akihiro, Claire Maree traces the figure of the Japanese queerqueen, showing how a diversity of gender identifications, sexual orientations, and discursive styles are commodified and packaged together to form this character. Representations of gay men's speech have changed in tandem with gender norms, increasingly crossing over into popular media via the body of the "authentic" gay male up to and including the current "LGBT boom" in Japan. In this context, queerqueen demonstrates how commercial practices of recording, transcribing, and editing spoken interactions and use of on-screen text encode queerqueen speech as inherently excessive and in need of containment. Tackling questions of authenticity, self-censorship, and the restrictions of heteronormativity within this perception of queer excess, Maree shows how queerqueen styles reproduce stereotypes of gender, sexuality, and desire that are essential to the business of mainstream entertainment.

The book sets out to examine the concept of 'chav', providing a review of its origins, its characterological figures, the process of enregisterment whereby it has come to be recognized in public discourse, and the traits associated with it in traditional media representations. The author then discusses the 'chav' label in light of recent re-appropriations in social network activity (particularly through the video-sharing app TikTok) and subsequent commentary in the public sphere. She traces the evolution of the term from its use during the first decade of the twenty-first century to make sense of class, status and cultural capital, to its resurgence and the ways in which it is still associated with appearance in gendered and classed ways. She then draws on recent developments in linguistic anthropology and embodied sociocultural linguistics to argue that social media users draw on communicative resources to perform identities that are both situated in specific contexts of discourse and dynamically changing, challenging the idea that geo-sociocultural varieties and mannerisms are the sole way of indexing membership of a community. This volume contends that equating 'chav' with 'underclass' in the most recent uses of the concept on social networks may not be the whole story, and the book will be of interest to sociocultural linguistics and identity researchers, as well as readers in anthropology, sociology, British studies, cultural studies, identity studies, digital humanities, and sociolinguistics.

The book examines the extent to which Coser's (1956) 16 propositions can apply to tourism impact studies and, where possible, to enhance, deepen and challenge the original theory, using evidence from communities in China that differ from the context used by Coser. The combination of ethnographic description and sociologically-oriented analysis, drawing upon both Chinese and western paradigms that are, at times very different in their underlying value system, challenges several of Coser's suppositions. The book will also draw upon subsequent publications by the authors, both severally and separately. These publications have utilised different concepts and paradigms, including for example the use of Valene Smith's concept of the 'culture broker', Turner's concepts of marginalised peoples, and the paradigms of constructionism and interpretive research work used in other studies by the authors. The sum of the work, it is suggested, adds to our canon of knowledge about social conflict in tourism development as well as impacts of tourism on disadvantaged ethnic communities in China.

This riveting volume dispels the sanitized history surrounding Native American practices toward their enemies that preceded the European exploration and colonization of North America. "We abandon truth when we gloss over the clashes between Native Americans and Europeans, encounters of parties equally matched in barbarity," says George Franklin Feldman, "We neglect true history when we hide the uniqueness of the varied cultures that evolved during the thousands of years before Europeans invaded North America." The research is impeccable, the writing sparkling, and the evidence incontrovertible: headhunting and cannibalism were practiced by many of the native peoples of North America.

The concept of culture has long been criticized, with many scholars reformulating it or discarding it entirely. The field of intercultural communication and relations, however, still relies on culture to examine interculturality and this volume provides a comprehensive examination of the problems that the concept poses today.

This book is an ethnographic study of a group of Western women development workers living in Gilgit, northern Pakistan. It focuses on their efforts to construct comfortable lives and identities while temporarily working abroad in this Muslim community. It also analyses the political consequences of their actions, addressing the ways in which these women perpetuate and resist unequal global power relations in their everyday lives. The author traces the legacy of many of these relations from the colonial period into the present, and provides ideas about how they can be changed to realise a more just global social reality.

In "The Hadza", Frank Marlowe provides a quantitative ethnography of one of the last remaining societies of hunter-gatherers in the world. The Hadza, who inhabit an area of East Africa near the Serengeti and Olduvai Gorge, have long drawn the attention of anthropologists and archaeologists for maintaining a foraging lifestyle in a region that is key to understanding human origins. Marlowe ably applies his years of research with the Hadza to cover the traditional topics in ethnography - subsistence, material culture, religion, and social structure. But the book's unique contribution is to introduce readers to the more contemporary field of behavioral ecology, which attempts to understand human behavior from an evolutionary perspective. To that end, "The Hadza" also articulates the necessary background for readers whose exposure to human evolutionary theory is minimal.

The Primeiro Comando do Capital (PCC) is a Sao Paulo prison gang thatsince the 1990s has expanded into the most powerful criminal network inBrazil. Karina Biondi's rich ethnography of the PCC is uniquely informedby her insider-outsider status. Prior to his acquittal, Biondi's husband wasincarcerated in a PCC-dominated prison for several years. During the periodof Biondi's intense and intimate visits with her husband and her extensivefieldwork in prisons and on the streets of Sao Paulo, the PCC effectively controlledmore than 90 percent of Sao Paulo's 147 prison facilities. Available for the first time in English, Biondi's riveting portrait of thePCC illuminates how the organisation operates inside and outside of prison,creatively elaborating on a decentered, non-hierarchical, and far-reachingcommand system. This system challenges both the police forces againstwhich the PCC has declared war and the methods and analytic concepts traditionallyemployed by social scientists concerned with crime, incarceration,and policing. Biondi posits that the PCC embodies a "politics of transcendence,"a group identity that is braided together with, but also autonomousfrom, its decentralized parts. Biondi also situates the PCC in relation toredemocratization and rampant socioeconomic inequality in Brazil, as wellas to counter-state movements, crime, and punishment in the Americas.

For the first time in over 30 years, a new ethnographic study emerges on the Bugkalot tribe, more widely known as the Ilongot of the northern Philippines. Exploring the notion of masculinity among the Bugkalot, Cutting Cosmos is not only an experimental, anthropological study of the paradoxes around which Bugkalot society revolves, but also a reflection on anthropological theory and writing. Focusing on the transgressive acts through which masculinity is performed, this book explores the idea of the cosmic cut, the ritual act that enables the Bugkalot man to momentarily hold still the chaotic flows of his world.

Pagan and Native Faith movements have sprung up across Europe in recent decades, yet little has been published about them compared with their British and American counterparts. Though all such movements valorize human relationships with nature and embrace polytheistic cosmologies, practitioners' beliefs, practices, goals, and agendas are diverse. Often side by side are groups trying to reconstruct ancient religions motivated by ethnonationalism-especially in post-Soviet societies-and others attracted by imported traditions, such as Wicca, Druidry, Goddess Spirituality, and Core Shamanism. Drawing on ethnographic cases, contributors explore the interplay of neo-nationalistic and neo-colonialist impulses in contemporary Paganism, showing how these impulses play out, intersect, collide, and transform.

In the accounts compiled in this book, ethnography occurs through processes of material and social interventions that turn the field into a site for epistemic collaboration. Through creative interventions that unfold what we term as "fieldwork devices"-such as coproduced books, the circulation of repurposed data, co-organized events, authorization protocols, relational frictions, and social rhythms-anthropologists engage with their counterparts in the field in the construction of joint anthropological problematizations. In these situations, the traditional tropes of the fieldwork encounter (i.e. immersion and distance) give way to a narrative of intervention, where the aesthetics of collaboration in the production of knowledge substitutes or intermingles with participant observation. Building on this, the book proposes the concept of "experimental collaborations" to describe and conceptualize this distinctive ethnographic modality.