Evolutionary science teaches that humans arose as a population, sharing common ancestors with other animals. Most readers of the book of Genesis in the past understood all humans descended from Adam and Eve, a couple specially created by God. These two teachings seem contradictory, but is that necessarily so? In the fractured conversation of human origins, can new insight guide us to solid ground in both science and theology? In The Genealogical Adam and Eve, S. Joshua Swamidass tests a scientific hypothesis: What if the traditional account is somehow true, with the origins of Adam and Eve taking place alongside evolution? Building on well-established but overlooked science, Swamidass explains how it's possible for Adam and Eve to be rightly identified as the ancestors of everyone. His analysis opens up new possibilities for understanding Adam and Eve, consistent both with current scientific consensus and with traditional readings of Scripture. These new possibilities open a conversation about what it means to be human. In this book, Swamidass untangles several misunderstandings about the words human and ancestry, in both science and theology explains how genetic and genealogical ancestry are different, and how universal genealogical ancestry creates a new opportunity for rapprochement explores implications of genealogical ancestry for the theology of the image of God, the fall, and people "outside the garden" Some think Adam and Eve are a myth. Some think evolution is a myth. Either way, the best available science opens up space to engage larger questions together. In this bold exploration, Swamidass charts a new way forward for peace between mainstream science and the Christian faith.

This collection of eighteen essays addresses critical theological and ethical issues in the book of Job: (1) Prologue: From Eden to Uz; (2) Job and His Friends: "What Provokes You that You Keep on Talking?"; (3) Job and the Priests: "Look At Me and Be Appalled;" (4) Traumatizing Job: "God Has Worn Me Out;" (5) Out of the Whirlwind: "Can You Thunder with A Voice Like God's?"; (6) Preaching Job and Job's God: "Listen Carefully to My Words;" (7) Epilogue: "All's Well That Ends Well" ... or Is it? The lead essay raises the question that lingers over the entire book: What are we to think of a God who is complicit in the death of seven sons and three daughters "for no reason"?

In prophetic and poetic literature of the Old Testament references to textual participants are inconsistent with regard to their gender, number and person characteristics. Oliver Glanz for the first time provides a systematic study of the phenomenon of participant-reference shifts. The study is restricted to the book of Jeremiah and reflects upon the methodological conditions that should guide the analysis of participant-reference shifts. Focusing on computer assisted pattern recognition the research suggests that Jeremiah's participant-reference shifts should not be understood from a diachronic perspective. Understanding the origin and function of participant-reference shifts rather from the perspective of syntax, text grammar and rhetorics proves to be more consistent with the textual evidence. With this insight participant-reference shifts no longer have to distort textual coherence.

Walter Brueggemann has been one of the leading voices in Hebrew Bible interpretation for decades. His landmark works in Old Testament theology have inspired and informed a generation of students, scholars, and preachers. These chapters gather his recent addresses and essays, never published before, drawn from all three parts of the Hebrew Bible-Torah, prophets, and writings-and addressing the role of the Hebrew canon in the life of the church. Brueggemann turns his critical erudition to those practices-prophecy, lament, prayer, faithful imagination, and a holy economics-that alone may usher in a humane and peaceful future for our cities and our world, in defiance of the most ruthless aspects of capitalism, the arrogance of militarism, and the disciplines of the national security state.

In The Qumran Manuscripts of Lamentations: A Text-Critical Study, the first large-scale investigation of the topic, Gideon Kotze establishes how the four Lamentations manuscripts from Qumran present the content of the biblical book. Kotze takes as his point of departure the contributions of the Dead Sea scrolls to the discipline of Old Testament textual criticism and treats the Qumran manuscripts of Lamentations, the Masoretic text and the ancient translations as witnesses to the content of the book and not only as witnesses to earlier forms of its Hebrew text. By focusing the analysis on variant readings and textual difficulties, the study arrives at a better understanding of these manuscripts as representatives of both the text and the content of Lamentations.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Jewish and early Christian authors discussed Abraham in numerous and diverse ways, adapting his Old Testament narratives and using Abrahamic imagery in their works. However, while some areas of study in Abrahamic texts have received much scholarly attention, other areas remain nearly untouched. Beginning with a perspective on how Abraham was used within Jewish literature, this collection of essays follows the impact of Abraham across biblical texts-including Pseudigraphic and Apocryphal texts - into early Greek, Latin and Gnostic literature. These essays build upon existing Abraham scholarship, by discussing Abraham in less explored areas such as rewritten scripture, Philo of Alexandria, Josephus, the Apostolic Fathers and contemporary Greek and Latin authors. Through the presentation of a more thorough outline of the impact of the figure and stories of Abraham, the contributors to this volume create a concise and complete idea of how his narrative was employed throughout the centuries, and how ancient authors adopted and adapted received traditions.

Micah Kiel discusses the overly simplistic nomenclature ('Deuteronomistic') given to Tobit's perspective on retribution and attempts to show, by coordinating it with Sirach and parts of 1 Enoch, how the book's view is much more complex than is normally asserted. Kiel argues that the return of Tobit's sight is a catalyst that ushers in new theological insight, specifically, that the world does not run to the tightly mechanized scheme of act and consequence. Kiel's close comparison between Tobit and selected contemporaneous literature provides context and support for such narrative observations. Sirach and parts of 1 Enoch demonstrate how authors at the time of Tobit were expressing their views of retribution in the realm of creation theology. The created order in Tobit is unruly and rises up in opposition to God's righteous characters. By way of this quirky tale, the author of Tobit suggests that God does not function strictly according to old formulae. Instead, a divine incursion into human reality is necessary for the reversal of suffering.

The Qumran discoveries have demonstrated that much of the earliest interpretation of Hebrew Scripture was accomplished through rewriting: production of revised editions of biblical books, or composition of new works drawing heavily upon Scripture for their organization and content. This study advances our understanding of the nature and purpose of such rewriting of Scripture by examining the compositional methods and interpretive goals of the five Reworked Pentateuch manuscripts from Qumran Cave 4 (4Q158, 364 367). This analysis, along with a comparison of the 4QReworked Pentateuch manuscripts to the Samaritan Pentateuch and the Temple Scroll, provides a clearer picture of how early Jewish communities read, transmitted, and transformed their sacred textual traditions.

A neglected area of study of the letter to the Hebrews is the function of the Old Testament in the letter's logic. Compton addresses this neglect by looking at two other ideas that have themselves received too little attention, namely (1) the unique and fundamental semantic contribution of Hebrews' exposition (vis-a-vis its exhortation) and (2) the prominence of Ps 110 in the author's exposition. The conclusion becomes clear that Hebrews' exposition-its theological argument-turns, in large part, on successive inferences drawn from Ps 110:1 and 4. Compton observes that the author uses the text in the first part of his exposition to (1) interpret Jesus' resurrection as his messianic enthronement, (2) connect Jesus' enthronement with his fulfillment of Ps 8's vision for humanity and, thus, (3) begin to explain why Jesus was enthroned through suffering. In the second and third parts of his exposition, the author uses the text to corroborate the narrative initially sketched. Thus, he uses the text to (1) show that messiah was expected to be a superior priest and, moreover, (2) show that this messianic priest was expected to solve the human problem through death.

The Book of Job is one of the most celebrated pieces of biblical literature, probing profound questions about faith. It is a beautifully written work, combining two literary forms, framing forty chapters of verse between two and a half chapters of prose at the beginning and the end. The Book of Job is presented here in five different versions: The King James Version, Douay-Rheims, The American Standard, Bible in Basic English and the Webster Bible Version.

In Hollow Men, Strange Women, Robin Baker provides a masterly reappraisal of Israel's experience during its Settlement of Canaan as narrated in the Book of Judges. Written under Assyrian suzerainty in the reign of Manasseh, Judges is both a theological commentary on the Settlement and an esoteric work of prophecy. Its apparent historicity subtly encrypts a grim forewarning of Judah's future, and, in its extensive treatment of otherness, Judges explores the meaning of God's covenant with Israel. Robin Baker's scholarly and perceptive reading draws on a deep understanding of ancient Hebrew and Mesopotamian symbolic codes to interpret the riddles in this many-layered text. The Book of Judges reveals complex literary configurations from which past, present, and future are simultaneously presented.

King Jehoiachin, the last Judahite king exiled to Babylon, became the focus of conflicting hopes and fears about a revived Davidic kingship after the exile. As Sensenig demonstrates, this conflict stemmed from a drastic oracle from Jeremiah that seemed to categorically reject Jehoiachin, while the canon records that he not only survived but thrived in exile.

A translation by David E. Orton of Die Klagegedichte des Jeremia, the seminal work by Walter Baumgartner examining the so-called 'confessions' of Jeremiah.

Across the pages of 2 Chronicles a colourful cast of characters passes in breathless parade before the reader. The tales of the kings of Judah are told in sequence, from Rehoboam 'the Enlarger' (who on the contrary shrinks the kingdom) to Zedekiah 'the Righteous' (who equally contrariwise profanes the divine name). These motley monarchs are preceded by the unparalleled King Solomon of All Israel and succeeded by the imperial King Cyrus of Persia, and all the while the tellers of the tales weave an insistent ideological thread through the fabric of their stories. John Jarick's reading of Chronicles brings out the fascination and discomfort of handling an ancient scroll that presents itself as the authoritative account of how things were and how they ought to be.

"A Mechanical Translation of the Book of Exodus" is the second book in the Mechanical Translation of the Hebrew Bible series which literally translates the book of Exodus using the "Mechanical Translation" methodology and philosophy. This new and unique style of translation will allow a reader who has no background in Hebrew to see the text from an Hebraic perspective, without the interjection of a translator's theological opinions and bias. Because the translation method identifies the morphology of each Hebrew word it is also a tool for those who are learning to read Biblical Hebrew. Book Features: The Hebrew text of Exodus and a transliteration of the text into Roman characters. * The Mechanical Translation, which translates each Hebrew word, prefix and suffix exactly the same way it occurs in the text, and in the same word order as found in the Hebrew. * The Revised Mechanical Translation, which rearranges the words of the Mechanical Translation so that it can be understood by the average reader who does not understand Hebrew syntax. * About five hundred footnotes on the Hebrew grammar, idioms, alternate translations and meanings of specific words and phrases. * A dictionary and concordance for each word used in the Mechanical Translation. * Several appendices detailing specific word and phrase translations.

The divine warrior is an important motif in the Old Testament, leading many to study profitably the motif in its most prominent manifestations in poetic texts. This study builds on that foundation by examining the divine warrior in detail in the exodus narrative to construct a broader picture of the motif in the Old Testament.

In this book Barbara Green demonstrates how David is shown and can be read as emerging from a young naive, whose early successes grow into a tendency for actions of contempt and arrogance, of blindness and even cruelty, particularly in matters of cult. However, Green also shows that over time David moves closer to the demeanor and actions of wise compassion, more closely aligned with God. Leaving aside questions of historicity as basically undecidable Green's focus in her approach to the material is on contemporary literature. Green reads the David story in order, applying seven specific tools which she names, describes and exemplifies as she interprets the text. She also uses relevant hermeneutical theory, specifically a bridge between general hermeneutics and the specific challenges of the individual (and socially located) reader. As a result, Green argues that characters in the David narrative can proffer occasions for insight, wisdom, and compassion. Acknowledging the unlikelihood that characters like David and his peers, steeped in patriarchy and power, can be shown to learn and extend wise compassion, Green is careful to make explicit her reading strategies and offer space for dialogue and disagreement.

The chapters in this volume clarify crucial aspects of Torah by exploring its relationship to sedaqa (righteousness). Observing the Torah is often considered to be the main identity-marker of Israel in the post-exilic period. However, sedaqa is also widely used as a force of group cohesion and as a resource for ethics without references to torah. The contributors to this volume explore these crucial themes for the post-exilic period, and show how they are related in the key texts that feature them. Though torah and sedaqa can have some aspects in common, especially when they are amended by aspects of creation, both terms are rarely linked to each other explicitly in the Old Testament, and if so, different relations are expressed. These are examined in this book. The opening of the book of Isaiah is shown to integrate torah-learning into a life of righteousness (sedaqa). In Deuteronomy sedaqa is shown to refer to torah-dictacticism, and in the books of Ezra and Nehemiah torah can be understood as symbol of sedaqa meaning the disposition of each individual to accept torah as prescriptive law. However, the chapters also show that these relationships are not exclusive and that sedaqa is not always linked to torah, for in late texts of Isaiah sedaqa is not realized by torah-observance, but by observing the Sabbath.

The book of Hebrews has often been the Cinderella of the New Testament, overlooked and marginalized; and yet it is one of the most interesting and theologically significant books in the New Testament. A Cloud of Witness examines the theology of the book in the light of its ancient historical context. There are chapters devoted to the structure of Hebrews, the person of Jesus Christ, Hebrews within the context of Second Temple Judaism and the Greco-Roman empire and the role of Hebrews in early Christian thought.

This book deals with Bible translation and its development from Antiquity to the Reformation. Helen Kraus compares and analyses those translated passages in Genesis 1-4 that deal with the male-female dynamic, tracing linguistic and ideological processes and seeking to determine the extent of interaction between contemporary culture and translation. In response to the challenge of late 20th-century 'second wave' feminist scholarship, Kraus considers the degree and development of androcentricity in these passages in both Hebrew and translated texts. The study is therefore something of a hybrid, comprising exegesis, literary criticism and reception history, and draws together a number of hitherto discrete approaches. After an introduction to the problems of translation, and exegesis of the Hebrew text, five translations are examined: The Septuagint (the first Greek translation, thought to date from the 3rd century BCE), Jerome's 4th-century CE Latin Vulgate version, Luther's pioneering German vernacular Bible of 1523, the English Authorized Version (1611), and the Dutch State Bible (1637). A brief study of contemporary culture precedes each exegetical section that compares translation with the Hebrew text. Results of the investigation point to the Hebrew text showing significant androcentricity, with the Septuagint, possibly influenced by Greek philosophy, emphasizing the patriarchal elements. This trend persists through the Vulgate and even Luther's Bible - though less so in the English and Dutch versions - and suggests that the translators are at least partly responsible for an androcentric text becoming the justification for the oppression of women.

In The Song of Songs in the Early Middle Ages, Hannah W. Matis examines how the Song of Songs, the collection of Hebrew love poetry, was understood in the Latin West as an allegory of Christ and the church. This reading of the biblical text was passed down via the patristic tradition, established by the Venerable Bede, and promoted by the chief architects of the Carolingian reform. Throughout the ninth century, the Song of Songs became a text that Carolingian churchmen used to think about the nature of Christ and to conceptualize their own roles and duties within the church. This study examines the many different ways that the Song of Songs was read within its early medieval historical context.