If we want to improve the treatment of animals, Dominique Lestel argues, we must acknowledge our evolutionary impulse to eat them and we must expand our worldview to see how others consume meat ethically and sustainably. The position of vegans and vegetarians is unrealistic and exclusionary. Eat This Book calls at once for a renewed and vigorous defense of animal rights and a more open approach to meat eating that turns us into responsible carnivores. Lestel skillfully synthesizes Western philosophical views on the moral status of animals and holistic cosmologies that recognize human-animal reciprocity. He shows that the carnivore's position is more coherently ethical than vegetarianism, which isolates humans from the world by treating cruelty, violence, and conflicting interests as phenomena outside of life. Describing how meat eaters assume completely-which is to say, metabolically-their animal status, Lestel opens our eyes to the vital relation between carnivores and animals and carnivores' genuine appreciation of animals' life-sustaining flesh. He vehemently condemns factory farming and the terrible footprint of industrial meat eating. His goal is to recreate a kinship between humans and animals that reminds us of what it means to be tied to the world.

A moose frustrates commuters by wandering onto the highway; a cougar stalks his prey through suburban backyards; an alligator suns himself in a strip mall parking lot. Such stories, which regularly make headline news, highlight the blurred divide that now exists between civilization and wilderness.

In "Coyote at the Kitchen Door," Stephen DeStefano draws on decades of experience as a biologist and conservationist to examine the interplay between urban sprawl and wayward wildlife. As he explores what our insatiable appetite for real estate means for the health and wellbeing of animals and ourselves, he highlights growing concerns, such as the loss of darkness at night because of light pollution. DeStefano writes movingly about the contrasts between constructed and natural environments and about the sometimes cherished, sometimes feared place that nature holds in our modern lives, as we cluster into cities yet show an increasing interest in the natural world.

Woven throughout the book is the story of one of the most successful species in North America: the coyote. Once restricted to the prairies of the West, this adaptable animal now inhabits most of North America urban and wild alike. DeStefano traces a female coyote s movements along a winding path between landscapes in which her species learned to survive and flourish. "Coyote at the Kitchen Door" asks us to rethink the meaning of progress and create a new suburban wildlife ethic.

In "What Animals Teach Us about Politics," Brian Massumi takes up the question of "the animal." By treating the human as animal, he develops a concept of an animal politics. His is not a human politics of the animal, but an integrally animal politics, freed from connotations of the "primitive" state of nature and the accompanying presuppositions about instinct permeating modern thought. Massumi integrates notions marginalized by the dominant currents in evolutionary biology, animal behavior, and philosophy--notions such as play, sympathy, and creativity--into the concept of nature. As he does so, his inquiry necessarily expands, encompassing not only animal behavior but also animal thought and its distance from, or proximity to, those capacities over which human animals claim a monopoly: language and reflexive consciousness. For Massumi, humans and animals exist on a continuum. Understanding that continuum, while accounting for difference, requires a new logic of "mutual inclusion." Massumi finds the conceptual resources for this logic in the work of thinkers including Gregory Bateson, Henri Bergson, Gilbert Simondon, and Raymond Ruyer. This concise book intervenes in Deleuze studies, posthumanism, and animal studies, as well as areas of study as wide-ranging as affect theory, aesthetics, embodied cognition, political theory, process philosophy, the theory of play, and the thought of Alfred North Whitehead.

The sleek, spotted leopard may be the smallest of the big cats, but its ferocity and solitary style makes lions and tigers seem puny in comparison. Lacking the social mentality of other animals, the leopard is stealthy and selfish, ambushing its prey and carrying it high into a tree where it can dine alone. Humans call leopards the "perfect predator." In "Leopard," renowned zoologist Desmond Morris seeks to show all sides of the cat, delving into the fascinating history of these incredible animals.
Morris examines the leopard's athletic elegance, predatory skill, wary shyness, and cunning intelligence while also exploring the animal's parental devotion, preference for solitude, and capacity for revenge. In addition to tracing the evolution of leopards, he considers how humans have related to the animal throughout history. Leopards, he shows, have long featured in the art, mythology, and folklore of ancient Greece, Persia, Rome, and even England, where they have not lived for several millennia. But humans and leopards do not always coexist peacefully; as Morris explains, leopards have been known to attack humans when their food is scarce or they are injured. He reveals how humans have exploited the cats, attempting to train them for circus roles, and how today some people are now making strides toward the leopard's conservation. He also describes their rich symbolism, appearances in literature and film, and the use of the leopard print in both haute couture and down-market fashion.
Packed with compelling images of this amazing animal in action, "Leopard" sheds new light on these gorgeous cats.