In this book Helen Paynter offers a radical re-evalution of the central section of Kings. Reading with attention to the literary devices of carnivalization and mirroring, she demonstrates that it contains a florid satire on kings, prophets and nations. Building on the work of humorists, literary critics and biblical scholars, the author constructs diagnostic criteria for carnivalization (seriocomedy), and identifies an abundance of these features within the Elijah/Elisha and Aram narratives, showing how literary mirroring further enhances their satirical effect. This book will be of particular interest to students and scholars concerned with the Hebrew Bible as literature but will be valued by those who favour more historical approaches for its insights into the Hebrew text.

Biblical Reception is rapidly becoming the go-to annual publication for all matters related to the reception of the bible. The annual addresses all kinds of use of the bible in art, music, literature, film and popular culture, as well as in the history of interpretation. For this fourth edition of the annual, guest editor David Tollerton has commissioned pieces specifically on the use of the bible in one film: Exodus: Gods and Kings and these chapters consider how the film uses the bible, and how the bible functions within the film.

For almost 3000 years the story of Jonah has intrigued, amused,inspired, encouraged, a,d challenged people of faith. This timeless story about one imperfect, complex man and his difficult relationship with God continues to engage contemporary audiences. Jonah enjoys a unique place in salvation history. His life reprises the actions of key Old Testament figures and also points forward to the New Testament and the coming Messiah. Jonah's story is a beautiful, complex, artfully crafted, work of minimalist literature which speaks a profound and resounding message of grace that still captures the human heart. This book is designed to facilitate a 40 day, shared journey through the book of Jonah. The radical revelation of the book of Jonah is that God's grace is wild. It refuses all human attempts to tame, domesticate, or restrain it. This grace continually bursts forth, in the most unexpected of places,and reaches out to the most unlikely of people.

The social and intellectual context of the material in the book of Proverbs has given rise to several proposals concerning the nature of the constituent compendia within the document as well as the function of the discourse as a whole. In light of the problems inherent in an investigation of the nature and function of Proverbs, the present study focuses on the social dimensions of the document within its distinct, literary context. That is, the study attempts to examine the nature and function of the sapiential material within its new performance context, viz., the discursive context, the Sitz im Buch. This form of analysis moves beyond the investigation of individual aphorisms to provide a concrete context through which to view the various components of the discourse as well as the discourse as a whole. In the main, the study explores the formal, discursive, and thematic features of the constituent collections within the book of Proverbs in order to identify the nature and function of the work. More specifically, the study highlights the fundamental features of the book's discourse setting, the thematic development of the material, the ethos of the individual collections and their role within Proverbs in order to ascertain the degree to which the document may be considered a courtly piece.

Many scholars have approached both the origins of ancient city laments in some of the oldest Sumerian texts and how this "genre" found its way into the Tanakh/Old Testament. Randall Heskett goes a step further. He uses both historical criticism and a form-critical approach to analyze and assess "Lamentation and Restoration of Destroyed Cities" as oral traditions of ancient Israelite prophetic genres. He also shows how a later exilic/post-exilic redactional framework may have semantically transformed older prophetic genres about destruction and restoration to be reflexes of the events around 587 BCE.

Most studies of the history of interpretation of Song of Songs focus on its interpretation from late antiquity to modernity. In My Perfect One, Jonathan Kaplan examines earlier rabbinic interpretation of this work by investigating an underappreciated collection of works of rabbinic literature from the first few centuries of the Common Era, known as the tannaitic midrashim. In a departure from earlier scholarship that too quickly classified rabbinic interpretation of Song of Songs as allegorical, Kaplan advocates a more nuanced understanding of the approach of the early sages, who read Song of Songs employing typological interpretation in order to correlate Scripture with exemplary events in Israel's history. Throughout the book Kaplan explores ways in which this portrayal helped shape a model vision of rabbinic piety as well as an idealized portrayal of their beloved, God, in the wake of the destruction, dislocation, and loss the Jewish community experienced in the first two centuries of the Common Era. The archetypal language of Song of Songs provided, as Kaplan argues, a textual landscape in which to imagine an idyllic construction of Israel's relationship to her beloved, marked by mutual devotion and fidelity. Through this approach to Song of Songs, the Tannaim helped lay the foundations for later Jewish thought of a robust theology of intimacy in God's relationship with the Jewish people.

Ezekiel is one of the best-structured books in the Old Testament. It is commonly recognized that the strongly interrelated vision accounts (Ez 1:1-3:15; 8-11; 37:1-14; 40-48) contribute greatly to this impression of unity. However, there is a marked lacuna in publications focusing on the vision accounts in Ezekiel as an interconnected text corpus. The present study combines redaction-critical analysis with literary methods that are typically used in a synchronic approach. Drawing on the paradigm of Fortschreibung, it is the first to present a united redaction history that takes into account the growing interconnections and dependencies between the vision accounts. Building on these results, the second part follows the development of selected themes, such as the relationships between characters, the roles of intermediate figures and anthropological and theological implications, throughout the stages of redaction. The study thus represents an important step towards an understanding of the complex redaction history of the book of Ezekiel, and indeed of its theology. The combination of diachronic and synchronic methods makes it relevant for scholars of both directions and is itself a methodological statement.

Since James Barr's work in the 1960s, the challenge for Hebrew scholars has been to continue to apply the insights of linguistic semantics to the study of biblical Hebrew. This book begins by describing a range of approaches to semantic and grammatical analysis, including structural semantics, cognitive linguistics and cognitive metaphors, frame semantics, and William Croft's Radical Construction Grammar. It then seeks to integrate these, formulating a dynamic approach to lexical semantic analysis based on conceptual frames, using corpus annotation. The model is applied to biblical Hebrew in a detailed study of a family of words related to "exploring," "searching," and "seeking." The results demonstrate the value and potential of cognitive, frame-based approaches to biblical Hebrew lexicology.

To whom is Moses speaking in Deuteronomy? This question is controversial in OT scholarship. Some passages in Deuteronomy indicate that Moses is addressing the first exodus generation that witnessed Horeb (Deut 5:3-4), while other passages point to the second exodus generation that survived the wilderness (Deut 1:35; 2:14-16). Redaction critics such as Thomas Roemer and John Van Seters view the chronological problems in Deuteronomy as evidence of multiple tradition layers. Although other scholars have suggested that Deuteronomy's conflation of chronology is a rhetorical move to unify Israel's generations, no analysis has thus far explored in detail how the blending of "you" and the "fathers" functions as a rhetorical device. However, a rhetorical approach to the "fathers" is especially appropriate in light of three features of Deuteronomy. First, a rhetorical approach recognizes that the repetitiveness of the Deuteronomic style is a homiletical strategy designed to inculcate the audience with memory. The book is shot through with exhortations for Israel to remember the past. Second, a rhetorical approach recognizes that collective memory entails the transformation of the past through actualization for the present. Third, a rhetorical approach to Deuteronomy accords well with the book's self-presentation as "the words that Moses spoke" (1:1). The book of Deuteronomy assumes a canonical posture by embedding the means of its own oral and written propagation, thereby ensuring that the voice of Moses speaking in the book of Deuteronomy resounds in Israel's ears as a perpetually authoritative speech-act. The Rhetoric of Remembrance demonstrates that Deuteronomy depicts the corporate solidarity of Israel in the land promised to the "fathers" (part 1), under the sovereignty of the same "God of the fathers" across the nation's history (part 2), as governed by a timeless covenant of the "fathers" between YHWH and his people (part 3). In the narrative world of Deuteronomy, the "fathers" begin as the patriarchs, while frequently scrolling forward in time to include every generation that has received YHWH's promises but nonetheless continues to await their fulfillment. Hwang's study is an insightful, innovative approach that addresses crucial aspects of the Deuteronomic style with a view to the theological effect of that style. Jerry Hwang (Ph.D., Wheaton College) serves as Assistant Professor of Old Testament at Singapore Bible College.

The volume brings together eight new essays on Amos, which focus on a range of issues within the book. They represent a number of different approaches to the text from the text-critical to teh psychoanalytical, and from composition to reception. Arising out of a symposium to honour John Barton for his 60th birthday, the essays all respond, either directly or indirectly, to his Amos's Oracles Against the Nations, and to his lifelong concern with both ethics and method in biblical study.

Weariness. Wonder. Joy. Longing. Anger. These are the feelings of the Psalms: honest expressions of pain and joy penned by real people in the midst of real life circumstances. Though they were written centuries ago, the Psalms still resonate deeply with us today, giving voice to our thoughts and longings: "Out of the depths I cry to you, O LORD." (Psalm 130:1) "God is our refuge and strength, an ever-present help in trouble." (Psalm 46:1) "As the deer pants for streams of water, so my soul pants for you, O God." (Psalm 84:2) In Learning to Pray Through the Psalms, James W. Sire teaches us to take our appreciation for this rich book of Scripture a step further. Choosing ten specific psalms, Sire offers background information that helps us read each one with deeper insight and then lays out a meditative, step-by-step approach to using the psalmists' words as a guide for our own personal conversation with God. A group study is also included in each chapter, along with a guide for praying through the psalm in community. The Lord loves when his people pray. And his Word is a powerful tool for framing honest, intimate prayers. Sire's innovative approach will enrich our minds and our souls as we read more perceptively and pray with all of our emotions.

This monograph on biblical linguistics is a highly specialized, pragmatic investigation of the controversial question of 'foregrounding' - the deviation from some norm or convention - in Old Testament narratives. The author presents and examines the two main sources of pragmatic foregrounding: events or states deviating from well-established schemata, structures of reader expectation that can be manipulated by the narrator to highlight specific 'chunks' of discourse; and evaluative devices, which are used by the narrator to indicate to the reader the point of the story and direct its interpretation. Cotrozzi critiques the particular evaluative device known as the 'historic present', a narrative strategy that employs the present tense to describe past event. He tests two main theories that support this device by using a cross-linguistic model of the historical present drawing upon a variety of languages. Cotrozzi ultimately refutes these theories with a thorough examination and detailed refutation. He concludes with a study of a particular Hebraic verb as a particular marker of represented perception, a technique whereby the character's perceptions are expressed directly from its point of view. Over the last 30 years this pioneering series has established an unrivaled reputation for cutting-edge international scholarship in Biblical Studies and has attracted leading authors and editors in the field. The series takes many original and creative approaches to its subjects, including innovative work from historical and theological perspectives, social-scientific and literary theory, and more recent developments in cultural studies and reception history.

The less-discussed character in the Bible is the woman: two talking animals therein have sometimes received more page space. This volume shines the light of close scrutiny in the less-trodden direction and focuses on biblical and allied women, or on the feminine side of Creation. Biblical women are compared to mythical characters from the wider Middle East or from contemporary literature, and feminist/womanist perspectives are discussed alongside traditional and theological perspectives.

This book studies how wisdom ideas in Genesis 37-50 relate to the themes and motifs that emerge from the Abrahamic promises. While the Joseph narrative is not simply a wisdom tale, there appear to be many features that are suggestive of wisdom. A literary reading of the chapters examines how these 'wisdom-like elements' relate to the story as a whole. Chapter 37 establishes that God will cause Joseph to rise to prominence. The intriguing story of Tamar in chapter 38 is seen as a kind of microcosm of the entire Joseph story. Joseph's public use of wisdom is considered in chapters 39-41, where he uses power successfully and with discernment. Joseph's private use of wisdom occupies chapters 42-45. Chapters 46-50 complete the story by weaving the concerns of the previous chapters into the fabric of God's purposes for his covenant people. In the final form of the narrative, both the wisdom and the covenant strands are seen to be prominent. The covenant strand is reflected in the connections forged with the rest of Genesis and the wider Pentateuch. The wisdom strand is evident in the public and private arenas, as well as in Joseph's tested character. God's behind-the-scenes activity, coupled with human initiatives, emerges as another 'wisdom-like element.' Both covenant and wisdom retain their distinctive contributions and are complimentary ways of God's establishing his active rule. God uses wise human initiatives to accomplish his overarching purposes.

A modern reader studying biblical narratives encounters various literary approaches and ways of understanding interpretive concepts. Hence an attempt to put forward a comprehensive hermeneutical model of reading biblical narratives. Such a model should aim at a synthesis of various approaches, and show how they are interrelated. The book proposes a hermeneutical theory which uses modern approaches to literary texts for the exegesis of biblical narratives. The book discusses three spheres of the reader's knowledge about reality: immanent, narrative, and transcendental. The move from immanent to transcendental knowledge through the mediation of narrative knowledge results from the mediatory role played by the biblical text, which refers the reader to a transcendent reality. This theory is then applied to the exegesis of Genesis 21:1-21, and involves the evaluation of the New Criticism, rhetorical criticism, structuralism and narrative analysis, reader-response criticism, the historical-critical method, as well as deconstruction. In order to satisfy the postulate of pluralism in interpretation, the hermeneutical theory draws upon a variety of ancient and modern sources such as Aristotle, T. S. Eliot, Hans Urs von Balthasar, and Paul Ricoeur.

The prevalence of evil and violence in the world is a growing focus of scholarly attention, especially violence done in the name of religion and violence found within the pages of the Old Testament. Many atheists consider this reason enough to reject the notion of a supreme deity. Some Christians attempt to exonerate God by reinterpreting problematic passages or by prioritizing portrayals of God's nonviolence. Other Christians have begun to respond to violence in the Old Testament by questioning the nature of the text itself, though not rejecting belief in a good God. Wrestling with the Violence of God: Soundings in the Old Testament is a response to these challenging issues. The chapters in this volume present empathetic, holistic, and methodologically responsible readings of the Old Testament as Christian Scripture. Contributors from different nationalities, religious traditions, and educational institutions come together to address representative biblical material that depicts violence. Chapters address explicit portrayals of divine violence, human responses to violence of God and violence in the world, alternative understandings of supposedly violent texts, and a hopeful future in which violence is no more. Rather than attempt to offer a conclusive answer to the issue, this volume constructively contributes to the ongoing discussion.

Solomon is one of the more complex and fascinating characters in the history of Israel. As a king he is second only to David. As the king who gave Israel its temple he is unsurpassed. As the prototype of the sage his name lives on in numerous biblical and non-biblical writings. As the magician of later tradition he has established himself as a model for many other aspirants in this field. This volume contains the proceedings of an international conference on Solomon that was held at the Faculty of Theology and Religious Studies of the University of Leuven, September 30 October 2, 2009 and discussed various aspects of this multifaced character as he appears in Jewish, early Christian, and Islamic tradition.