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Books > Humanities > Religion & beliefs > Christianity > The Bible > Old Testament > General
David Janzen argues that the Book of Chronicles is a document with
a political message as well as a theological one and moreover, that
the book's politics explain its theology. The author of Chronicles
was part of a 4th century B.C.E. group within the post-exilic
Judean community that hoped to see the Davidides restored to power,
and he or she composed this work to promote a restoration of this
house to the position of a client monarchy within the Persian
Empire. Once this is understood as the political motivation for the
work's composition, the reasons behind the Chronicler's particular
alterations to source material and emphasis of certain issues
becomes clear. The doctrine of immediate retribution, the role of
'all Israel' at important junctures in Judah's past, the promotion
of Levitical status and authority, the virtual joint reign of David
and Solomon, and the decision to begin the narrative with Saul's
death can all be explained as ways in which the Chronicler tries to
assure the 4th century assembly that a change in local government
to Davidic client rule would benefit them. It is not necessary to
argue that Chronicles is either pro-Davidic or pro-Levitical; it is
both, and the attention Chronicles pays to the Levites is done in
the service of winning over a group within the temple personnel to
the pro-Davidic cause, just as many of its other features were
designed to appeal to other interest groups within the assembly.
The issue of the so-called Elohistic Psalter has intrigued biblical
scholars since the rise of the historical-critical enterprise.
Scholars have attempted to discover why the name Elohim is used
almost exclusively within Pss 42-83, and in particular they have
attempted to identify the historical circumstances which explain
this phenomenon. Traditionally, an original Yhwh was understood to
have been replaced by Elohim. Nevertheless, throughout the modern
period there remains no convincing account for this data.However,
Frank-Lothar Hossfeld and the late Erich Zenger propose that the
use of the title Elohim is theologically motivated, and they
account for this phenomenon in their redaction-historical work.
This investigation builds upon their work (1) by integrating
insights from Dell Hymes, William Miles Foley, and Susan Niditch
with regard to oral-traditional cultures, and (2) by following the
text-linguistic approach of Eep Talstra and Christof Hardmeier and
listening to canonical texture as a faithful witness to Israel's
religious traditions. In building upon the work of Hossfeld and
Zenger, Wardlaw proposes that the name Elohim within the Psalms is
a theologically-laden term, and that its usage is related to
pentateuchal traditions. First, this study describes the
relationship between the book of Psalms and the Pentateuch (i.e.,
cohesion). Second, this study comments on the dating of the
pentateuchal materials within which the relevant phenomena are
found. Third, the semantic associations of the name Elohim are
identified, as well as their relation to usage within the Psalms.
Did Zechariah really see visions? This question cannot be
definitely answered, so the idea must remain a hypothesis. Here,
Tiemeyer shows that this hypothesis is nonetheless reasonable and
instrumental in shedding light on matters in Zechariah's vision
report that are otherwise unclear. Tracking through each verse of
the text, the key exegetical problems are covered, including the
topics of the distinction between visions and dreams, dream
classification, conflicting sources of evidence for dream
experiences, and rhetorical imagery as opposed to dream experience.
Further attention is focused on the transmission of the divine
message to Zechariah, with the key question raised of whether a
visual or oral impression is described. Tiemeyer's study further
demonstrates that Zech 1-6 depicts a three-tier reality. This
description seeks to convey the seer's visionary experience to his
readers. In a trance state, Zechariah communicates with the
Interpreting Angel, while also receiving glimpses of a deeper
reality known as the 'visionary world.'
Given the dearth of non-messianic interpretations of Psalm 110:1 in
non-Christian Second Temple Jewish texts, why did it become such a
widely used messianic prooftext in the New Testament and early
Christianity? Previous attempts to answer this question have
focused on why the earliest Christians first began to use Ps 110:1.
The result is that these proposals do not provide an adequate
explanation for why first century Christians living in the Greek
East employed the verse and also applied it to Jesus's exaltation.
I contend that two Greco-Roman politico-religious practices, royal
and imperial temple and throne sharing-which were cross-cultural
rewards that Greco-Roman communities bestowed on beneficent, pious,
and divinely approved rulers-contributed to the widespread use of
Ps 110:1 in earliest Christianity. This means that the earliest
Christians interpreted Jesus's heavenly session as messianic and
thus political, as well as religious, in nature.
It is imperative for every growing Christian to study the Bible. Volume one of this new series will enrich both the believer’s knowledge and life with its survey of the Old Testament.
Chapters conclude with projects, questions and exploration activities that not only test readers’ grasp of the materials but also provide opportunity for more detailed and intensive study.
This well-executed work does much to acquaint people with the Old Testament’s major divisions and its amazing unity as a whole–all of which can lead to a deeper faith.
It has been hard to categorise and identify the 'Wisdom psalms'
within the Psalter. Interpreters have produced different lists of
wisdom psalms of greatly varying lengths, and individual scholars
often change their choices over time. Cheung re-examines the issues
at stake in identifying this group of psalms in order to better
describe the configuration of this psalmic genre. Past scholarship
has failed to settle this issue because of the use of unfit
criteria and an ill-understood concept of genre. With the aid of
the concepts of 'family resemblance' and 'prototypes', this book
proposes to define 'wisdom psalms' as a psalm family which is
characterised by a wisdom-oriented constellation of its generic
features. Three such features are identified after a fresh
assessment of the most typical characteristics of 'wisdom
literature'. This proposed method is put to test in the extensive
study of seven psalms (37, 49, 73, 128, 32, 39, and 19) and the
three criteria are verified to be suitable descriptors of the
'wisdom psalm' family. Cheung also explores questions related to
the wisdom-cult disparity, Joban parallels as wisdom indicators,
and the wisdom-orientation of 'torah psalms'.
Study of the book of Isaiah has in recent times been strongly
marked by a tension between synchronic and diachronic approaches.
The first is favoured mainly by English-speaking, the second by
German-speaking scholars. Berges's book attempts to mediate between
the two poles, arguing that the final form analysis and the tracing
of the development of that form are deeply interdependent. This new
research paradigm is applied here to the entire text of the book of
Isaiah. Berges works consistently from the synchronic to the
diachronic and back again to the evolved synchronous final form.
Features that have been repeatedly observed-the cross-connections,
key word associations, resumption of themes, and especially the
bracketing of the book by chaps. 1 and 66-are traces of a
deliberate interweaving of various small compositions as well as of
larger literary redactions. The paradigm most suited to the book of
Isaiah in all its complexity is not that of one comprehensive
overall structure or final redaction, but that of smaller
compositions that build on one another, come into conversation with
one another, and, each in its own way, bring into play specific
contemporary problems. We should not force a common thematic
denominator on the book, but it becomes clear that Jerusalem and
Zion belong to the basic tenor of the book of Isaiah as it was
developed and refashioned through the centuries. The Book of
Isaiah: Its Composition and Final Form is translated by Millard C.
Lind from its German original, Das Buch Jesaja: Komposition und
Endgestalt (Freiburg: Herder, 1998).
The book of Ruth is one of the Bible's most enduring and beloved
stories. At first glance, the story appears to be a simple tale of
hardship and good fortune, but a close reading of the short book
yields wonderful new insights. Kirsten Nielsen's comments on the
book of Ruth paint a rich and subtle portrait of the characters
involved in the story. She carefully traces the many connections
between this biblical book and the wider context of other biblical
passages, including earlier stories such as the story of Judah and
Tamar, and later adaptations such as the Targum to Ruth. Nielsen
provides the reader an entry to this nuanced intertextual world.
Violence disturbs. And violent depictions, when encountered in the
biblical texts, are all the more disconcerting. Isaiah 63:1-6 is an
illustrative instance. The prophetic text presents the "Arriving
One" in gory details ('trampling down people'; 'pouring out their
lifeblood' v.6). Further, the introductory note that the Arriving
One is "coming from Edom" (cf. v.1) may suggest Israel's
unrelenting animosity towards Edom. These two themes: the "gory
depiction" and "coming from Edom" are addressed in this book.
Irudayaraj uses a social identity reading to show how Edom is
consistently pictured as Israel's proximate and yet 'other'-ed
entity. Approaching Edom as such thus helps situate the animosity
within a larger prophetic vision of identity construction in the
postexilic Third Isaian context. By adopting an iconographic
reading of Isaiah 63:1-6, Irudayaraj shows how the prophetic
portrayal of the 'Arriving One' in descriptions where it is clear
that the 'Arriving One' is a marginalised identity correlates with
the experiences of the "stooped" exiles (cf 51:14). He also
demonstrates that the text leaves behind emphatic affirmations
('mighty' and 'splendidly robed' cf. v.1; "alone" cf. v.3), by
which the relegated voice of the divine reasserts itself. It is in
this divine reassertion that the hope of the Isaian community's
reclamation of its own identity rests.
Since James Barr's work in the 1960s, the challenge for Hebrew
scholars has been to continue to apply the insights of linguistic
semantics to the study of biblical Hebrew. This book begins by
describing a range of approaches to semantic and grammatical
analysis, including structural semantics, cognitive linguistics and
cognitive metaphors, frame semantics, and William Croft's Radical
Construction Grammar. It then seeks to integrate these, formulating
a dynamic approach to lexical semantic analysis based on conceptual
frames, using corpus annotation. The model is applied to biblical
Hebrew in a detailed study of a family of words related to
"exploring," "searching," and "seeking." The results demonstrate
the value and potential of cognitive, frame-based approaches to
biblical Hebrew lexicology.
The theme of this volume in honour of Eep Talstra is 'Tradition and
Innovation in Biblical Interpretation', with an emphasis on the
innovative role of computer-assisted textual analysis. It focusses
on the role of tradition in biblical interpretation and of the
innovations brought about by ICT in reconsidering existing
interpretations of texts, grammatical concepts, and lexicographic
practices. Questions addressed include: How does the role of
exegesis as the 'clarification of one's own tradition, in order to
understand choices and preferences' (Talstra) relate to the
critical role which Scripture has towards this tradition? How does
the indebtedness to tradition of computer-driven philology relate
to its innovative character? And how does computer-assisted
analysis of the biblical texts lead to new research methods and
results?
Working from the conviction that Genesis can be read as a coherent
whole, this commentary foregrounds the sophistication of Hebrew
narrative art, in particular its depiction of plot and character,
and the interpretative possibilities raised by its intertextuality.
Apparently simple and independent episodes emerge as complex and
interconnected, constantly challenging readers to readjust their
assessments of characters and expectations of plot development.
Approaching the text predominantly from a 'first-time' reader's
perspective, the narrative's surprises, ironies and innovations are
underscored.
"The Book of Job in Form" presents to the reader a platform for a
personal and intensive encounter with a great work of art. Its
bilingual centre offers the text in Hebrew and English, and shows
the forty poems in their original form, in 412 strophes and 165
stanzas. The commentary points out how these proportions and the
remarkable precision of the poet (who counted syllables on all text
levels) affect the thematics of the book, so that the portrait of
the hero can be redrawn; his stubbornly defended integrity meets
vindication and his last words, generally misunderstood, require a
positive understanding. The poetry and its slim framework in prose
are a unified composition which deserves a synchronic approach.
This book discusses the ethically problematic passages of the
Hebrew Bible and the way scholars have addressed aspects of the
bible generally regarded as offensive and unacceptable. In this
work Eryl W. Davies sums up a career's worth of in-depth reflection
on the thorny issue of biblical ethics examining the bible's, at
times problematic, stance upon slavery, polygamy and perhaps its
most troublesome aspect, the sanctioning of violence and warfare.
This is most pertinent in respect to "Joshua" 6-11 a text which
lauds the 'holy war' of the Israelites, anihiliting the native
inhabitants of Canaan, and a text which has been used to legitimise
the actions of white colonists in North America, the Boers in South
Africa and right-wing Zionists in modern Israel. Davies begins with
an introductory chapter assessing all these aspects, he then
provides five chapters, each devoted to a particular strategy aimed
at mitigating the embarrassment caused by the presence of such
problematic texts within the canon. In order to focus discussion
each strategy is linked by to "Joshua" 6-11. A final chapter draws
the threads of the arguments together and suggests the most
promising areas for the future development of the discipline.
The biblical-theological approach Boda takes in this work is
canonical-thematic, tracing the presentation of the theology of sin
and its remedy in the canonical form and shape of the Old
Testament. The hermeneutical foundations for this enterprise have
been laid by others in past decades, especially by Brevard Childs
in his groundbreaking work. But A Severe Mercy also reflects recent
approaches to integrating biblical understanding with other
methodologies in addition to Childs's. Thus, it enters the
imaginative space of the ancient canon of the Old Testament in
order to highlight the "word views" and "literary shapes" of the
"texts taken individually and as a whole collection." For the
literary shape of the individual texts, it places the "word views"
of the dominant expressions and images, as well as various
passages, in the larger context of the biblical books in which they
are found. For the literary shape of the texts as a collection, it
identifies key subthemes and traces their development through the
Old Testament canon. The breadth of Boda's study is both
challenging and courageous, resulting in the first comprehensive
examination of the topic in the 21st century.
Catherine McDowell presents a detailed and insightful analysis of
the creation of adam in Gen 2:5-3:24 in light of the Mesopotamian
mis pi pit pi ("washing of the mouth, opening of the mouth") and
the Egyptian wpt-r (opening of the mouth) rituals for the creation
of a divine image. Parallels between the mouth washing and opening
rituals and the Eden story suggest that the biblical author was
comparing and contrasting human creation with the ritual creation,
animation, and installation of a cult statue in order to redefine
selem 'elohim as a human being-the living likeness of God tending
and serving in the sacred garden. McDowell also considers the
explicit image and likeness language in Gen 1:26-27. Drawing from
biblical and extrabiblical texts, she demonstrates that selem and
demut define the divine-human relationship, first and foremost, in
terms of kinship. To be created in the image and likeness of Elohim
was to be, metaphorically speaking, God's royal sons and daughters.
While these royal qualities are explicit in Gen 1, McDowell
persuasively argues that kinship is the primary metaphor Gen 1 uses
to define humanity and its relationship to God. Further, she
discusses critical issues, noting the problems inherent in the
traditional views on the dating and authorship of Gen 1-3, and the
relationship between the two creation accounts. Through a careful
study of the toledot in Genesis, she demonstrates that Gen 2:4
serves as both a hinge and a "telescope": the creation of humanity
in Gen 2:5-3:24 should be understood as a detailed account of the
events of Day 6 in Gen 1. When Gen 1-3 are read together, as the
final redactor intended, these texts redefine the divine-human
relationship using three significant and theologically laden
categories: kinship, kingship, and cult. Thus, they provide an
important lens through which to view the relationship between God
and humanity as presented in the rest of the Bible.
Attempts to reconstruct the compositional history of the book of
Isaiah confine themselves mainly to chapters 1-12 and 28-39,
supposed to shroud the basic core of any early collection of
Isaianic texts. Other investigations which verge on the group of
prophecies concerning the nations in Isa 13-23 rarely delve into
exegetical details to the extent that the reader of Isaiah would
feel convinced to stand here on familiar grounds. Even others,
overtly restricted to a small pericope inside Isa 13-23, often
neglect the significance of this larger context. This book provides
a thorough analysis of Isaiah 18-20, concerned with Egypt and Kush,
from the earliest stages to their final contextualisation within
the developing corpus of the Isaianic prophecies regarding the
nations.
In Hebrew Lexical Semantics and Daily Life in Ancient Israel,
Kurtis Peters hitches the world of Biblical Studies to that of
modern linguistic research. Often the insights of linguistics do
not appear in the study of Biblical Hebrew, and if they do, the
theory remains esoteric. Peters finds a way to maintain linguistic
integrity and yet simplify cognitive linguistic methods to provide
non-specialists an access point. By employing a cognitive approach
one can coordinate the world of the biblical text with the world of
its surroundings. The language of cooking affords such a
possibility - Peters evaluates not only the words or lexemes
related to cooking in the Hebrew Bible, but also the world of
cooking as excavated by archaeology.
The biblical book of Job is a timeless text that relates a story of
intense human suffering, abandonment, and eventual redemption. It
is a tale of profound theological, philosophical, and existential
significance that has captured the imaginations of auditors,
exegetes, artists, religious leaders, poets, preachers, and
teachers throughout the centuries. This original volume provides an
introduction to the wide range of interpretations and
representations of Job-both the scriptural book and its righteous
protagonist-produced in the medieval Christian West. The essays
gathered here treat not only exegetical and theological works such
as Gregory's Moralia and the literal commentaries of Thomas Aquinas
and Nicholas of Lyra, but also poetry and works of art that have
Job as their subject.
This volume fills an important lacuna in the study of the Hebrew
Bible by providing the first comprehensive treatment of
intertextuality in Job, in which essays will address intertextual
resonances between Job and texts in all three divisions of the
Hebrew canon, along with non-canonical texts throughout history,
from the ancient Near East to modern literature. Though
comprehensive, this study will not be exhaustive, but will invite
further study into connections between Job and these texts, few of
which have previously been explored systematically. Thus, the
volume's impact will reach beyond Job to each of the 'intertexts'
the articles address. As a multi-authored volume that gathers
together scholars with expertise on this diverse array of texts,
the range of discussion is wide. The contributors have been
encouraged to pursue the intertextual approach that best suits
their topic, thereby offering readers a valuable collection of
intertextual case studies addressing a single text. No study quite
like this has yet been published, so it will also provide a
framework for future intertextual studies of other biblical texts.
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