Reform-minded movements have long appealed to the Apocalypse, for it served to whet the visionary appetite. Early in the church's history speculation grew up around the text - Revelation 11:3-13 - depicting two witnesses, or prophets, who preach at the end of history against the beast from the abyss, the epitome of evil, called Antichrist. Different interpretive methodologies have discovered different meanings in the text, and a symbolic value for political or ecclesial reform has been identified with it throughout the history of its use. The witnesses have been linked to a time of culminating evil, to the final proclamation of hope, and to the end of history associated with divine judgment. Such speculation found ample expression in medieval literature, art, and drama. In the writings of reformers, however, the story acquired increased social implications. The text of the Apocalypse came to lend visionary strength to Protestant piety, polity, and political activity, and the adventual witnesses became increasingly visible in Protestant polemics. Anglo-American commentators, in particular, have used the text both for self-identity and as part of a formula for plotting the onset of Christ's millennial reign. Tracing the history of how the Apocalypse was read, Preaching in the Last Days sheds light on how social groups are formed through ideas occasioned by texts. Petersen's study provides a fascinating look at the theological significance of how we read biblical texts and offers new insights on the development of culture, the Christian movement, and its churches. The book has added importance for understanding the assumptions behind the ways in which the book of Revelation is read andused in our own day.

Hebrew tradition presents Haggai and Zechariah as prophetic figures arising in the wake of the Babylonian exile with an agenda of restoration for the early Persian period community in Yehud. This agenda, however, was not original to these prophets, but rather drawn from the earlier traditions of Israel. In recent years there has been a flurry of scholarly attention on the relationship between these Persian period prophets and the earlier traditions with a view to the ways in which these prophets draw on earlier tradition in innovative ways. It is time to take stock of these many contributions and provide a venue for dialogue and evaluation.

When the Jews were carried off into exile in Babylon, most people assumed that it was the end of the story. In reality, God was just getting started. As senior figures in the Babylonian and Persian Empires, Daniel and Esther would discover that there is no foreign ground for God. Their faithful obedience would, in fact, lead their oppressive captors to faith in the God of Israel. God inspired the Bible for a reason. He wants you read it and let it change your life. If you are willing to take this challenge seriously, then you will love Phil Moore's devotional commentaries. Their bite-sized chapters are punchy and relevant, yet crammed with fascinating scholarship. Welcome to a new way of reading the Bible. Welcome to the Straight to the Heart series.

Celebrating the five hundredth volume, this Festschrift honors David M. Gunn, one of the founders of the Journal of Old Testament Studies, later the Library of Hebrew Bible/Old Testament Studies, and offers essays representing cutting-edge interpretations of the David material in the Hebrew Bible and later literary and popular culture. Essays in Part One, Relating to David, present David in relationship to other characters in Samuel. These essays demonstrate the value of close reading, analysis of literary structure, and creative, disciplined readerly imagination in interpreting biblical texts in general and understanding the character of David in particular. Part Two, Reading David, expands the narrative horizon. These essays analyze the use of the David character in larger biblical narrative contexts. David is understood as a literary icon that communicates and disrupts meaning in different ways in different context. More complex modes of interpretation enter in, including theories of metaphor, memory and history, psychoanalysis, and post-colonialism. Part Three, Singing David, shifts the focus to the portrayal of David as singer and psalmist, interweaving in mutually informative ways both with visual evidence from the ancient Near East depicting court musicians and with the titles and language of the biblical psalms. Part Four, Receiving David, highlights moments in the long history of interpretation of the king in popular culture, including poetry, visual art, theatre, and children's literature. Finally, the essays in Part Five, Re-locating David, represent some of the intellectually and ethically vital interpretative work going on in contexts outside the U.S. and Europe.

With the aid of computers, it is becoming possible to clarify some longstanding disputes over Biblical authorship. Using statistical analysis of linguistic usage, Kenny reexamines the authorship of Revelation, the relationship between Luke and the Acts, and the complex problem of the Pauline corpus. He also comments on the general merits of the stylometric approach to textual analysis.

One hundred and fifty years of sustained archaeological investigation has yielded a more complete picture of the ancient Near East. The Old Testament in Archaeology and History combines the most significant of these archaeological findings with those of modern historical and literary analysis of the Bible to recount the history of ancient Israel and its neighboring nations and empires. Eighteen international authorities contribute chapters to this introductory volume. After exploring the history of modern archaeological research in the Near East and the evolution of "biblical archaeology" as a discipline, this textbook follows the Old Testament's general chronological order, covering such key aspects as the exodus from Egypt, Israel's settlement in Canaan, the rise of the monarchy under David and Solomon, the period of the two kingdoms and their encounters with Assyrian power, the kingdoms' ultimate demise, the exile of Judahites to Babylonia, and the Judahites' return to Jerusalem under the Persians along with the advent of "Jewish" identity.Each chapter is tailored for an audience new to the history of ancient Israel in its biblical and ancient Near Eastern setting. The end result is an introduction to ancient Israel combined with and illuminated by more than a century of archaeological research. The volume brings together the strongest results of modern research into the biblical text and narrative with archaeological and historical analysis to create an understanding of ancient Israel as a political and religious entity based on the broadest foundation of evidence. This combination of literary and archaeological data provides new insights into the complex reality experienced by the peoples reflected in the biblical narratives.

Biblical Reception is rapidly becoming the go-to annual publication for all matters related to the reception of the bible. The annual addresses all kinds of use of the bible in art, music, literature, film and popular culture, as well as in the history of interpretation. For this fourth edition of the annual, guest editor David Tollerton has commissioned pieces specifically on the use of the bible in one film: Exodus: Gods and Kings and these chapters consider how the film uses the bible, and how the bible functions within the film.

Many scholars have approached both the origins of ancient city laments in some of the oldest Sumerian texts and how this "genre" found its way into the Tanakh/Old Testament. Randall Heskett goes a step further. He uses both historical criticism and a form-critical approach to analyze and assess "Lamentation and Restoration of Destroyed Cities" as oral traditions of ancient Israelite prophetic genres. He also shows how a later exilic/post-exilic redactional framework may have semantically transformed older prophetic genres about destruction and restoration to be reflexes of the events around 587 BCE.

The social and intellectual context of the material in the book of Proverbs has given rise to several proposals concerning the nature of the constituent compendia within the document as well as the function of the discourse as a whole. In light of the problems inherent in an investigation of the nature and function of Proverbs, the present study focuses on the social dimensions of the document within its distinct, literary context. That is, the study attempts to examine the nature and function of the sapiential material within its new performance context, viz., the discursive context, the Sitz im Buch. This form of analysis moves beyond the investigation of individual aphorisms to provide a concrete context through which to view the various components of the discourse as well as the discourse as a whole. In the main, the study explores the formal, discursive, and thematic features of the constituent collections within the book of Proverbs in order to identify the nature and function of the work. More specifically, the study highlights the fundamental features of the book's discourse setting, the thematic development of the material, the ethos of the individual collections and their role within Proverbs in order to ascertain the degree to which the document may be considered a courtly piece.

For almost 3000 years the story of Jonah has intrigued, amused,inspired, encouraged, a,d challenged people of faith. This timeless story about one imperfect, complex man and his difficult relationship with God continues to engage contemporary audiences. Jonah enjoys a unique place in salvation history. His life reprises the actions of key Old Testament figures and also points forward to the New Testament and the coming Messiah. Jonah's story is a beautiful, complex, artfully crafted, work of minimalist literature which speaks a profound and resounding message of grace that still captures the human heart. This book is designed to facilitate a 40 day, shared journey through the book of Jonah. The radical revelation of the book of Jonah is that God's grace is wild. It refuses all human attempts to tame, domesticate, or restrain it. This grace continually bursts forth, in the most unexpected of places,and reaches out to the most unlikely of people.

Most studies of the history of interpretation of Song of Songs focus on its interpretation from late antiquity to modernity. In My Perfect One, Jonathan Kaplan examines earlier rabbinic interpretation of this work by investigating an underappreciated collection of works of rabbinic literature from the first few centuries of the Common Era, known as the tannaitic midrashim. In a departure from earlier scholarship that too quickly classified rabbinic interpretation of Song of Songs as allegorical, Kaplan advocates a more nuanced understanding of the approach of the early sages, who read Song of Songs employing typological interpretation in order to correlate Scripture with exemplary events in Israel's history. Throughout the book Kaplan explores ways in which this portrayal helped shape a model vision of rabbinic piety as well as an idealized portrayal of their beloved, God, in the wake of the destruction, dislocation, and loss the Jewish community experienced in the first two centuries of the Common Era. The archetypal language of Song of Songs provided, as Kaplan argues, a textual landscape in which to imagine an idyllic construction of Israel's relationship to her beloved, marked by mutual devotion and fidelity. Through this approach to Song of Songs, the Tannaim helped lay the foundations for later Jewish thought of a robust theology of intimacy in God's relationship with the Jewish people.

Ezekiel is one of the best-structured books in the Old Testament. It is commonly recognized that the strongly interrelated vision accounts (Ez 1:1-3:15; 8-11; 37:1-14; 40-48) contribute greatly to this impression of unity. However, there is a marked lacuna in publications focusing on the vision accounts in Ezekiel as an interconnected text corpus. The present study combines redaction-critical analysis with literary methods that are typically used in a synchronic approach. Drawing on the paradigm of Fortschreibung, it is the first to present a united redaction history that takes into account the growing interconnections and dependencies between the vision accounts. Building on these results, the second part follows the development of selected themes, such as the relationships between characters, the roles of intermediate figures and anthropological and theological implications, throughout the stages of redaction. The study thus represents an important step towards an understanding of the complex redaction history of the book of Ezekiel, and indeed of its theology. The combination of diachronic and synchronic methods makes it relevant for scholars of both directions and is itself a methodological statement.

Classic IVP series now rejacketed and retypeset

The volume brings together eight new essays on Amos, which focus on a range of issues within the book. They represent a number of different approaches to the text from the text-critical to teh psychoanalytical, and from composition to reception. Arising out of a symposium to honour John Barton for his 60th birthday, the essays all respond, either directly or indirectly, to his Amos's Oracles Against the Nations, and to his lifelong concern with both ethics and method in biblical study.

Weariness. Wonder. Joy. Longing. Anger. These are the feelings of the Psalms: honest expressions of pain and joy penned by real people in the midst of real life circumstances. Though they were written centuries ago, the Psalms still resonate deeply with us today, giving voice to our thoughts and longings: "Out of the depths I cry to you, O LORD." (Psalm 130:1) "God is our refuge and strength, an ever-present help in trouble." (Psalm 46:1) "As the deer pants for streams of water, so my soul pants for you, O God." (Psalm 84:2) In Learning to Pray Through the Psalms, James W. Sire teaches us to take our appreciation for this rich book of Scripture a step further. Choosing ten specific psalms, Sire offers background information that helps us read each one with deeper insight and then lays out a meditative, step-by-step approach to using the psalmists' words as a guide for our own personal conversation with God. A group study is also included in each chapter, along with a guide for praying through the psalm in community. The Lord loves when his people pray. And his Word is a powerful tool for framing honest, intimate prayers. Sire's innovative approach will enrich our minds and our souls as we read more perceptively and pray with all of our emotions.

This monograph on biblical linguistics is a highly specialized, pragmatic investigation of the controversial question of 'foregrounding' - the deviation from some norm or convention - in Old Testament narratives. The author presents and examines the two main sources of pragmatic foregrounding: events or states deviating from well-established schemata, structures of reader expectation that can be manipulated by the narrator to highlight specific 'chunks' of discourse; and evaluative devices, which are used by the narrator to indicate to the reader the point of the story and direct its interpretation. Cotrozzi critiques the particular evaluative device known as the 'historic present', a narrative strategy that employs the present tense to describe past event. He tests two main theories that support this device by using a cross-linguistic model of the historical present drawing upon a variety of languages. Cotrozzi ultimately refutes these theories with a thorough examination and detailed refutation. He concludes with a study of a particular Hebraic verb as a particular marker of represented perception, a technique whereby the character's perceptions are expressed directly from its point of view. Over the last 30 years this pioneering series has established an unrivaled reputation for cutting-edge international scholarship in Biblical Studies and has attracted leading authors and editors in the field. The series takes many original and creative approaches to its subjects, including innovative work from historical and theological perspectives, social-scientific and literary theory, and more recent developments in cultural studies and reception history.

It is imperative for every growing Christian to study the Bible. Volume one of this new series will enrich both the believer’s knowledge and life with its survey of the Old Testament.

Chapters conclude with projects, questions and exploration activities that not only test readers’ grasp of the materials but also provide opportunity for more detailed and intensive study.

This well-executed work does much to acquaint people with the Old Testament’s major divisions and its amazing unity as a whole–all of which can lead to a deeper faith.